Prototype. Part 2

A few minutes later Adrienne got up to change into shorts and a T-s.h.i.+rt. They breakfasted on the back patio, grapefruit juice and day-old m.u.f.fins from a favorite bakery. When Sarah returned to her chair in the front room and her book - an autobiographical account of a j.a.panese woman's transition and adjustment to life under the thumb of American culture - Adrienne showered away the last of her night's s.h.i.+ft. Let her at least make a clean break before it all began again at four o'clock this afternoon.

Sarah had left the bedroom blinds down after rising, to keep the sun out, so the room was still cool. The unmade bed sat in a low frame, and Adrienne crawled into it, set the alarm for two-thirty, although she might not need it at all; how one human body could be so tired but not sleepy still made little sense to her.

Staring up then, focusing on the slow hypnotic revolution of the ceiling fan, whirling, whirling, as if to lift the entire room away. Like Dorothy, cast on the winds toward Oz. It beat counting imaginary sheep.

Alone in the bedroom on days like this, sleep could never be too quick in claiming her; days warm outside and cool in, the sun glowing brightly around the edges of the drawn blinds, and filling every crack until it became more than light, it was a luminescent presence trying to a.s.sert itself and intrude.

And did it ever take her back.

Three years and chump change ago, she had been a different Adrienne Rand. In fact, she'd not been Adrienne Rand at all, but Adrienne Wythe, a name now entirely foreign to her. Marriage had been, well ... adequate, certainly. She recalled relis.h.i.+ng the a.s.surance of someone being there to come home to, and in turn to be there for someone else. In that sense her marriage was certainly secure; but then again, so are prisons, so there you are.

Why, with all the training and fieldwork to hone those skills in pinpointing everything wrong with a stranger's life, was her own inner vision confined to hindsight? The paradox of the trade, she supposed. She and Neal never should have married; went through six months joined by love, and the rest by inertia alone. Like a pair of asteroids that never once touch, yet still hurtle through the black voids in tandem, linked by their own peculiar gravity.

In those days even her base of home and career was different. She had been born in San Francisco, and it seemed perfectly reasonable to expect she would eventually die there, or at least across the bay in Oakland. In the meantime, S.F. General was apt to provide all the therapeutic and research opportunities she could want. She showed a particular flair for handling violent types, and S.F. General indulged her; there was no shortage.

Adrienne had never put much credence in fate. Fate was just a convenient, catchall term for moments of truth when the laws of probability met in random collision, and left people to pick their way through the wreckage. And so it had happened, over a week's time, that the staff of S.F. General fell by the dozens to a nasty strain of summer flu. Long hours, lowered resistance - enter the virus, stage left, and her turn came. Simple cause and effect, but how tempting to believe the universe that day was plotting. Whether to try to crush her in disillusion, or liberate her at last, Adrienne had yet to decide. The universe was funny that way.

No matter. In the long run, she was glad it had happened.

She timed her commute home between bouts of wretched upheaval and pulled into the driveway in time to christen it with bile. Ahead of her was Neal's car, the Nissan sitting there alone - what's wrong with this picture? This time of day? Perhaps he had fallen victim to the same viral prankster, and she decided she'd best enter as quietly as possible. Neal ill was Neal near death, to hear him moan on about it.

As it was, such consideration became quite unwarranted. Once in the house, Adrienne had tiptoed halfway up the stairs to the second floor and the bedroom before her ears conceded the obvious: Neal was not alone.

They had no idea Adrienne was there, apparently no idea she could be there, ever. Their abandon was total, and for at least a full minute Adrienne watched from the hallway. Who the woman was, she didn't know, and even after she had the name days later, it was no one Adrienne had heard of. Healthy, though, and even Neal seemed possessed of a certain robust exuberance that he otherwise lacked in their own bedroom encounters. They were on their knees, the woman lowered to elbows as Neal coupled with her from behind, the both of them golden and glowing in shafts of sunlight that pierced the room through drawn blinds. They looked like an ad for vitamin E.

My bed. That's my bed, Adrienne had thought. Perfectly calm, unG.o.dly calm, every thought and impulse under control. Shouldn't I at least hate them and start screaming?

She left the hall, quietly, and eased down the stairway and back out the front door and stood for a few moments overlooking a lawn so green and smooth a golfer could have used it for putting practice. She disconnected a hundred-foot coil of garden hose from the lawn sprinkler, then reattached the regular nozzle head. Went back in the house, trailing the hose after her like some snake that just kept coming, sliding through the doorway and up the stairs.

Neal and the mystery woman still didn't notice she was there, not until she unleashed the fury of the hose upon them. It was the most humiliating form of coitus interruptus she could devise on the spur of the moment, wetting them down not like husband and mistress, but rather a pair of mongrels rutting on the front lawn.

After that day, she refused to see him without having first consulted a lawyer about it. And whenever, in the ensuing battle over communal property, she was p.r.o.ne to despair with frustration over Neal's own legal firepower, one recollection of him on his side, legs kicking impotently, screeching apologies and clutching his privates from the bruising force of the spray, was usually enough to bring a smile. And perspective...

Still more of which came later when she realized that the whole of northern California had a taint, and might for years to come. Too lush, too hilly, too many secret enclaves in the land itself where she might run to contemplate the changes wrought in her life, only to find she was hiding from herself, as well.

She wanted - needed - a simpler, less cluttered environment for a while. The austerity of the desert beckoned, clean and wind-scoured, like a cleared foundation on which to rebuild. Arizona would do nicely, and if she wasn't yet convinced she wanted to die here, she nevertheless owed this place debts she could never pay.

Here was where she relearned that love need not stifle, nor grow complacent; that pa.s.sion need not grow stale. That you really could link hands and hearts with another, whose life became a precious complement to your own. As long as there was love, there was life, and Arizona was just fine that way.

Sarah was from here, after all, and that counted for much.

The ancient Middle East wasn't the only place where saviors walked in the desert.

Three.

Even in her off-hours, of which there were many that weekend, Adrienne frequently found her thoughts turning to Clay Palmer, and the mysteries buried inside him: poisons in need of draining, psychological boils awaiting the lance.

On Friday, Ferris Mendenhall had okayed the removal of Clay's restraints. Later that day he'd prescribed a regimen of lithium to get Clay stabilized and defuse any aggressive tendencies he might still harbor. He was already on pain medication for his hands, but Mendenhall preferred taking no chances; for someone who liked to use his fists, those casts were tantamount to giving him a pair of bludgeons.

Shortly thereafter the tide of paperwork began.

The name and other information Clay had given her had been verified and his records accessed from two Denver-area hospitals. All dated from the past four years, though along with these came records from Minneapolis, compiled over the several years prior to his relocation to Denver. On Sunday, Adrienne came in to her office an hour early to go through it all, uninterrupted.

Eleven times over the past seven years he had made trips to emergency rooms; st.i.tches in his shoulder, his thigh, his cheek; a few broken bones - ribs alone, three times - and once a dislocated elbow. In Minneapolis he had thrice been brought in for alcohol poisoning. Twice in Denver he had been involuntarily committed for a week of psychological evaluation, then released. Lithium had been prescribed once before, and Carbamazepine another time, in an attempt to combat poor impulse control, but there was no follow-up to see how these affected him, or even if he had taken them on any regular schedule.

One scribbled note caught her attention: Some resistance to Thorazine.

The dry understatement of the weekend.

In his evaluations, Adrienne found brief pa.s.sages of interest: Professes an inability to form close interpersonal attachments yet still speaks with affection of a small number of friends ... reports frequent sleep disturbances, with insomnia and night terrors most common ... exhibits preoccupation with undergoing vasectomy ... spent 5 1/2 hours in apparent self-induced trance this afternoon but emerged with full knowledge of break - schizophrenia not indicated ... body exhibits scars from self-mutilation but all appear to date from patient's teens, with no recent manifestations visible.

Still, the bulk of it was simplistic and cursory and nothing she hadn't already surmised from having spent ten minutes with him the morning after a violent spell.

If only his mind had been treated as thoroughly as his body. Typical.

Since it had required the police to get him to the hospital in the first place, Adrienne also had the local force obtain a transcript of his record from Denver. It was nothing she didn't already expect: primarily a history of petty violent altercations in which he was lucky enough that no one was seriously injured. On three separate occasions he had done a month or two of jail time for misdemeanor a.s.sault. Fined for discharge of a firearm in his apartment. Some property damage, as well. Arrested last year for demolis.h.i.+ng a BMW with a length of pipe; charges dropped due to lack of evidence. Arrested three years ago for breaking four gla.s.s display-case windows in a convenience store; charges dropped because of failure to establish positive ID.

And where there were records, odds were there were incidents never reported.

I didn't finally kill someone, did I? he had asked.

No. He hadn't. But the probability that he was headed in that direction was too likely. One slip of his broken hands the other night, and a jagged shank of exposed bone could easily have opened someone's jugular or carotid.

Prime objective: The last thing she was going to do was repeat the mistakes of her predecessors. It wasn't enough to look over Clay Palmer for a few days, p.r.o.nounce him competent to deal with the outer world, prescribe some pills he may not even bother taking, and send him back into the feeding frenzy of modern society.

She closed the files.

Adrienne tapped a fingernail on her desktop and took a long look at herself, the mirror inside. This growing interest in her mysterious wandering pugilist wasn't merely a therapist's concern, was it? Admit it - the clinician was rising up within her too. Clay Palmer was part of an entire fascinating field ripe for study, something she had long been interested in, if not always actively. Sometimes the field seemed prevalent enough without having to seek it out. She'd grown up within a culture of accelerated war and its glorification, had been educated in a time when a campus rape no longer came as a surprise when announced on the morning news; she now lived in an age when in so many factions it had become socially acceptable sport to beat others half to death because of their ancestry or who they liked to sleep with or what G.o.d they prayed to, or didn't.

She could wallow in statistics and never tire of them. Ninety percent of violent crimes were committed by men. Each Super Bowl Sunday, domestic violence against wives and girlfriends made a leap averaging forty percent. The previous year, twenty-five percent of all deaths of males aged fifteen to twenty-four were by gunshot.

Why? She really wanted to know. Testosterone could shoulder only so much of the blame.

G.o.d bless - in a wholly non-denominational way - every woman who actively crusaded in opposition to violence against other women; but too many took such statistics and hammered them into a license to condemn all things male. It couldn't be that simple. Their outrage was understandable, but nothing was ever understood that way, much less resolved.

If she was seen as sympathizing with the enemy, so be it. Not every blow, regardless of the recipient's gender, was struck out of purely evil intent. She had observed too many perpetrators of violence an hour or two after the act, shedding genuine tears of anguish and resembling nothing so much as little boys, bewildered at what their growing bodies had been capable of.

Sometimes they hurt, too, these bringers of pain. They deserved to pay for their acts, yes, but how much better for everyone if they lived in a culture in which they were better able to understand such destructive impulses in the first place, and learn to master them. Preventative medicine - no crime, no victim.

Adrienne had to wonder if her renewed fascination with violence in men didn't coincide with the dissolution of her marriage and the subsequent lapsing - for the time being, at least - of the hetero side of her s.e.xuality. Since she had initiated divorce proceedings against Neal, she had gone to bed with only one other man, a dreadful one-night stand born as much of wine as of desire. Since moving to Tempe, and with Sarah's eventual entrance into the picture two and a half years ago, she'd not even had any real impulse to make it with another man.

Was she sufficiently distanced from intimacy with men that now they had a.s.sumed the fascinating aura of creatures to be studied? Perhaps so. Live in a rain forest, and you take it for granted; live in a city, and that forest exudes a powerful allure to the explorer of terra incognita.

And for some explorers, there is no territory so enticing as that which can kill them.

Adrienne checked the time. A quarter past four. On duty and she didn't even know it. She picked up her phone and buzzed down to Ward Five.

"This is Dr. Rand," she said. "Could you have an orderly bring Clay Palmer up for his session?"

When Clay arrived, Adrienne almost had second thoughts about turning down the orderly's offer to linger behind; in his eyes was the implicit end of the offer - just in case, you know. It would have sent a poor signal, though. She wanted Clay to trust her? She had to trust him.

He looked drawn, tired, but reasonably well. Good color beneath his fading sunburn and nicks and bruises. He had been recently shaved, so most of that scruffy drifter quality had been sacrificed to the razor. The casts made the visible portion of his arms appear deceptively thin, the lean, ropy arms of a gangly teenager. His eyes flicked about the room, taking in decor here, books there, the layout in general. Cataloging, almost. She had met veterans of recent wars and skirmishes who did much the same: came into a room evaluating it for weapons and for cover. She briefly wondered if a military stint in his background had been overlooked, then decided no. He'd had no time, not with that file she'd just read.

"Where do you want me?" he asked.

She gestured. "Whichever you prefer. I just want you to be comfortable."

He chose the couch over either of the two plush chairs set before it, but would not recline; sitting, instead, with his back to the wall while she took a chair. She eased into the session with small talk - how are you feeling, fine, how are your hands, fine - the little opening moments that could either be a cautious dance or a subtle sparring match.

She asked if he would mind if she recorded their conversation, and he said no. From her desk she took a small Sony, about half the size of a paperback book, and placed it on a table adjacent to them, set it rolling. She never understood counselors who used voice-activated recorders; even the duration of a pause could sometimes be more telling than words.

"This is the part where we start talking about my s.e.x life and toilet training, isn't it?" His streamlined face was half-turned her way, his eyebrows mock-inquisitive arches.

"Only if they seem relevant."

"I'd say they are. These casts?" He lifted them, ponderous weights from which mere fingertips protruded. "I can barely aim myself steady enough to hit the toilet." A self-effacing little grin of embarra.s.sment, but something about it rang hollow. "And I definitely can't whack off. Can I count on a little relief from you?"

"The last time I checked, that's not in my job description," she said. At times such as this she wished she wore gla.s.ses; n.o.body looks more like they mean serious business than someone tugging off gla.s.ses with one hand. She continued, voice even-tempered and professional: "A remark like that is way out of line and we both know you're aware of that. Dirty little propositions quit shocking me a long time ago, so if it's all the same to you, I'd rather get past that phase of your evaluation of me. Good enough?"

He did nothing for several moments, then grinned lazily down toward the couch with a single conciliatory nod. Whatever test that had been, it appeared that she'd pa.s.sed.

So proceed.

"Neither of us brought this up on Friday morning, when we first spoke, but there's something I'm still wondering about. Not that it's necessarily important - more for my own curiosity. What brought you down this way from Denver?"

"I just wanted to get away by myself for a while."

"You wanted to be completely alone, then." More a statement of clarification than a question. You had to be careful with direct questions; too many and a session could turn into an interview that yielded facts, but ignored the richer vein of feelings.

"I wanted to get away from everything I was familiar with. So about a week and a half ago, I just left. You know how you go for a walk to think, to clear your head."

"If you wanted to be alone, you could have locked your door and not answered it, and unplugged your phone."

He cleared his throat, uncertainty s.h.i.+fting across his face. "I knew that wasn't going to be enough. Sometimes that is enough, it works ... but it's a very pa.s.sive way of going about it. Sometimes you need that distance. It didn't even seem right to drive it. So I didn't."

Adrienne eased forward in her chair. "Eight hundred miles is quite a walk to do some thinking."

"I had a lot to think about."

"And what was that?"

"Besides, I was. .h.i.tchhiking some of the time. The way I see it, that's not cheating, that's allowed."

She said nothing - let the silence weigh upon him until he decided to do something about it. Her question hung there and he was perfectly aware of it; she could tell in a flicker of eye contact. What she could not yet discern was if his evasion was genuine, or one more little game.

Clay slid forward on the couch. The hospital robe bunched beneath his legs and he stood. Wandered across the office to stand before her print of Metcalf's The White Veil while she looked at his back, framed against the tranquil snowscape.

"Impressionism, right?"

"Yes."

"French or American?"

"American."

He nodded, still presenting his back to her. "I know this guy who's an artist. His work ... it's nothing like this. He doesn't see the world this way."

"Is this a friend of yours?"

Slowly, Clay turned his back on the scene and returned to the couch. She decided his evasion, as well as his lengthy contemplation, were genuine.

"Friend is an outmoded concept, isn't it? Graham ... I get along with him, I wish him well, I like his work. We ... we protect each other in a way. But I wouldn't even think of dying for him, so I don't think I'd make a very good candidate for friend, no."

Adrienne nodded. She could tell, for the time being at least, that the way to Clay's psyche was going to be a serpentine path. He did not seem to mind ruminating philosophically about matters, but dealing bluntly with his own feelings was a thornier task. She'd have to start out reading him mostly by his reactions to things. Pick away here and there and see what flaked away, like rust.

"Why don't you describe Graham's work to me. The things you like about the way he sees the world."

Clay shut his eyes a moment, moved as if to run one hand through his hair, then stopped. Her breath caught in her throat for an instant. A concussion, that's all he needed right now.

"His work doesn't present the world like that," waving one cast toward The White Veil. "Fuzzy, soft focus ... diffused. Even though that's a winter scene, it's still warm. Why do you have it hanging there, anyway? That world's dead. Is this supposed to be some kind of memorial?"

She frowned. "'That world's dead' - I don't quite understand what you mean by that."

"Artistically, I mean. Been there, done that. Let's look at something relevant." Perhaps she was on the right track - Clay was starting to appear rather captivated. "Who honestly needs a snowy hillside anymore? It means nothing in terms of anyone's life. Maybe it meant something when it was painted, but now it's completely devoid of relevance."

"Some would say beauty exists for its own sake, regardless of its time."

"But most of the time it doesn't mean anything. It's like Marx's take on religion: an opiate. It's a false pat on the head to tell you not to worry, everything's fine."

"So, what you're saying about Graham's work is that it reflects, say, a harsher truth that you find to be more real."

"Right." He nodded. "Right. It's not metalwork, but a lot of it looks that way. Even though he uses oils, mostly, oils and acrylics. Looks very metallic. His paintings, they're ugly as h.e.l.l, but it's that bizarre kind of ugly where you can look at it and find a perverse beauty, know what I mean? They look filthy, most of them. Not pure and clean like that." He spared another long look at The White Veil, then seemed to dismiss it with a shake of his head. "I don't mean filthy in a p.o.r.nographic sense. I mean the way metal looks before ... I don't know ... before it rolls through a Detroit factory and gets shaped and smoothed out and painted and waxed. Raw metal."

Her eyes narrowed as she tried to summon a composite of the feelings such paintings must evoke. Something about them conjured a cold and harsh sense of brutality. "What kind of imagery in them do you recall?"

"Oh ... gears. Girders. Smokestacks. Twisted bridges that don't go anywhere. Piles of sc.r.a.p iron." Clay bit into one corner of his mouth. "Graham calls them post-industrial landscapes. His studio and apartment, all those paintings around ... he once called it the junkyard of the world."

"And this is a world of ... what?" She was curious. Decay? Progress in rampant decline? Fill in the blank.