American Men of Mind Part 2

By far the greatest of the Transcendental group and one of the most original figures in American literature was Ralph Waldo Emerson--a figure, indeed, in many ways unique in all literature. Born in Boston in 1803, the son of a Unitarian clergyman and a member of a large and sickly family, he followed the predestined path through Harvard College, graduating with no especial honors, entered the ministry, and served as pastor of the Second Church of Boston until 1832. Then, finding himself ill at ease in the position, he resigned, and, settling at Concord, turned to lecturing, first on scientific subjects and then on manners and morals. His reputation grew steadily, and, especially in the generation younger than himself, he awakened the deepest enthusiasm.

In 1836, the publication of a little volume called "Nature" gave conclusive evidence of his talent, and, followed as it was by his "Essays," "Representative Men," and "Conduct of Life," established his reputation as seer, interpreter of nature, poet and moralist--a reputation which has held its own against the a.s.saults of time.

And yet no personality could be more puzzling or elusive. He was at once attractive and repulsive--there was a certain line which no one crossed, a charmed circle in which he dwelt alone. There was about him a certain coldness and detachment, a self-sufficiency, and a prudence which held him back from giving himself unreservedly to any cause. He lacked heart and temperament. He was a homely, shrewd and cold-blooded Yankee, to put it plainly. Yet, with all that, he was a serene and benignant figure, of an inspiring optimism, a fine patriotism, and profound intellect--a stimulator of the best in man. Upon this basis, probably, his final claim to memory will rest.

Another Transcendental eccentric with more than a touch of genius was Henry David Th.o.r.eau, and it is noteworthy that his fame, which burned dimly enough during his life, has flamed ever brighter and brighter since his death. This increase of reputation is no doubt due, in some degree, to the "return to nature," which has recently been so prominent in American life and which has gained a wide hearing for so noteworthy a "poet-naturalist"; but it is also due in part to a growing recognition of the fact that as a writer of delightful, suggestive and inspiring prose he has had few equals.

Th.o.r.eau is easily our most extraordinary man of letters. Born in Concord of a poor family, but managing to work his way through Harvard, he spent some years teaching; but an innate love of nature and of freedom led him to seek some form of livelihood which would leave him as much his own master as it was possible for a poor man to be. To earn money for any other purpose than to provide for one's bare necessities was to Th.o.r.eau a grievous waste of time, so it came about that for many years he was a sort of itinerant tinker, a doer of odd jobs. Another characteristic, partly innate and party cultivated, was a distrust of society and a dislike of cities. "I find it as ever very unprofitable to have much to do with men," he wrote; and finally, in pursuance of this idea, he built himself a little cabin on the sh.o.r.e of Walden pond, where he lived for some two years and a half.

It was there that his best work was done, for, at bottom, Th.o.r.eau was a man of letters rather than a naturalist, with the most seeing eye man ever had. "Walden, or Life in the Woods," and "A Week on the Concord and Merrimac Rivers" contain the best of Th.o.r.eau, and any boy or girl who is interested in the great outdoors, as every boy and girl ought to be, will enjoy reading them.

The last of the Transcendental group worthy of mention here is George William Curtis, a versatile and charming personality, not a genius in any sense, but a writer of pleasant and amusing prose, an orator of no small ability, and one of the truest patriots who ever loved and labored for his country. It is in this latter aspect, rather than as the author of "Nile Notes" and "The Potiphar Papers," that Curtis is best remembered to-day. The books that he produced have, to a large extent, lost their appeal; but the work he did during the dark days of reconstruction and after ent.i.tles him to admiring and grateful remembrance.

It is scarcely possible to close a chapter upon American prose writers without referring to at least one of the great editors who have done so much to mould American public opinion. To James Gordon Bennett and Charles A. Dana only pa.s.sing reference need be made; but Horace Greeley deserves more extended treatment.

[Ill.u.s.tration: GREELEY]

Early in the last century, on a rocky little farm in New Hamps.h.i.+re, lived a man by the name of Zaccheus Greeley, a good neighbor, but a bad manager--so bad that, in 1820, when his son Horace was nine years old, the farm was seized by the sheriff and sold for debt. The proceeds of the sale did not pay the debt, and so, in order to escape arrest, for they imprisoned people for debt in those days, Zaccheus Greeley fled across the border into Vermont, where his family soon joined him. He managed to make a precarious living by working at odd jobs, in which, of course, the boy joined him whenever he could be of any use.

He was a rather remarkable boy, with a great fondness for books, and when he was eleven years old, he tried to get a position in a printing office, but was rejected because he was too young. Four years later, he heard that a boy was wanted in an office at East Poultney, and he hastened to apply for the position. He was a lank, ungainly and dull-appearing boy, and the owner of the office did not think he could ever learn to be a printer, but finally put him to work, with the understanding that he was to receive nothing but his board and clothes for the first six months, and after that forty dollars a year additional.

The boy soon showed an unusual apt.i.tude for the business, and finally decided that the little village was too restricted a field for his talents. With youth's sublime confidence, he decided to go to New York City. He managed to get a position in a printing office there, and two years later, at the age of twenty-two, he and a partner established the first one-cent daily newspaper in the United States. It was ahead of the times, however, and had to be abandoned after a few months.

But he had discovered his peculiar field, and in 1840 he established another paper which he called the "Log Cabin," in which he supported William Henry Harrison through the famous "log cabin and hard cider"

campaign. The paper was a success, and in the year following he established the New York "Tribune," which was destined to make him both rich and famous. For more than thirty years he conducted the "Tribune,"

making it the most influential paper in the country. He became the most powerful political writer in the United States, and in every village groups gathered regularly to receive their papers and to see what "Old Horace" had to say. He was to his readers a strong and vivid personality--they had faith in his intelligence and honesty, and they believed that he would say what he believed to be right, regardless of whose toes were pinched. It was as different as possible to the anonymous journalism of to-day, when not one in a hundred of a newspaper's readers knows anything about the personality of the editor.

We have already referred to the fact that, at the beginning of secession, Greeley doubted the right of the North to compel the seceding states to remain in the Union. Indeed, he counselled peaceful separation rather than war, as did many others, but he was later a staunch supporter of President Lincoln's policy.

We have also spoken of the fact that, when Grant was re-nominated for President in 1872, a large section of the party, believing him incompetent, broke away from the party and named a candidate of their own. The party they formed was called the Liberal Republican, and their candidate was Horace Greeley. They managed to secure for him the support of the Democratic convention, which placed him at the head of the Democratic ticket, but they could not secure the support of the Democrats themselves, who could not forget that Greeley had been fighting them all his life; and the result was that he was overwhelmingly defeated. He had not expected such a result, his health had been undermined by the labors and anxieties of the campaign, and before the rejoicing of the Republicans was over, Greeley himself lay dead.

SUMMARY

IRVING, WAs.h.i.+NGTON. Born at New York City, April 3, 1783; went abroad for health, 1804; returned to America, 1806; published "Knickerbocker's History of New York," 1809; attache of legation at Madrid, 1826-29; secretary of legation at London, 1829-32; minister to Spain, 1842-46; died at Sunnyside, near Tarrytown, New York, November 28, 1859.

COOPER, JAMES FENIMORE. Born at Burlington, New Jersey, September 15, 1789; entered Yale, 1802, but left after three years; mids.h.i.+pman in United States navy, 1808-11, when he resigned his commission; published first novel, "Precaution," anonymously, 1820, and followed it with many others; died at Cooperstown, New York, September 14, 1851.

HAWTHORNE, NATHANIEL. Born at Salem, Ma.s.sachusetts, July 4, 1804; graduated at Bowdoin College, 1825; served in Custom House at Boston, 1838-41; at Brook Farm, 1841; settled at Concord, Ma.s.sachusetts, 1843; surveyor of the port of Salem, 1846-49; United States consul at Liverpool, 1853-57; published "Twice-Told Tales," 1837; "Mosses from an Old Manse," 1846; "The Scarlet Letter," 1850; "The House of the Seven Gables," 1851; and a number of other novels and collections of tales; died at Plymouth, New Hamps.h.i.+re, May 19, 1864.

STOWE, HARRIET BEECHER. Born at Litchfield, Connecticut, June 14, 1812; educated at Hartford, Connecticut; taught school there and at Cincinnati; published "Uncle Tom's Cabin," 1852; "Dred," 1856; and a number of other novels; died at Hartford, Connecticut, July 1, 1896.

CLEMENS, SAMUEL LANGHORNE. Born at Florida, Missouri, November 30, 1835; apprenticed to printer, 1847; alternated between mining and newspaper work, until the publication of "Innocents Abroad," 1869, made him famous as a humorist; died at Redding, Connecticut, April 22, 1910; published many collections of short stories and several novels.

BANCROFT, GEORGE. Born at Worcester, Ma.s.sachusetts, October 3, 1800; graduated at Harvard, 1817; collector of the port of Boston, 1838-41; Democratic candidate for governor of Ma.s.sachusetts, 1844; secretary of the navy, 1845-46; minister to Great Britain, 1846-49; minister to Berlin, 1867-74; published first volume of his "History of the United States," 1834, last volume, 1874; died at Was.h.i.+ngton, Jan. 17, 1891.

PRESCOTT, WILLIAM HICKLING. Born at Salem, Ma.s.sachusetts, May 4, 1796; published "History of the Reign of Ferdinand and Isabella," 1838; "Conquest of Mexico," 1843; "Conquest of Peru," 1847; "History of the Reign of Philip II," 1858; died at Boston, January 28, 1859.

MOTLEY, JOHN LOTHROP. Born at Dorchester (now part of Boston), Ma.s.sachusetts, April 15, 1814; graduated at Harvard, 1831; studied abroad, 1831-34; United States minister to Austria, 1861-67, and to Great Britain, 1869-70; published "Rise of the Dutch Republic," 1856; "History of the United Netherlands," 1868; "Life and Death of John of Barneveld," 1874; died in Dorset, England, May 29, 1877.

PARKMAN, FRANCIS. Born at Boston, September 16, 1823; graduated at Harvard, 1844; published "The Conspiracy of Pontiac," 1851, and continued series of histories dealing with the French in America to "A Half Century of Conflict," 1892; died at Jamaica Plain, near Boston, November 8, 1893.

ALCOTT, AMOS BRONSON. Born at Wolcott, Connecticut, November 29, 1799; a book-peddler and school-teacher, conducting a school in Boston, 1834-37; removed to Concord, 1840; published "Orphic Sayings," 1840; "Tablets,"

1868; "Concord Days," 1872; "Table-Talk," 1877; "Sonnets and Canzonets,"

1882; died at Boston, March 4, 1888.

ALCOTT, LOUISA MAY. Born at Germantown, Pennsylvania, November 29, 1832; teacher in early life and army nurse during Civil War; published "Little Women," 1868; "Old-Fas.h.i.+oned Girl," 1869; "Little Men," 1871, and many other children's stories; died at Boston, March 6, 1888.

FULLER, SARAH MARGARET, MARCHIONESS OSSOLI. Born at Cambridgeport, Ma.s.sachusetts, May 23, 1810; edited _Boston Dial_, 1840-42; literary critic _New York Tribune_, 1844-46; published "Summer on the Lakes,"

1843; "Woman in the Nineteenth Century," 1845; "Papers on Art and Literature," 1846; went to Europe, 1846; married Marquis Ossoli, 1847; drowned off Fire Island, July 16, 1850.

EMERSON, RALPH WALDO. Born at Boston, Ma.s.sachusetts, May 25, 1803; graduated at Harvard, 1821; Unitarian clergyman at Boston, 1829-32; commenced career as lecturer, 1833, and continued for nearly forty years; edited the _Dial_, 1842-44; published "Nature," 1836; "Essays,"

1841; "Poems," 1846; "Representative Men," 1850; and other books of essays and poems; died at Concord, Ma.s.sachusetts, April 27, 1882.

Th.o.r.eAU, HENRY DAVID. Born at Concord, Ma.s.sachusetts, July 12, 1817; graduated at Harvard, 1837; lived alone at Walden Pond, 1845-47; published "A Week on the Concord and Merrimac Rivers," 1849; "Walden, or Life in the Woods," 1854; died at Concord, May 6, 1862. Several collections of his essays and letters were published after his death.

CURTIS, GEORGE WILLIAM. Born at Providence, Rhode Island, February 24, 1824; joined the Brook Farm Community, 1842, and afterwards spent some years in travel; published "Nile Notes of a Howadji," "The Howadji in Syria," "The Potiphar Papers," and other books; prominent as an anti-slavery orator and as the editor of "Harper's Weekly"; died at West New Brighton, Staten Island, August 31, 1892.

GREELEY, HORACE. Born at Amherst, New Hamps.h.i.+re, February 3, 1811; founded _New York Tribune_, 1841; member of Congress from New York, 1848-49; candidate of Liberal-Republican and Democratic parties for President, 1872; died at Pleasantville, Westchester County, New York, November 29, 1872.

CHAPTER III

WRITERS OF VERSE

"Poetry," says the Century dictionary, "is that one of the fine arts which addresses itself to the feelings and the imagination by the instrumentality of musical and moving words"; and that is probably as concise a definition of poetry as can be evolved. For poetry is difficult to define. Verse we can describe, because it is mechanical; but poetry is verse with a soul added.

It is for this very reason that there is so wide a variance in the critical estimates of the work of individual poets. The feelings and imagination of no two persons are exactly the same, and what will appeal to one will fail to appeal to the other; so that it follows that what is poetry for one is merely verse for the other. Tastes vary in poetry, just as they do in food. Indeed, poetry is a good deal like food. We all of us like bread and b.u.t.ter, and we eat it every day and get good, solid nourishment from it; but only the educated palate can appreciate the refinements of caviar, or Gorgonzola cheese, or some rare and special vintage. So most of us derive a mild enjoyment from the works of such poets as Longfellow and Tennyson and Whittier; but it requires a trained taste to appreciate the subtle delights of Browning or Edgar Allan Poe.

Now the taste for the simple and obvious is a natural taste--the child's taste, healthy, and, some will add, unspoiled; but poetry must be judged by the nicer and more exacting standard, just as all other of the fine arts must. I wonder if you have ever read what is probably the most perfect lyric ever written by an American? I am going to set it down here as an example of what poetry can be, and I want you to compare your favorite poems, whatever they may be, with it. It is by Edgar Allan Poe and is called

TO HELEN

Helen, thy beauty is to me Like those Nicaean barks of yore; That gently, o'er a perfumed sea, The weary, wayworn wanderer bore To his own native sh.o.r.e.

On desperate seas long wont to roam; Thy hyacinth hair, thy cla.s.sic face, Thy Naiad airs, have brought me home To the glory that was Greece And the grandeur that was Rome.

Lo! in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand!

Ah, Psyche, from the regions which Are Holy Land!

In 1821--the same year which saw the publication of _The Spy_, the first significant American novel--there appeared at Boston a little pamphlet of forty-four pages, bound modestly in brown paper boards, and containing eight poems. Two of them were "To a Waterfowl" and "Thanatopsis," and that little volume marked the advent of the first American poet--William Cullen Bryant. Out of the great ma.s.s of verse produced on our continent for two centuries after the Pilgrim Fathers landed on Plymouth Rock, his was the first which displayed those qualities which make for immortality.

Before him our greatest poets had been Philip Freneau, the "Poet of the Revolution"; Francis Scott Key, whose supreme achievement was "The Star-Spangled Banner"; Fitz-Greene Halleck, known to every school-boy by his "Marco Bozzaris," but chiefly memorable for a beautiful little lyric, "On the Death of Joseph Rodman Drake"; and Drake himself, perhaps the greatest of the four, but dying at the age of twenty-five with nothing better to his credit than the well-known "The American Flag,"

and the fanciful and ambitious "The Culprit Fay." But these men were, at best, only graceful versifiers, and Bryant loomed so far above them and the other verse-makers of his time that he was hailed as a miracle of genius, a sort of Parna.s.san giant whose like had never before existed.