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Anna knew so well it was too late.
"I know, Anna, but it was such a good house, just right you know and someone else was there to see, and you know you said it suited very well, and if I didn't take it the others said they would, and I wanted to ask you only there wasn't time, and really Anna, I don't need much help, it will go so well I know. I just need a little to begin and to fix up with and that's all Anna that I need, and I know it will go awful well. You wait Anna and you'll see, and I let you fix it up just like you want, and you will make it look so nice, you got such sense in all these things. It will be a good place. You see Anna if I ain't right in what I say."
Of course Anna gave the money for this thing though she could not believe that it was best. No, it was very bad. Mrs. Lehntman could never make it pay and it would cost so much to keep. But what could our poor Anna do? Remember Mrs. Lehntman was the only romance Anna ever knew.
Anna's strength in her control of what was done in Mrs. Lehntman's house, was not now what it had been before that Lily's little Johnny came. That thing had been for Anna a defeat. There had been no fighting to a finish but Mrs. Lehntman had very surely won.
Mrs. Lehntman needed Anna just as much as Anna needed Mrs. Lehntman, but Mrs. Lehntman was more ready to risk Anna's loss, and so the good Anna grew always weaker in her power to control.
In friends.h.i.+p, power always has its downward curve. One's strength to manage rises always higher until there comes a time one does not win, and though one may not really lose, still from the time that victory is not sure, one's power slowly ceases to be strong. It is only in a close tie such as marriage, that influence can mount and grow always stronger with the years and never meet with a decline. It can only happen so when there is no way to escape.
Friends.h.i.+p goes by favour. There is always danger of a break or of a stronger power coming in between. Influence can only be a steady march when one can surely never break away.
Anna wanted Mrs. Lehntman very much and Mrs. Lehntman needed Anna, but there were always other ways to do and if Anna had once given up she might do so again, so why should Mrs. Lehntman have real fear?
No, while the good Anna did not come to open fight she had been stronger. Now Mrs. Lehntman could always hold out longer. She knew too, that Anna had a feeling heart. Anna could never stop doing all she could for any one that really needed help. Poor Anna had no power to say no.
And then, too, Mrs. Lehntman was the only romance Anna ever knew.
Romance is the ideal in one's life and it is very lonely living with it lost.
So the good Anna gave all her savings for this place, although she knew that this was not the right way for her friend to do.
For some time now they were all very busy fixing up the house. It swallowed all Anna's savings fixing up this house, for when Anna once began to make it nice, she could not leave it be until it was as good as for the purpose it should be.
Somehow it was Anna now that really took the interest in the house.
Mrs. Lehntman, now the thing was done seemed very lifeless, without interest in the house, uneasy in her mind and restless in her ways, and more diffuse even than before in her attention. She was good and kind to all the people in her house, and let them do whatever they thought best.
Anna did not fail to see that Mrs. Lehntman had something on her mind that was all new. What was it that disturbed Mrs. Lehntman so? She kept on saying it was all in Anna's head. She had no trouble now at all. Everybody was so good and it was all so nice in the new house.
But surely there was something here that was all wrong.
Anna heard a good deal of all this from her half brother's wife, the hard speaking Mrs. Federner.
Through the fog of dust and work and furnis.h.i.+ng in the new house, and through the disturbed mind of Mrs. Lehntman, and with the dark hints of Mrs. Federner, there loomed up to Anna's sight a man, a new doctor that Mrs. Lehntman knew.
Anna had never met the man but she heard of him very often now. Not from her friend, the widow Mrs. Lehntman. Anna knew that Mrs. Lehntman made of him a mystery that Anna had not the strength just then to vigorously break down.
Mrs. Federner gave always dark suggestions and unpleasant hints. Even good Mrs. Drehten talked of it.
Mrs. Lehntman never spoke of the new doctor more than she could help.
This was most mysterious and unpleasant and very hard for our good Anna to endure.
Anna's troubles came all of them at once.
Here in Mrs. Lehntman's house loomed up dismal and forbidding, a mysterious, perhaps an evil man. In Dr. Shonjen's house were beginning signs of interest in the doctor in a woman.
This, too, Mrs. Federner often told to the poor Anna. The doctor surely would be married soon, he liked so much now to go to Mr.
Weingartner's house where there was a daughter who loved Doctor, everybody knew.
In these days the living room in her half brother's house was Anna's torture chamber. And worst of all there was so much reason for her half sister's words. The Doctor certainly did look like marriage and Mrs. Lehntman acted very queer.
Poor Anna. Dark were these days and much she had to suffer.
The Doctor's trouble came to a head the first. It was true Doctor was engaged and to be married soon. He told Anna so himself.
What was the good Anna now to do? Dr. Shonjen wanted her of course to stay. Anna was so sad with all these troubles. She knew here in the Doctor's house it would be bad when he was married, but she had not the strength now to be firm and go away. She said at last that she would try and stay.
Doctor got married now very soon. Anna made the house all beautiful and clean and she really hoped that she might stay. But this was not for long.
Mrs. Shonjen was a proud, unpleasant woman. She wanted constant service and attention and never even a thank you to a servant. Soon all Doctor's old people went away. Anna went to Doctor and explained.
She told him what all the servants thought of his new wife. Anna bade him a sad farewell and went away.
Anna was now most uncertain what to do. She could go to Curden to her Miss Mary Wadsmith who always wrote how much she needed Anna, but Anna still dreaded Miss Jane's interfering ways. Then too, she could not yet go away from Bridgepoint and from Mrs. Lehntman, unpleasant as it always was now over there.
Through one of Doctor's friends Anna heard of Miss Mathilda. Anna was very doubtful about working for a Miss Mathilda. She did not think it would be good working for a woman anymore. She had found it very good with Miss Mary but she did not think that many women would be so.
Most women were interfering in their ways.
Anna heard that Miss Mathilda was a great big woman, not so big perhaps as her Miss Mary, still she was big, and the good Anna liked them better so. She did not like them thin and small and active and always looking in and always prying.
Anna could not make up her mind what was the best thing now for her to do. She could sew and this way make a living, but she did not like such business very well.
Mrs. Lehntman urged the place with Miss Mathilda. She was sure Anna would find it better so. The good Anna did not know.
"Well Anna," Mrs. Lehntman said, "I tell you what we do. I go with you to that woman that tells fortunes, perhaps she tell us something that will show us what is the best way for you now to do."
It was very bad to go to a woman who tells fortunes. Anna was of strong South German Catholic religion and the german priests in the churches always said that it was very bad to do things so. But what else now could the good Anna do? She was so mixed and bothered in her mind, and troubled with this life that was all wrong, though she did try so hard to do the best she knew. "All right, Mrs. Lehntman," Anna said at last, "I think I go there now with you."
This woman who told fortunes was a medium. She had a house in the lower quarter of the town. Mrs. Lehntman and the good Anna went to her.
The medium opened the door for them herself. She was a loose made, dusty, dowdy woman with a persuading, conscious and embracing manner and very greasy hair.
The woman let them come into the house.
The street door opened straight into the parlor, as is the way in the small houses of the south. The parlor had a thick and flowered carpet on the floor. The room was full of dirty things all made by hand. Some hung upon the wall, some were on the seats and over backs of chairs and some on tables and on those what-nots that poor people love. And everywhere were little things that break. Many of these little things were broken and the place was stuffy and not clean.
No medium uses her parlor for her work. It is always in her eating room that she has her trances.
The eating room in all these houses is the living room in winter. It has a round table in the centre covered with a decorated woolen cloth, that has soaked in the grease of many dinners, for though it should be always taken off, it is easier to spread the cloth upon it than change it for the blanket deadener that one owns. The upholstered chairs are dark and worn, and dirty. The carpet has grown dingy with the food that's fallen from the table, the dirt that's sc.r.a.ped from off the shoes, and the dust that settles with the ages. The sombre greenish colored paper on the walls has been smoked a dismal dirty grey, and all pervading is the smell of soup made out of onions and fat chunks of meat.
The medium brought Mrs. Lehntman and our Anna into this eating room, after she had found out what it was they wanted. They all three sat around the table and then the medium went into her trance.
The medium first closed her eyes and then they opened very wide and lifeless. She took a number of deep breaths, choked several times and swallowed very hard. She waved her hand back every now and then, and she began to speak in a monotonous slow, even tone.
"I see--I see--don't crowd so on me,--I see--I see--too many forms--don't crowd so on me--I see--I see--you are thinking of something--you don't know whether you want to do it now. I see--I see--don't crowd so on me--I see--I see--you are not sure,--I see--I see--a house with trees around it,--it is dark--it is evening--I see--I see--you go in the house--I see--I see you come out--it will be all right--you go and do it--do what you are not certain about--it will come out all right--it is best and you should do it now."
She stopped, she made deep gulps, her eyes rolled back into her head, she swallowed hard and then she was her former dingy and bland self again.
"Did you get what you wanted that the spirit should tell you?" the woman asked. Mrs. Lehntman answered yes, it was just what her friend had wanted so bad to know. Anna was uneasy in this house with superst.i.tion, with fear of her good priest, and with disgust at all the dirt and grease, but she was most content for now she knew what it was best for her to do.