War and Peace Part 97

"Monster! Villain!" shouted the woman angrily, suddenly ceasing to weep. "You have no heart, you don't feel for your own child! Another man would have rescued her from the fire. But this is a monster and neither a man nor a father! You, honored sir, are a n.o.ble man," she went on, addressing Pierre rapidly between her sobs. "The fire broke out alongside, and blew our way, the maid called out 'Fire!' and we rushed to collect our things. We ran out just as we were.... This is what we have brought away.... The icons, and my dowry bed, all the rest is lost. We seized the children. But not Katie! Ooh! O Lord!..." and again she began to sob. "My child, my dear one! Burned, burned!"

"But where was she left?" asked Pierre.

From the expression of his animated face the woman saw that this man might help her.

"Oh, dear sir!" she cried, seizing him by the legs. "My benefactor, set my heart at ease.... Aniska, go, you horrid girl, show him the way!" she cried to the maid, angrily opening her mouth and still farther exposing her long teeth.

"Show me the way, show me, I... I'll do it," gasped Pierre rapidly.

The dirty maidservant stepped from behind the trunk, put up her plait, sighed, and went on her short, bare feet along the path. Pierre felt as if he had come back to life after a heavy swoon. He held his head higher, his eyes shone with the light of life, and with swift steps he followed the maid, overtook her, and came out on the Povarskoy. The whole street was full of clouds of black smoke. Tongues of flame here and there broke through that cloud. A great number of people crowded in front of the conflagration. In the middle of the street stood a French general saying something to those around him. Pierre, accompanied by the maid, was advancing to the spot where the general stood, but the French soldiers stopped him.

"On ne pa.s.se pas!"* cried a voice.

*"You can't pa.s.s!

"This way, uncle," cried the girl. "We'll pa.s.s through the side street, by the Nikulins'!"

Pierre turned back, giving a spring now and then to keep up with her. She ran across the street, turned down a side street to the left, and, pa.s.sing three houses, turned into a yard on the right.

"It's here, close by," said she and, running across the yard, opened a gate in a wooden fence and, stopping, pointed out to him a small wooden wing of the house, which was burning brightly and fiercely. One of its sides had fallen in, another was on fire, and bright flames issued from the openings of the windows and from under the roof.

As Pierre pa.s.sed through the fence gate, he was enveloped by hot air and involuntarily stopped.

"Which is it? Which is your house?" he asked.

"Ooh!" wailed the girl, pointing to the wing. "That's it, that was our lodging. You've burned to death, our treasure, Katie, my precious little missy! Ooh!" lamented Aniska, who at the sight of the fire felt that she too must give expression to her feelings.

Pierre rushed to the wing, but the heat was so great that he involuntarily pa.s.sed round in a curve and came upon the large house that was as yet burning only at one end, just below the roof, and around which swarmed a crowd of Frenchmen. At first Pierre did not realize what these men, who were dragging something out, were about; but seeing before him a Frenchman hitting a peasant with a blunt saber and trying to take from him a fox-fur coat, he vaguely understood that looting was going on there, but he had no time to dwell on that idea.

The sounds of crackling and the din of falling walls and ceilings, the whistle and hiss of the flames, the excited shouts of the people, and the sight of the swaying smoke, now gathering into thick black clouds and now soaring up with glittering sparks, with here and there dense sheaves of flame (now red and now like golden fish scales creeping along the walls), and the heat and smoke and rapidity of motion, produced on Pierre the usual animating effects of a conflagration. It had a peculiarly strong effect on him because at the sight of the fire he felt himself suddenly freed from the ideas that had weighed him down. He felt young, bright, adroit, and resolute. He ran round to the other side of the lodge and was about to dash into that part of it which was still standing, when just above his head he heard several voices shouting and then a cracking sound and the ring of something heavy falling close beside him.

Pierre looked up and saw at a window of the large house some Frenchmen who had just thrown out the drawer of a chest, filled with metal articles. Other French soldiers standing below went up to the drawer.

"What does this fellow want?" shouted one of them referring to Pierre.

"There's a child in that house. Haven't you seen a child?" cried Pierre.

"What's he talking about? Get along!" said several voices, and one of the soldiers, evidently afraid that Pierre might want to take from them some of the plate and bronzes that were in the drawer, moved threateningly toward him.

"A child?" shouted a Frenchman from above. "I did hear something squealing in the garden. Perhaps it's his brat that the fellow is looking for. After all, one must be human, you know...."

"Where is it? Where?" said Pierre.

"There! There!" shouted the Frenchman at the window, pointing to the garden at the back of the house. "Wait a bit--I'm coming down."

And a minute or two later the Frenchman, a black-eyed fellow with a spot on his cheek, in s.h.i.+rt sleeves, really did jump out of a window on the ground floor, and clapping Pierre on the shoulder ran with him into the garden.

"Hurry up, you others!" he called out to his comrades. "It's getting hot."

When they reached a gravel path behind the house the Frenchman pulled Pierre by the arm and pointed to a round, graveled s.p.a.ce where a three-year-old girl in a pink dress was lying under a seat.

"There is your child! Oh, a girl, so much the better!" said the Frenchman. "Good-by, Fatty. We must be human, we are all mortal you know!" and the Frenchman with the spot on his cheek ran back to his comrades.

Breathless with joy, Pierre ran to the little girl and was going to take her in his arms. But seeing a stranger the sickly, scrofulous-looking child, unattractively like her mother, began to yell and run away. Pierre, however, seized her and lifted her in his arms. She screamed desperately and angrily and tried with her little hands to pull Pierre's hands away and to bite them with her s...o...b..ring mouth. Pierre was seized by a sense of horror and repulsion such as he had experienced when touching some nasty little animal. But he made an effort not to throw the child down and ran with her to the large house. It was now, however, impossible to get back the way he had come; the maid, Aniska, was no longer there, and Pierre with a feeling of pity and disgust pressed the wet, painfully sobbing child to himself as tenderly as he could and ran with her through the garden seeking another way out.

CHAPTER x.x.xIV.

Having run through different yards and side streets, Pierre got back with his little burden to the Gruzinski garden at the corner of the Povarskoy. He did not at first recognize the place from which he had set out to look for the child, so crowded was it now with people and goods that had been dragged out of the houses. Besides Russian families who had taken refuge here from the fire with their belongings, there were several French soldiers in a variety of clothing. Pierre took no notice of them. He hurried to find the family of that civil servant in order to restore the daughter to her mother and go to save someone else. Pierre felt that he had still much to do and to do quickly. Glowing with the heat and from running, he felt at that moment more strongly than ever the sense of youth, animation, and determination that had come on him when he ran to save the child. She had now become quiet and, clinging with her little hands to Pierre's coat, sat on his arm gazing about her like some little wild animal. He glanced at her occasionally with a slight smile. He fancied he saw something pathetically innocent in that frightened, sickly little face.

He did not find the civil servant or his wife where he had left them. He walked among the crowd with rapid steps, scanning the various faces he met. Involuntarily he noticed a Georgian or Armenian family consisting of a very handsome old man of Oriental type, wearing a new, cloth-covered, sheepskin coat and new boots, an old woman of similar type, and a young woman. That very young woman seemed to Pierre the perfection of Oriental beauty, with her sharply outlined, arched, black eyebrows and the extraordinarily soft, bright color of her long, beautiful, expressionless face. Amid the scattered property and the crowd on the open s.p.a.ce, she, in her rich satin cloak with a bright lilac shawl on her head, suggested a delicate exotic plant thrown out onto the snow. She was sitting on some bundles a little behind the old woman, and looked from under her long lashes with motionless, large, almond-shaped eyes at the ground before her. Evidently she was aware of her beauty and fearful because of it. Her face struck Pierre and, hurrying along by the fence, he turned several times to look at her. When he had reached the fence, still without finding those he sought, he stopped and looked about him.

With the child in his arms his figure was now more conspicuous than before, and a group of Russians, both men and women, gathered about him.

"Have you lost anyone, my dear fellow? You're of the gentry yourself, aren't you? Whose child is it?" they asked him.

Pierre replied that the child belonged to a woman in a black coat who had been sitting there with her other children, and he asked whether anyone knew where she had gone.

"Why, that must be the Anferovs," said an old deacon, addressing a pockmarked peasant woman. "Lord have mercy, Lord have mercy!" he added in his customary ba.s.s.

"The Anferovs? No," said the woman. "They left in the morning. That must be either Mary Nikolievna's or the Ivanovs'!"

"He says 'a woman,' and Mary Nikolievna is a lady," remarked a house serf.

"Do you know her? She's thin, with long teeth," said Pierre.

"That's Mary Nikolievna! They went inside the garden when these wolves swooped down," said the woman, pointing to the French soldiers.

"O Lord, have mercy!" added the deacon.

"Go over that way, they're there. It's she! She kept on lamenting and crying," continued the woman. "It's she. Here, this way!"

But Pierre was not listening to the woman. He had for some seconds been intently watching what was going on a few steps away. He was looking at the Armenian family and at two French soldiers who had gone up to them. One of these, a nimble little man, was wearing a blue coat tied round the waist with a rope. He had a nightcap on his head and his feet were bare. The other, whose appearance particularly struck Pierre, was a long, lank, round-shouldered, fair-haired man, slow in his movements and with an idiotic expression of face. He wore a woman's loose gown of frieze, blue trousers, and large torn Hessian boots. The little barefooted Frenchman in the blue coat went up to the Armenians and, saying something, immediately seized the old man by his legs and the old man at once began pulling off his boots. The other in the frieze gown stopped in front of the beautiful Armenian girl and with his hands in his pockets stood staring at her, motionless and silent.

"Here, take the child!" said Pierre peremptorily and hurriedly to the woman, handing the little girl to her. "Give her back to them, give her back!" he almost shouted, putting the child, who began screaming, on the ground, and again looking at the Frenchman and the Armenian family.

The old man was already sitting barefoot. The little Frenchman had secured his second boot and was slapping one boot against the other. The old man was saying something in a voice broken by sobs, but Pierre caught but a glimpse of this, his whole attention was directed to the Frenchman in the frieze gown who meanwhile, swaying slowly from side to side, had drawn nearer to the young woman and taking his hands from his pockets had seized her by the neck.

The beautiful Armenian still sat motionless and in the same att.i.tude, with her long lashes drooping as if she did not see or feel what the soldier was doing to her.

While Pierre was running the few steps that separated him from the Frenchman, the tall marauder in the frieze gown was already tearing from her neck the necklace the young Armenian was wearing, and the young woman, clutching at her neck, screamed piercingly.

"Let that woman alone!" exclaimed Pierre hoa.r.s.ely in a furious voice, seizing the soldier by his round shoulders and throwing him aside.

The soldier fell, got up, and ran away. But his comrade, throwing down the boots and drawing his sword, moved threateningly toward Pierre.

"Voyons, Pas de betises!"* he cried.

*"Look here, no nonsense!"

Pierre was in such a transport of rage that he remembered nothing and his strength increased tenfold. He rushed at the barefooted Frenchman and, before the latter had time to draw his sword, knocked him off his feet and hammered him with his fists. Shouts of approval were heard from the crowd around, and at the same moment a mounted patrol of French Uhlans appeared from round the corner. The Uhlans came up at a trot to Pierre and the Frenchman and surrounded them. Pierre remembered nothing of what happened after that. He only remembered beating someone and being beaten and finally feeling that his hands were bound and that a crowd of French soldiers stood around him and were searching him.

"Lieutenant, he has a dagger," were the first words Pierre understood.

"Ah, a weapon?" said the officer and turned to the barefooted soldier who had been arrested with Pierre. "All right, you can tell all about it at the court-martial." Then he turned to Pierre. "Do you speak French?"

Pierre looked around him with bloodshot eyes and did not reply. His face probably looked very terrible, for the officer said something in a whisper and four more Uhlans left the ranks and placed themselves on both sides of Pierre.

"Do you speak French?" the officer asked again, keeping at a distance from Pierre. "Call the interpreter."

A little man in Russian civilian clothes rode out from the ranks, and by his clothes and manner of speaking Pierre at once knew him to be a French salesman from one of the Moscow shops.

"He does not look like a common man," said the interpreter, after a searching look at Pierre.

"Ah, he looks very much like an incendiary," remarked the officer. "And ask him who he is," he added.

"Who are you?" asked the interpreter in poor Russian. "You must answer the chief."

"I will not tell you who I am. I am your prisoner--take me!" Pierre suddenly replied in French.

"Ah, ah!" muttered the officer with a frown. "Well then, march!"

A crowd had collected round the Uhlans. Nearest to Pierre stood the pockmarked peasant woman with the little girl, and when the patrol started she moved forward.

"Where are they taking you to, you poor dear?" said she. "And the little girl, the little girl, what am I to do with her if she's not theirs?" said the woman.

"What does that woman want?" asked the officer.

Pierre was as if intoxicated. His elation increased at the sight of the little girl he had saved.

"What does she want?" he murmured. "She is bringing me my daughter whom I have just saved from the flames," said he. "Good-by!" And without knowing how this aimless lie had escaped him, he went along with resolute and triumphant steps between the French soldiers.

The French patrol was one of those sent out through the various streets of Moscow by Durosnel's order to put a stop to the pillage, and especially to catch the incendiaries who, according to the general opinion which had that day originated among the higher French officers, were the cause of the conflagrations. After marching through a number of streets the patrol arrested five more Russian suspects: a small shopkeeper, two seminary students, a peasant, and a house serf, besides several looters. But of all these various suspected characters, Pierre was considered to be the most suspicious of all. When they had all been brought for the night to a large house on the Zubov Rampart that was being used as a guardhouse, Pierre was placed apart under strict guard.

BOOK TWELVE: 1812.

CHAPTER I.

In Petersburg at that time a complicated struggle was being carried on with greater heat than ever in the highest circles, between the parties of Rumyantsev, the French, Marya Fedorovna, the Tsarevich, and others, drowned as usual by the buzzing of the court drones. But the calm, luxurious life of Petersburg, concerned only about phantoms and reflections of real life, went on in its old way and made it hard, except by a great effort, to realize the danger and the difficult position of the Russian people. There were the same receptions and b.a.l.l.s, the same French theater, the same court interests and service interests and intrigues as usual. Only in the very highest circles were attempts made to keep in mind the difficulties of the actual position. Stories were whispered of how differently the two Empresses behaved in these difficult circ.u.mstances. The Empress Marya, concerned for the welfare of the charitable and educational inst.i.tutions under her patronage, had given directions that they should all be removed to Kazan, and the things belonging to these inst.i.tutions had already been packed up. The Empress Elisabeth, however, when asked what instructions she would be pleased to give--with her characteristic Russian patriotism had replied that she could give no directions about state inst.i.tutions for that was the affair of the sovereign, but as far as she personally was concerned she would be the last to quit Petersburg.

At Anna Pavlovna's on the twenty-sixth of August, the very day of the battle of Borodino, there was a soiree, the chief feature of which was to be the reading of a letter from His Lords.h.i.+p the Bishop when sending the Emperor an icon of the Venerable Sergius. It was regarded as a model of ecclesiastical, patriotic eloquence. Prince Vasili himself, famed for his elocution, was to read it. (He used to read at the Empress'.) The art of his reading was supposed to lie in rolling out the words, quite independently of their meaning, in a loud and singsong voice alternating between a despairing wail and a tender murmur, so that the wail fell quite at random on one word and the murmur on another. This reading, as was always the case at Anna Pavlovna's soirees, had a political significance. That evening she expected several important personages who had to be made ashamed of their visits to the French theater and aroused to a patriotic temper. A good many people had already arrived, but Anna Pavlovna, not yet seeing all those whom she wanted in her drawing room, did not let the reading begin but wound up the springs of a general conversation.

The news of the day in Petersburg was the illness of Countess Bezukhova. She had fallen ill unexpectedly a few days previously, had missed several gatherings of which she was usually ornament, and was said to be receiving no one, and instead of the celebrated Petersburg doctors who usually attended her had entrusted herself to some Italian doctor who was treating her in some new and unusual way.

They all knew very well that the enchanting countess' illness arose from an inconvenience resulting from marrying two husbands at the same time, and that the Italian's cure consisted in removing such inconvenience; but in Anna Pavlovna's presence no one dared to think of this or even appear to know it.

"They say the poor countess is very ill. The doctor says it is angina pectoris."

"Angina? Oh, that's a terrible illness!"

"They say that the rivals are reconciled, thanks to the angina..." and the word angina was repeated with great satisfaction.

"The count is pathetic, they say. He cried like a child when the doctor told him the case was dangerous."

"Oh, it would be a terrible loss, she is an enchanting woman."

"You are speaking of the poor countess?" said Anna Pavlovna, coming up just then. "I sent to ask for news, and hear that she is a little better. Oh, she is certainly the most charming woman in the world," she went on, with a smile at her own enthusiasm. "We belong to different camps, but that does not prevent my esteeming her as she deserves. She is very unfortunate!" added Anna Pavlovna.

Supposing that by these words Anna Pavlovna was somewhat lifting the veil from the secret of the countess' malady, an unwary young man ventured to express surprise that well known doctors had not been called in and that the countess was being attended by a charlatan who might employ dangerous remedies.

"Your information maybe better than mine," Anna Pavlovna suddenly and venomously retorted on the inexperienced young man, "but I know on good authority that this doctor is a very learned and able man. He is private physician to the Queen of Spain."

And having thus demolished the young man, Anna Pavlovna turned to another group where Bilibin was talking about the Austrians: having wrinkled up his face he was evidently preparing to smooth it out again and utter one of his mots.

"I think it is delightful," he said, referring to a diplomatic note that had been sent to Vienna with some Austrian banners captured from the French by Wittgenstein, "the hero of Petropol" as he was then called in Petersburg.

"What? What's that?" asked Anna Pavlovna, securing silence for the mot, which she had heard before.

And Bilibin repeated the actual words of the diplomatic dispatch, which he had himself composed.

"The Emperor returns these Austrian banners," said Bilibin, "friendly banners gone astray and found on a wrong path," and his brow became smooth again.

"Charming, charming!" observed Prince Vasili.

"The path to Warsaw, perhaps," Prince Hippolyte remarked loudly and unexpectedly. Everybody looked at him, understanding what he meant. Prince Hippolyte himself glanced around with amused surprise. He knew no more than the others what his words meant. During his diplomatic career he had more than once noticed that such utterances were received as very witty, and at every opportunity he uttered in that way the first words that entered his head. "It may turn out very well," he thought, "but if not, they'll know how to arrange matters." And really, during the awkward silence that ensued, that insufficiently patriotic person entered whom Anna Pavlovna had been waiting for and wished to convert, and she, smiling and shaking a finger at Hippolyte, invited Prince Vasili to the table and bringing him two candles and the ma.n.u.script begged him to begin. Everyone became silent.

"Most Gracious Sovereign and Emperor!" Prince Vasili sternly declaimed, looking round at his audience as if to inquire whether anyone had anything to say to the contrary. But no one said anything. "Moscow, our ancient capital, the New Jerusalem, receives her Christ"--he placed a sudden emphasis on the word her--"as a mother receives her zealous sons into her arms, and through the gathering mists, foreseeing the brilliant glory of thy rule, sings in exultation, 'Hosanna, blessed is he that cometh!'"

Prince Vasili p.r.o.nounced these last words in a tearful voice.

Bilibin attentively examined his nails, and many of those present appeared intimidated, as if asking in what they were to blame. Anna Pavlovna whispered the next words in advance, like an old woman muttering the prayer at Communion: "Let the bold and insolent Goliath..." she whispered.

Prince Vasili continued.