Infinite Jest Part 44

'You might think I'm wondering why you aren't asking me why thirty days, why it was so important to extract thirty days from the blue-blazered guy before a G.C./M.S. scan. As in what is there to be afraid of, you might ask.'

'Hal, pretty much all I do is love you and be glad I have an excellent brother in every way, Hal.'

'Jesus, it's just like talking to the Moms with you sometimes, Boo.'

'Hey Hal?'

'Except with you I can feel you mean it.'

'You're up on your elbow. You're on your side, facing my way. I can see your shadow.'

'How does somebody with your kind of Panglossian const.i.tution determine whether you're ever being lied to, I sometimes wonder, b.o.o.boo. Like what criteria brought to bear. Intuition, induction, reductio, what?'

'You always get hard to understand when you're up on your side on your elbow like this.'

'Maybe it just doesn't occur to you. Even the possibility. Maybe it's never once struck you that something's being fabricated, misrepresented, skewed. Hidden.'

'Hey Hal?'

'And maybe that's the key. Maybe then whatever's said to you is so completely believed by you that, what, it becomes sort of true in transit. Flies through the air toward you and reverses its spin and hits you true, however mendaciously it comes off the other person's stick.'

'You know, for me, Boo, people seem to lie in different but definite ways, I've found. Maybe I can't change the spin the way you can, and this is all I've been able to do, is a.s.semble a kind of field guide to the different kinds of ways.'

'Some people, from what I've seen, Boo, when they lie, they become very still and centered and their gaze very concentrated and intense. They try to dominate the person they lie to. The person to whom they're lying. Another type becomes fluttery and insubstantial and punctuates his lie with little self-deprecating motions and sounds, as if credulity were the same as pity. Some bury the lie in so many digressions and asides that they like try to slip the lie in there through all the extraneous data like a tiny bug through a windowscreen.'

'Except Orin used to end up telling the truth even when he didn't think he was.'

'Would that that were a trait family-wide, Boo.'

'Maybe if we call him he'll come to the WhataBurger. You can see him if you want to if you ask, maybe.'

'Then there are what I might call your Kamikaze-style liars. These'll tell you a surreal and fundamentally incredible lie, and then pretend a crisis of conscience and retract the original lie, and then offer you the lie they really want you to buy instead, so the real lie'll appear as some kind of concession, a settlement with truth. That type's mercifully easy to see through.'

'The merciful type of lie.'

'Or then the type who sort of overelaborates on the lie, b.u.t.tresses it with rococo formations of detail and amendment, and that's how you can always tell. Pemulis was like that, I always thought, til his performance over the urinal.'

'Rococo's a pretty word.'

'So now I've established a subtype of the over-elaborator type. This is the liar who used to be an over-elaborator and but has somehow snapped to the fact that rococo elaborations give him away every time, so he changes and now lies tersely, sparely, seeming somehow bored, like what he's saying is too obviously true to waste time on.'

'I've established that as a sort of subtype.'

'You sound like you can always tell.'

'Pemulis could have sold that urologist land in there, Boo. It was an incredibly high-pressure moment. I never thought he had it in him. He was nerveless and stomachless. He projected a kind of weary pragmatism the urologist found impossible to discount. His face was a bra.s.s mask. It was almost frightening. I told him I never would have believed he had that kind of performance in him.'

'Psychosis live on the radio used to read an Eve Arden beauty brochure all the time where Eve Arden says: "The importance of a mask is to increase your circulation," quote.'

'The truth is n.o.body can always always tell, Boo. Some types are just too good, too complex and idiosyncratic; their lies are too close to the truth's heart for you to tell.' tell, Boo. Some types are just too good, too complex and idiosyncratic; their lies are too close to the truth's heart for you to tell.'

'I can't ever tell. You wanted to know. You're right. It never crosses my mind.'

'I'm the type that'd buy land, I think.'

'You remember my hideous phobic thing about monsters, as a kid?'

'Boy do I ever.'

'Boo, I think I no longer believe in monsters as faces in the floor or feral infants or vampires or whatever. I think at seventeen now I believe the only real monsters might be the type of liar where there's simply no way to tell. The ones who give nothing away.'

'But then how do you know they're monsters, then?'

'That's the monstrosity right there, Boo, I'm starting to think.'

'Golly Ned.'

'That they walk among us. Teach our children. Inscrutable. Bra.s.s-faced.'

'Can I ask you how it is being in that thing?'

'Thing?'

'You know know. Don't play dumb dumb and and embarra.s.s embarra.s.s me.' me.'

'A wheelchair is a thing which: you prefer it or do not prefer, it is no distance. Difference. You are in the chair even if you do not prefer it. So it is better to prefer, no?'

'I can't believe I'm drinking drinking. There's all these people in the House they're always worried they're going to drink drink. I'm in there for drugs drugs. I've never had more than a beer ever ever in my in my life life. I only came in here to throw up from getting mugged mugged. Some street guy was offering to be a witness and he would not not leave me alone. I didn't even have any leave me alone. I didn't even have any money money. I came in here to vomit vomit.'

'I know what it is you are meaning.'

'What's your name one more time?'

'I call myself Remy.'

'This is a beautiful thing beautiful thing as Hester would say. I don't feel horrid anymore. Ramy I feel as Hester would say. I don't feel horrid anymore. Ramy I feel better better than I feel, felt in ever so I don't know than I feel, felt in ever so I don't know how long how long. This is like novocaine of the soul novocaine of the soul. I'm like: why was I spending all that time doing one-hitters when this this is really what is really what I I call feeling call feeling better better.'

'Us, I do not take any drugs. I drink infrequently.'

'Well you're making up for lost time making up for lost time I have to say.' I have to say.'

'When I drink I have many drinks. This is how it is for my people.'

'My mom won't even have it in the house house. She said it's what made her father drive into concrete concrete and wipe out his and wipe out his entire family entire family. Which like I'm so tired of hearing it. I came in here - what is this place?'

'This, it is Ryle's Inman Square Club of Jazz. My wife is dying at home in my native province.'

'There's this thing in the Big Book Big Book they make us every Sunday we have to they make us every Sunday we have to drag drag ourselves out of bed at the absolute crack of ourselves out of bed at the absolute crack of dawn dawn and sit in a circle and read out of it and half the people can barely even and sit in a circle and read out of it and half the people can barely even read read and it's and it's excruciating excruciating to listen to!' to listen to!'

'You should make your voice lower, for in the hours of no jazz they enjoy low voices, coming in for quiet.'

'And there's a thing about a car salesman trying to quit drinking, it's about the they call it the insanity of the first one, drink - he comes in a bar for a sandwich and a gla.s.s of milk - are you hungry?'

'Non.'

'What am I saying I don't have any money money. I don't even have my purse purse. This stuff makes you stupid but it makes you feel quite a bit improved improved. He wasn't thinking of a drink and then all of a sudden he thinks of a drink. This guy.'

'Out of a blue place, in one flas.h.i.+ng instant.'

'Exactly. But the insanity is after all this time in hospitals hospitals and losing his and losing his business business and his and his wife wife because of because of drinking drinking he suddenly gets it into his head that one drink won't hurt him if he puts it in a gla.s.s of he suddenly gets it into his head that one drink won't hurt him if he puts it in a gla.s.s of milk milk.'

'Crazy in his head.'

'So when this absolutely reptilian reptilian character you character you saved saved me from by sitting down, rolling over, whatever. me from by sitting down, rolling over, whatever. Sor Sor -ry. When he says can he buy me a drink the book flashes in my mind and for sort of as it felt like a -ry. When he says can he buy me a drink the book flashes in my mind and for sort of as it felt like a joke joke I ordered Kahlua and milk.' I ordered Kahlua and milk.'

'Me, I come in for nights I am tired, after the music has packed away, for the quiet. I use the telephone here as well, sometimes.'

'I mean even before the mugging I was walking along soberly deciding how to kill myself, so it seems a little silly to worry about drinking.'

'You have a certain expression of resemblance of my wife.'

'Your wife is dying dying. Jesus I'm sitting here laughing laughing and your wife is and your wife is dying dying. I think it's that I haven't felt decent decent in in so freaking so freaking long, do you know what I'm saying? I'm not talking like long, do you know what I'm saying? I'm not talking like good, good, I'm not talking like I'm not talking like pleasure, pleasure, I wouldn't want to go overboard with this thing, but at least at like I wouldn't want to go overboard with this thing, but at least at like zero, zero, even, what do they call it Feeling No Pain.' even, what do they call it Feeling No Pain.'

'I know of this meaning. I am spending a day to find someone I think my friends will kill, all the time I am awaiting the chance to betray my friends, and I come here and telephone to betray them and I see this bruised person who strongly resembles my wife. I think: Remy, it is time for many drinks.'

'Well I I think you're think you're nice nice. I think you just about saved my life life. I've spent like nine weeks feeling so bad I wanted to just about kill myself, kill myself, both getting high and not. Dr. Garton never mentioned both getting high and not. Dr. Garton never mentioned this this. He talked plenty about shock shock but he never even freaking but he never even freaking mentioned mentioned Kahlua and milk.' Kahlua and milk.'

'Katherine, I will tell you a story about feeling so bad and saving a life. I do not know you but we are drunk together now, and will you hear this story?'

'It's not about Hitting Bottom ingesting any sort of Substance and trying to Surrender, is it?'

'My people, we do not hit the bottoms of women. I am, shall we say, Swiss. My legs, they were lost in the teenage years being struck by a train.'

'That must have smarted smarted.'

'I would have temptation to say you have no idea. But I am sensing you have an idea of hurting.'

'You have no idea idea.'

'I am in early twenty years, without the legs. Many of my friends also: without legs.'

'Must have been an awful awful train crash.' train crash.'

'Also my own father: dead when his Kenbeck pacemaker came within range of a misdialed number of a cellular phone far away in Trois Rivieres, in a freakish occurrence of tragedy.'

'My dad emotionally abandoned us and moved to Portland, which is in Oregon, with his therapist.'

'Also in this time, my Swiss nation, we are a strong people but not strong as a nation, surrounded by strong nations. There is much hatred of our neighbors, and unfairness.'

'It all started when my mom found a picture of his therapist in his wallet and goes "What's that that doing in here?" ' doing in here?" '

'It is, for me, who I am weak, so painful to be without legs in the early twenty years. One feels grotesque to people; one's freedom is restricted. I have no chances now for jobs in the mines of Switzerland.'

'The Swiss have gold mines.'

'As you say. And much beautiful territory, which the stronger nations at the time of losing my legs committed paper atrocities to my nation's land.'

'Frucking b.a.s.t.a.r.ds b.a.s.t.a.r.ds.'

'It is a long story to the side of this story, but my part of the Swiss nation is in my time of no legs invaded and despoiled by stronger and evil hated and neighboring nations, who claim as in the Anschluss Anschluss of Hitler that they are friends and are not invading the Swiss but conferring on us gifts of alliance.' of Hitler that they are friends and are not invading the Swiss but conferring on us gifts of alliance.'

'Total d.i.c.ks d.i.c.ks.'

'It is to the side, but for my Swiss friends and myself without legs it is a dark period of injustice and dishonor, and of terrible pain. Some of my friends roll themselves off to fight against the invasion of paper, but me, I am too painful to care enough to fight. To me, the fight seems without point: our own Swiss leaders have been subverted to pretend the invasion is alliance; we very few legless young cannot repel an invasion; we cannot even make our government admit that there is an invasion. I am weak and, in pain, see all is pointless: I do not see the meaning of choosing to fight.'

'You're depressed depressed is what you are.' is what you are.'

'I see no point and do no work and belong to nothing; I am alone. I think of death. I do nothing but frequently drink, roll around the despoiled countryside, sometimes dodging falling projectiles of invasion, thinking of death, bemoaning the depredation of the Swiss land, in great pain. But it is myself I bemoan. I have pain. I have no legs.'

'I'm Identifying every step of the way with you, Ramy. Oh G.o.d, G.o.d, what did I what did I say? say?'

'And us, our Swiss countryside is very hilly. The fauteuil, it is hard to push up many hills, then one is braking with all the might to keep from flying out of control on the downhill.'

'Sometimes it's like that walking, too.'

'Katherine, I am, in English, moribund moribund. I have no legs, no Swiss honor, no leaders who will fight the truth. I am not alive, Katherine. I roll from skiing lodge to tavern, frequently drinking, alone, wis.h.i.+ng for my death, locked inside my pain in the heart. I wish for my death but have not the courage to make actions to cause death. I twice try to roll over the side of a tall Swiss hill but cannot bring myself. I curse myself for cowardice and inutile. I roll about, hoping to be hit by a vehicle of someone else, but at the last minute rolling out of the path of vehicles on Autoroutes, for I am unable to will my death. The more pain in my self, the more I am inside the self and cannot will my death, I think. I feel I am chained in a cage of the self, from the pain. Unable to care or choose anything outside it. Unable to see anything or feel anything outside my pain.'

'The billowing shaped black sailing wing. I am so totally Identifying it's not even funny funny.'

'My story it was one day at the top of a hill I had drunkenly labored for many minutes to roll to the crest, and looking out over the downhill slope I see a small hunched woman in what I am thinking is a metal hat far below at the bottom, attempting the crossing of the Swiss Provincial Autoroute at the bottom, in the middle of the Provincial Autoroute, this woman, standing and staring in the terror at one of the hated long and s.h.i.+ny many-wheeled trucks of our paper invaders, bearing down upon her at high speeds in the hurry to come despoil part of the Swiss land.'

'Like one of those Swiss metal helmets? Is she scrambling crazily to get out of the way?'

'She is standing transfixed with horror of the truck - identically as I had been motionless and transfixed by horror inside me, unable to move, like one of the many moose of Switzerland transfixed by the headlights of one of the many logging-trucks of Switzerland. The sunlight is reflecting madly on her metal hat as she is shaking her head in terror and she is clutching her - pardon me, but her female bosom, as if the heart of her would explode from the terror.'

'And you think, Oh f.u.c.k me, f.u.c.k me, just great, another horrible thing I'm going to have stand here and witness and then go feel pain over.' just great, another horrible thing I'm going to have stand here and witness and then go feel pain over.'

'But the great gift of this time today at the hilltop above the Provincial Autoroute is I do not think of me. I do not know this woman or love her, but without thinking I release my brake and I am careening down the downhill, almost wipe-outing numerous places on the b.u.mps and rocks of the hill's slope, and as we say in Switzerland I schussch schussch at enough speed to reach my wife and sweep her up into the chair and roll across the Provincial Autoroute into the embanking ahead just ahead of the nose of the truck, which had not slowed.' at enough speed to reach my wife and sweep her up into the chair and roll across the Provincial Autoroute into the embanking ahead just ahead of the nose of the truck, which had not slowed.'

'Hang me upside-down and f.u.c.k me in both ears ears. You pulled yourself out of a clinical depression by being a freaking hero hero.'