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"You don't think it would do if she was moved to another office?"
"The point is this." Dunbar moved his chair forward. "The time may come when we will need the girl as an informer. Rudolph Klein is infatuated with her. Now I understand that she has a certain feeling of--loyalty to Mr. Graham. In that case"--he glanced at Clayton--"the welfare of the many, Mr. Spencer, against the few."
For a long time after he was gone Clayton sat at his desk, thinking.
Every instinct in him revolted against the situation thus forced on him.
There was something wrong with Dunbar's reasoning. Then it flashed on him that Dunbar probably was right, and that their points of view were bitterly opposed. Dunbar would have no scruples, because he was not quite a gentleman. But war was a man's game. It was not the time for fine distinctions of ethics. And Dunbar was certainly a man.
If only he could talk it over with Natalie! But he knew Natalie too well to expect any rational judgment from her. She would demand at once that the girl should go. Yet he needed a woman's mind on it. In any question of relations.h.i.+p between the s.e.xes men were creatures of impulse, but women had plotted and planned through the ages. They might lose their standards, but never their heads. Not that he put such a thought into words. He merely knew that women were better at such things than men.
That afternoon, as a result of much uncertainty, he took his problem to Audrey. And Audrey gave him an answer.
"You've got to think of the mill, Clay," she said. "The Dunbar man is right. And all you or any other father of a boy can do is to pray in season, and to trust to Graham's early training."
And all the repressed bitterness in Clayton Spencer's heart was in his answer.
"He never had any early training, Audrey. Oh, he had certain things. His manners, for instance. But other things? I ought not to say that. It was my fault, too. I'm not blaming only Natalie. Only now, when it is all we have to count on--"
He was full of remorse when he started for home. He felt guilty of every disloyalty. And in masculine fas.h.i.+on he tried to make up to Natalie for the truth that had been wrung from him. He carried home a great bunch of roses for her. But he carried home, too, a feeling of comfort and vague happiness, as though the little room behind him still reached out and held him in its warm embrace.
CHAPTER XXII
In the evening of the thirty-first of January Clayton and Graham were waiting for Natalie to come down to dinner when the bell rang, and Dunbar was announced. Graham welcomed the interruption. He had been vaguely uneasy with his father since that day in his office when Clayton had found him on Anna Klein's desk. Clayton had tried to restore the old friendliness of their relation, but the boy had only half-heartedly met his advances. Now and then he himself made an overture, but it was the almost timid advance of a puppy that has been beaten. It left Clayton discouraged and alarmed, set him to going back over the past for any severity on his part to justify it. Now and then he wondered if, in Graham's frequent closetings with Natalie, she did not covertly undermine his influence with the boy, to increase her own.
But if she did, why? What was going on behind the impa.s.sive, lovely mask that was her face.
Dunbar was abrupt, as usual.
"I've brought you some news, Mr. Spencer," he said. He looked oddly vital and alive in the subdued and quiet room. "They've shown their hand at last. But maybe you've heard it."
"I've heard nothing new."
"Then listen," said Dunbar, bending forward over a table, much as it was his habit to bend over Clayton's desk. "We're in it at last. Or as good as in it. Unrestricted submarine warfare! All merchant-s.h.i.+ps bound to and from Allied ports to be sunk without warning! We're to be allowed--mark this, it's funny!--we're to be allowed to send one s.h.i.+p a week to England, nicely marked and carrying pa.s.sengers only."
There was a little pause. Clayton drew a long breath.
"That means war," he said finally.
"h.e.l.l turned over and stirred up with a pitch-fork, if we have any backbone at all," agreed Dunbar. He turned to Graham. "You young fellows'll be crazy about this."
"You bet we will," said Graham.
Clayton slipped an arm about the boy's shoulders. He could not speak for a moment. All at once he saw what the news meant. He saw Graham going into the horror across the sea. He saw vast lines of marching men, boys like Graham, boys who had frolicked through their careless days, whistled and played and slept sound of nights, now laden like pack-animals and carrying the implements of death in their hands, going forward to something too terrible to contemplate.
And a certain sure percentage of them would never come back.
His arm tightened about the boy. When he withdrew it Graham straightened.
"If it's war, it's my war, father."
And Clayton replied, quietly:
"It is your war, old man."
Dunbar turned his back and inspected Natalie's portrait. When he faced about again Graham was lighting a cigaret, and Natalie herself was entering the room. In her rose-colored satin she looked exotic, beautiful, and Dunbar gave her a fleeting glance of admiration as he bowed. She looked too young to have a boy going to war. Behind her he suddenly saw other women, thousands of other women, living luxurious lives, sheltered and pampered, and suddenly called on to face sacrifice without any training for it.
"Didn't know you were going out," he said. "Sorry. I'll run along now."
"We are dining at home," said Natalie, coldly. She remained standing near the door, as a hint to the shabby gentleman with the alert eyes who stood by the table. But Dunbar had forgotten her already.
"I came here right away," he explained, "because you may be having trouble now. In fact, I'm pretty sure you will. If we declare war to-morrow, as we may?"
"War!" said Natalie, and took a step forward.
Dunbar remembered her.
"We will probably declare war in a day or two. The Germans..."
But Natalie was looking at Clayton with a hostility in her eyes she took no trouble to conceal.
"I hope you'll be happy, now. You've been talking war, wanting war--and now you've got it."
She turned and went out of the room. The three men in the library below heard her go up the stairs and the slam of her door behind her. Later on she sent word that she did not care for any dinner, and Clayton asked Dunbar to remain. Practical questions as to the mill were discussed, Graham entering into them with a new interest. He was flushed and excited. But Clayton was rather white and very quiet.
Once Graham took advantage of Dunbar's preoccupation with his asparagus to say:
"You don't object to the aviation service, father?"
"Wherever you think you can be useful."
After coffee Graham rose.
"I'll go and speak to mother," he said. And Clayton felt in him a new manliness. It was as though his glance said, "She is a woman, you know.
War is men's work, work for you and me. But it's hard on them."
Afterward Clayton was to remember with surprise how his friends gathered that night at the house. Nolan came in early, his twisted grin rather accentuated, his tall frame more than usually stooped. He stood in the doorway of the library, one hand in his pocket, a familiar att.i.tude which made him look oddly boyish.
"Well!" he drawled, without greeting. "They've done it. The English have got us. We hadn't a chance. The little Welshman--"
"Come in," Clayton said, "and talk like an American and not an Irishman.
I don't want to know what you think about Lloyd George. What are you going to do?"
"I was thinking," Nolan observed, advancing, "of blowing up Was.h.i.+ngton.
We'd have a fresh start, you see. With Was.h.i.+ngton gone root and branch we would have some sort of chance, a clear sweep, with the capital here or in Boston. Or London."
Clayton laughed. Behind Nolan's cynicism he felt a real disturbance. But Dunbar eyed him uncertainly. He didn't know about some of these Irish.