Dangerous Days Part 1

Dangerous Days.

by Mary Roberts Rinehart.

CHAPTER I

Natalie Spencer was giving a dinner. She was not an easy hostess. Like most women of futile lives she lacked a sense of proportion, and the small and unimportant details of the service absorbed her. Such conversation as she threw at random, to right and left, was trivial and distracted.

Yet the dinner was an unimportant one. It had been given with an eye more to the menu than to the guest list, which was characteristic of Natalie's mental processes. It was also characteristic that when the final course had been served without mishap, and she gave a sigh of relief before the gesture of withdrawal which was a signal to the other women, that she had realized no lack in it. The food had been good, the service satisfactory. She stood up, slim and beautifully dressed, and gathered up the women with a smile.

The movement found Doctor Haverford, at her left, unprepared and with his coffee cup in his hand. He put it down hastily and rose, and the small cup overturned in its saucer, sending a smudge of brown into the cloth.

"Dreadfully awkward of me!" he said. The clergyman's smile of apology was boyish, but he was suddenly aware that his hostess was annoyed. He caught his wife's amiable eyes on him, too, and they said quite plainly that one might spill coffee at home--one quite frequently did, to confess a good man's weakness--but one did not do it at Natalie Spencer's table. The rector's smile died into a sheepish grin.

For the first time since dinner began Natalie Spencer had a clear view of her husband's face. Not that that had mattered particularly, but the flowers had been too high. For a small dinner, low flowers, always. She would speak to the florist. But, having glanced at Clayton, standing tall and handsome at the head of the table, she looked again. His eyes were fixed on her with a curious intentness. He seemed to be surveying her, from the top of her burnished hair to the very gown she wore.

His gaze made her vaguely uncomfortable. It was unsmiling, appraising, almost--only that was incredible in Clay--almost hostile.

Through the open door the half dozen women trailed out, Natalie in white, softly rustling as she moved, Mrs. Haverford in black velvet, a trifle tight over her ample figure, Marion Hayden, in a very brief garment she would have called a frock, perennial debutante that she was, rather negligible Mrs. Terry Mackenzie, and trailing behind the others, frankly loath to leave the men, Audrey Valentine. Clayton Spencer's eyes rested on Audrey with a smile of amused toleration, on her outrageously low green gown, that was somehow casually elegant, on her long green ear-rings and jade chain, on the cigaret between her slim fingers.

Audrey's audacity always amused him. In the doorway she turned and nonchalantly surveyed the room.

"For heaven's sake, hurry!" she apostrophized the table. "We are going to knit--I feel it. And don't give Chris anything more to drink, Clay.

He's had enough."

She went on, a slim green figure, moving slowly and reluctantly toward the drawing-room, her head held high, a little smile still on her lips.

But, alone for a moment, away from curious eyes, her expression changed, her smile faded, her lovely, irregular face took on a curious intensity.

What a devilish evening! Chris drinking too much, talking wildly, and always with furtive eyes on her. Chris! Oh, well, that was life, she supposed.

She stopped before a long mirror and gave a bit of careless attention to her hair. With more care she tinted her lips again with a cosmetic stick from the tiny, diamond-studded bag she carried. Then she turned and surveyed the hall and the library beyond. A new portrait of Natalie was there, hanging on the wall under a shaded light, and she wandered in, still with her cigaret, and surveyed it. Natalie had everything. The portrait showed it. It was beautiful, smug, complacent.

Mrs. Valentine's eyes narrowed slightly. She stood there, thinking about Natalie. She had not everything, after all. There was something she lacked. Charm, perhaps. She was a cold woman. But, then, Clay was cold, too. He was even a bit hard. Men said that; hard and ambitious, although he was popular. Men liked strong men. It was only the weak they deplored and loved. Poor Chris!

She lounged into the drawing-room, smiling her slow, cool smile. In the big, uncarpeted alcove, where stood Natalie's great painted piano, Marion Hayden was playing softly, carefully posed for the entrance of the men. Natalie was sitting with her hands folded, in the exact center of a peac.o.c.k-blue divan. The others were knitting.

"Very pretty effect, Toots!" Audrey called. And Miss Hayden gave her the unashamed smile of one woman of the world to another.

Audrey had a malicious impulse. She sat down beside Natalie, and against the blue divan her green gown shrieked a discord. She was vastly amused when Natalie found an excuse and moved away, to dispose herself carefully in a tall, old-gold chair, which framed her like a picture.

"We were talking of men, my dear," said Mrs. Haverford, placidly knitting.

"Of course," said Audrey, flippantly.

"Of what it is that they want more than anything else in the world."

"Children-sons," put in Mrs. Mackenzie. She was a robust, big woman with kindly eyes, and she was childless.

"Women!" called Toots Hayden. She was still posed, but she had stopped playing. Mrs. Haverford's eyes rested on her a moment, disapprovingly.

"What do you say, Natalie?" Audrey asked.

"I hadn't thought about it. Money, probably."

"You are all wrong," said Audrey, and lighted a fresh cigaret. "They want different things at different ages. That's why marriage is such a rotten failure. First they want women; any woman will do, really. So they marry--any woman. Then they want money. After that they want power and place. And when they've got that they begin to want--love."

"Good gracious, Audrey, what a cynical speech!" said Mrs. Mackenzie. "If they've been married all that time--"

"Oh, tut!" said Audrey, rudely.

She had the impulse of the unhappy woman to hurt, but she was rather ashamed of herself, too. These women were her friends. Let them go on believing that life was a thing of lasting loves, that men were true to the end, and that the relations.h.i.+ps of life were fixed and permanent things.

"I'm sorry," she said. "I was just being clever! Let's talk about the war. It's the only thing worth talking about, anyhow."

In the dining-room Clayton Spencer, standing tall and erect, had watched the women go out. How typical the party was of Natalie, of her meticulous care in small things and her indifference or real ignorance as to what counted. Was it indifference, really, or was it supreme craftiness, the stupidity of her dinners, the general unattractiveness of the women she gathered around her, the ill-a.s.sortment of people who had little in themselves and nothing whatever in common?

Of all the party, only Audrey and the rector had interested him even remotely. Audrey amused him. Audrey was a curious mixture of intelligence and frivolity. She was a good fellow. Sometimes he thought she was a nice woman posing as not quite nice. He didn't know. He was not particularly a.n.a.lytical, but at least she had been one bit of cheer during the endless succession of courses.

The rector was the other, and he was relieved to find Doctor Haverford moving up to the vacant place at his right.

"I've been wanting to see you, Clay," he said in an undertone. "It's rather stupid to ask you how you found things over there. But I'm going to do it."

"You mean the war?"

"There's nothing else in the world, is there?"

"One wouldn't have thought so from the conversation here to-night."

Clayton Spencer glanced about the table. Rodney Page, the architect, was telling a story clearly not for the ears of the clergy, and his own son, Graham, forced in at the last moment to fill a vacancy, was sitting alone, bored and rather sulky, and sipping his third cognac.

"If you want my opinion, things are bad."

"For the Allies? Or for us?"

"Good heavens, man, it's the same thing. It is only the Allies who are standing between us and trouble now. The French are just holding their own. The British are fighting hard, but they're fighting at home too. We can't sit by for long. We're bound to be involved."

The rector lighted an excellent cigar.

"Even if we are," he said, hopefully, "I understand our part of it will be purely naval. And I believe our navy will give an excellent account of itself."

"Probably," Clay retorted. "If it had anything to fight! But with the German fleet bottled up, and the inadvisability of attempting to bombard Berlin from the sea--"

The rector made no immediate reply, and Clayton seemed to expect none.

He sat back, tapping the table with long, nervous fingers, and his eyes wandered from the table around the room. He surveyed it all with much the look he had given Natalie, a few moments before, searching, appraising, vaguely hostile. Yet it was a lovely room, simple and stately. Rodney Page, who was by way of being decorator for the few, as he was architect for the many, had done the room, with its plainly paneled walls, the over-mantel with an old painting inset, its lion chairs, its two console tables with each its pair of porcelain jars.

Clayton liked the dignity of the room, but there were times when he and Natalie sat at the great table alone, with only the candles for light and the rest of the room in a darkness from which the butler emerged at stated intervals and retreated again, when he felt the oppression of it.

For a dinner party, with the brilliant colors of the women's gowns, it was ideal. For Natalie and himself alone, with the long silences between them that seemed to grow longer as the years went on, it was inexpressibly dreary.

He was frequently aware that both Natalie and himself were talking for the butler's benefit.

From the room his eyes traveled to Graham, sitting alone, uninterested, dull and somewhat flushed. And on Graham, too, he fixed that clear appraising gaze that had vaguely disconcerted Natalie. The boy had had too much to drink, and unlike the group across the table, it had made him sullen and quiet. He sat there, staring moodily at the cloth and turning his gla.s.s around in fingers that trembled somewhat.