When the Birds Begin to Sing Part 48

Those moments seem to be long hours; they are spells of invisible woe; this dog is perhaps a phantom, come to warn her of some ghastly peril into which Carol has fallen. Its fangs look ripe for human gore; it pants, and its breath is as the rush of a storm.

"Help!" says a low voice, calling the dog by name.

The animal turns at the sound of that word. "Help! come back." He crouches away disappointed; he would have liked to seize Eleanor by the throat if he dared.

At the sound of the man's call Eleanor does not move, nor even start, only the blood seems to dry up in her veins, her fingers twitch convulsively, her eyes roll back in her head. She can hear the heavy footfalls mounting the steps to the verandah one by one; she dares not look, for she _knows_, she _understands_!

Then a sudden idea seizes her. They are not yet face to face. If her paralysed limbs will let her she may yet escape through the room, and out behind. She can hide in the thick undergrowth, and watch her opportunity to creep down the road and warn Carol of the danger threatening their lives. He may even now be pa.s.sing the well and riding up the hill to death!

She rushes blindly across the room, but that instant the heavy steps reach the verandah. Her aim is frustrated. She staggers against the wall, extending her arms aloft with a wild gesture.

The intruder stands in the open window, his dark figure framed, in the line between the verandah and the interior, his face illuminated by the moon which has burst like a ghostly lamp-man over the east. She feels like one dazed in the trammels of opium. She tries to cry out, to shriek for help, but only one word breaks hoa.r.s.ely from her lips with a hollow groan:

"Philip!"

The man enters the room silently, his garments are thick with dust, his coat torn as with jungle briars sharply thorned. He looks as if he had lived in the outer air, unkempt, dishevelled! Thick black hair has grown over the lower part of his face; but his eyes gleam as they meet hers while he advances, his gaze riveted on Eleanor. A fierce growl makes him turn, and his eyes fall on the lounging coat of Tussore silk lying upon yellow cus.h.i.+ons.

"Help" has scented it, and springing with his huge paws towards the sofa, tears and rends it furiously in his heavy jaws with the savage air of a lion destroying prey.

The sight is strangely horrible to Eleanor. Her eyes start from their sockets, staring, bloodshot, fixed. Her lips are livid, her limbs stiff, she is still drawn up against the wall at bay; but for its support she would fall upon the ground.

Philip smiles. The action of the dog pleases him. He does not notice the photograph of Carol, which dropped from Eleanor's hands as she started across the room, but the heel of his dusty boot falls on the face, crus.h.i.+ng it under the weight of his tread, scarring the features and cracking the card. He advances and stands pa.s.sively before Eleanor, so close that his hot breath fans her cheek, looking at her and waiting.

The steady ticking of the clock resounds in the room; in that moment of extreme tension it deafens her.

The silence is horrible, unendurable; she struggles to break it, and her voice sounds to her own amazement perfectly natural.

"I know why you have come, Philip," she says calmly, and it seems that she has lived through this moment in some past existence, so painfully familiar are the ghastly occurrences of to-night. Perhaps it was in some shadowy dream which faded from her memory on awaking. "I know why you are here," she repeats throwing back her head against the bamboo panelling, and stretching out her arms in the att.i.tude of a crucified victim. "I read it in your face. But I am too young to die, too sin-stained."

"You think I have come to kill you, Eleanor?"

His words are low and hollow; they seem strangely similar to the warning growl of his huge dog. She thinks he has grown to resemble the ferocious-looking beast, or "Help," in the moonlight, appears like his master--from perpetual companions.h.i.+p.

But even as she looks, something of the man creeps into Philip's eyes, humanising them. The brute nature fades.

She answers his question under her breath:

"Yes, you have hunted me down to take my life."

An expression of intense pain contracts his features; she has cut him to the quick.

With a woman's sharp instinct, intensified by dread, Eleanor sees that her doom is not yet; but the thought of another burns like fire in her brain. Her own miserable thread of life, what does it matter? She holds it as nought compared with the one she loves. She would die a thousand deaths if such a sacrifice would buy him safety.

"How little you understand me!" he says at last. "It was always so."

"Why have you come?" she asks, faintly tracing the shadows that fall around him in the pallid moonlight.

He turns, as if in answer, to the scattered rags of a silken coat, some of which still hang in the mastiff's jaws; then his gaze travels through the verandah, down the zig-zag path towards the jungle.

Eleanor interprets the look. With a swift movement she wrenches herself from the wall against which she has seemed to be held as if by a strong magnet, crosses the room with quick and noiseless tread, fastens the folding window doors together with a click, facing Philip in defiant silence.

"You have come for him," she hisses, the hatred in her eyes gleaming forth. "You would kill--Carol."

At the mention of his name from her lips Philip starts.

"Is it not so?" she cries wildly, raising her voice, which trembles with emotion, vibratos with dread.

For the moment Philip does not reply, only his face lights up as with the glory of revenge.

Eleanor's fingers tighten on the window fastening. She clings to it for support.

A strangled cry breaks from her lips, and the half incoherent words: "My G.o.d! My G.o.d!"

CHAPTER XXIII.

OH, I DEFY THEE, h.e.l.l, TO SHOW ON BEDS OF FIRE THAT BURN BELOW, A DEEPER WOE.--_E. A. Poe_.

Philip pushes a chair forward as if to signify there is no need to guard the window.

The action excites Eleanor to pa.s.sion.

"It is cowardly to kill," she cries through her clenched teeth.

"And if I did, what should I get in return for all he has stolen from me? Could he give me back your heart? Could he blot out the past with his blood? Should I regain the pure thing I lost, the wife I treasured, the woman I adored? Think how he shattered my life and wrecked my happiness, when he enticed you with the golden apple, that rots and decays, turning to wormwood between the lips! You were allured by the seductive cajolery, the d.a.m.nable influence of a scoundrel."

Eleanor's breast heaves, she staggers forward in a frenzy.

"Stop! What you say is false. I was not 'enticed.' I went because I loved him body and soul; because existence without him was empty--impossible. If I had stayed with you, loving him, I should not have been true to myself; I should have played the traitor in my own home; the curse would have been on you and on your children. If such a thing were possible, here in this new land, my pa.s.sion developed, increased, tenfold. The night and day, the light, the darkness, they hold nothing for me but this rapturous love, all that is precious, tender, sweet. I have fed on in this paradise till _you_ came, like an image of death, to bring back all that is odious, hateful."

"Yes," he replies slowly, "I can believe you were happy, clinging to the prize you held so dear. Your words have not surprised me, I have listened to them so often in fancy, picturing this scene, when you and I alone should stand together and bare our souls. I expected to hear your short-lived rapture hurled at me as a s.h.i.+eld, a fortification! I am ready to judge it, to weigh it if you will, in the scales of right and wrong. Will you not continue?"

His words wither Eleanor's defence; she shrinks back into herself.

"Surely you have something more to say," with an ironical laugh, that re-echoes discordantly round the room.

She shakes her head mournfully, and drops her hands to her sides.

"Perhaps," he continues, "I was to blame. I was not in harmony with you; I failed to please."

"Oh! Philip!"

The words are a protest, wrung from the bottom of her soul.

"Or I did not place sufficient confidence in you; we had 'family jars,'

'vexed questions,' 'disagreements.'"