Garden Ornaments Part 1

Garden Ornaments.

by Mary H. Northend.

FOREWORD

Doubtless we have all realized the allurement of the garden, as we walk between the beds, drinking in the sweet perfume of the many flowers, or as we watch the birds perched on the branches or lazily swinging on the flowers, twittering to their mates as they sip the nectar or prune their plumage, after bathing in the sparkling water of the pool.

There is more than enjoyment that comes to the garden lover through his life among the plants. He grows broader and becomes forgetful of the trivial cares and prejudices of every-day life as he watches their development. He comes to the garden for inspiration and finds it among the flowers.

We are by nature garden lovers, and though with some the feeling has not as yet been developed, yet deep in the depths of their soul is a yearning for intercourse with Nature and her lessons--taught through the cultivation of flowers. It spells Contentment, Happiness and Love.

It is a delight to visit gardens, and study the character of the designer. It is no hard matter to read through varied planting likes and dislikes in the owner. It brings us closer together, this mutual love of floriculture, and it is in discussion of this theme that we forget the sordid phases of life.

Visit the gardens with me, listen to the anthem of the birds sung at morn and eventide. Learn their habits, and make them friends, so that they will nestle into your often lonely life, bringing with them a gladness that is not only delightful but alluring.

Many a love story has been told among the flowers, many a real story has been developed as one sat gazing at some flower-laden field. Joy and sadness has been our varied lot since we began our garden work, but as the years go on, gladness predominates. We grow to look forward with a tender longing for the coming spring. We hang lovingly over the opening buds of the early flowers. We are glad that we, too, have grown to know the flowers, that we have learned through their poetic language solace for the wounded soul, and how to live better lives, through intercourse with them.

To my many friends who have made it possible for me to visit their gardens, and to reproduce their carefully thought out schemes in pictures, I extend my hearty thanks. It has done much to make not only my life but other lives happier. It is with the hope that others may find the same enjoyment in this work that I have that I send it forth to perform its mission and with the hope that it may encourage others to start gardens of their own and to give to them a happiness they have never known before. If I have accomplished this I have met the desire of my heart.

THE GARDEN PATH AND BORDER

[Ill.u.s.tration: LET GUTTERS OF COBBLESTONES LINE YOUR PATH]

CHAPTER I

THE GARDEN PATH AND BORDER

"All the world's a garden and we are garden lovers in it." This is not a new theme, for it has been in existence ever since the planting of the early flower plots, those that were in evidence in our grand-dames'

time. There is a distinct atmosphere connected with those simple one-path gardens that is most delightful. It lies not only in the gravel paths and the stiff box-borders, but in the fragrant old-fas.h.i.+oned flowers that were grown promiscuously inside the trim line of box.

Perchance some dainty line of cinnamon pinks whose delicate blossoms when we find them in the twentieth-century gardens, carry us back vividly to the Colonial days when they so often formed a part of the garden scheme.

Great changes have taken place in the evolution of the posy beds, for, with the pa.s.sage of time, they have developed into wide expanses of floral landscape, subtly moulded into charming pictures and fascinating vistas.

In the planting and the planning of the flower beds of the present day many of the general motives of the older gardens have been retained.

They have, however, been enlarged upon and developed until they are perfected in every detail. The landscape architect of to-day realizes that the achievements of yesterday can be interwoven with the possibilities of to-morrow.

As we saunter leisurely through the twentieth-century garden, we come occasionally upon a simple box-border, much more scientifically treated than those of long ago. This special feature of garden culture should be planted in the early spring that it may obtain deep rooting, so as to resist the ravages of the winter season. The plants should not overcrowd but be set three inches apart in narrow, shallow trenches, with plenty of mulching to insure the best results. Unlike those found in the gardens of Colonial days, they should be carefully clipped, sometimes for topiary effects.

Here and there, we come unexpectedly upon old-time flower plots, showing a box-border, not like those of the present day, carefully trimmed, but scraggly and unkempt, preserved for sentiment's sake. They still line the central walk, much as they did long years ago. In those days there was no laying-out of gardens or creating odd designs, but, instead, there was a simple, narrow, dividing line, worked out by the removal of turf and filling in with earth.

Few realize that garden culture can be divided into periods, each one of which is well defined, so that it is possible to determine where the old-fas.h.i.+oned ideas left off and the new-fas.h.i.+oned ones began. The earliest period has a straight, simple path, about six feet in width.

These gardens came into existence when our s.h.i.+pping was greater on the sea and the merchant princes demanded large and more elegant houses with gardens laid out in the rear. Many of these were planned by the mistresses of the stately homes, while some were designed by English or German gardeners, who in their planting reproduced the gardens across the seas. There are a few only that deviate from the general plan of the single walk dividing the beds and ending in a summer house, vine-clad, where the Colonial dames during the summer months held afternoon teas.

These garden houses were the nucleus of the garden furniture that has come into fas.h.i.+on with the pa.s.sing of time.

One of the distinctive features connected with these gardens is the border. This varies in width with the size of the plot and the flowers enclosed. It must be borne in mind that the gardeners of those days knew little of the theory of color schemes, yet the results were pleasing to the eye, so much so that to-day the old-fas.h.i.+oned garden stands in a cla.s.s by itself.

With the evolution of gardens, new ideas sprang into existence. All landscape architects realize the importance of giving particular attention to the laying-out of the path. Here the bit of garden demands a straight path, yonder to bring gardens into unity a gra.s.s path should be laid, while level stretches demand charming floral treatment, wrought out through proper use of flowers in the borders.

[Ill.u.s.tration: A SUCCESSFUL GRa.s.s PATH]

Every ambitious gardener realizes that during the summer months, his particular garden will be on dress parade, and must be always at its best. Therefore, he gives special attention to the tr.i.m.m.i.n.g of the borders, the smoothing of the path and the right coloring in beds, so that no discordant note be found. Every part must be kept in good condition, for there are no closed doors for untidiness to skulk behind.

This he knows means constant and unremitting care and that he may avoid sameness, he changes the flower scheme every year, to give a fresh note to the planting of his own particular plot.

The greatest care must be taken that borders are properly balanced, for any deviation from this rule results in lop-sided effects that spell failure. No walk in any part of the garden but should be planned to serve a definite purpose, either to connect other paths or at its end to bring out some carefully laid plan that will lend a picturesque effect to the finished design.

Let us take as an instance a curved path. First of all, we must realize that it is not following any haphazard plan but has a definite aim.

Perchance it has been most carefully laid out to avoid the felling of a tree that is needed for picturesque effect, but whatever the object may be, it is fulfilled by the design of this particular path.

There are to be found, quite frequently on large, extensive grounds, gra.s.s paths that cut the lawn, connecting separated gardens. In any case like this, how much better to introduce English stepping stones.

There is a picturesque coloring in their soft, gray hue, contrasting pleasingly with a line of gra.s.s between. They also break the monotony given by a solid ma.s.s of green and lend to this particular part of the ground an old-world aspect.

Have you ever stopped to think when planning for your next year's garden that designs can be easily varied to bring out some new thought and make a change that is alluring? It is the careful introduction of these novel ideas that gives zest to garden culture. Every person has a different idea of what is right in garden culture and unconsciously treats the old plan in an individual manner. A little touch here and there goes a great way in producing odd effects.

Among the many materials that can be used for this feature of the garden is brick, and of this there are many kinds. For the old-fas.h.i.+oned garden the second-hand brick gives a Colonial atmosphere. For the gardens of to-day it is generally better to use the hard, burned brick--these can be laid in straight lines or herring-bone fas.h.i.+on as fancy dictates, and should show a line of straight brick or headers as they approach the border. This feature should be used generally in formal types of garden landscape. Great care should be taken, however, that the brick be laid perfectly dry and cemented in mortar.

If you are looking for novelty, why not try cobblestones? They are very inexpensive, particularly if you live in a seaport town where the beaches are strewn with them. Be sure to pick out those that are nearest the same size and shape, for this gives a better effect. There is nothing that gives a better backing for earth beds, especially as they are easily kept weeded. If the cobblestones prove too conspicuous for the scheme of the garden, it is a comparatively easy matter to plant as a background a flowering plant that will in time fall over them and hide them from view.

A turf walk is, properly speaking, the most effective path. It also has many advantages, chief among them the fact that it is not hard to keep up and can be replaced with very little trouble, save the cutting of new sod. Be very careful not to make the mistake of laying old sods that have been piled for a considerable length of time and have thus lost much of their vigor. In order to have them at their best they should be freshly cut and laid carefully in a rich foundation, the pieces joined as closely as possible together and the crevices filled in with either gra.s.s seed or dirt. Plenty of watering means success; still one should not be impatient, for it is not until a second season that gra.s.s comes to its own. One difficulty in a border like this, which can, however, be easily remedied, is that it needs constant cutting to keep the gra.s.s from overrunning the beds.

If you are planning a garden of the English type, it is well to carry out the idea of introducing irregular stones for the walk. It is desirable that the stones should not all be of the same size, otherwise there will be no chance for gra.s.s and moss to grow between them and give them the old-world aspect. In gardens of this type such a path is really imperative, for the flowers crowd against the dividing line and would be much less interesting if stones were not introduced.

Bear in mind, in dealing with this particular subject that the width of the walk depends in a great measure on the size of the garden. Here a narrow path is all that is necessary to carry out the scheme; there, a wide one seems to fit appropriately into the plan. It is not always possible to have gardens large enough to allow a wide path, yet the effect of one can be produced by a little contriving; for instance, if you use gra.s.s for the central feature with an earth border on either side.

If you desire a successful garden you should seek for variety, not only in the cutting of the walk, but in the planting of the borders. To-day everybody is striving for originality and to work out odd ideas that still are practical. One should remember, too, that no two gardens are exactly alike, any more than two faces bear an exact resemblance.

In describing the border, one might liken it to the setting of a gem.

Doubtless, it might be said to be artificial but so is the planting of the flower plot. It is not nature's work, but designed by the hand of man and in it harmony should be developed in the highest degree.

Let us take as an example the damp garden. This is usually laid out in one corner of the estate. If we should treat it with a gravel walk, what would be the result--dampness and disappointment. Now, let us change the whole plan and place stringers on which boards are laid, so nailed that they can be lifted during the winter season and stored away in a friendly barn or cellar. Watch the result and you will find it is always dry and practical for usage. Better still, if wearing properties do not have to be taken into consideration, use cedar boughs that resemble in contour miniature logs. They fit into place as if put there by nature, all the more if they are bordered by ferns. If you build at the further end a rustic summer house, it gives a refres.h.i.+ng touch.

Many garden lovers delight in collecting wild flowers, digging them up in the neighboring woods to blossom in their cultivated garden. Why not give them a home by themselves in a rough rockery? This can easily be built from stones found on the estate. Here we deviate from the stilted idea of paths and introduce stone steps. These should be large and rough enough to fit in with our plan. Hardy ferns should be planted on either side and rock plants between the steps. You will then see the wisdom of creating a path like this which is in sympathy with the general idea of the garden.

[Ill.u.s.tration: A BRICK-PAVED PATH FLANKED BY MANY-HUED IRIS]

Landscape gardeners are at the present day endeavoring to work out results that are in harmony with any period that they are called upon to reproduce. Occasionally they come upon a subject that is very difficult to treat, such as the concrete walk. This is an absolute necessity in some locations. Yet, when finished, it presents a bare appearance and demands special treatment. Very successful results are produced by bright borders of flowering plants, and if in addition to this an arch of wire or rustic boughs is made for the entrance and covered with rambler roses, of which to-day there are many varieties, a happy solution will be found to the perplexing problem of a colorless path. During the time of blossoming, the touch of brightness adds to the effect while later on the bright green of the leaves relieves the cold gray of the concrete.

The late Joseph Jefferson, in speaking of gardens and their borders, once said, "They are all expectation." And so they are from the early spring when the first bulbs come into bloom until the falling of the late chrysanthemum. As we con the seedman's list to prepare for the spring gardening, we go through the procession of the seasons noting the colors and finding a joy in antic.i.p.ation that is exhilarating.