The Mountebank Part 41

"Of course not," said I.

She looked over at the twin spires of the cathedral beneath which the town slumbered in the blue mist of the late afternoon.

"Thanks, Tony," she said presently. "I didn't think of it. I should naturally have gone to the best seats, which would have been fatal. But I've been in many circuses. There's always the top row at the back, next the canvas...."

"My dear good child," I cried, "you couldn't go up there among the lowest rabble of Clermont-Ferrand!"

She glanced at me in pity and sighed indulgently.

"You talk as if you had been born a hundred years ago, and had never heard of--still less gone through--the late war. What the----" she paused, then thrust her face into mine, so that when she spoke I felt her breath on my cheek, "What the _h.e.l.l_ do you think I care about the rabble of Clermont-Ferrand?"

That she would walk undismayed into a den of hyenas or Bolsheviks or Temperance Reformers or any other benighted savages I was perfectly aware.

That she would be perfectly able to fend for herself I have no doubt.

But still, among the uneducated dregs of the sugar-less, match-less, tobacco-less populace of a French provincial town who attributed most of their misfortunes to the grasping astuteness of England, we were not peculiarly beloved.

This I explained to her, while she continued to smile pityingly. It was all the more incentive to adventure. If I had a.s.sured her that she would be torn limb from limb, like an inconvincible aristocrat flaunting abroad during the early days of the French Revolution, she would have grown enthusiastic. Finally, in desperation because, in my own way, I was fond of Auriol, I put down a masculine and protecting foot.

"You're not going there without me, anyhow," said I.

"I've been waiting for that polite offer for the last half hour," she replied.

What I said, I said to myself--to the midmost self of my inmost being. I am not going to tell you what it was. This isn't the secret history of my life.

A cloud came up over the shoulder of the hills. We descended to the miniature valley of Royat.

"It's going to rain," I said.

"Let it," said Auriol unconcerned.

Then began as dreary an evening as I ever have spent.

We dined, long before anybody else, in a tempest of rain which sent down the thermometer Heaven knows how many degrees. Half-way through dinner we were washed from the terrace into the empty dining-room. There was thunder and lightning _ad libitum._

"A night like this--it's absurd," said I.

"The absurder the better," she replied. "You stay at home, Tony dear.

You're a valetudinarian. I'll look after myself."

But this could not be done. I have my obstinacies as mulish as other people's.

"If you go, I go."

"As you have, according to your pampered habit, bought a car from now till midnight, I don't see how we can fail to keep dry and warm."

I had no argument left. Of course, I hate to swallow an early and rapid dinner. One did such things in the war, gladly dislocating an elderly digestion in the service of one's country. In peace time one demands a compensating leisure. But this would be comprehensible only to a well-trained married woman. My misery would have been outside Auriol's ken. I meekly said nothing. The world of young women knows nothing of its greatest martyrs.

When it starts thundering and lightening in Royat, it goes on for hours. The surrounding mountains play an interminable game of which the thunderbolt is the football. They make an infernal noise about it, and the denser the deluge the more they exult.

Amid the futile flashes and silly thunderings--no man who has been under an intensive bombardment can have any respect left for the pitiful foolery of a thunderstorm--and a drenching downpour of rain (which is solid business on the part of Nature) we scuttled from the hired car to the pay-desk of the circus. We were disguised in caps and burberrys, and Lady Auriol had procured a black veil from some shop in Royat. We paid our fifty centimes and entered the vast emptiness of the tent. We were far too early, finding only half a dozen predecessors. We climbed to the remotest Alpine height of benches. The wet, cold canvas radiated rheumatism into our backs. A steady drip from the super-saturated tent above us descended on our heads and down our necks. Auriol b.u.t.toned the collar of her burberry and smiled through her veil.

"It's like old times."

"Old times be anythinged," said I, vainly trying to find comfort on six inches of rough boarding.

"It's awfully good of you to come, Tony," she said after a while. "You can't think what a help it is to have you with me."

"If you think to mollify me with honeyed words," said I, "you have struck the wrong animal."

It is well to show a woman, now and then, that you are not entirely her dupe.

She laid her hand on mine. "I mean it, dear. Really. Do you suppose I'm having an evening out?"

We continued the intimate sparring bout for a while longer. Then we lapsed into silence and watched the place gradually fill with the populace of Clermont-Ferrand. The three top tiers soon became crowded. The rest were but thinly peopled. But there was a sufficient mult.i.tude of garlic-eating, unwashed humanity, to say nothing of the natural circus smell, to fill unaccustomed nostrils with violent sensations. A private soldier is a gallant fellow, and ordinarily you feel a comfortable sense of security in his neighbourhood; but when he is wet through and steaming, the fastidious would prefer the chance of perils. And there were many steaming warriors around us.

There we sat, at any rate, wedged in a ma.s.s as vague and cohesive as chocolate creams running into one another. I had beside me a fat, damp lady whose wet umbrella dripped into my shoes. Lady Auriol was flanked by a lean, collarless man in a cloth-cap who made sarcastic remarks to soldier friends on the tier below on the capitalist occupiers of the three-franc seats. The dreadful circus band began to blare. The sudden and otherwise unheralded entrance of a lady on a white horse followed by the ring master made us realize that the performance had begun. The show ran its course.

The clowns went through their antiquated antics to the delight of the simple folk by whom we were surrounded. A child did a slack wire act, waving a j.a.panese umbrella over her head. Some acrobats played about on horizontal bars. We both sat forward on our narrow bench, elbows on knees and face in hands, saying nothing, practically seeing nothing, aware only of a far off, deep down, infernal pit in which was being played the Orcagnesque prelude to a bizarre tragedy. I, who had gone through the programme before, yet suffered the spell of Auriol's suspense. Long before she had thrown aside the useless veil. In these dim alt.i.tudes no one could be recognized from the ring. Her knuckles were bent into her cheeks and her eyes were staring down into that pit of despair. We had no programme; I had not retained in my head the sequence of turns. Now it was all confused. The pervasive clowns alone seemed to give what was happening below a grotesque coherence.

Suddenly the ring was empty for a second. Then with exaggerated strides marched in a lean high-heeled monster in green silk tights reaching to his armpits, topped with a scarlet wig ending in a foot high point. He wore white cotton gloves dropping an inch from the finger tips, and he carried a fiddle apparently made out of a cigar box and a broom handle. His face painted red and white was made up into an idiot grin. He opened his mouth at the audience, who applauded mildly.

Lady Auriol still sat in her bemused att.i.tude of suspense. I watched her perplexedly for a second or two, and then I saw she had not recognized him.

I said:

"That's Lackaday."

She gasped. Sat bolt upright, and uttered an "Oh-h!" a horrible little moan, not quite human, almost that of a wounded animal, and her face was stricken into tense ugliness. Her hand, stretched out instinctively, found mine and held it in an iron grip. She said in a quavering voice:

"I wish I hadn't come."

"I wish I could get you out," said I.

She shook her head.

"No, no. It would be giving myself away. I must see it through."

She drew a deep breath, relinquished my hand, turned to me with an attempt at a smile.

"I'm all right now. Don't worry."

She sat like a statue during the performance. It was quite a different performance from the one I had seen a few days before. It seemed to fail not only in the magnetic contact between artist and audience, but in technical perfection. And Elodie, whom I had admired as a vital element in this combination, so alive, so smiling, so reponsive, appeared a merely mechanical figure, an exactly regulated automaton.

My heart sank into my shoes, already chilled with the drippings of my fat neighbour's umbrella. If Lackaday had burst out on Lady Auriol as the triumphant, exquisite artist, there might, in spite of the unheroic travesty of a man in which he was invested, have been some cause for pride in extraordinary, crowd-compelling achievement. The touch of genius is a miraculous solvent. But here was something second-rate, third-rate, half-hearted--though I, who knew, saw that the man was sweating blood to exceed his limitations. Here was merely an undistinguished turn in a travelling circus which folk like Lady Auriol Dayne only visited in idle moods of good-humoured derision.

He went through it not quite to the bitter end, for I noted that he cut out the finale of the elongated violin. There was perfunctory applause, a perfunctory call. After he had made his bow, hand in hand with Elodie, he retired in careless silence and was nearly knocked down by the reappearing lady on the broad white horse.

"Let us go," said Auriol.

We threaded our way down the break-neck tiers of seats and eventually emerged into the open air. Our hired car was waiting. The full moon shone down in a clear sky in the amiable way that the moon has--as though she said with an intimate smile--"My dear fellow--clouds? Rain? I never heard of such a thing. You must be suffering from some delusion. I've been s.h.i.+ning on you like this for centuries." I made a casual reference to the beauty of the night.