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"Thank you," said Marion. "I was altogether too ugly about that tile, but to tell you the truth I have had so much nagging this year, before I left home, that I've been too ready to defend myself."
"I know," responded Irma.
Marion looked up suddenly, as if he wondered how much she knew. But Irma said nothing.
Not far from the hotel some gondolas were tied to the poles that marked their station. Marion leaned forward and signalled, and the nearest gondolier glided up.
"Put these trinkets away. I will leave the box in the office," said Marion, "and we can go out for an hour."
Irma accepted the invitation gladly enough, and the two were on the point of starting when Richard and Ellen appeared. Marion invited them also, and soon the four young people were gliding past S. Maria della Salute up toward the railway station.
"There," said Richard, as they pa.s.sed one beautiful palace after another. "If this were not Marion's party, I could tell you all kinds of wonderful stories as we go along. But as it is, I must content myself with saying, 'This is the Palace where Robert Browning spent so much time, and where he finally died. There, on that corner, lives Don Carlos. He and the parrot are not visible to-day, but you can almost look into the kitchen windows and see the most wonderful collection of copper kettles. When Lord Byron lived in that gray-fronted edifice, he was in the habit of taking a daily swim in the waters of the Grand Ca.n.a.l. I would like to tell you about the Dandolos and Foscari, and all the others, including the Falieri. Some of them were beheaded; some had their eyes put out, and----"
"Don't, Richard," cried Ellen. "The Venetians were almost as bloodthirsty as the Florentines and Romans, and I wonder at their cruel deeds when I look about at all the beauty here."
"Oh, there are also highly romantic stories, if I only had time to tell them, not bloodthirsty, but full of sentiment," continued Richard, in the tone that always meant he was only half in earnest. "The Merchant of Venice, for instance, and here we are at the Rialto, which of course makes you think of Shylock, though it was the section back there, and not the bridge, that Shakespeare had in mind."
"I walked through the Merceria the other day," said Ellen. "You know it's the street that runs from this bridge to the clock tower opposite St. Mark's."
"Did you find many bargains?" asked Marion suddenly.
"A few, though we were not out to shop. But it was great fun to see the real Venetians hurrying along almost like Americans."
At this moment one of the little steamboats that constantly ply up and down the Grand Ca.n.a.l seemed to be bearing down upon them. Irma gave a little scream, but already the gondolier had pushed his craft away so adroitly that they barely felt the swash.
[Ill.u.s.tration: VENICE. THE GRAND Ca.n.a.l.]
[Ill.u.s.tration: VENICE. A GONDOLIER.]
Once or twice they pulled up at some landing to have a better view of an old building or Campo, and always an aged man arose from some corner, boathook in hand, to help them ash.o.r.e, waiting until their return to receive the small fee that custom has decreed.
At last, as they glided homeward, and came in sight of their hotel, Irma discerned Katie standing on the balcony.
"Irma," said Marion, in an undertone, for evidently he, too, had seen Katie, "has Katie said anything to you about Nap lately?"
"No, not for some time."
"Well, I hoped she would say you could keep Nap."
"Aha, Marion," cried Richard, "I believe I understand why you have spent so much time with Katie lately, escorting her around to places I wouldn't have taken the trouble to go. I see why you did it."
"Why?" asked Ellen; "why should he need a special reason?"
"Perhaps he didn't need it. But I believe he has set out to make Katie give up Nap to Irma, but," and he turned toward Marion with a flourish of his hat, "I'll bet you almost anything that you don't succeed. Katie is my cousin, and I know."
As they landed at the steps of the hotel, Katie greeted them pleasantly.
"The rest of us have had a splendid afternoon. We've been shopping."
"Of course," interposed Richard.
"Oh, this time we went to such interesting palaces, full of wonderful old furniture and pictures, collectors' places; and your aunt, Irma, has bought any amount of lovely things. And then, over across the way, we saw them making mosaics, and I have bought some beautiful long slender iridescent gla.s.s vases."
"You can buy the same in New York," murmured Richard, "and we'll have all the trouble of carrying these vases home. Probably they'll be put in a basket for _me_ to carry."
Then in a sudden spirit of mischief: "Katie," cried Richard, "did Marion give you that arrangement for your scarf? I don't know whether to call it a pin or a ring."
"n.o.body gave it to me," she replied, in a tone of annoyance.
"Then _where_ did you get it?" It was Marion who spoke sharply.
Katie made no answer.
"Did you advertise it?" asked Marion.
Even to Katie this question seemed as puzzling as to the others.
"I don't know what you mean," she replied. "I bought it at Rome."
"Oh," said Marion, and it was quite evident that he did not believe her.
"Well," said Katie, "if you must know, I bought it at the Rag Fair, and very cheap it was. Every one tells me that I have a great bargain, for the carving on the stone is very fine, and I wouldn't part with it for anything."
Marion made no comment after Katie's speech, and instantly Irma understood the whole thing. This was the "something else" that Marion had lost with the two hundred liri in his purse. It had probably been stolen by some one at the fair. Certainly it was easy now to account for Katie's bargain.
CHAPTER XVIII
EXPLANATIONS
"I am sorry," Aunt Caroline was saying, as she and Irma and Uncle Jim drifted along in a gondola, "that you will lose Milan. Perhaps you might have gone up with your uncle on his trip last week, but it seemed hot."
"It was hot," interposed Uncle Jim. "And I had so much business that I could have given no time to showing Irma around. She could have seen the Cathedral, of course, which, after all, is one of the most beautiful in the world, and different from the others you have seen in Italy; and she could have visited one or two delightful galleries. But I doubt that your head will retain an impression of half those you've already visited. If you will accept my impression of Milan, you will know just what it is, a busy, bustling city, full of energetic people who are making their way upward. If the rest of Italy could catch the spirit of Milan, the whole country would soon be prosperous. In fact the spirit of independence is so strong that car conductors, policemen, and shopkeepers, as well as cabmen, are insolent, and inclined to look down on the _forestieri_. Sometime, when you return to Italy in cooler weather, you can visit Milan; but be thankful you didn't go there with me last week."
"We shall have a warm journey back to Naples, and if your business were not so pressing, I should be inclined to go to Switzerland. While she is over here, Irma ought to see----"
"Oh, no, no," interrupted Irma, without waiting for Aunt Caroline to finish the sentence. "Really I do not need to see more. I ought, that is, I _must_ go home."
"Why, my dear child," cried Aunt Caroline, "I had no idea you were getting homesick. I thought you were enjoying everything."
"Yes, I am enjoying everything," replied Irma, "and that is why I feel as if I can hardly wait to see them all at home. I just long to tell them about everything, and I don't want Tessie to grow up before I see her again. And if Katie gets to Cranston before I do, she will take Nap away, and perhaps I may never see him again. Oh, I am glad we are going home." Irma's voice now broke completely, and she made no attempt to hide her tears.
"There, my dear, it is the warm weather. The climate of Venice is too relaxing----"
"We'd get home sooner, Irma, if we should give up our Mediterranean pa.s.sage and take a boat from Havre or Cherbourg. Perhaps you would like to start to-morrow with Mrs. Sanford's party. You wouldn't lose sight of Katie then," said Uncle Jim mischievously.