Zero Data Part 1

Zero Data.

by Charles Saphro.

_All the intricate, electronic witchery of the 21st century could not pin guilt on fabulous Lonnie Raichi, the irreproachable philanthropist. But Jason, the cop, was sweating it out ...

searching for that fourth and final and all-knowing rule that would knock Lonnie's "triple ethic" for a gala loop._

Lonnie Raichi was small, heavily built, wet-eyed, dapper and successful.

His success he attributed entirely to his philosophy.

Not knowing about Lonnie's philosophy, the whole twenty-odd years of Lonnie's success was the abiding crux of Jason's disgust. And this, in spite of the more and more men Jason came to control and the fitful stream of new techniques and equipment Gov-Pol and Gov-Mil Labs put at his disposal.

Jason was a cop. In fact, by this Friday the thirteenth in the fall of 2009, squirming on what had come to be his pet Gov-Park bench right across from the Tiara of Wold in the Fane, he was only one step short of being the Head Cop of Government City. He was good. Gathering in a lot of criminals was what had brought him up the steps.

But he hadn't gathered in Lonnie.

It wasn't for lack for trying. Way back, when Lonnie was known simply as "Lonnie," Jason managed to get a little help from his a.s.sociates and superiors. Sometimes.

But as Lonnie came to be known as Lon Raichi, then Mr. Raichi, and finally as "THE Launcelot Raichi" (to Everyone Who Mattered), and as Jason's promotions kept pace with his widening experience and painstakingly acquired knowledge; peculiarly, there seemed to be fewer and fewer persons around who could be made interested in "Lonnie."

Inside Government and Gov-Pol-Anx as well as among the general Two-Worlds public.

So Jason got less and less help, or even pa.s.sive cooperation, from his superiors. As a matter of fact, the more men he could command, the fewer he could use on anything that could be construed as concerning Lonnie.

Equipment, though, was a little different matter. There was usually enough so that one unit of a kind could be un.o.btrusively trained on Mr.

Raichi under the care of Jason's own desk sergeant. In 1999, for example, Moglaut, that erratic and secretive genius in Physlab Nine, came out with a quantum a.n.a.lyzer and probability reproducer. The machine installed in Pol-Anx, reconstructed crimes and identified the probable criminals by their modus operandi and the physical traces they couldn't avoid leaving at the un-mercy of any of its portable data acc.u.mulators.

On Jason's first attempt it almost came close to Lonnie. It did gather in the hidden, dead, still twitching, completely uncommunicative carca.s.ses of the five men who actually relieved the vault of the Citizen's Bank of Berlin of its clutch of millions. It even identified the body of the rocopilot found floating in the Potomac a few days later as being one of the group, and the killer. It did _not_ locate the arsonized remnants of the plane, though, nor the currency; and only achieved the casting of a slight, or subsidiary, third-hand aspersion in the direction of THE Launcelot Raichi.

But Lonnie came up with an irrefutable alibi, somehow, and the ha.s.sle that followed made Jason's luck run out. And on Jason's stubborn, secret, subsequent tries, all the a.n.a.lyzer could produce was a report of zero data whenever Jason, reasonably or unreasonably, believed that Lonnie was involved.

Every time.

Zero data when Schicklehitler's marshal's baton disappeared from the British Museum.

[Ill.u.s.tration: _Lonnie on his dream throne ... Jason at his instruments.

Was the struggle endless between these two?_]

Zero data when Charlemagne's Crown lapsed un.o.btrusively from its shrine in Vienna during the Year 2000 Celebration.

Subsequently, Jason realized that the Berlin job in 1999 had marked Lonnie's last essay after money. Other things seemed to occupy Lonnie's mind after he'd sprouted publicly into the status of full-fledged, hyper-respectable, inter-planetary business tyc.o.o.n; complete with a many-tentacled industrial organization in Moon Colony and a far-flung prospecting unit headquartering at Mars Equatorial.

Tyc.o.o.ns.h.i.+p was a status with which Everyone Who Mattered was always pleased.

Jason's next attempt on Lonnie had to wait until 2005 and was the result of two unconnected circ.u.mstances. The first was Physlab Nine's secretive genius, Moglaut, evolving another piece of equipment, a disarmer, which, subsequent to its first use, saved countless cops' lives. The second was the discovery in the Valley of Kings, of Amenhotep III's own personal official Uraeus. Positively identified beyond the shadow of doubt.

Jason, playing the hunch he'd built up about Lonnie, rushed a man, armed with the brand new disarmer, instantly to the scene.

The next morning, Amenhotep's Uraeus was gone and the corpse of Jason's man was found--part of it. The right hand, arm, shoulder, and most of the head were missing; burned away. And of the disarmer, only a fused hunk of mixed metals and silver helix remained.

And the a.n.a.lyzer reported zero data.

Lab Nine's taciturn and exasperating Moglaut failed to derive an explanation for either circ.u.mstance.

"I won't shut up," Jason said, standing on the carpet in front of his superior. "He did it. I don't know how, but he did."

Another spasm of frustration shook him and he slammed his fist down on the sacred desk. "I've known Lonnie all my life. I know he doesn't know phfut about anything scientific, and yet he makes a horse's--"

"Captain Jason, I insist that you stop referring to--"

"Makes a--" Jason raised his voice, "horse's--"

"CAPTAIN JASON!"

Jason subsided.

"Captain, Annex has been most forbearing all these years. We've overlooked your incomprehensible phobia--this--this confoundedly unfounded impossible bias against such an irreproachable philanthropist as Launcelot Raichi--because of the sterling quality of your ... ah ...

other work. However--"

On the desk, the Commissioner's fingers took up a measured tattoo.

"--should this fixed idea begin to encroach on--uh--uh--"

"All right ... Sir." Sullenly, Jason submitted. "I understand."

With a self-congratulatory smirk up at the ceiling that separated them from Executive Level, the bland face of the Commissioner smoothed out.

"All right, Captain, as long as we understand each other ..."

Sourly, Jason got himself back to his own office. Drumming his own fingers on his own desk and glaring at his own desk sergeant, he purged his soul.

"--d.a.m.ned equipment would only work, I'd gather him in! They couldn't stop me, then! But--" Jason choked. When he could speak again, "He's never studied a lick in his life, I tell you! Yet he makes a he-cow's behind out of the best man and the best scientific equipment Annex can provide! How? How, I ask you! He doesn't know the first blasted thing about any blasted thing in any blasted science!"

That was true. Conversely, Jason didn't know about Lonnie's philosophy.

Nowadays, Lonnie called it a "philosophy." He told reporters it was "based on a triple ethic." (Inside his skull, a small boy jumped up and down in glee over the magnificent language he was able to use.) But he always replied only with a superior smile when asked by reporters to put the philosophy and the triple ethic into words. If pressed, he paraphrased an Ancient Man: "You know my works. Judge by them."

He was referring, of course, to his having branched out into patronizing the Arts. He'd even erected Raichi Museum just across the velvety green circle of Gov-Park from Government's own Fane of Artifacts.

The reporters would go away and write more articles about his modesty and the superlative treasures of Earth, Moon and Mars that were gathered in the Raichi Galleries; protected, the papers always boasted, by the same ultra-safety mechanisms that guarded the mile-long, one-gallery-wide, gla.s.s-fronted Fane itself. Government affably made up two of every anti-break-and-entry device nowadays. One for the Fane and the other for Raichi Museum.

Despite occasional grumbles in the letters-to-the-editor columns, the papers never seemed to inquire into why so many priceless trans-worlds artifacts got into Lonnie's private owners.h.i.+p instead of Government's public Fane. And while some artists and architects (unendowed by Lonnie) succeeded in publicly proclaiming Raichi Museum gaudy, such carpings were but to be expected, particularly from modernists.

Actually, Everyone Who Mattered felt Raichi Museum's granite walls were much more dignified than the narrow, gla.s.s-faced arcade that was the Fane, wide open to the most disrespectfully casual public inspection all the time. Why, even late at night gawking loiterers pressed their noses against the gla.s.s; black, clumsy images pinned to the blazing whiteness hurled by radionic tubes against the back wall of snowy marble from Mars' arctic quarries. Besides, that gla.s.s, proof though it was against anything but an atomic explosion, still made every true art lover feel disquietingly insecure.

No, on the whole, the papers and reporters and true art lovers who felt the Public's treasures should be more secure than visible, never questioned Lonnie's doing good to so much Art.