Portia Part 1

Portia.

by d.u.c.h.ess.

CHAPTER I.

"A child of our grandmother Eve, a female; or, for thy more sweet understanding, a woman."--LOVE'S LABORS LOST.

THE gates are thrown wide open, and the carriage rolls smoothly down the long dark avenue, beneath the waving branches of the tall elms and the copper beeches, through which the dying sun is flinging its parting rays.

The horses, sniffing the air of home, fling up their heads and make still greater haste, until presently, rounding the curve, they draw up before the hall door.

It stands open, and on the high, stone steps that lead to it, a very pretty girl looks down upon the carriage from under her palm, with a face eager and expectant. When she has barely glanced at it, she says, "Ah!" in a tone of deep satisfaction, and running down the steps and over the gravel, turns the handle of the carriage door and looks anxiously at its occupant.

"You have come," she says, cheerily. "I was _so_ afraid something might have prevented you."

The person she addresses--a girl about two years older than herself, says:

"Yes, I have come," in a tone slow and sweet, almost to languor.

"_So_ glad," says the pretty girl, with a smile that must be one of her sweetest charms, it is so full of life and gaiety; "come out of this dreadful old sarcophagus and upstairs with me; I have your tea in your own room for you."

Miss Vibart, stepping out of the brougham, follows her hostess into the house, through the grand old hall, and up the wide, oak staircase, into a room huge and old-fas.h.i.+oned--but delicious and cozy, and comfortable to the last degree.

Having cast one hasty glance round the apartment, Miss Vibart turns to her young hostess--

"You are Dulcinea? isn't it?" she says, questioningly.

"Yes, I am Dulcinea as a rule--(may I be your maid, just for once--you will be so much happier without your hat)--but I have so many other names, that it takes me all my time to remember which one I really belong to. Uncle Christopher calls me Baby! and Mark Gore, when he is here, calls me d.u.c.h.ess, and d.i.c.ky Browne calls me Tom, and Roger calls me--I really quite forget what it is Roger calls me," with a slight shrug of her shoulders.

"Is d.i.c.ky Browne your _fiance_?" asks Miss Vibart, uncertainly; "I know you are engaged to somebody; Auntie Maud told me that."

"d.i.c.ky Browne! Oh, no!" Then, with the gayest little laugh in the world, "If you could only _see_ d.i.c.ky Browne! He couldn't, by any possibility, be _anybody's fiance_! You mean Roger, I suppose." But, with a quick frown and a touch of petulance, "Don't let us talk about _him_. He is such a worry, and has been making himself so exceedingly unpleasant all the morning!"

Miss Vibart stares, forgetting her usually very charming manners for the moment, and then drops her heavily-fringed lids over her eyes.

"By-the-by," says Dulce, breaking in upon what threatens to be an awkward pause, "how d'ye do? I don't believe I have said that yet." Her whole tone and expression have changed as if by magic; the suggestion of ill-temper is gone; the former vivacity re-a.s.serts itself. She lays her hands upon her visitor's shoulders with a light, caressing gesture, and leans towards her. "I shall give you a little kiss for your welcome, my dear cousin, if I may," she says, very prettily.

Portia Vibart, acknowledging her grace, tells herself this new cousin will suit very well, and returns her soft embrace with some warmth. She is feeling tired, used up, _ennuye_ to the last degree; even the two or three weeks she has had in town have been too much for her, and she has come down to her uncle's house nearly ready to confess to herself that she is seriously ill. Here, in the stillness, in this great room, with the elms swaying to and fro outside her windows, and the distant cawing of the rooks in the branches high up out of sight, she feels rest, and comfort, and a curious longing, that has a strange pleasure in it, to stretch out her arms and sigh deeply and contentedly.

"Sit in this chair, and rest a little before thinking of taking off anything else," says Dulce; "I shall pour out your tea."

She goes, with the quick undulating step that belongs to her, to a small, round table, and makes a little fuss over the delicate fat little cups that stand on the tray.

"You take sugar?" she asks, in a moment or two.

"No, thank you," says Portia, slowly; she is looking at her cousin still, whose hair is as nearly red as it can be, without being exactly so; it comes very, very close to it, but it is only the rude who have ever called it so.

"But of course not," says Dulcinea. "One might know that by looking at you. It isn't a good thing to take sugar in one's tea nowadays, is it?--it almost touches on immorality;" she is standing with the sugar-tongs poised in her right hand, and is glancing at Portia over her shoulder. "_I_ take it, you know--any amount of it, and I have yet the grace to be ashamed of myself afresh, at every new lump. d.i.c.ky Browne likes it, too."

"Who _is_ d.i.c.ky Browne?" demands Portia, suddenly: if she is going to live in this rather mixed household, she had better learn some particulars about the inhabitants at once.

"Not know d.i.c.ky? it argues yourself unknown. He is our celebrity. He is really immensely clever, about always doing the wrong thing, and indeed is inestimable in most ways. He is your cousin, too, as much as he is mine, which really," declares she airily, "isn't much. But he is such a pet all through that we magnify the third-cousins.h.i.+p into a first. He rides very straight and smokes the very prettiest cigarettes, and he is _such_ a fool!"

Miss Vibart is amused. "What a very charming description," she says, with the low laugh she allows herself; "he sounds like something I have seen somewhere, and he certainly would be a treasure to Byron."

"Lord Byron?" asks Dulce, with lifted brows; "I don't myself think he would show off much as a Conrad, or a Giaour, or a Lara."

"I rather fancy I was thinking of the man who writes plays," says Miss Vibart, mildly. "Is he here now?"

"Yes. He spends most of his time here. Both he and Roger are consumed with a desire to see you. You must know," says Dulcinea, laughing over her cups at her cousin, "that a breath from the outer world came to us, whispering of your success in town, and how every one raves of your _beaux yeux_, and your beauty generally."

"Who wafted so insane a breath as that?" asks Portia, with a suppressed smile.

"Mark Gore. He puts in a good deal of his time here, too."

"Mark Gore never talks anything but the very utterest nonsense," says Portia with a faint blush. "No one minds him. I shall be quite afraid to go down-stairs to present myself to d.i.c.ky Browne after all you have said. Consider his disappointment."

"I shan't," says Dulce, calmly, "and you needn't fear him. He is only d.i.c.ky. Well, it is five now, and we dine at seven. I shall send your maid to you, and I shall call back for you in an hour, if you wish, to bring you down stairs with me. But, perhaps--"

"Oh! please do," says Portia, graciously. "I shall be just a little strange at first, shan't I?"

"Strange here? _Indeed_ no," says Dulcinea, earnestly. "n.o.body knows the meaning of that word in this old Court. We all get friends with each other at once, and I don't think we ever fall asunder again. Now at six do try to be ready, and I will take you to see Uncle Christopher, who is sure to be in just then."

"I shall be ready," says Portia, with determination.

CHAPTER II.

"The first and the simplest emotion which we discover in the human mind is curiosity."--BURKE.

"YES, I am quite ready," says Portia.

The hour has flown, and Dulcinea, standing in the doorway of her cousin's room, gazes on her with undisguised admiration. To Dulcinea, anything lovely, be it man, or beast, or flower, is an intense and everlasting delight, and now Portia enchants her. In very truth so well she might, as a fairer picture than she presents at this moment can hardly be imagined.

She is standing before a large gla.s.s, let into the wall on one side of the room from ceiling to floor, and, with a back gla.s.s in her hand, is leaning slightly to one side, as though lost in admiration of the soft ma.s.s of fair, brown hair that lies coiled low down on her neck in high-art fas.h.i.+on. She is like a soft harmony in black and gold, with her filmy robes clinging closely round her, and the old gold, that is so like tarnished yellow, touching her here and there.

"Ah! Mark was right," says Dulce, with a little sigh of intensest pleasure. "Come down now (you _cannot_ make yourself more beautiful), and be made known to Uncle Christopher."

It is in the library that Miss Vibart makes herself known. Dulce entering first, with her gay little air, says:

"This is Portia, Uncle Christopher." Thereupon a tall old man, rising from a chair, comes quickly up to them and takes Portia's hand, and, stooping very low, presses his lips to her forehead.

He is a remarkably handsome old man, with light hair, and a rather warm complexion, and choleric, but kindly eyes. Even at the first glance Portia tells herself he would be as harsh a foe as he would be a champion true, and in so far she reads him right. He is hot-tempered, obstinate, at moments perhaps unjust, but at all times kind-hearted, and deserving of tenderest regard.