The Collected Stories of Katherine Anne Porter Part 1

The Collected Stories of Katherine Anne Porter.

Go Little Book ...

This collection of stories has been floating around the world in many editions, countries and languages, in three small volumes, for many years. There are four stories added which have never been collected before, and it is by mere hazard they are here at all.

"The Fig Tree," now in its right place in the sequence called The The Old Order, Old Order, simply disappeared at the time simply disappeared at the time The Leaning Tower The Leaning Tower was published, in 1944, and reappeared again from a box of otherwise unfinished ma.n.u.scripts in another house, another city and a different state, in 1961. "Holiday" represents one of my prolonged struggles, not with questions of form or style, but my own moral and emotional collision with a human situation I was too young to cope with at the time it occurred; yet the story haunted me for years and I made three separate versions, with a certain spot in all three where the thing went off track. So I put it away and it disappeared also, and I forgot it. It rose from one of my boxes of papers, after a quarter of a century, and I sat down in great excitement to read all three versions. I saw at once that the first was the right one, and as for the vexing question which had stopped me short long ago, it had in the course of living settled itself so slowly and deeply and secretly I wondered why I had ever been distressed by it. I changed one short paragraph and a line or two at the end and it was done. "Maria Conception" was my first published story. It was followed by "Virgin Violeta" and was published, in 1944, and reappeared again from a box of otherwise unfinished ma.n.u.scripts in another house, another city and a different state, in 1961. "Holiday" represents one of my prolonged struggles, not with questions of form or style, but my own moral and emotional collision with a human situation I was too young to cope with at the time it occurred; yet the story haunted me for years and I made three separate versions, with a certain spot in all three where the thing went off track. So I put it away and it disappeared also, and I forgot it. It rose from one of my boxes of papers, after a quarter of a century, and I sat down in great excitement to read all three versions. I saw at once that the first was the right one, and as for the vexing question which had stopped me short long ago, it had in the course of living settled itself so slowly and deeply and secretly I wondered why I had ever been distressed by it. I changed one short paragraph and a line or two at the end and it was done. "Maria Conception" was my first published story. It was followed by "Virgin Violeta" and "The Martyr," all stories of Mexico, my much-loved second country, and they were each in turn accepted and published in the old Century Magazine, Century Magazine, now vanished, by good generous sympathetic Carl Van Doren. He was the first editor-indeed, the first person now vanished, by good generous sympathetic Carl Van Doren. He was the first editor-indeed, the first person -to read a story of mine, and I remember how unhesitatingly and warmly he said, "I believe you are a writer!" This was in 1923.

Several writers or persons connected with literature in some way or another, from time to time in published reminiscences, have done me the honor to mention that they had, so to speak, "discovered" me.

There is no reason to name them, but I shall only say here and now, to have the business straight, it was Carl Van Doren, gifted writer, editor and resourceful friend to young writers, who just lightly tossed my stories into print and started me on my long career, with such an air of it being all in the day's work, which it was, I went away in a dazzle of joy, not in the least thinking of myself as "discovered"-I had known where I was all along- nor looking towards the future as a "career." What unpleasant words they are in this context. "Virgin Violeta" and "The Martyr" were left out of the first edition, I forget why, possibly oversight. A friend fished them out of the ancient Century Century files, got them re-published, after forty-odd years, and so they join their fellows. Every story I ever finished and published is here. files, got them re-published, after forty-odd years, and so they join their fellows. Every story I ever finished and published is here.

I beg of the reader one gentle favor for which he may be sure of my perpetual grat.i.tude: please do not call my short novels Novelettes, Novelettes, or even worse, or even worse, Novellas. Novellas. Novelette is cla.s.sical usage for a trivial, dime-novel sort of thing; Novella is a slack, boneless, affected word that we do not need to describe anything. Please call my works by their right names: we have four that cover every division: short stories, long stories, short novels, novels. I now have examples of all four kinds under these headings, and they seem very clear, sufficient, and plain English., To part is to die a little, it is said (in every language I can read), but my farewell to these stories is a happy one, a renewal of their life, a prolonging of their time under the sun, which is what any artist most longs for-to be read, and remembered. Novelette is cla.s.sical usage for a trivial, dime-novel sort of thing; Novella is a slack, boneless, affected word that we do not need to describe anything. Please call my works by their right names: we have four that cover every division: short stories, long stories, short novels, novels. I now have examples of all four kinds under these headings, and they seem very clear, sufficient, and plain English., To part is to die a little, it is said (in every language I can read), but my farewell to these stories is a happy one, a renewal of their life, a prolonging of their time under the sun, which is what any artist most longs for-to be read, and remembered.

Flowering Judas and Other Stories

Maria Concepcion

Maria Concepcion walked carefully, keeping to the middle of the white dusty road, where the maguey thorns and the treacherous curved spines of organ cactus had not gathered so profusely. She would have enjoyed resting for a moment in the dark shade by the roadside, but she had no time to waste drawing cactus needles from her feet. Juan and his chief would be waiting for their food in the damp trenches of the buried city.

She carried about a dozen living fowls slung over her right shoulder, their feet fastened together. Half of them fell upon the flat of her back, the balance dangled uneasily over her breast.

They wriggled their benumbed and swollen legs against her neck, they twisted their stupefied eyes and peered into her face inquiringly. She did not see them or think of them. Her left arm was tired with the weight of the food basket, and she was hungry after her long morning's work.

Her straight back outlined itself strongly under her clean bright blue cotton rebozo. Instinctive serenity softened her black eyes, shaped like almonds, set far apart, and tilted a bit endwise. She walked with the free, natural, guarded ease of the primitive woman carrying an unborn child. The shape of her body was easy, the swelling life was not a distortion, but the right inevitable proportions of a woman. She was entirely contented. Her husband was at work and she was on her way to market to sell her fowls.

Her small house sat half-way up a shallow hill, under a clump of pepper-trees, a wall of organ cactus enclosing it on the side nearest to the road. Now she came down into the valley, divided 3.by the narrow spring, and crossed a bridge of loose stones near the hut where Maria Rosa the beekeeper lived with her old G.o.d-mother, Lupe the medicine woman. Maria Concepcion had no faith in the charred owl bones, the singed rabbit fur, the cat en-trails, the messes and ointments sold by Lupe to the ailing of the village. She was a good Christian, and drank simple herb teas for headache and stomachache, or bought her remedies bottled, with printed directions that she could not read, at the drugstore near the city market, where she went almost daily. But she often bought a jar of honey from young Maria Rosa, a pretty, shy child only fifteen years old.

Maria Concepcion and her husband, Juan Villegas, were each a little past their eighteenth year. She had a good reputation with the neighbors as an energetic religious woman who could drive a bargain to the end. It was commonly known that if she wished to buy a new rebozo for herself or a s.h.i.+rt for Juan, she could bring out a sack of hard silver coins for the purpose.

She had paid for the license, nearly a year ago, the potent bit of stamped paper which permits people to be married in the church. She had given money to the priest before she and Juan walked together up to the altar the Monday after Holy Week. It had been the adventure of the villagers to go, three Sundays one after another, to hear the banns called by the priest for Juan de Dios Villegas and Maria Concepcion Manriquez, who were actually getting married in the church, instead of behind it, which was the usual custom, less expensive, and as binding as any other ceremony. But Maria Concepcion was always as proud as if she owned a hacienda.

She paused on the bridge and dabbled her feet in the water, her eyes resting themselves from the sun-rays in a fixed gaze to the far-off mountains, deeply blue under their hanging drift of clouds. It came to her that she would like a fresh crust of honey.

The delicious aroma of bees, their slow thrilling hum, awakened a pleasant desire for a flake of sweetness in her mouth.

"If I do not eat it now, I shall mark my child," she thought, peering through the crevices in the thick hedge of cactus that sheered up nakedly, like bared knife blades set protectingly around the small clearing. The place was so silent she doubted if Maria Rosa and Lupe were at home.

4.The leaning jacal of dried rush-withes and corn sheaves, bound to tall saplings thrust into the earth, roofed with yellowed maguey leaves flattened and overlapping like s.h.i.+ngles, hunched drowsy and fragrant in the warmth of noonday. The hives, similarly made, were scattered towards the back of the clearing, like small mounds of clean vegetable refuse. Over each mound there hung a dusty golden s.h.i.+mmer of bees.

A light gay scream of laughter rose from behind the hut; a man's short laugh joined in. "Ah, hahahaha!" went the voices together high and low, like a song.

"So Maria Rosa has a man!" Maria Concepcion stopped short, smiling, s.h.i.+fted her burden slightly, and bent forward shading her eyes to see more clearly through the s.p.a.ces of the hedge.

Maria Rosa ran, dodging between beehives, parting two stunted jasmine bushes as she came, lifting her knees in swift leaps, looking over her shoulder and laughing in a quivering, excited way.

A heavy jar, swung to her wrist by the handle, knocked against her thighs as she ran. Her toes pushed up sudden spurts of dust, her half-raveled braids showered around her shoulders in long crinkled wisps.

Juan Villegas ran after her, also laughing strangely, his teeth set, both rows gleaming behind the small soft black beard growing spa.r.s.ely on his lips, his chin, leaving his brown cheeks girl-smooth. When he seized her, he clenched so hard her chemise gave way and ripped from her shoulder. She stopped laughing at this, pushed him away and stood silent, trying to pull up the torn sleeve with one hand. Her pointed chin and dark red mouth moved in an uncertain way, as if she wished to laugh again; her long black lashes flickered with the quick-moving lights in her hidden eyes.

Maria Concepcion did not stir nor breathe for some seconds.

Her forehead was cold, and yet boiling water seemed to be pouring slowly along her spine. An unaccountable pain was in her knees, as if they were broken. She was afraid Juan and Maria Rosa would feel her eyes fixed upon them and would find her there, unable to move, spying upon them. But they did not pa.s.s beyond the enclosure, nor even glance towards the gap in the wall opening upon the road.

Juan lifted one of Maria Rosa's loosened braids and slapped 5 5 her neck with it playfully. She smiled softly, consentingly. Together they moved back through the hives of honey-comb. Maria Rosa balanced her jar on one hip and swung her long full petticoats with every step. Juan flourished his wide hat back and forth, walking proudly as a game-c.o.c.k.

Maria Concepcion came out of the heavy cloud which en-wrapped her head and bound her throat, and found herself walking onward, keeping the road without knowing it, feeling her way delicately, her ears strumming as if all Maria Rosa's bees had hived in them. Her careful sense of duty kept her moving toward the buried city where Juan's chief, the American archaeologist, was taking his midday rest, waiting for his food.

Juan and Maria Rosa! She burned all over now, as if a layer of tiny fig-cactus bristles, as cruel as spun gla.s.s, had crawled under her skin. She wished to sit down quietly and wait for her death, but not until she had cut the throats of her man and that girl who were laughing and kissing under the cornstalks. Once when she was a young girl she had come back from market to find her jacal burned to a pile of ash and her few silver coins gone. A dark empty feeling had filled her; she kept moving about the place, not believing her eyes, expecting it all to take shape again before her.

But it was gone, and though she knew an enemy had done it, she could not find out who it was, and could only curse and threaten the air. Now here was a worse thing, but she knew her enemy.

Maria Rosa, that sinful girl, shameless! She heard herself saying a harsh, true word about Maria Rosa, saying it aloud as if she expected someone to agree with her: "Yes, she is a wh.o.r.e! She has no right to live."

At this moment the gray untidy head of Givens appeared over the edges of the newest trench he had caused to be dug in his field of excavations. The long deep creva.s.ses, in which a man might stand without being seen, lay crisscrossed like orderly gashes of a giant scalpel. Nearly all of the men of the community worked for Givens, helping him to uncover the lost city of their ancestors.

They worked all the year through and prospered, digging every day for those small clay heads and bits of pottery and fragments of painted walls for which there was no good use on earth, being all broken and encrusted with clay. They themselves could make better ones, perfectly stout and new, which they took to town and 6.peddled to foreigners for real money. But the unearthly delight of the chief in finding these worn-out things was an endless puzzle.

He would fairly roar for joy at times, waving a shattered pot or a human skull above his head, shouting for his photographer to come and make a picture of this!

Now he emerged, and his young enthusiast's eyes welcomed Maria Concepcion from his old-man face, covered with hard wrinkles and burned to the color of red earth. "I hope you've brought me a nice fat one." He selected a fowl from the bunch dangling nearest him as Maria Concepcion, wordless, leaned over the trench. "Dress it for me, there's a good girl. I'll broil it."

Maria Concepcion took the fowl by the head, and silently, swiftly drew her knife across its throat, twisting the head off with the casual firmness she might use with the top of a beet.

"Good G.o.d, woman, you do have nerve," said Givens, watching her. "I can't do that. It gives me the creeps."

"My home country is Guadalajara," explained Maria Concep-ci6n, without bravado, as she picked and gutted the fowl.

She stood and regarded Givens condescendingly, that diverting white man who had no woman of his own to cook for him, and moreover appeared not to feel any loss of dignity in preparing his own food. He squatted now, eyes squinted, nose wrinkled to avoid the smoke, turning the roasting fowl busily on a stick. A mysterious man, undoubtedly rich, and Juan's chief, therefore to be respected, to be placated.

"The tortillas are fresh and hot, senor," she murmured gently.

"With your permission I will now go to market."

"Yes, yes, run along; bring me another of these tomorrow."

Givens turned his head to look at her again. Her grand manner sometimes reminded him of royalty in exile. He noticed her unnatural paleness. "The sun is too hot, eh?" he asked.

"Yes, sir. Pardon me, but Juan will be here soon?"

"He ought to be here now. Leave his food. The others will eat it." She moved away; the blue of her rebozo became a dancing spot in the heat waves that rose from the gray-red soil. Givens liked his Indians best when he could feel a fatherly indulgence for their primitive childish ways. He told comic stories of Juan's es-capades, of how often he had saved him, in the past five years, 7 7 from going to jail, and even from being shot, for his varied and always unexpected misdeeds.

"I am never a minute too soon to get him out of one pickle or another," he would say. "Well, he's a good worker, and I know how to manage him."

After Juan was married, he used to twit him, with exactly the right shade of condescension, on his many infidelities to Maria Concepcion. "She'll catch you yet, and G.o.d help you!" he was fond of saying, and Juan would laugh with immense pleasure.

It did not occur to Maria Concepcion to tell Juan she had found him out. During the day her anger against him died, and her anger against Maria Rosa grew. She kept saying to herself, "When I was a young girl like Maria Rosa, if a man had caught hold of me so, I would have broken my jar over his head." She forgot completely that she had not resisted even so much as Maria Rosa, on the day that Juan had first taken hold of her. Besides she had married him afterwards in the church, and that was a very different thing.

Juan did not come home that night, but went away to war and Maria Rosa went with him. Juan had a rifle at his shoulder and two pistols at his belt. Maria Rosa wore a rifle also, slung on her back along with the blankets and the cooking pots. They joined the nearest detachment of troops in the field, and Maria Rosa marched ahead with the battalion of experienced women of war, which went over the crops like locusts, gathering provisions for the army. She cooked with them, and ate with them what was left after the men had eaten. After battles she went out on the field with the others to salvage clothing and ammunition and guns from the slain before they should begin to swell in the heat. Sometimes they would encounter the women from the other army, and a second battle as grim as the first would take place.

There was no particular scandal in the village. People shrugged, grinned. It was far better that they were gone. The neighbors went around saying that Maria Rosa was safer in the army than she would be in the same village with Maria Concepcion.

Maria Concepcion did not weep when Juan left her; and when the baby was born, and died within four days, she did not weep.

8."She is mere stone," said old Lupe, who went over and offered charms to preserve the baby.

"May you rot in h.e.l.l with your charms," said Maria Concepcion.

If she had not gone so regularly to church, lighting candles before the saints, kneeling with her arms spread in the form of a cross for hours at a time, and receiving holy communion every month, there might have been talk of her being devil-possessed, her face was so changed and blind-looking. But this was impossible when, after all, she had been married by the priest. It must be, they reasoned, that she was being punished for her pride.

They decided that this was the true cause for everything: she was altogether too proud. So they pitied her.

During the year that Juan and Maria Rosa were gone Maria Concepcion sold her fowls and looked after her garden and her sack of hard coins grew. Lupe had no talent for bees, and the hives did not prosper. She began to blame Maria Rosa for running away, and to praise Maria Concepcion for her behavior. She used to see Maria Concepcion at the market or at church, and she always said that no one could tell by looking at her now that she was a woman who had such a heavy grief.

"I pray G.o.d everything goes well with Maria Concepcion from this out," she would say, "for she has had her share of trouble."

When some idle person repeated this to the deserted woman, she went down to Lupe's house and stood within the clearing and called to the medicine woman, who sat in her doorway stirring a mess of her infallible cure for sores: "Keep your prayers to yourself, Lupe, or offer them for others who need them. I will ask G.o.d for what I want in this world."

"And will you get it, you think, Maria Concepcion?" asked Lupe, t.i.ttering cruelly and smelling the wooden mixing spoon.

"Did you pray for what you have now?"

Afterward everyone noticed that Maria Concepcion went oftener to church, and even seldomer to the village to talk with the other women as thev sat alone the curb, nursing their babies and eating But Maria Concepcion lived alone. She was gaunt, as if something were gnawing her away inside, her eyes were sunken, and she would not speak a word if she could help it. She worked harder than ever, and her butchering knife was scarcely ever out of her hand.

Juan and Maria Rosa, disgusted with military life, came home one day without asking permission of anyone. The field of war had unrolled itself, a long scroll of vexations, until the end had frayed out within twenty miles of Juan's village. So he and Maria Rosa, now lean as a wolf, burdened with a child daily expected, set out with no farewells to the regiment and walked home.

They arrived one morning about daybreak. Juan was picked up on sight by a group of military police from the small barracks on the edge of town, and taken to prison, where the officer in charge told him with impersonal cheerfulness that he would add one to a catch of ten waiting to be shot as deserters the next morning.

Maria Rosa, screaming and falling on her face in the road, was taken under the armpits by two guards and helped briskly to her jacal, now sadly run down. She was received with professional importance by Lupe, who helped the baby to be born at once.

Limping with foot soreness, a layer of dust concealing his fine new clothes got mysteriously from somewhere, Juan appeared before the captain at the barracks. The captain recognized him as head digger for his good friend Givens, and dispatched a note to Givens saying: "I am holding the person of Juan Villegas await-ing your further disposition."

When Givens showed up Juan was delivered to him with the urgent request that nothing be made public about so humane and sensible an operation on the part of military authority.

Juan walked out of the rather stifling atmosphere of the drum-head court, a definite air of swagger about him. His hat, of unreasonable dimensions and embroidered with silver thread, hung over one eyebrow, secured at the back by a cord of silver dripping with bright blue ta.s.sels. His s.h.i.+rt was of a checkerboard pattern in green and black, his white cotton trousers were bound by a belt of yellow leather tooled in red. His feet were bare, full of stone bruises, and sadly ragged as to toenails. He removed his 10.cigarette from the corner of his full-lipped wide mouth. He removed the splendid hat. His black dusty hair, pressed moistly to his forehead, sprang up suddenly in a cloudy thatch on his crown.

He bowed to the officer, who appeared to be gazing at a vacuum.

He swung his arm wide in a free circle upsoaring towards the prison window, where forlorn heads poked over the window sill, hot eyes following after the lucky departing one. Two or three of the heads nodded, and a half dozen hands were flipped at him in an effort to imitate his own casual and heady manner.

Juan kept up this insufferable pantomime until they rounded the first clump of fig-cactus. Then he seized Givens' hand and burst into oratory. "Blessed be the day your servant Juan Villegas first came under your eyes. From this day my life is yours without condition, ten thousand thanks with all my heart!"

"For G.o.d's sake stop playing the fool," said Givens irritably.

"Some day I'm going to be five minutes too late."

"Well, it is nothing much to be shot, my chief-certainly you know I was not afraid-but to be shot in a drove of deserters, against a cold wall, just in the moment of my home-coming, by order of that ..."

Glittering epithets tumbled over one another like explosions of a rocket. All the scandalous a.n.a.logies from the animal and vegetable worlds were applied in a vivid, unique and personal way to the life, loves, and family history of the officer who had just set him free. When he had quite cursed himself dry, and his nerves were soothed, he added: "With your permission, my chief!"

"What will Maria Concepcion say to all this?" asked Givens.

"You are very informal, Juan, for a man who was married in the church."

Juan put on his hat.

"Oh, Maria Concepcion! That's nothing. Look, my chief, to be married in the church is a great misfortune for a man. After that he is not himself any more. How can that woman complain when I do not drink even at fiestas enough to be really drunk? I do not beat her; never, never. We were always at peace. I say to her, Come here, and she comes straight. I say, Go there, and she goes quickly. Yet sometimes I looked at her and thought, Now I am married to that woman in the church, and I felt a sinking inside, as if something were lying heavy on my stomach. With Maria Rosa 11.it is all different. She is not silent; she talks. When she talks too much, I slap her and say, Silence, thou simpleton! and she weeps.

She is just a girl with whom I do as I please. You know how she used to keep those clean little bees in their hives? She is like their honey to me. I swear it. I would not harm Maria Concepcion because I am married to her in the church; but also, my chief, I will not leave Maria Rosa, because she pleases me more than any other woman."

"Let me tell you, Juan, things haven't been going as well as you think. You be careful. Some day Maria Concepcion will just take your head off with that carving knife of hers. You keep that in mind."

Juan's expression was the proper blend of masculine triumph and sentimental melancholy. It was pleasant to see himself in the role of hero to two such desirable women. He had just escaped from the threat of a disagreeable end. His clothes were new and handsome, and they had cost him just nothing. Maria Rosa had collected them for him here and there after battles. He was walking in the early suns.h.i.+ne, smelling the good smells of ripening cactus-figs, peaches, and melons, of pungent berries dangling from the pepper-trees, and the smoke of his cigarette under his nose. He was on his way to civilian life with his patient chief. His situation was ineffably perfect, and he swallowed it whole.

"My chief," he addressed Givens handsomely, as one man of the world to another, "women are good things, but not at this moment. With your permission, I will now go to the village and eat.

My G.o.d, how how I shall eat! Tomorrow morning very early I will come to the buried city and work like seven men. Let us forget Maria Concepcion and Maria Rosa. Each one in her place. I will manage them when the time comes." I shall eat! Tomorrow morning very early I will come to the buried city and work like seven men. Let us forget Maria Concepcion and Maria Rosa. Each one in her place. I will manage them when the time comes."

News of Juan's adventure soon got abroad, and Juan found many friends about him during the morning. They frankly commended his way of leaving the army. It was in itself the act of a hero. The new hero ate a great deal and drank somewhat, the occasion being better than a feast-day. It was almost noon before he returned to visit Maria Rosa.

He found her sitting on a clean straw mat, rubbing fat on her three-hour-old son. Before this felicitous vision Juan's emotions so twisted him that he returned to the village and invited every 12.man in the "Death and Resurrection" pulque shop to drink with him.

Having thus taken leave of his balance, he started back to Maria Rosa, and found himself unaccountably in his own house, attempting to beat Maria Concepcion by way of reestablis.h.i.+ng himself in his legal household.

Maria Concepcion, knowing all the events of that unhappy day, was not in a yielding mood, and refused to be beaten. She did not scream nor implore; she stood her ground and resisted; she even struck at him. Juan, amazed, hardly knowing what he did, stepped back and gazed at her inquiringly through a leisurely whirling film which seemed to have lodged behind his eyes. Certainly he had not even thought of touching her. Oh, well, no harm done. He gave up, turned away, half-asleep on his feet. He dropped amiably in a shadowed corner and began to snore.

Maria Concepcion, seeing that he was quiet, began to bind the legs of her fowls. It was market-day and she was late. She fumbled and tangled the bits of cord in her haste, and set off across the plowed fields instead of taking the accustomed road. She ran with a crazy panic in her head, her stumbling legs. Now and then she would stop and look about her, trying to place herself, then go on a few steps, until she realized that she was not going towards the market.

At once she came to her senses completely, recognized the thing that troubled her so terribly, was certain of what she wanted. She sat down quietly under a sheltering th.o.r.n.y bush and gave herself over to her long devouring sorrow. The thing which had for so long squeezed her whole body into a tight dumb knot of suffering suddenly broke with shocking violence. She jerked with the in-voluntary recoil of one who receives a blow, and the sweat poured from her skin as if the wounds of her whole life were shedding their salt ichor. Drawing her rebozo over her head, she bowed her forehead on her updrawn knees, and sat there in deadly silence and immobility. From time to time she lifted her head where the sweat formed steadily and poured down her face, drenching the front of her chemise, and her mouth had the shape of crying, but there were no tears and no sound. All her being was a dark confused memory of grief burning in her at night, of deadly baffled anger eating at her by day, until her very tongue tasted bitter, 13.and her feet were as heavy as if she were mired in the muddy roads during the time of rains.

After a great while she stood up and threw the rebozo off her face, and set out walking again.

Juan awakened slowly, with long yawns and grumblings, alternated with short relapses into sleep full of visions and clamors. A blur of orange light seared his eyeb.a.l.l.s when he tried to unseal his lids.

There came from somewhere a low voice weeping without tears, saying meaningless phrases over and over. He began to listen. He tugged at the leash of his stupor, he strained to grasp those words which terrified him even though he could not quite hear them.

Then he came awake with frightening suddenness, sitting up and staring at the long sharpened streak of light piercing the corn-husk walls from the level disappearing sun.