Get Out of Our Skies! Part 5

"But the picture was genuine! Don't you see that? Sure, we paid Spencer something for his cooperation. But the picture was the real thing, taken by his family doctor. You've heard what the medical authorities said about it."

Stinson said nothing. Then he got up slowly and walked to the door.

"Maybe so. But you're missing the point I want to make, Mr. Blacker.

This letter was dated the same day as the Spencer suicides. Does it sound to you like the kind of thing a man would put in a suicide note?

Think it over."

Tom looked at the door the commissioner closed behind him.

"No," he said aloud. "It doesn't."

Tom didn't go to the Homelovers building the next morning. He proceeded directly to the Lunt Theatre, where Homer Bradshaw was putting _Be It Ever So Humble_ into rehearsal.

He was in no mood for the theatre, but the appointment had been made too long before. When he came through the doors of the theatre, Homer leaped halfway up the aisle to greet him, and pounded his back like a long-lost pal. Actually, he had met the producer only twice before.

"Great to have you here, Tom!" he said enthusiastically. "Great! We've just been putting things together. Got some red-hot numbers we had written specially for us. Wait 'til you hear 'em!" He waved towards the two s.h.i.+rtsleeved men hovering around the on-stage piano. "You know Julie, don't you? And Milt Steiner? Great team! Great team!"

They took seats in the sixth row while Homer raved about the forthcoming production that was going to cost Homelovers, Incorporated some hundred thousand dollars. A dozen shapely girls in shorts and leotards were kicking their heels lackadaisically in the background, and a stout man with a wild checkered suit was wandering around the stage with an unlit cigar in his hand, begging the stagehands for a match.

"Hey, fellas!" Homer Bradshaw called to the men at the piano. "Run through that _Gypsy_ number for Mr. Blacker, huh?"

They came to life like animated dolls. The tallest of the pair stepped in front of the stage while the other thumped the piano keys. The tall one sang in a loud nasal voice, with an abundance of gestures.

"_Gypsy!

Gypsy!

Why do you have to be a gypsy?

Life could be so ipsy-pipsy Staying home and getting tipsy Safe on Earth with me!_"

He swung into the second chorus while Tom Blacker kept his face from showing his true opinion of the specialty number. The next offering didn't change his viewpoint. It was a ballad. A blonde girl in clinging black shorts sang it feelingly.

"_There's a beautiful Earth tonight With a beautiful mellow light s.h.i.+ning on my s.p.a.ceman in the moon.

Why did he leave me?

Only to grieve me?

s.p.a.ceman, come home to me soon ..._"

"Did you like it? Did you like it?" Homer Bradshaw said eagerly.

"It'll do fine," Tom Blacker said, with his teeth clenched.

When he left the theatre, Tom visiphoned the office to tell Livia that he was taking the rest of the day off. But he found that Livia herself was spending the day in her two-room apartment downtown. He hung up, and decided that he had to talk to her about Stinson's visit. He hopped a cab, and gave him Livia's address.

John Andrusco answered the door.

"Well! Thought you were at the office, Tom?"

He found himself glaring at the lean-jawed executive. What was Andrusco doing here?

"I've been over at the theatre," Tom explained. "Watching that musical we're spending all that dough on." He stepped inside. "I might say the same about you, Mr. Andrusco."

"Me? Oh, I just came to talk over some business with Livia. Poor kid's not feeling so hot, you know."

"No, I didn't." He dropped his hat familiarly on the contour couch, with almost too much deliberation. "Livia in bed?"

"No." The girl appeared at the door of the bedroom, wrapping a powder-blue negligee around her. "What brings you here, Tom?"

"I--I wanted to talk something over with you. Now that you're here, Mr.

Andrusco, we can _all_ talk it over."

"What's that?" Andrusco made himself at home at the bar.

"It's about Walt Spencer. I had a visitor last night, the police commissioner. He showed me a letter that Spencer had written just before he--before he died. It was addressed to me, only Spencer had never mailed it."

Andrusco looked sharply at the girl. "And what was in this letter?"

"He was upset," Tom said. "He wanted to back out of the deal we made.

Said the picture was a phoney. But the thing that's bothering the police is the _tone_ of the d.a.m.ned letter. It just doesn't sound like a man about to kill himself and his wife--"

"Is that all?" Livia took the drink from Andrusco's hand and sipped at it. "I thought it was something serious."

"It is serious!" Tom looked sternly at her. "I want to know something, Mr. Andrusco. You told me that picture was genuine. Now I want you to tell me again."

The man smiled, with perfect teeth. "How do you mean, genuine? Is it a picture of a genuine infant with scales?"

"Yes."

"I a.s.sure you. In that respect, the picture is absolutely genuine."

Tom thought it over.

"Wait a while. Was the story genuine, too?"

John Andrusco smiled. He sat on the sofa, and rubbed the palms of his hands over his knees. Then he looked towards Livia Cord and said:

"Well--I didn't think we could hold out on our clever Mr. Blacker as long as we have. So we might as well enlist his cooperation fully. Eh, Livia?"

"I think so." The girl smiled, her teeth sharp.

"What does that mean?" Tom said.

"The infant," John Andrusco answered slowly, "was not Walter Spencer's child. That, I'm afraid, was nothing more than a little white lie."

Tom looked confused.

"Then what was it?"