A Publisher and His Friends Part 19

_Mr. Leigh Hunt to John Murray_,

_April_ 12, 1816.

Dear Sir,

I just write to say something which I had omitted in my last, and to add a word or two on the subject of an expression in your answer to it. I mean the phrase "plan of a.s.sistance." I do not suppose that you had the slightest intention of mortifying me by that phrase; but I should wish to impress upon you, that I did not consider my application to you as coming in the shape of what is ordinarily termed an application for a.s.sistance. Circ.u.mstances have certainly compelled me latterly to make requests, and resort to expedients, which, however proper in themselves, I would not willingly have been acquainted with; but I have very good prospects before me, and you are mistaken (I beg you to read this in the best and most friendly tone you can present to yourself) if you have at all apprehended that I should be in the habit of applying to you for a.s.sistance, or for anything whatsoever, for which I did not conceive the work in question to be more than a security.

I can only say, with regard to yourself, that I am quite contented and ought to be so, as long as you are sincere with me, and treat me in the same gentlemanly tone.

Very sincerely yours,

LEIGH HUNT.

This negotiation was ultimately brought to a conclusion by Mr. Hunt, at Mr. Murray's suggestion, disposing of the copyright of "Rimini" to another publisher.

CHAPTER XIII

THOMAS CAMPBELL--JOHN CAM HOBHOUSE--J.W. CROKER-JAMES HOGG, ETC.

Thomas Campbell appeared like a meteor as early as 1799, when, in his twenty-second year, he published his "Pleasures of Hope." The world was taken by surprise at the vigour of thought and richness of fancy displayed in the poem. Shortly after its publication, Campbell went to Germany, and saw, from the Benedictine monastery of Scottish monks at Ratisbon, a battle which was not, as has often been said, the Battle of Hohenlinden. What he saw, however, made a deep impression on his mind, and on his return to Scotland he published the beautiful lines beginning, "On Linden when the sun was low." In 1801 he composed "The Exile of Erin" and "Ye Mariners of England." The "Battle of the Baltic"

and "Lochiel's Warning" followed; and in 1803 he published an edition of his poems. To have composed such n.o.ble lyrics was almost unprecedented in so young a man; for he was only twenty-six years of age when his collected edition appeared. He was treated as a lion, and became acquainted with Walter Scott and the leading men in Edinburgh. In December 1805 we find Constable writing to Murray, that Longman & Co.

had offered the young poet 700 for a new volume of his poems.

One of the earliest results of the a.s.sociation of Campbell with Murray was a proposal to start a new magazine, which Murray had long contemplated. This, it will be observed, was some years before the communications took place between Walter Scott and Murray with respect to the starting of the _Quarterly_.

The projected magazine, however, dropped out of sight, and Campbell reverted to his proposed "Lives of the British Poets, with Selections from their Writings." Toward the close of the year he addressed the following letter to Mr. Scott:

_Mr. T. Campbell to Mr. Scott_.

_November 5_, 1806.

My Dear Scott,

A very excellent and gentlemanlike man--albeit a bookseller--Murray, of Fleet Street, is willing to give for our joint "Lives of the Poets," on the plan we proposed to the trade a twelvemonth ago, a thousand pounds.

For my part, I think the engagement very desirable, and have no uneasiness on the subject, except my fear that you may be too much engaged to have to do with it, as five hundred pounds may not be to you the temptation that it appears to a poor devil like myself. Murray is the only gentleman, except Constable, in the trade;--I may also, perhaps, except Hood. I have seldom seen a pleasanter man to deal with.

.... Our names are what Murray princ.i.p.ally wants--_yours_ in particular.... I will not wish, even in confidence, to say anything ill of the London booksellers _beyond their deserts_; but I a.s.sure you that, to compare this offer of Murray's with their usual offers, it is magnanimous indeed.... The fallen prices of literature-which is getting worse by the horrible complexion of the times-make me often rather gloomy at the life I am likely to lead.

Scott entered into Campbell's agreement with kindness and prompt.i.tude, and it was arranged, under certain stipulations, that the plan should have his zealous cooperation; but as the number and importance of his literary engagements increased, he declined to take an active part either in the magazine or the other undertaking. "I saw Campbell two days ago," writes Murray to Constable, "and he told me that Mr. Scott had declined, and modestly asked if it would do by _himself_ alone; but this I declined in a way that did not leave us the less friends."

At length, after many communications and much personal intercourse, Murray agreed with Campbell to bring out his work, without the commanding name of Walter Scott, and with the name of Thomas Campbell alone as Editor of the "Selections from the British Poets." The arrangement seems to have been made towards the end of 1808. In January 1809 Campbell writes of his intention "to devote a year exclusively to the work," but the labour it involved was perhaps greater than he had antic.i.p.ated. It was his first important prose work; and prose requires continuous labour. It cannot, like a piece of poetry, be thrown off at a heat while the fit is on. Campbell stopped occasionally in the midst of his work to write poems, among others, his "Gertrude of Wyoming," which confirmed his poetical reputation. Murray sent a copy of the volume to Walter Scott, and requested a review for the _Quarterly_, which was then in its first year. What Campbell thought of the review will appear from the following letter:

_Mr. T. Campbell to John Murray_.

_June 2_, 1809.

My Dear Murray,

I received the review, for which I thank you, and beg leave through you to express my best acknowledgments to the unknown reviewer. I do not by this mean to say that I think every one of his censures just. On the contrary, if I had an opportunity of personal conference with so candid and sensible a man, I think I could in some degree acquit myself of a part of the faults he has found. But altogether I am pleased with his manner, and very proud of his approbation. He reviews like a gentleman, a Christian, and a scholar.

Although the "Lives of the Poets" had been promised within a year from January 1809, four years pa.s.sed, and the work was still far from completion.

In the meantime Campbell undertook to give a course of eleven Lectures on Poetry at the Royal Inst.i.tution, for which he received a hundred guineas. He enriched his Lectures with the Remarks and Selections collected for the "Specimens," for which the publisher had agreed to pay a handsome sum. The result was a momentary hesitation on the part of Mr.

Murray to risk the publication of the work. On this, says Campbell's biographer, a correspondence ensued between the poet and the publisher, which ended to the satisfaction of both. Mr. Murray only requested that Mr. Campbell should proceed with greater alacrity in finis.h.i.+ng the long projected work.

At length, about the beginning of 1819, fourteen years after the project had been mentioned to Walter Scott, and about ten years after the book should have appeared, according to Campbell's original promise, the "Essays and Selections of English Poetry" were published by Mr. Murray.

The work was well received. The poet was duly paid for it, and Dr.

Beattie, Campbell's biographer, says he "found himself in the novel position of a man who has money to lay out at interest." This statement must be received with considerable deduction, for, as the correspondence shows, Campbell's pecuniary difficulties were by no means at an end.

It appears that besides the 1,000, which was double the sum originally proposed to be paid to Campbell for the "Selections," Mr. Murray, in October 1819, paid him 200 "for books," doubtless for those he had purchased for the "Collections," and which he desired to retain.

We cannot conclude this account of Campbell's dealing with Murray without referring to an often-quoted story which has for many years sailed under false colours. It was Thomas Campbell who wrote "Now Barabbas was a publisher," whether in a Bible or otherwise is not authentically recorded, and forwarded it to a friend; but Mr. Murray was not the publisher to whom it referred, nor was Lord Byron, as has been so frequently stated, the author of the joke.

The great burden of the correspondence entailed by the _Quarterly Review_ now fell on Mr. Murray, for Gifford had become physically incapable of bearing it. Like the creaking gate that hangs long on its hinges, Gifford continued to live, though painfully. He became gradually better, and in October 1816 Mr. Murray presented him with a chariot, by means of which he might drive about and take exercise in the open air.

Gifford answered:

"I have a thousand thanks to give you for the pains you have taken about the carriage, without which I should only have talked about it, and died of a cold. It came home yesterday, and I went to Fulham in it. It is everything that I could wish, neat, easy, and exceedingly comfortable."

Among the other works published by Mr. Murray in 1816 may be mentioned, "The Last Reign of Napoleon," by Mr. John Cam Hobhouse, afterwards Lord Broughton. Of this work the author wrote to Mr. Murray:

_January_, 1816.

"I must have the liberty of cancelling what sheets I please, for a reason that I now tell you in the strictest confidence: the letters are to go to Paris previously to publication, and are to be read carefully through by a most intimate friend of mine, who was entirely in the secrets of the late Imperial Ministry, and who will point out any statements as to facts, in which he could from his _knowledge_ make any necessary change."

The first edition, published without the author's name, was rapidly exhausted, and Hobhouse offered a second to Murray, proposing at the same time to insert his name as author on the t.i.tle-page.

"If I do," he said, "I shall present the book to Lord Byron in due form, not for his talents as a poet, but for his qualities as a companion and a friend. I should not write 'My dear Byron,' _a la Hunt_." [Footnote: Leigh Hunt had dedicated his "Rimini" to the n.o.ble poet, addressing him as "My dear Byron."]

Mr. D'Israeli also was busy with his "Inquiry into the Literary and Political Character of James the First." He wrote to his publisher as follows: "I am sorry to say every one, to whom I have mentioned the subject, revolts from it as a thing quite untenable, and cares nothing about 'James.' This does not stop me from finis.h.i.+ng."

Mr. Croker, in the midst of his work at the Admiralty, his articles for the _Quarterly_, and his other literary labours, found time to write his "Stories for Children from the History of England." In sending the later stories Mr. Croker wrote to Mr. Murray:

_The Rt. Hon. J.W. Croker to John Murray_.

"I send you seven stories, which, with eleven you had before, brings us down to Richard III., and as I do not intend to come down beyond the Revolution, there remain nine stories still. I think you told me that you gave the first stories to your little boy to read. Perhaps you or Mrs. Murray would be so kind as to make a mark over against such words as he may not have understood, and to favour me with any criticism the child may have made, for on this occasion I should prefer a critic of 6 years old to one of 60."

Thus John Murray's son, John Murray the Third, was early initiated into the career of reading for the press. When the book came out it achieved a great success, and set the model for Walter Scott in his charming "Tales of a Grandfather."

It may be mentioned that "Croker's Stories for Children" were published on the system of division of profits. Long after, when Mr. Murray was in correspondence with an author who wished him to pay a sum of money down before he had even seen the ma.n.u.script, the publisher recommended the author to publish his book on a division of profits, in like manner as Hallam, Milman, Mahon, Croker, and others had done. "Under this system,"

he said, "I have been very successful. For Mr. Croker's 'Stories from the History of England,' selling for 2_s_. _6d_., if I had offered the small sum of twenty guineas, he would have thought it liberal. However, I printed it to divide profits, and he has already received from me the moiety of 1,400. You will perhaps be startled at my a.s.sertion; for woeful experience convinces me that not more than one publication in fifty has a sale sufficient to defray its expenses."

The success of Scott's, and still more of Byron's Poems, called into existence about this time a vast array of would-be poets, male and female, and from all ranks and professions. Some wrote for fame, some for money; but all were agreed on one point--namely, that if Mr. Murray would undertake the publication of the poems, the authors' fame was secured.

When in doubt about any ma.n.u.script, he usually conferred with Croker, Campbell, or Gifford, who always displayed the utmost kindness in helping him with their opinions. Croker was usually short and pithy. Of one poem he said: "Trash--the dullest stuff I ever read." This was enough to ensure the condemnation of the ma.n.u.script. Campbell was more guarded, as when reporting on a poem ent.i.tled "Woman," he wrote, "In my opinion, though there are many excellent lines in it, the poem is not such as will warrant a great sum being speculated upon it. But, as it is short, I think the public, not the author or publisher, will be in fault if it does not sell one edition."