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The three-sheet bill depicting Alfred as a plantation negro dancing "The Essence of Ole Virginia," was his especial pride. Many times daily he unrolled this bill and secretly admired it. Alfred learned to dance "The Essence of Ole Virginia." Although Billy Hyatt or Tom White danced "The Essence" much more cleverly, Alfred argued that, owing to the bill bearing his name, consistency demanded he execute the dance.
The stock bill was from the Jordan Printing Company of Boston, wood cuts in two colors, red and yellow. The imprint "Boston" on the bills, it was argued, would give the company prestige, that is, after they reached Greene County and other far away points on their proposed itinerary. All were instructed to spread the impression that the troupe was from Boston.
It was rumored that the minstrels were to travel afar, visiting Baltimore, Was.h.i.+ngton and other cities. The mother was very greatly disturbed, she questioned Alfred frequently as to the rumors.
Lin, in some way known only to herself, had fathomed Alfred's plans; she even knew the backer's name. Alfred begged her to keep it secret, that it would ruin everything to have it known. To Alfred's surprise she advised that he leave home surrept.i.tiously if he must, with the consent of the mother if he could obtain it. Lin argued that he would never do any good at home with "them yar show notions flyin' through yer head.
Durned ef I wouldn't go an' show 'em I cud be sumthin'."
This was the first time Lin had ever advised Alfred to disobey his mother and, while her advice was pleasing to him insofar as furthering his ambitions was concerned, it was displeasing in other ways, and lowered Lin in his estimation.
The mother objected strongly to the boy's connection with the minstrels, arguing that the father was absent; that Alfred should not leave home until the return of the father.
Alfred argued with the mother that he had accepted money from Eli and was in honor bound to work it out.
Uncle Thomas was called into conference. Uncle Ned came in without being called. Grandpap threatened legal proceedings to restrain the boy if he attempted to leave the town.
Consternation reigned in the minstrel camp. Eli was frantic. Without Alfred the show could not hope to succeed; so declared all. Alfred grew desperate, declaring, since his mother so strongly opposed his going, that he would remain until his father arrived, explain the matter; then, come weal or woe, he would join the show.
Thus matters stood. Eli endeavored to drown his disappointment; he was not visible for a day or two. Meanwhile Uncle Ned was a frequent visitor "to keep an eye on Mr. Alfred that he did not run away," as he expressed it. Alfred boldly declared that Uncle Ned was interfering and further that they could not hold him; even if they did estop him from going with the minstrels, he would run off to the oil regions.
Another visit from Uncle Ned precipitated a war of words. As the meetings between Alfred and the uncle became more frequent Alfred "grew more tantalizing and impudent," so the uncle a.s.serted. Finally, Alfred informed the uncle that he was meddling and that his meddling was not appreciated. A quarrel followed. Alfred's powers of vituperation were a surprise to the mother and uncle and a delight to Lin, who informed Mrs.
Todd: "Lor! I expektid tu see Alfurd mount him enny minnit; he shook his fingur under Ned's nose an' mos' spit in his face. I hed the rollin' pin redy, I'd bin in h'it ef h't.i.t hed k.u.m to a klinch. I tell ye Alfurd's lurned somethin' since they shaved his kurls off. He combed Ned es he'd nevur been combed afore, an' Mary jes stood an' luked 'til Ned got her riled up then twixt her an' Alfurd's b.u.mburdment, he mighty nur forgot his religion an' his hat."
The uncle in reply to one of Alfred's keenest thrusts permitted his anger to get the better of his judgment. He reflected strongly upon Alfred's father and the manner in which he had reared Alfred and concluded by declaring that he, Alfred, had been a disgrace to the entire family and that if his parents were powerless to control him "we'll take a hand in it."
The entrance of the mother into the verbal battle at this juncture was so sudden, so earnest, so swift, that Uncle Ned left the house, almost forgetting his hat. The mother ended the scene by turning on Alfred: "You have almost broken my heart, you are a constant source of trouble and worry to me and as if that were not sufficient, your father's people must force themselves into our affairs as they always have done since I married into the family. Now if you have promised this man to go with him, if you have accepted money from him, you keep your word, you go and I will stand between your father and you insofar as any of his family are concerned. You go with this man until the money you owe him is paid; then you come straight home. If you do not it will only be the worse for you, I will send Rease Lynch, the Constable, and have him bring you home."
Alfred's elation by the victory over the uncle was not lowered in the least by the fact that the mother's consent was given only to emphasize her displeasure at the interference of the father's folks.
Eli was positively informed that Alfred would be compelled to return home if the mother sent for him; that he was only permitted to leave home that he might discharge the debt.
Eli suddenly recalled the fact that he had advanced Alfred one dollar and seventy-five cents. He realized that it would not require many days of labor ere the debt would be cancelled. He therefore suddenly decided to make a further advance of money on behalf of Alfred's services and, to make it more binding, pay the money to the mother.
Cousin Charley interfered with this plan by calling Alfred aside and whispering: "If Eli goes over to your house and gives Aunt Mary any money, and she sees he's been drunk, she'll hist him higher then Gilroy's kite. You better let him gin it tu Lin." And so it was arranged.
Eli went to Lin, saying: "Mrs. Linn, I owe Alfred thirty dollars. He's a minor. I do not want to pay him the money as I know it is not legal, so I told him I'd give it to his mother, she can do as she likes about it.
But if I wus her, I'd keep it; he will git enough to do him, he's a good boy, he don't drink, smoke or chew. I wouldn't have a drinkin' man in my troupe. I didn't know his mother was out. When will she be back? Well, Mrs. Linn, you jus sign this receipt, it will be all the same. Now there's thirty dollars and here's a dollar for you to buy yourself some sugar kisses. No, no, sign his mother's name, not yours. Now, good-bye, Mrs. Linn. I forgot to ask, are you any relation to the Linns out on Redstone. Well, I thought not, you're too good lookin'. If I wern't married I'd be after you."
Lin opened the door, she jerked her head toward the opening, as she said: "Now, say, does yer m.u.t.h.e.r know yere' out? Run along sonny. Don't git mushy."
Lin reckoned: "The reason Eli wouldn't tulerate drinkin' peepul in his trupe is bekus he is afeared the supply will run out."
Alfred calling on Mr. Steele to pay the note, produced a roll of bills.
Mr. Steele smiled approvingly. Counting out three ten dollar greenbacks, the boy requested the tanner to figure up the interest on the note.
"There's no interest to pay and there's no note to pay; here is the cancelled note paid in full." As the man pushed the note toward the boy he was written in red ink across the face, "Paid", and also the date.
Alfred demurred. "No, Mr. Steele, I never paid the note, I won't have it that way."
"Well," replied the tanner, "I am not in the habit of taking that which is not coming to me. A friend of yours called sometime ago and informed me that he owed you money and that you was desirous of paying off the note."
"Joe Thornton!" guessed Alfred, without a moment's hesitation.
"Yes, he was the man. How did Mr. Thornton know that I held your note?"
"Well, that's where I broke my word with you, but I couldn't very well get around it. I did Mr. Thornton a favor, he told me he wanted to reward me. I told him I was in trouble, I owed money and I had no way to pay it and I would apply whatever he gave me on the note. He gave me an order for a suit of clothes but he never mentioned the note. I am as much surprised as you; I never dreamed he would pay the note for me."
"Then you did not borrow the money from Thornton?"
"No sir, I did not."
"Well, I would not contract the borrowing habit. The borrower is always a servant to the lender."
The mother was troubled. "How did it come that Eli paid for services in advance? Others never paid their employes until they performed their labor."
Alfred airily informed her that it was the custom in the show business to pay in advance, that is, the good actors always drew their pay in advance. In fact, he a.s.sured the mother that it was the only way to keep good actors, keep them in debt to you; even then, sometimes, they'll run off with another troupe.
"Well, what do you purpose doing with this money Mr. Eli left here for you?" enquired the mother.
"Oh, I want you to keep it for me. I'm going to send you all my money; you use whatever you please, use it all if you want to."
"I will keep this money for you," she said, "something seems to tell me you will need it later on."
Lin allowed that Alfred would never need money thereafter. "Ef ye git a good start ye'll jes hev cords of greenbacks, an' I believe yere on the right road. I jes tol' yer m.u.t.h.e.r, I ses, 'Mary,' ses I, 'Alfurd ain't fit fer nuthin' only minstrel showin', he's gittin' more un more like a n.i.g.g.e.r every day.'"
The mother did not relish the compliment. Lin advised that Alfred keep up his clownish pranks, "then ye kin n.i.g.g.e.r hit in winter an' clown hit in summer."
Alfred declared that if he attained his hopes and ambitions, inside of ten years he would be the possessor of a farm and live on it the remainder of his days. In his boyish buoyancy he grew enthusiastic; he pictured how Mother and Pap would enjoy country life.
Alfred knew the mother had confidence in him, no matter how strongly she opposed his ways. He knew she had faith in him and it has been the saddest regret of his life that she was not permitted to remain on earth until his boyish dreams were fully realized.
A few days later Alfred was seated on all his earthly possessions, a hair trunk with big bra.s.s tack heads as ornaments, in a big heavy wagon, waving a last good-bye to mother, Lizzie, Joe, the baby and Lin.
Lin shouted as the wagon moved off: "Good luck! Good-bye! I know ye'll bring the koon skin hum."
It was twelve miles to Bealsville on the pike. The big wagon, the small trunks and big boys were too much of a load for the two ordinary horses.
The minstrels walked up the hills to lighten the load.
"Handy Andy," Alfred's favorite farce, in which he impersonated the character of the awkward negro who breaks the dishes, was the closing number on the program. Alfred, always a stickler for natural effects, prevailed upon one of the boys to borrow his mother's china tea set. For safety these dishes were carried in a large carpet-sack.
[Ill.u.s.tration: "And Ask Fer Licker," Added the Old Stage Driver]
When the edge of town was reached the team was urged into a smart trot that the advent of the troupe might appear business-like. The minstrels were instructed as to the proper manner in which to conduct themselves that they might appear experienced in traveling--jump out of the wagon, carry their belongings, entering the tavern briskly, "and ask fer licker," added the old stage driver who had been an attentive listener to the instructions.
At the edge of town the team was halted to freshen them up for the finish. The minstrels perched themselves picturesquely on the trunks, posing as if for a photograph. The old horses were urged into a trot by jerking and slapping the lines and wielding the whip. The pace was kept up until the tavern was reached.
Charley Guttery, the landlord, was there to greet the minstrels. Mrs.
Guttery was a Davis before marriage, the sister of Uncle Bill's wife.