Atlantic Narratives Part 27

Her mother nodded her head as she wiped her eyes on her gingham ap.r.o.n.

'I wondered if you saw it coming?' the girlish voice went on. 'You never let on, and the kids never teased me any. So I thought perhaps you told 'em not to. I haven't felt like being teased about Jim, some way. It's been too wonderful, you know.'

Not until that moment did Emmeline Black acknowledge the defeat of her dreams. Wonderful! To love and be loved by Jim Forman, of whom the most that could be said was that he was steady and a hard worker, and that there were only two other children to share his father's farm!

'Don't cry, mother,' implored Victoria, 'though I know why you're doing it. I feel like crying, too, only something won't let me cry to-night. I guess I'm just too happy ever to cry again.'

Still her mother had not spoken. She had stopped crying and stood twisting her ap.r.o.n with nervous fingers.

'Mother,' said Victoria, suddenly, 'you like Jim, don't you?'

She said it as if the possibility of any one's not liking Jim was preposterous. But, nevertheless, there was anxiety in her voice.

Her mother nodded her head.

'Then why aren't you really glad? I thought you would be, mother.'

There was no resisting that appeal in Victoria's voice. Never in her life had she failed her daughter. Was she to fail her in this hour?

'You seem like a little girl to me, Victoria,' she found voice to say, at last. 'I guess all mothers feel like this when their daughters tell them they are going to leave them. I reckon I never understood until just now, why my mother acted just like she did when I told her your father and I were going to be married.'

Victoria laughed joyously. 'I'm not a little girl. I'm a woman. And, mother, Jim is so good. He wants to be married right away. He says he can't bear to think of waiting. But he said I was to tell you that if you couldn't spare me for a while, it would be all right.'

There was pride in her lover's generosity. But deeper than that was the woman's pride in the knowledge that he could not 'bear to think of waiting.'

'It isn't that I can't spare you, dear,' said her mother. 'But, O Victoria, I'd wanted to have you go off and study to be a fine musician.

I've dreamed of it ever since you were born.'

'But I couldn't go even if it wasn't for Jim. Where would we ever get the money? Anyway, mother, Jim is going to buy me a piano. What do you think of that?'

'A piano?'

'Yes. He has been saving money for it for years. He says I play too well for an old-fas.h.i.+oned organ. And on our wedding trip we're going to Chicago, and we're going to pick it out there, and we're going to a concert and to a theatre and to some show that has music in it.'

In spite of herself, Emmeline Black was dazzled. In all her life she never had gone to the city except in her dreams. Until that far-off day of magic when Victoria should be a fine musician, she had never hoped to replace the squeaky little organ with a piano.

'He says he has planned it ever since he loved me, and that has been nearly always. He says he can just see me sitting at the piano playing to him nights when he comes in from work. I guess, mother, we all have to have our dreams. And now Jim's and mine are coming true.'

'Have you always dreamed things, too?' asked her mother.

It did not seem strange to her that she and this beloved child of hers had never talked about the things which were in their hearts until this night. Mothers and daughters were like that. But there was a secret jealousy in knowing that they would not have found the way to those hidden things if it had not been for Jim Forman. It was he, and not she, who had unlocked the secrets of Victoria's heart.

'Why, yes, of course, mother. Don't you remember how you used to ask me what was the matter when I was a little girl, and would go off sometimes by myself and sit and look across the fields? I didn't know how to tell you. I didn't know just what it was. And don't you remember asking me sometimes if I was sick or if somebody had hurt my feelings, because you'd see tears in my eyes? I'd tell you no. But some way I couldn't tell you it was because the red of the sunset or the apple trees in blossom or the crescent moon, or whatever it happened to be, made me feel so queer inside.' She laughed, but there was a hint of a sob in her voice. 'Isn't it strange, mother, that we don't seem able to tell folks any of these things? I couldn't tell you even now, except that I always had an idea you'd felt just the same way, yourself. I seemed to know I got the dreams from you.'

'Hush,' warned her mother. 'There's some one coming. Oh, John, is that you?'

'Yes. Why don't you two go to bed?' answered the boy. 'It's getting late, and there's lot to do to-morrow.'

'It is bed-time, I guess,' said his mother. 'Run along, Victoria. And sweet dreams.'

She cautioned John and his sister not to wake the others, as they prepared for bed. She walked into the house. She tried the clock. Yes, Jake had wound it. She locked the door. She folded her mending neatly and put it away. She placed Minnie Jackson's letter in the drawer of the table. She took the picture of St. Cecilia and balanced it on the little shelf above the organ, where had been a china vase with dried gra.s.ses in it. She stood off and looked at it critically. She decided that was the very place for the picture. She looked around the room for a place to put the vase, and made room for it on top of the little pine book-case.

She walked to the table and hunted in the drawer until she found pen and ink and a piece of ruled paper.

'Dear Minnie,' she wrote in her cramped, old-fas.h.i.+oned hand, 'I was so glad to get your note and the picture. I want to thank you for it. Can't you come out right away and spend the day with me? I have so much to tell you, and I want that you should tell me all about yourself, too.

You see I'm keeping the vow, just as you did, although we had forgotten it for so long. Isn't it strange, Minnie, about things? Here I'd thought for years that my dreams were gone. And now it seems Victoria had them, all the time. It's a secret yet, but I want to tell you, and I know she won't mind, that Victoria is going to be married. You know Jim Forman, don't you? Anyway, you knew Cy Forman and Milly Davis, and he's their eldest child. I hope Victoria can keep the dreams for herself better than I did. Perhaps she can. She's going to have things easier than I have, I hope. But if she can't, surely she can keep them until she has a child to give them to, just as I gave mine to her. I never thought of it before, but it seems to me to-night that perhaps that is the surest way there is of having our dreams last. I don't see how I'm going to stand it to see my girl growing fat and tired and old from hard work, like I've done. But there is another side to it. You're a mother, too, Minnie, so I guess I don't need to tell you that all the music and all the pictures in the world wouldn't make up to me, now, for my children.

We didn't know that when we had our "fancies," did we? But we know it now. Come out soon, Minnie. We'll have so much to talk about, and I want that you and Victoria should know each other.'

She folded the paper and slipped it into an envelope which she addressed and stamped. Then she blew out the light.

A YEAR IN A COAL-MINE

BY JOSEPH HUSBAND

TEN days after my graduation from Harvard I took my place as an unskilled workman in one of the largest of the great soft-coal mines that lie in the Middle West. It was with no thought of writing my experiences that I chose my occupation, but with the intention of learning by actual work the 'operating end' of the great industry, in the hope that such practical knowledge as I should acquire would fit me to follow the business successfully. That this mine was operated in direct opposition to the local organization of union labor, and had won considerable notoriety by successfully mining coal in spite of the most active hostility, gave an added interest to the work. The physical conditions of the mine were the most perfect that modern engineering has devised: the 'workings' were entirely electrified; the latest inventions in coal-mining machinery were everywhere employed, and every precaution for the safety of the men was followed beyond the letter of the law.

I

It was half-past six on a July morning when the day-s.h.i.+ft began streaming out of the wash-house: some four hundred men,--white, black, and of perhaps twenty-eight nationalities,--dressed in their tattered, black, and greasy mine-clothes. The long stream wound out of the wash-house door, past the power-house where the two big generators that feed the arteries of the great mine all day long with its motive power were screaming in a high, shrill rhythm of sound,--past the tall skeleton structure of the tipple-tower, from which the light morning breeze blew black clouds of coal-dust as it eddied around the skeleton of structural iron-work,--to a small house at the mine-mouth, sheathed in corrugated iron, where the broken line formed a column, and the men, one by one, pa.s.sed through a gate by a small window and gave their numbers to a red-faced man, who checked down in a great book the men who were entering the mine.

From the window we pa.s.sed along to a little inclosure directly above the mouth of the main hoisting-shaft. Sheer above it the black tower of the tipple pointed up into the hot, blue morning sky; and the dull, dry heat of the flat Illinois country seemed to sink down around it. But from the square, black mouth of the shaft a strong, steady blast of cool air struck the faces of the men who stood at the head of the little column waiting for the next hoist. On the one side of the shaft-mouth, long lines of empty railroad cars stretched out beyond into the flat country, each waiting its turn to be filled some time during the day with coal that would come pouring down over the great screens in the tipple; and on the other side of the shaft-mouth, under the seamed roof of the building where the checker wrote down the numbers of the day-s.h.i.+ft, sat the hoisting engineer--a scrawny, hard-faced man with a mine-cap pushed back from his forehead.

Beside him was the great drum on which the long steel cables that lifted and lowered the hoisting-cage were rapidly unwinding, and in his hand he held a lever by which he controlled the ascent or descent of the 'cage.'

The first cage had been lowered, and as I watched him and the dial before him, I saw his hand follow his eye, and as the white arrow pa.s.sed the 300-foot level, the hand drew back a notch and the long, lithe wire began to uncoil more slowly. Three hundred and fifty feet,--and another notch,--and as the arrow reached near the 400-foot mark, his foot came down hard on the brake, and a minute later a bell at his elbow sounded the signal of the safe arrival of the hoist. A minute, and another signal; and then, releasing his foot from the brake, and pulling another lever toward him, the drums, reversed, began to rewind; and as the arrow flew backwards, I realized that the cage was nearing the top--the cage on which a minute later I was to make my descent as a 'loader' into one of the largest, and perhaps most famous, of the vast soft-coal mines that lie in our Middle States.

As the thin cables streamed upward and over the sheave-wheels above the shaft and down to the reeling-drums, I looked at the men about me and felt a sudden mortification at the clean blue of my overalls, and the bright polish on my pick and shovel. A roar at the shaft-mouth, the grind of the drums as the brakes shot in, and the cage lifted itself suddenly from the shaft.

The cage, or elevator, in which the men were lowered into the mine, was a great steel box divided into four superimposed compartments, each holding ten men; and I stood, with nine others, crowded on the first or lowest deck. As the last man pushed into his place and we stood shoulder to shoulder, the hoisting engineer slowly slipped his lever again toward him, and as slowly the cage sank. Then, in an instant, the white-blue of the sky was gone, except for a thin crack below the deck above us, through which a sheet of white light sliced in and hung heavily in the dusty air of our compartment. The high song of the generators in the power-house, the choking puffs of the switch-engine in the yards, and the noise of men and work which I had not noticed before, I now suddenly missed in the absence of sound.

There was a shuffling of feet on the deck above, and again we sank, and this time all was darkness, while we paused for the third deck to fill.

Once more--and again for the fourth. Then, as the cage started and the roar of the shoes on the guide-rails struck my ears, I looked at the men about me. They were talking in a whirr of foreign words; and in the greasy yellow light of their pit-lamps, which hung like miniature coffee-pots in the brims of their caps, the strong, hard lines of their faces deepened. The working day was begun.

As the cage shot down, the wall of the shaft seemed to slip up, and from its wet, slimy surface an occasional spatter of mud shot in on the faces of the miners. Strong smells of garlic, of sweat, and of burning oil filled the compartment, and the air, which sucked up through the cracks beneath our feet as though under the force of a piston, fanned and pulled the yellow flames in the men's caps into smoking streaks. Then I felt the speed of the 'hoist' diminish. A pressure came in my ears and I swallowed hard; and a second later, a soft yet abrupt pause in our descent brought me down on my heels. The black wall of the shaft before me suddenly gave way, and we came to a stop on the bottom of the mine.

It was cool, and after the heat of a July morning, the damp freshness of the air chilled me. With dinner-pails banging against our knees, we pushed out of the hoist; and as the men crowded past, I stood with my back against a great timber and looked around me. Behind, the hoist had already sunk into the 'sump' or pit, at the bottom of the shaft, in order that the men on the second compartment might pa.s.s out into the mine; and a second later they swarmed by me--and still I stood, half-dazed by the roar of unknown sounds, my eyes blanketed by the absence of light, and my whole mind smothered and crushed.

I was standing just off the main entry or tunnel of the mine, which began on my left hand out of blackness and pa.s.sed again, on my right, into a seeming wall of darkness. The low, black roof, closely beamed with great timbers, was held by long lines of great whitewashed tree-trunks. A few electric lights shone dimly through their dust-coated globes, and the yellow flames from the men's pit-lamps, which had flared so bright in the compartment of the hoisting-cage, seemed now but thin tongues of flame that marked rather than disclosed the men.

Out of the blackness on the left, two tracks pa.s.sed over a great pit and stretched on into the blackness on the right, as though into the wall of the coal itself. Then, far off, a red signal-light winked out and made distance visible; and beyond it came the sound of grinding wheels; there was the gleam of a headlight on the steel rails. The ray grew larger and two yellow sparks above it flamed out into pit-lights. A train was coming out of the entry and I waited until it should pa.s.s. With a grind of brakes it suddenly loomed out of the blackness and into the dull haze of light at the shaft-bottom. With a roar it pa.s.sed by. The locomotive, a great iron box, was built like a battering-ram, the headlight set in its armor-plated bow, and behind, on two low seats, as in a racing automobile, sat the motorman and the 'trip-rider' or helper, the motorman with one hand on the great iron brake-wheel, the other on his controller, and the trip-rider swinging on his low seat, half on the motor and half over the coupling of the rocking car behind, clinging to the pole of the trolley. Their faces were black with the coal-dust,--black as the motor and their clothing,--and from their pit-lamps the flames bent back in the wind and streamed out straight along their cap-tops.

Low above the head of the trip-rider, the wheel on the trolley streaked out sudden bursts of greenish-white sparks along the wire; and as the train pa.s.sed by, the roar of the locomotive gave place to the clattering of the couplings of the long string of stocky cars, each heaped high with its black load of coal. Some one seized me by the elbow.

'What's yer number?' he asked.

'419.'