Tinker, Tailor, Soldier, Spy Part 25

So it was only afterwards that separate things came back to Guillam and single people came forward for his recollection; the unqualified hatred, for instance, directed by Polyakov against everyone present from poor little Millie McCraig upwards, and which actually distorted him: his mouth curved in a savage, uncontrollable sneer, he turned white and trembled, but not from fear and not from anger. It was just plain hatred, of the sort that Guillam could not visit on Haydon, but then Haydon was of his own kind.

For Alleline, in the moment of his defeat, Guillam discovered a sneaking admiration: Alleline at least had shown a certain bearing. But later Guillam was not so sure whether Percy realised, on that first presentation of the facts, quite what the facts were: after all, he was still Chief, and Haydon was still his Iago.

But the strangest thing to Guillam, the insight that he took away with him and thought over much more deeply than was commonly his policy, was that despite his banked-up anger at the moment of breaking into the room, it required an act of will on his own part, and quite a violent one at that, to regard Bill Haydon with much other than affection. Perhaps, as Bill would say, he had finally grown up. Best of all, on the same evening, he climbed the steps to his flat and heard the familiar notes of Camilla's flute echoing in the well. And if Camilla that night lost something of her mystery, at least by morning he had succeeded in freeing her from the toils of double-cross to which he had latterly consigned her.

In other ways also, over the next few days, his life took on a brighter look. Percy Alleline had been despatched on indefinite leave; Smiley had been asked to come back for a while and help sweep up what was left. For Guillam himself there was talk of being rescued from Brixton. It was not till much, much later that he learned that there had been a final act; and he put a name and a purpose to that familiar shadow which had followed Smiley through the night streets of Kensington.

CHAPTER THIRTY-EIGHT.

For the next two days George Smiley lived in limbo. To his neighbours, when they noticed him, he seemed to have lapsed into a wasting grief. He rose late and pottered round the house in his dressing gown, cleaning things, dusting, cooking himself meals and not eating them. In the afternoon, quite against the local bye-laws he lit a coal fire and sat before it reading among his German poets or writing letters to Ann which he seldom completed and never posted. When the telephone rang he went to it quickly, only to be disappointed. Outside the window the weather continued foul, and the few pa.s.sers-by - Smiley studied them continuously - were huddled in Balkan misery. Once Lacon called with a request from the Minister that Smiley should 'stand by to help clear up the mess at Cambridge Circus, were he called upon to do so' - in effect to act as night.w.a.tchman till a replacement for Percy Alleline could be found. Replying vaguely, Smiley again prevailed on Lacon to take extreme care of Haydon's physical safety while he was at Sarratt.

'Aren't you being a little dramatic?' Lacon retorted. 'The only place he can go is Russia and we're sending him there anyway.'

'When? How soon?'

The details would take several more days to arrange.

Smiley disdained, in his state of anticlimactic reaction, to ask how the interrogation was progressing meanwhile, but Lacon's manner suggested that the answer would have been 'badly'. Mendel brought him more solid fare.

'Immingham railway station's shut,' he said. 'You'll have to get out at Grimsby and hoof it or take a bus.'

More often Mendel simply sat and watched him, as one might an invalid.

'Waiting won't make her come, you know,' he said once. 'Time the mountain went to Mohammed. Faint heart never won fair lady, if I may say so.'

On the morning of the third day, the door bell rang and Smiley answered it so fast that it might have been Ann, having mislaid her key as usual. It was Lacon. Smiley was required at Sarratt, he said; Haydon insisted on seeing him. The inquisitors had got nowhere and time was running out. The understanding was that if Smiley would act as confessor, Haydon would give a limited account of himself.

'I'm a.s.sured there has been no coercion,' Lacon said.

Sarratt was a sorry place after the grandeur which Smiley remembered. Most of the elms had gone with the disease; pylons burgeoned over the old cricket field. The house itself, a sprawling brick mansion, had also come down a lot since the heyday of the cold war in Europe and most of the better furniture seemed to have disappeared, he supposed into one of Alleline's houses. He found Haydon in a Nissen hut hidden among the trees.

Inside, it had the stink of an army guardhouse, black-painted walls and high-barred windows. Guards manned the rooms to either side and they received Smiley respectfully, calling him sir. The word, it seemed, had got around. Haydon was dressed in denims, he was trembling and he complained of dizziness. Several times he had to lie on his bed to stop the nose bleeds. He had grown a half-hearted beard: apparently there was a dispute about whether he was to be allowed a razor.

'Cheer up,' said Smiley. 'You'll be out of here soon.'

He had tried, on the journey down, to remember Prideaux, and Irina, and the Czech networks, and he even entered Haydon's room with a vague notion of public duty: somehow, he thought, he ought to censure him on behalf of right-thinking men. He felt instead rather shy; he felt he had never known Haydon at all, and now it was too late. He was also angry at Haydon's physical condition, but when he taxed the guards they professed mystification. He was angrier still to learn that the additional security precautions he had insisted on had been relaxed after the first day. When he demanded to see Craddox, head of Nursery, Craddox was unavailable and his a.s.sistant acted dumb.

Their first conversation was halting and ba.n.a.l.

Would Smiley please forward the mail from his club, and tell Alleline to get a move on with the horsetrading with Karla? And he needed tissues, paper tissues for his nose. His habit of weeping, Haydon explained, had nothing to do with remorse or pain, it was a physical reaction to what he called the pettiness of the inquisitors who had made up their minds that Haydon knew the names of other Karla recruits, and were determined to have them before he left. There was also a school of thought which held that Fanshawe of the Christ Church Optimates had been acting as a talent-spotter for Moscow Centre as well as for the Circus, Haydon explained: 'Really, what can one do with a.s.ses like that?' He managed, despite his weakness, to convey that his was the only level head around.

They walked in the grounds and Smiley established with something close to despair that the perimeter was not even patrolled any more, either by night or day. After one circuit, Haydon asked to go back to the hut, where he dug up a piece of floorboard and extracted some sheets of paper covered in hieroglyphics. They reminded Smiley forcibly of Irina's diary. Squatting on the bed he sorted through them, and in that pose, in that dull light, with his long forelock dangling almost to the paper, he might have been lounging in Control's room, back in the Sixties, propounding some wonderfully plausible and quite inoperable piece of skulduggery for England's greater glory. Smiley did not bother to write anything down, since it was common ground between them that their conversation was being recorded anyway. The statement began with a long apologia, of which he afterwards recalled only a few sentences: 'We live in an age where only fundamental issues matter...

'The United States is no longer capable of undertaking its own revolution...

'The political posture of the United Kingdom is without relevance or moral viability in world affairs...'

With much of it, Smiley might in other circ.u.mstances have agreed: it was the tone, rather than the music, which alienated him.

'In capitalist America economic repression of the ma.s.ses is inst.i.tutionalised to a point which not even Lenin could have foreseen.

'The cold war began in 1917 but the bitterest struggles lie ahead of us, as America's deathbed paranoia drives her to greater excesses abroad..."

He spoke not of the decline of the West, but of its death by greed and constipation. He hated America very deeply, he said, and Smiley supposed he did. Haydon also took it for granted that secret services were the only real measure of a nation's political health, the only real expression of its subconscious.

Finally he came to his own case. At Oxford, he said, he was genuinely of the right, and in the war, it scarcely mattered where one stood as long as one was fighting the Germans. For a while, after forty-five, he said, he had remained content with Britain's part in the world, till gradually it dawned on him just how trivial this was. How and when was a mystery. In the historical mayhem of his own lifetime he could point to no one occasion: simply he knew that if England were out of the game, the price of fish would not be altered by a farthing. He had often wondered which side he would be on if the test ever came; after prolonged reflection he had finally to admit that if either monolith had to win the day, he would prefer it to be the East.

'It's an aesthetic judgment as much as anything,' he explained, looking up. 'Partly a moral one, of course.'

'Of course,' said Smiley politely.

From then on, he said, it was only a matter of time before he put his efforts where his convictions lay.

That was the first day's take. A white sediment had formed on Haydon's lips, and he had begun weeping again. They agreed to meet tomorrow at the same time.

'It would be nice to go into the detail a little if we could, Bill,' Smiley said as he left.

'Oh and look, tell Jan, will you?' Haydon was lying on the bed, staunching his nose again. 'Doesn't matter a hoot what you say, long as you make it final.' Sitting up, he wrote out a cheque and put it in a brown envelope. 'Give her that for the milk bill.'

Realising perhaps that Smiley was not quite at ease with this brief, he added: 'Well, I can't take her with me, can I? Even if they let her come, she'd be a b.l.o.o.d.y millstone.'

The same evening, following Haydon's instructions, Smiley took a tube to Kentish Town and unearthed a cottage in an unconverted mews. A flat-faced fair girl in jeans opened the door to him; there was a smell of oil paint and baby. He could not remember whether he had met her at Bywater Street so he opened with: 'I'm from Bill Haydon. He's quite all right but I've got various messages from him.'

'Jesus,' said the girl softly. 'About b.l.o.o.d.y time and all.'

The living room was filthy. Through the kitchen door he saw a pile of dirty crockery and he knew she used everything until it ran out, then washed it all at once. The floorboards were bare except for long psychedelic patterns of snakes and flowers and insects painted all over them.

'That's Bill's Michelangelo ceiling,' she said conversationally. 'Only he's not going to have Michelangelo's bad back. Are you government?' she asked, lighting a cigarette. 'He works for government, he told me.' Her hand was shaking and she had yellow smudges under her eyes.

'Oh look, first I'm to give you that,' said Smiley, and delving in an inside pocket handed her the envelope with the cheque.

'Bread,' said the girl, and put the envelope beside her.

'Bread,' said Smiley, answering her grin, then something in his expression, or the way he echoed that one word, made her take up the envelope and rip it open. There was no note, just the cheque, but the cheque was enough: even from where Smiley sat, he could see it had four figures.

Not knowing what she was doing, she walked across the room to the fireplace and put the cheque with the grocery bills in an old tin on the mantelpiece. She went into the kitchen and mixed two cups of Nescafe, but she only came out with one.

'Where is he?' she said. She stood facing him. 'He's gone chasing after that snotty little sailor boy again. Is that it? And this is the pay-off, is that it? Well you b.l.o.o.d.y tell him from me...'

Smiley had had scenes like this before, and now absurdly the old words came back to him.

'Bill's been doing work of national importance. I'm afraid we can't talk about it, and nor must you. A few days ago he went abroad on a secret job. He'll be away some while. Even years. He wasn't allowed to tell anyone he was leaving. He wants you to forget him. I really am most awfully sorry.'

He got that far before she burst out. He didn't hear all she said, because she was blurting and screaming, and when the baby heard her it started screaming too, from upstairs. She was swearing, not at him, not even particularly at Bill, just swearing dry-eyed and demanding to know who the h.e.l.l, who the b.l.o.o.d.y b.l.o.o.d.y h.e.l.l believed in government any more? Then her mood changed. Round the walls, Smiley noticed Bill's other paintings, mainly of the girl: few were finished, and they had a cramped, condemned quality by comparison with his earlier work.

'You don't like him, do you? I can tell,' she said. 'So why do you do his dirty work for him?'

To this question also there seemed no immediate answer. Returning to Bywater Street, he again had the impression of being followed, and tried to telephone Mendel with the number of a cab which had twice caught his eye, asking him to make immediate enquiries. For once, Mendel was out till after midnight: Smiley slept uneasily and woke at five. By eight he was back at Sarratt, to find Haydon in festive mood. The inquisitors had not bothered him; he had been told by Craddox that the exchanges had been agreed and he should expect to travel tomorrow or the next day. His requests had a valedictory ring; the balance of his salary and the proceeds of any odd sales made on his behalf should be forwarded to him care of the Moscow Narodny Bank, who would also handle his mail. The Arnolfini Gallery in Bristol had a few pictures of his, including some early watercolours of Damascus, which he coveted. Could Smiley please arrange? Then, the cover for his disappearance.

'Play it long,' he advised. 'Say I've been posted, lay on the mystery, give it a couple of years then run me down...'

'Oh I think we can manage something, thank you,' Smiley said.

For the first time since Smiley had known him, Haydon was worried about clothes. He wanted to arrive looking like someone, he said: first impressions were so important. 'Those Moscow tailors are unspeakable. Dress you up like a b.l.o.o.d.y beadle.'

'Quite,' said Smiley, whose opinion of London tailors was no better.

Oh and there was a boy, he added carelessly, a sailor friend, lived in Notting Hill. 'Better give him a couple of hundred to shut him up. Can you do that out of the reptile fund?'

'I'm sure.'

He wrote out an address. In the same spirit of good fellows.h.i.+p, Haydon then entered into what Smiley had called the details.

He declined to discuss any part of his recruitment nor of his lifelong relations.h.i.+p with Karla. 'Lifelong?' Smiley repeated quickly. 'When did you meet?' The a.s.sertions of yesterday appeared suddenly nonsensical, but Haydon would not elaborate.

From about nineteen fifty onwards, if he was to be believed, Haydon had made Karla occasional selected gifts of intelligence. These early efforts were confined to what he hoped would discreetly advance the Russian cause over the American; he was 'scrupulous not to give them anything harmful to ourselves' as he put it, or harmful to our agents in the field.

The Suez adventure in fifty-six finally persuaded him of the inanity of the British situation and of the British capacity to spike the advance of history while not being able to offer anything by way of contribution. The sight of the Americans sabotaging the British action in Egypt was, paradoxically, an additional incentive. He would say therefore that from fifty-six on, he was a committed, full-time Soviet mole with no holds barred. In sixty-one he formally received Soviet citizens.h.i.+p, and over the next ten years two Soviet medals - quaintly, he would not say which, though he insisted that they were 'top stuff'. Unfortunately, overseas postings during this period limited his access; and since he insisted on his information being acted upon wherever possible - 'rather than being chucked into some daft Soviet archive' - his work was dangerous as well as uneven. With his return to London, Karla sent him Polly (which was evidently the house name for Polyakov) as a helpmate, but Haydon found the constant pressure of clandestine meetings difficult to sustain, particularly in view of the quant.i.ty of stuff he was photographing.

He declined to discuss cameras, equipment, pay or trade-craft during this pre-Merlin period in London, and Smiley was conscious all the while that even the little Haydon was telling him was selected with meticulous care from a greater, and perhaps somewhat different truth.

Meanwhile both Karla and Haydon were receiving signals that Control was smelling a rat. Control was ill, of course, but clearly he would never willingly give up the reins while there was a chance that he was making Karla a present of the service. It was a race between Control's researches and his health. Twice, he had very nearly struck gold - again, Haydon declined to say how - and if Karla had not been quick on his feet, the mole Gerald would have been trapped. It was out of this nervy situation that first Merlin, and finally Operation Testify, were born. Witchcraft was conceived primarily to take care of the succession: to put Alleline next to the throne, and hasten Control's demise. Secondly, of course, Witchcraft gave Centre absolute autonomy over the product flowing into Whitehall. Thirdly - and in the long run most important, Haydon insisted - it brought the Circus into position as a major weapon against the American target.

'How much of the material was genuine?' Smiley asked.

Obviously the standard varied according to what one wanted to achieve, said Haydon. In theory, fabrication was very easy: Haydon had only to advise Karla of Whitehall's areas of ignorance and the fabricators would write for them. Once or twice, for the h.e.l.l of it, said Haydon, he had written the odd report himself. It was an amusing exercise to receive, evaluate and distribute one's own work. The advantages of Witchcraft in terms of tradecraft were of course inestimable. It placed Haydon virtually out of Control's reach, and gave him a cast-iron cover story for meeting Polly whenever he wished. Often months would pa.s.s without their meeting at all. Haydon would photograph Circus doc.u.ments in the seclusion of his room - under cover of preparing Polly's chickenfeed - hand it over to Esterhase with a lot of other rubbish and let him cart it down to the safe house in Lock Gardens.

'It was a cla.s.sic,' Haydon said simply. 'Percy made the running, I slipstreamed behind him, Roy and Toby did the legwork.'

Here Smiley asked politely whether Karla had ever thought of having Haydon actually take over the Circus himself: why bother with a stalking horse at all? Haydon stalled and it occurred to Smiley that Karla, like Control, might well have considered Haydon better cast as a subordinate.

Operation Testify, said Haydon, was rather a desperate throw. Haydon was certain that Control was getting very warm indeed. An a.n.a.lysis of the files he was drawing produced an uncomfortably complete inventory of the operations which Haydon had blown, or otherwise caused to abort. He had also succeeded in narrowing the field to officers of a certain age and rank...

'Was Stevcek's original offer genuine, by the way?' Smiley asked.

'Good Lord no,' said Haydon, actually shocked. 'It was a fix from the start. Stevcek existed, of course. He was a distinguished Czech general. But he never made an offer to anyone.'

Here Smiley sensed Haydon falter. For the first time, he actually seemed uneasy about the morality of his behaviour. His manner became noticeably defensive.

'Obviously, we needed to be certain Control would rise, and how he would rise... and who he would send. We couldn't have him picking some half-a.r.s.ed little pavement artist: it had to be a big gun to make the story stick. We knew he'd only settle for someone outside the mainstream and someone who wasn't Witchcraft cleared. If we made it a Czech, he'd have to choose a Czech speaker, naturally.'

'Naturally.'

'We wanted old Circus: someone who could bring down the temple a bit.'

'Yes,' said Smiley, remembering that heaving, sweating figure on the hilltop: 'Yes, I see the logic of that.'

'Well, d.a.m.n it, I got him back,' Haydon snapped.

'Yes, that was good of you. Tell me, did Jim come to see you before he left on that Testify mission?'

'Yes, he did, as a matter of fact.'

'To say what?'

For a long, long while Haydon hesitated, then did not answer. But the answer was written there all the same, in the sudden emptying of his eyes, in the shadow of guilt that crossed his thin face. He came to warn you, Smiley thought; because he loved you. To warn you; just as he came to tell me that Control was mad, but couldn't find me because I was in Berlin. Jim was watching your back for you right till the end.

Also, Haydon resumed, it had to be a country with a recent history of counter-revolution: Czecho was honestly the only place.

Smiley appeared not quite to be listening.

'Why did you bring him back?' he asked. 'For friends.h.i.+p's sake? Because he was harmless and you held all the cards?'

It wasn't just that, Haydon explained. As long as Jim was in a Czech prison (he didn't say Russian) people would agitate for him, and see him as some sort of key. But once he was back, everyone in Whitehall would conspire to keep him quiet: that was the way of it with repatriations.

'I'm surprised Karla didn't just shoot him. Or did he hold back out of delicacy towards you?'

But Haydon had drifted away again into half-baked political a.s.sertions.

Then he began speaking about himself, and already, to Smiley's eye, he seemed quite visibly to be shrinking to something quite small and mean. He was touched to hear that Ionesco had recently promised us a play in which the hero kept silent and everyone round him spoke incessantly. When the psychologists and fas.h.i.+onable historians came to write their apologias for him, he hoped they would remember that that was how he saw himself. As an artist, he had said all he had to say at the age of seventeen, and one had to do something with one's later years. He was awfully sorry he couldn't take some of his friends with him. He hoped Smiley would remember him with affection.

Smiley wanted at that point to tell him that he would not remember him in those terms at all, and a good deal more besides, but there seemed no point and Haydon was having another nose bleed.

'Oh, I'm to ask you to avoid publicity by the way. Miles Sercombe made quite a thing of it.'

Here Haydon managed a laugh. Having messed up the Circus in private, he said, he had no wish to repeat the process in public.

Before he left, Smiley asked the one question he still cared about.

'I'll have to break it to Ann. Is there anything particular you want me to pa.s.s on to her?'

It required discussion for the implication of Smiley's question to get through to him. At first, he thought Smiley had said 'Jan', and couldn't understand why he had not yet called on her.

'Oh your Ann,' he said, as if there were a lot of Anns around. It was Karla's idea, he explained. Karla had long recognised that Smiley represented the biggest threat to the mole Gerald. 'He said you were quite good.'

'Thank you.'

'But you had this one price: Ann. The last illusion of the illusionless man. He reckoned that if I was known to be Ann's lover around the place you wouldn't see me very straight when it came to other things.' His eyes, Smiley noticed, had become very fixed. Pewtery, Ann called them. 'Not to strain it or anything but if it was possible, join the queue. Point?'

'Point,' said Smiley.

For instance, on the night of Testify, Karla was adamant that if possible Haydon should be dallying with Ann. As a form of insurance.