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Comedies by Holberg : Jeppe of the Hill, The Political Tinker, Erasmus Montanus Part 11

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[DEN POLITISKE KANDESTOBER]

A COMEDY IN FIVE ACTS

1722-1731

DRAMATIS PERSONAE

HERMAN VON BREMEN, a tinker.

GESKE, his wife.

ENGELKE, his daughter.

HENRICH } ANNEKE }- his servants.

PEITER }

ANTONIUS, Engelke's lover.

JENS, a tavern-keeper } RICHARD, a brushmaker } Members of the GERT, a furrier }- Collegium Politic.u.m.

SIVERT, a baggage inspector } FRANZ, a cutler }

ABRAHAMS } SANDERUS }- Practical jokers.

MADAME ABRAHAMS.

MADAME SANDERUS.

ARIANKE, a blacksmith's wife.

A Man pretending to be Alderman of the Hatters' Guild, Pet.i.tioners, Women, Boys, Lackeys, and others.

ACTS I and III

SCENE: Hamburg. A street, showing Herman's house.

ACTS II, IV, and V

A room in Herman's house.

ACT I

SCENE I

(A Street in front of Herman von Bremen's house. Antonius is standing before the door.)

ANTONIUS. I swear my heart's in my mouth, for I've got to talk to Master Herman and ask him for his daughter, to whom I've been engaged for ever so long, but secretly. This is the third start I have made, but each time I have turned back again. If it were not for the disgrace of it, and the reproaches I should have to take from my mother, it would be the same story over again. This bashfulness of mine is an inborn weakness, and it's not easy to get the better of it. Each time I go to knock on the door, it is as if some one were holding back my hand. But courage, Antonius, is half the battle! There is no help for it, you must go on. I should spruce myself up a bit first, for they say Master Herman is getting finicky of late. (He takes off his neck-band and ties it on again, takes a comb from his pocket and combs his hair, and dusts his shoes.) Now, I think I will do. This is the moment to knock. See! as sure as I'm an honest man, it's just as if someone were holding back my hand.

Come, courage, Antonius! I know that you haven't done anything wrong. The worst that can happen to you is a "no." (He knocks.)

SCENE 2

Enter Henrich, eating a sandwich.

HENRICH. Your servant, Master Antonius. Whom do you want to see?

ANTONIUS. I wanted to talk with Master Herman, if he was alone.

HENRICH. Oh, yes, certainly he is alone. He is at his reading.

ANTONIUS. Then he is more G.o.d-fearing than I am.

HENRICH. If an ordinance were issued decreeing that the Herculus should count as a book of sermons, I believe he could qualify as a preacher.

ANTONIUS. Then has he time to spare from his work for reading such books as that?

HENRICH. You must realize that the master has two professions: he is both tinker and politician.

ANTONIUS. The two don't seem to go together very well.

HENRICH. The same idea has occurred to us. For when he does a piece of work, which is rarely, there is such a political look to the job that we have to do it all over again. But if you want to talk to him, go right into the sitting-room.

ANTONIUS. I have an important errand, Henrich, for between you and me, I want to ask him for his daughter, whom I've been engaged to for a long time.

HENRICH. My word, that is an important errand, indeed. But listen, Master Antonius, you must not take it amiss if I warn you of just one thing: if you want your suit to prosper, you must tune up your language and make a graceful speech, for he has become devilish particular recently.

ANTONIUS. No, I can't do that, Henrich! I'm a good workman, and I've never learned to pa.s.s compliments. I can only speak out straight and plain that I love his daughter and want her for my wife.

HENRICH. Nothing more? Then I'll risk my neck that you don't get her. At the very least you must start with "Whereas" or "Inasmuch."

You must realize, Master Antonius, that you have to do with a learned man, who spends his days and nights in reading political works, till he's on the verge of madness. The one thing that he's found fault with lately about the people in the house is that we have such vulgar ways with us all, and myself especially--he never mentions me without calling me "You low, dirty rascal." A week or so ago he swore by the devil that Mother Geske should wear an Adrienne; still, he didn't make any headway, because mistress is an old-fas.h.i.+oned G.o.d-fearing woman, who had rather lay down her life than part with her lapelled bodice. He is always about to bring forth something or other, the devil knows what. So if you wish to succeed in your wooing, you had better take my advice.

ANTONIUS. Well, on my word, I don't believe in beating about the bush. I go straight to the point. [Exit into house.

SCENE 3

HENRICH. The greatest difficulty about proposing is to hit on something to start off with. I went courting once myself, but for two weeks I couldn't make up my mind what to say. I knew, of course, that you ought to begin with "Whereas" or "Inasmuch," but the trouble was that I couldn't pick out the next word to hitch on to that "Whereas." So I didn't bother about it any longer, but went and bought a formula for eightpence from Jacob tke schoolmaster--he sells them for that. But it all went wrong with me, for when I got into the middle of my speech I couldn't remember the rest of it, and I was ashamed to pull the paper out of my pocket. I swear I could recite the thing both before and afterwards like my paternoster; yet when I came to use it I stuck fast. It went like this:

"With humble wishes for your good health, I, Henrich Andersen, have come here deliberately of my own free will and on my own initiative to inform you that I am no more of a stock and a stone than others, and inasmuch as every creature on earth, even the dumb brute, is subject to love, I, unworthy as I am, have come in the name of G.o.d and Honor to beg and urge you to be the darling of my heart--" (To the audience) If any one will pay me back my eightpence, I will turn the thing over to him, for I believe that any one who made such a speech could get any good man's daughter that he had a mind to. Will you give me sixpence, then? Honestly, I paid eightpence for it myself. I'm d.a.m.ned if I sell it for less. But here comes the old man. I must be off. [Exit.

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