The Third Violet Part 5

"I tell you what it is, Hollie," said the painter darkly, "whenever I'm with that girl I'm such a blockhead. I'm not so stupid, Hollie. You know I'm not. But when I'm with her I can't be clever to save my life."

Hollanden pulled contentedly at his pipe. "Maybe she don't notice it."

"Notice it!" muttered Hawker, scornfully; "of course she notices it. In conversation with her, I tell you, I am as interesting as an iron dog."

His voice changed as he cried, "I don't know why it is. I don't know why it is."

Blowing a huge cloud of smoke into the air, Hollanden studied it thoughtfully. "Hits some fellows that way," he said. "And, of course, it must be deuced annoying. Strange thing, but now, under those circ.u.mstances, I'm very glib. Very glib, I a.s.sure you."

"I don't care what you are," answered Hawker. "All those confounded affairs of yours--they were not----"

"No," said Hollanden, stolidly puffing, "of course not. I understand that. But, look here, Billie," he added, with sudden brightness, "maybe you are not a blockhead, after all. You are on the inside, you know, and you can't see from there. Besides, you can't tell what a woman will think. You can't tell what a woman will think."

"No," said Hawker, grimly, "and you suppose that is my only chance?"

"Oh, don't be such a chump!" said Hollanden, in a tone of vast exasperation.

They strode for some time in silence. The mystic pines swaying over the narrow road made talk sibilantly to the wind. Stanley, the setter, took it upon himself to discover some menacing presence in the woods. He walked on his toes and with his eyes glinting sideways. He swore half under his breath.

"And work, too," burst out Hawker, at last. "I came up here this season to work, and I haven't done a thing that ought not be shot at."

"Don't you find that your love sets fire to your genius?" asked Hollanden gravely.

"No, I'm hanged if I do."

Hollanden sighed then with an air of relief. "I was afraid that a popular impression was true," he said, "but it's all right. You would rather sit still and moon, wouldn't you?"

"Moon--blast you! I couldn't moon to save my life."

"Oh, well, I didn't mean moon exactly."

CHAPTER VIII.

The blue night of the lake was embroidered with black tree forms. Silver drops sprinkled from the lifted oars. Somewhere in the gloom of the sh.o.r.e there was a dog, who from time to time raised his sad voice to the stars.

"But still, the life of the studios----" began the girl.

Hawker scoffed. "There were six of us. Mainly we smoked. Sometimes we played hearts and at other times poker--on credit, you know--credit. And when we had the materials and got something to do, we worked. Did you ever see these beautiful red and green designs that surround the common tomato can?"

"Yes."

"Well," he said proudly, "I have made them. Whenever you come upon tomatoes, remember that they might once have been encompa.s.sed in my design. When first I came back from Paris I began to paint, but n.o.body wanted me to paint. Later, I got into green corn and asparagus----"

"Truly?"

"Yes, indeed. It is true."

"But still, the life of the studios----"

"There were six of us. Fate ordained that only one in the crowd could have money at one time. The other five lived off him and despised themselves. We despised ourselves five times as long as we had admiration."

"And was this just because you had no money?"

"It was because we had no money in New York," said Hawker.

"Well, after a while something happened----"

"Oh, no, it didn't. Something impended always, but it never happened."

"In a case like that one's own people must be such a blessing. The sympathy----"

"One's own people!" said Hawker.

"Yes," she said, "one's own people and more intimate friends. The appreciation----"

"'The appreciation!'" said Hawker. "Yes, indeed!"

He seemed so ill-tempered that she became silent. The boat floated through the shadows of the trees and out to where the water was like a blue crystal. The dog on the sh.o.r.e thrashed about in the reeds and waded in the shallows, mourning his unhappy state in an occasional cry. Hawker stood up and sternly shouted. Thereafter silence was among the reeds.

The moon slipped sharply through the little clouds.

The girl said, "I liked that last picture of yours."

"What?"

"At the last exhibition, you know, you had that one with the cows--and things--in the snow--and--and a haystack."

"Yes," he said, "of course. Did you like it, really? I thought it about my best. And you really remembered it? Oh," he cried, "Hollanden perhaps recalled it to you."

"Why, no," she said. "I remembered it, of course."

"Well, what made you remember it?" he demanded, as if he had cause to be indignant.

"Why--I just remembered it because--I liked it, and because--well, the people with me said--said it was about the best thing in the exhibit, and they talked about it a good deal. And then I remember that Hollie had spoken of you, and then I--I----"

"Never mind," he said. After a moment, he added, "The confounded picture was no good, anyhow!"

The girl started. "What makes you speak so of it? It was good. Of course, I don't know--I can't talk about pictures, but," she said in distress, "everybody said it was fine."

"It wasn't any good," he persisted, with dogged shakes of the head.

From off in the darkness they heard the sound of Hollanden's oars splas.h.i.+ng in the water. Sometimes there was squealing by the Worcester girls, and at other times loud arguments on points of navigation.

"Oh," said the girl suddenly, "Mr. Oglethorpe is coming to-morrow!"

"Mr. Oglethorpe?" said Hawker. "Is he?"