Nona Vincent Part 2

His suspense varied in degree from hour to hour, but any relief there might have been in this was made up for by its being of several different kinds. One afternoon, as the first performance drew near, Mrs. Alsager said to him, in giving him his cup of tea and on his having mentioned that he had not closed his eyes the night before:

"You must indeed be in a dreadful state. Anxiety for another is still worse than anxiety for one's self."

"For another?" Wayworth repeated, looking at her over the rim of his cup.

"My poor friend, you're nervous about Nona Vincent, but you're infinitely more nervous about Violet Grey."

"She IS Nona Vincent!"

"No, she isn't--not a bit!" said Mrs. Alsager, abruptly.

"Do you really think so?" Wayworth cried, spilling his tea in his alarm.

"What I think doesn't signify--I mean what I think about that. What I meant to say was that great as is your suspense about your play, your suspense about your actress is greater still."

"I can only repeat that my actress IS my play."

Mrs. Alsager looked thoughtfully into the teapot.

"Your actress is your--"

"My what?" the young man asked, with a little tremor in his voice, as his hostess paused.

"Your very dear friend. You're in love with her--at present." And with a sharp click Mrs. Alsager dropped the lid on the fragrant receptacle.

"Not yet--not yet!" laughed her visitor.

"You will be if she pulls you through."

"You declare that she WON'T pull me through."

Mrs. Alsager was silent a moment, after which she softly murmured: "I'll pray for her."

"You're the most generous of women!" Wayworth cried; then coloured as if the words had not been happy. They would have done indeed little honour to a man of tact.

The next morning he received five hurried lines from Mrs. Alsager.

She had suddenly been called to Torquay, to see a relation who was seriously ill; she should be detained there several days, but she had an earnest hope of being able to return in time for his first night.

In any event he had her unrestricted good wishes. He missed her extremely, for these last days were a great strain and there was little comfort to be derived from Violet Grey. She was even more nervous than himself, and so pale and altered that he was afraid she would be too ill to act. It was settled between them that they made each other worse and that he had now much better leave her alone.

They had pulled Nona so to pieces that nothing seemed left of her-- she must at least have time to grow together again. He left Violet Grey alone, to the best of his ability, but she carried out imperfectly her own side of the bargain. She came to him with new questions--she waited for him with old doubts, and half an hour before the last dress-rehearsal, on the eve of production, she proposed to him a totally fresh rendering of his heroine. This incident gave him such a sense of insecurity that he turned his back on her without a word, bolted out of the theatre, dashed along the Strand and walked as far as the Bank. Then he jumped into a hansom and came westward, and when he reached the theatre again the business was nearly over. It appeared, almost to his disappointment, not bad enough to give him the consolation of the old playhouse adage that the worst dress-rehearsals make the best first nights.

The morrow, which was a Wednesday, was the dreadful day; the theatre had been closed on the Monday and the Tuesday. Every one, on the Wednesday, did his best to let every one else alone, and every one signally failed in the attempt. The day, till seven o'clock, was understood to be consecrated to rest, but every one except Violet Grey turned up at the theatre. Wayworth looked at Mr. Loder, and Mr.

Loder looked in another direction, which was as near as they came to conversation. Wayworth was in a fidget, unable to eat or sleep or sit still, at times almost in terror. He kept quiet by keeping, as usual, in motion; he tried to walk away from his nervousness. He walked in the afternoon toward Notting Hill, but he succeeded in not breaking the vow he had taken not to meddle with his actress. She was like an acrobat poised on a slippery ball--if he should touch her she would topple over. He pa.s.sed her door three times and he thought of her three hundred. This was the hour at which he most regretted that Mrs. Alsager had not come back--for he had called at her house only to learn that she was still at Torquay. This was probably queer, and it was probably queerer still that she hadn't written to him; but even of these things he wasn't sure, for in losing, as he had now completely lost, his judgment of his play, he seemed to himself to have lost his judgment of everything. When he went home, however, he found a telegram from the lady of Grosvenor Place--"Shall be able to come--reach town by seven." At half-past eight o'clock, through a little aperture in the curtain of the "Renaissance," he saw her in her box with a cl.u.s.ter of friends--completely beautiful and beneficent. The house was magnificent--too good for his play, he felt; too good for any play. Everything now seemed too good--the scenery, the furniture, the dresses, the very programmes. He seized upon the idea that this was probably what was the matter with the representative of Nona--she was only too good. He had completely arranged with this young lady the plan of their relations during the evening; and though they had altered everything else that they had arranged they had promised each other not to alter this. It was wonderful the number of things they had promised each other. He would start her, he would see her off--then he would quit the theatre and stay away till just before the end. She besought him to stay away--it would make her infinitely easier. He saw that she was exquisitely dressed--she had made one or two changes for the better since the night before, and that seemed something definite to turn over and over in his mind as he rumbled foggily home in the four- wheeler in which, a few steps from the stage-door, he had taken refuge as soon as he knew that the curtain was up. He lived a couple of miles off, and he had chosen a four-wheeler to drag out the time.

When he got home his fire was out, his room was cold, and he lay down on his sofa in his overcoat. He had sent his landlady to the dress- circle, on purpose; she would overflow with words and mistakes. The house seemed a black void, just as the streets had done--every one was, formidably, at his play. He was quieter at last than he had been for a fortnight, and he felt too weak even to wonder how the thing was going. He believed afterwards that he had slept an hour; but even if he had he felt it to be still too early to return to the theatre. He sat down by his lamp and tried to read--to read a little compendious life of a great English statesman, out of a "series." It struck him as brilliantly clever, and he asked himself whether that perhaps were not rather the sort of thing he ought to have taken up: not the statesmans.h.i.+p, but the art of brief biography. Suddenly he became aware that he must hurry if he was to reach the theatre at all--it was a quarter to eleven o'clock. He scrambled out and, this time, found a hansom--he had lately spent enough money in cabs to add to his hope that the profits of his new profession would be great.

His anxiety, his suspense flamed up again, and as he rattled eastward--he went fast now--he was almost sick with alternations. As he pa.s.sed into the theatre the first man--some underling--who met him, cried to him, breathlessly:

"You're wanted, sir--you're wanted!" He thought his tone very ominous--he devoured the man's eyes with his own, for a betrayal: did he mean that he was wanted for execution? Some one else pressed him, almost pushed him, forward; he was already on the stage. Then he became conscious of a sound more or less continuous, but seemingly faint and far, which he took at first for the voice of the actors heard through their canvas walls, the beautiful built-in room of the last act. But the actors were in the wing, they surrounded him; the curtain was down and they were coming off from before it. They had been called, and HE was called--they all greeted him with "Go on--go on!" He was terrified--he couldn't go on--he didn't believe in the applause, which seemed to him only audible enough to sound half- hearted.

"Has it gone?--HAS it gone?" he gasped to the people round him; and he heard them say "Rather--rather!" perfunctorily, mendaciously too, as it struck him, and even with mocking laughter, the laughter of defeat and despair. Suddenly, though all this must have taken but a moment, Loder burst upon him from somewhere with a "For G.o.d's sake don't keep them, or they'll STOP!" "But I can't go on for THAT!"

Wayworth cried, in anguish; the sound seemed to him already to have ceased. Loder had hold of him and was shoving him; he resisted and looked round frantically for Violet Grey, who perhaps would tell him the truth. There was by this time a crowd in the wing, all with strange grimacing painted faces, but Violet was not among them and her very absence frightened him. He uttered her name with an accent that he afterwards regretted--it gave them, as he thought, both away; and while Loder hustled him before the curtain he heard some one say "She took her call and disappeared." She had had a call, then--this was what was most present to the young man as he stood for an instant in the glare of the footlights, looking blindly at the great vaguely- peopled horseshoe and greeted with plaudits which now seemed to him at once louder than he deserved and feebler than he desired. They sank to rest quickly, but he felt it to be long before he could back away, before he could, in his turn, seize the manager by the arm and cry huskily--"Has it really gone--REALLY?"

Mr. Loder looked at him hard and replied after an instant: "The play's all right!"

Wayworth hung upon his lips. "Then what's all wrong?"

"We must do something to Miss Grey."

"What's the matter with her?"

"She isn't IN it!"

"Do you mean she has failed?"

"Yes, d.a.m.n it--she has failed."

Wayworth stared. "Then how can the play be all right?"

"Oh, we'll save it--we'll save it."

"Where's Miss Grey--where IS she?" the young man asked.

Loder caught his arm as he was turning away again to look for his heroine. "Never mind her now--she knows it!"

Wayworth was approached at the same moment by a gentleman he knew as one of Mrs. Alsager's friends--he had perceived him in that lady's box. Mrs. Alsager was waiting there for the successful author; she desired very earnestly that he would come round and speak to her.

Wayworth a.s.sured himself first that Violet had left the theatre--one of the actresses could tell him that she had seen her throw on a cloak, without changing her dress, and had learnt afterwards that she had, the next moment, flung herself, after flinging her aunt, into a cab. He had wished to invite half a dozen persons, of whom Miss Grey and her elderly relative were two, to come home to supper with him; but she had refused to make any engagement beforehand (it would be so dreadful to have to keep it if she shouldn't have made a hit), and this att.i.tude had blighted the pleasant plan, which fell to the ground. He had called her morbid, but she was immovable. Mrs.

Alsager's messenger let him know that he was expected to supper in Grosvenor Place, and half an hour afterwards he was seated there among complimentary people and flowers and popping corks, eating the first orderly meal he had partaken of for a week. Mrs. Alsager had carried him off in her brougham--the other people who were coming got into things of their own. He stopped her short as soon as she began to tell him how tremendously every one had been struck by the piece; he nailed her down to the question of Violet Grey. Had she spoilt the play, had she jeopardised or compromised it--had she been utterly bad, had she been good in any degree?

"Certainly the performance would have seemed better if SHE had been better," Mrs. Alsager confessed.

"And the play would have seemed better if the performance had been better," Wayworth said, gloomily, from the corner of the brougham.

"She does what she can, and she has talent, and she looked lovely.

But she doesn't SEE Nona Vincent. She doesn't see the type--she doesn't see the individual--she doesn't see the woman you meant.

She's out of it--she gives you a different person."

"Oh, the woman I meant!" the young man exclaimed, looking at the London lamps as he rolled by them. "I wish to G.o.d she had known YOU!" he added, as the carriage stopped. After they had pa.s.sed into the house he said to his companion:

"You see she WON'T pull me through."

"Forgive her--be kind to her!" Mrs. Alsager pleaded.

"I shall only thank her. The play may go to the dogs."

"If it does--if it does," Mrs. Alsager began, with her pure eyes on him.

"Well, what if it does?"

She couldn't tell him, for the rest of her guests came in together; she only had time to say: "It SHA'N'T go to the dogs!"