Plays: Comrades; Facing Death; Pariah; Easter Part 36

CHRISTINE. Do you think anything will be gained by going over all that again?

ELIS. Only one thing. That is to keep up mother's hope. I only pretend to read--but a word now and then p.r.i.c.ks me like a thorn in the eye.

The evidence of the witnesses, the summaries--father's confession--like this: "the accused admitted with tears"--tears--tears--so many tears--and these papers with their official seals that remind one of false notes and prison bars--the ribbons and red seals--they are like the five wounds of Christus--and public opinion that will never change--the endless anguish--this is indeed fit work for Good Friday!

Yesterday the sun was s.h.i.+ning--and in our fancy we went out to the country,--Christine, think if we should have to stay here all summer.

CHRISTINE. We would save a great deal of money--but it would be disappointing.

ELIS. I couldn't live thro' it--I have stayed here three summers--and it's like a dead city to me. The rats come out from the cellars and alleys--while the cats are out spending the summer in the country. And all the old women that couldn't get away sit peeking through the blinds gossiping about their neighbors--"See, he has his winter suit on"--and sneer at the worn-down heels of the pa.s.sers-by. And from the poor quarters wretched beings drag themselves out of their holes, cripples, creatures without noses or ears, the wicked and unfortunate--filling the parks and squares as if they had conquered the city--there where the well-dressed children just played, while their parents or maids looked on and encouraged them in their frolics. I remember last summer when I--

CHRISTINE. Oh, Elis--Elis--look forward--look forward.

ELIS. Is it brighter there?

CHRISTINE. Let us hope so.

ELIS [Sits at writing table]. If it would only stop snowing out there, so we could go out for a walk!

CHRISTINE. Dearest Elis, yesterday you wanted night to come, so that we might be s.h.i.+elded from the hateful glances of the people. You said, "Darkness is so kind," and that it's like drawing the blanket over one's head.

ELIS. That only goes to prove that my misery is as great one way as the other. [Reading papers.] The worst part of the suit is all the questioning about father's way of living.--It says here that we gave big dinner parties.--One witness practically says that my father was a drunkard--no, that's too much. No. No, I won't--as tho'--I must go thro'

it, I suppose.--Aren't you cold?

CHRISTINE. No. But it isn't warm here. Isn't Lina home?

ELIS. She's gone to church.

CHRISTINE. Oh, yes, that's so. But mother will soon be home.

ELIS. I am always afraid to have her come home. She has had so many experiences of people's evil and malice.

CHRISTINE. There is a strain of unusual melancholy in your family, Elis.

ELIS. And that's why none but the melancholy have ever been our friends.

Light-hearted people have always avoided us--shrunk from us.

CHRISTINE. There is mother, going in the kitchen door.

ELIS. Don't be impatient with her, Christine.

CHRISTINE. Impatient! Ah, no, it's worse for her than any of us. But I can't quite understand her.

ELIS. She is always trying to hide our disgrace. That's why she seems so peculiar. Poor mother!

MRS. HEYST [Enters, dressed in black, psalm book in hand, and handkerchief]. Good evening, children.

ALL. Good evening, mother dear.

MRS. HEYST. Why are you all in black, as tho' you were in mourning?

[Pause.]

ELIS. Is it still snowing, mother?

MRS. HEYST. It's sleeting now. [Goes over to Eleonora.] Aren't you cold out here? [Eleonora shakes her head.] Well, my little one, you are reading and studying, I see. [To Benjamin.] And you too? Well, you won't overdo. [Eleonora takes her mother's hand and carries it to her lips.]

MRS. HEYST [Hiding her feelings]. So, my child--so--so--

ELIS. Have you been to vespers, mother?

MRS. HEYST. Yes, but they had some visiting pastor, and I didn't like him, he mumbled his words so.

ELIS. Did you meet any one you knew?

MRS. HEYST. Yes, more is the pity.

ELIS. Then I know whom--

MRS. HEYST. Yes, Lindkvist. And he came up to me and--

ELIS. Oh, how terrible, how terrible--

MRS. HEYST. He asked how things were going--and imagine my fright--he asked if he might come and see us this evening.

ELIS. On a holy day?

MRS. HEYST. I was speechless--and he, I am afraid, mistook my silence for consent. So he may be here any moment.

ELIS [Rises]. Here?

MRS. HEYST. He said he wished to leave a paper of some sort which was important.

ELIS. A warrant! He wants to take our furniture.

MRS. HEYST. But he looked so queer. I didn't quite understand him.

ELIS. Well, then--let him come--he has right and might on his side, and we must bow down to him.--We must receive him when he comes.

MRS. HEYST. If I could only escape seeing him!

ELIS. Yes, you must stay in the house.

MRS. HEYST. But the furniture he cannot take. How could we live if he took the things away? One cannot live in empty rooms.

ELIS. The foxes have holes, the birds nests there are many homeless ones who sleep under the sky.

MRS. HEYST. That's the way rogues should be made to live--not honest people.

ELIS [By the writing table]. I have been reading it all over again.