The Flight From The Enchanter Part 10

'Nineteen,' said Annette. She spoke tonelessly to indicate her disapproval of this forwardness.

'So!' said Jan, 'we are just right ages, no?'

Annette was not quite sure what this meant, but felt it to be impertinent.

Jan suddenly reached out and picked up the photograph of Nicholas which was lying on the bed. 'This your boyfriend?' he asked.

'No,' said Annette furiously, 'it is my brother! Give it back to me! I haven't got a boyfriend.'

Jan returned the photo. 'So pretty girl not have boy friend,' he said, 'that is bad. But brother, that is good. I too have brother. You love your brother?'

'Yes,' said Annette.

'I too, I love my brother,' said Jan. 'Is not always so in England. In Poland all love their brothers, in England is not.'

'I'm not English,' said Annette savagely. 'I have no country. You can wait downstairs for Rosa, if you like.' She was clutching the photograph of Nicholas to her breast. She felt suddenly that she was going to cry.

'I go in a minute,' said Jan. 'Don't be afraid, I do nothing.' He turned and looked about her room. 'Nice room you have,' he said. 'I want always so nice room. But so is difficult when man comes poor to other country, foreigner always poor.'

'Not always,' said Annette.

'In Poland I am rich man, big gentleman,' said Jan, 'but now is all stolen.'

'Too bad,' said Annette. She realized with a sort of relief that she could postpone her tears no longer. When Annette wept, it was like a summer storm, a prodigious downpour without warning. Large tears welled suddenly from her eyes and coursed conspicuously down her cheeks.

Jan was amazed. 'I not frighten you, I hope,' he said. 'But I do nothing!'

Annette just wailed. Jan approached and stared down at her curiously. 'Stop crying,' he said. 'Look, I make you laugh. I make Polish dance, see!'

He posed for a moment, and then began to hurl himself violently about the room, uttering Slavonic whoops, his legs and arms flying out in improbable directions. Annette stopped crying. The room shook with the impact as Jan, leaving the ground at regular intervals, rejoined it without misgivings. The furniture was beginning to leap about in sympathy. The chest of drawers started to hop decorously. Annette stared. The whole room was dancing. The precious stones jumped lightly to and fro upon their blue cloth and then one after the other they began to spring to the floor. Diamonds, sapphires, emeralds, amethysts and rubies, the spoil of many continents, pattered to the ground between Jan's dancing feet. 'Stop!' cried Annette.

Jan stopped abruptly in a Slavonic att.i.tude.' Oh, pick them up!' she cried, and pointed to where they still rolled about on the dark boards, reflecting various lights. Open-mouthed, Jan obeyed, and when he could see no more of them he heaped them into Annette's open hands. She examined them carefully to see that none was lost, and then poured them into the pocket of her pyjamas.

Jan was regarding her with a mixture of doubt and respect. 'They are just gla.s.s,' he said, 'or real jewels?'

'Real jewels,' said Annette.

'So they are worth much money?'

'Very much money.'

'So you are rich girl?' said Jan.

There was a noise downstairs and a sound of voices. Jan turned abruptly and opened the door of Annette's room. He went out and leaned over the banisters and called 'Rosa!' Annette heard from below an exclamation of surprise, and then Rosa's feet on the stairs. But Jan, instead of going down the stairs to meet Rosa, turned back into the room and waited for her.

'I am here!' he called.

Rosa hesitated at the door. 'May I come in?' she said, and came in. She looked at Jan and she looked at Annette, who was still sitting up in bed. Some emotion which Annette could not decipher showed for a moment on her face, which immediately afterwards became expressionless.

'I just meet Annette,' said Jan. 'Perhaps we have some coffee now. No work, no hurry, isn't it?'

Rosa said 'splendid!' and then said to Annette, 'Nina has just called. I met her at the door.' She left the room.

'You go and help Rosa make the coffee,' said Annette.

'I see Rosa plenty at factory,' said Jan. 'I see you never before, perhaps never again.'

Annette could not avoid his eyes, and found in them an expression of tender solemnity which was both absurd and touching. She smiled at him and they were silent. Rosa knocked and entered. She brought a tray with two cups upon it.

'You not take coffee with us?' asked Jan.

'No, I must look after my visitor,' said Rosa. She laid a book down on the dressing-table. 'You may need this too.'

As the door closed, Jan picked up the book. It was a Polish-English dictionary. He made a face. 'That mean she is angry,' he said, 'but I soon bring her back.' He sat down on the foot of Annette's bed.

Rosa went slowly down the stairs. She was feeling very shaken. It was the first time that one of the Lusiewicz brothers had dared to come uninvited to the house in Campden Hill Square. In the very early days, before Hunter's unaccountable spite against the brothers had developed, and before the arrival of Annette in the house, Rosa had brought them there once or twice. But since then, she had always met them elsewhere and had a.s.sumed it as an unwritten rule that they were never to visit her at Campden Hill Square. As she descended the stairs, she wondered why this seemed so imperative. She could not have the brothers visiting her at Campden Hill Square; and this was not just because of Hunter. She felt suddenly sick and afraid. Jan's unheralded appearance displayed a new boldness. It was a portent.

She found herself staring into the face of Nina, who had stood politely at the kitchen door while Rosa made the coffee, and who was now hovering about the hall, not sure whether she ought to go into the kitchen or into the drawing-room. Rosa tried to clear her brow. At that moment there was the postman's rat-tat on the door and a letter fell through the letter-box on to the mat. Nina, relieved that there was something that she could do, hastened to pick it up, and handed it to Rosa. As the letter changed hands, both the women noticed the superscription. It was addressed to Rosa in Mischa Fox's handwriting. They raised their eyes immediately to look at each other and then at once looked away. In that instant each surmised how much the other knew. Nina was white and Rosa blus.h.i.+ng furiously. Rosa led the way back into the kitchen, putting the letter into her pocket.

'I am so sorry,' said Rosa, 'to keep you waiting like this. I'm being appallingly rude. Didn't I give you any coffee? Do sit down.' Nina sat down, and Rosa put the milk back on the stove.

'What can I do for you?' she asked Nina. The question sounded cruel. Nina was fathoming her inability to reply to it when there was another bang on the door.

'Excuse me,' said Rosa, and left the room. She opened the front door. It was Miss Foy.

'Oh, Miss Rosa,' said Miss Foy, 'I'm so sorry! Is this an inconvenient time to come?' Miss Foy was carrying a large brown-paper parcel and was wearing a small velvet hat which rested like a bird on top of her frizzy hair.

'Come in!' said Rosa, 'the more the merrier!' She led Miss Foy into the kitchen. The letter from Mischa was burning into her thigh. 'Sit down,' said Rosa. Just then the milk began to boil over furiously, Nina sprang up and took it off, and began to look round in a futile way for a cloth.

'Don't bother,' said Rosa, and she mopped it up with her handkerchief. 'I'm afraid that's the last of the milk, and it's quite burnt now. Do you mind having it black?' Neither Nina nor Miss Foy minded. 'Oh, do you know each other?' said Rosa, and introduced them. She was listening hard all the time for any sound of Jan Lusiewicz descending the stairs.

'I know a Mrs Carrington-Morris who I believe is a customer of yours,' said Miss Foy politely.

'Ah,' said Nina, 'how nice.'

'I always think dressmaking is so creative,' said Miss Foy.

Rosa looked at them both and concealed her exasperation. She wanted desperately to open Mischa's letter, but she wanted to be able to do so in complete peace. How could she decently dislodge them? 'Are you just going out shopping?' she asked Miss Foy.

'Well, no,' said Miss Foy, 'the fact is I was bringing a letter for you.' She handed Rosa an envelope. 'It's from Mrs Wingfield. I also took the liberty,' said Miss Foy, 'of bringing you a plum cake.' She set the brown-paper parcel on the table and opened it. An enormous brown cake was revealed.

'How very kind of you!' said Rosa. She put Mrs Wingfield's letter in the other pocket.

'It's from an old recipe my mother left me,' said Miss Foy. 'The secret of it is a little dash of cider, real country cider of course, not that fizzy stuff in bottles. I was born in the West Country, you know, not far from Tiverton. When I was a child my mother used to make cakes and send me out with them as presents to the neighbours. And the neighbours would give us presents too, and not only at Christmas time. Such a nice custom. In the towns nowadays you don't find it at all. But I'm told that on the Continent people still do that kind of thing. Perhaps in - er - your country, Miss er - '

There was a piercing cry from upstairs. Nina and Miss Foy sat petrified, and they both turned to look at Rosa. Rosa was staring at the cake and appeared not to have heard. She took a sharp knife out of the drawer and laid it on the table.

'I think,' said Nina, 'that someone called.'

'No, it was just something next door,' said Rosa. She sat down and crossed her legs. Then the cry came again, more urgently than before. It was somebody calling 'Rosa!'

'Really,' said Miss Foy, 'I think I must be getting on. I'm so sorry to have bothered you. I hope you'll like the cake.' She picked up her handbag nervously and made for the door.

'Oh, must you go?' said Rosa. 'Thank you so much for calling.' As Miss Foy made off, Rosa went up the stairs two at a time.

She flung open the door of Annette's room. Annette and Jan were standing close together in the middle of the floor, both were dishevelled, and Annette was trying to draw her disordered dressing-gown closer about her. Rosa crossed the room in a stride, took Jan Lusiewicz by the wrist and thrust him away from Annette. As she did so, she struck him hard across the check with her other hand. For a moment the trio stood as if turned to stone. It would have been hard to know which of them was the most surprised.

Then Jan turned on his heel and left the room. He was as white as a sheet. His footsteps could be heard descending the stairs at a run. Without a glance at Annette, Rosa followed at a leisurely pace. As she reached the first landing she heard the front door close behind him with a bang.

Rosa went into the drawing-room and closed the door. She sat down. She felt an intense emotion in which pain and fear were mingled with exhilaration. Pain predomininated. She held her forehead like someone in a crisis of drunkenness. The first blow had been struck, hostilities had opened. Remorse struggled with relief and was resolved into fear. I am lost, thought Rosa, but without yet knowing what she meant by this.

With a gesture as if of self-protection she took the two letters from her pocket. She laid Mischa's letter on the table and opened the one from Mrs Wingfield. On a torn sheet of paper in a rakish hand Mrs Wingfield had written, Think I can help you perhaps. Call Monday. Not a word to anyone. C. W. Rosa put the note away and then began to tear open Mischa's envelope. Her hand shook so much that she almost dropped it. She drew out the enclosure. It was a printed formal invitation to a party on the following Thursday. At the bottom Mischa had written, Rosa, please come. It was the first time in years that Mischa had taken any initiative towards seeing her. She closed her eyes.

There was a timid knock on the door. Rosa opened her eyes and called out. Nina appeared diffidently. 'Good heavens!' said Rosa, 'I'm so sorry! I'm afraid I'd forgotten all about you. How dreadful of me. It's been rather a difficult morning. I'm very sorry.'

'Don't worry, Miss Keepe, please,' said Nina. 'I'll come back another time. It was nothing important. Please don't worry.'

Rosa saw her to the door, and then returned to the drawing-room. Should she go to Mischa's party? She fell into a chair like a poled ox. As she lay there, the door opened again. It was Annette. Rosa hardly saw her. In all the conflict of emotions aroused by the portentous appearance of Jan in the house it had not occurred to Rosa to feel any irritation with Annette. She had forgotten her as completely as she had forgotten Nina. Annette, who was dressed now, was looking terrified. But before she could utter a word, Hunter came in. He was eating something.

'h.e.l.lo there!' said Hunter, with his mouth full. 'What's that heavenly cake you've got in the kitchen?'

'A neighbour brought it,' said Rosa.

'It's got a most extraordinary and marvellous taste,' said Hunter.

'Yes,' said Rosa, 'it's cider, from Tiverton. Give Annette a piece.'

Then suddenly she began to laugh.

Twelve.

IT was the day before the shareholders' meeting and Hunter still did not know what he was going to do about the Artemis. He was in the extremity of indecision and very wounded by Rosa's refusal to help him. She had even been avoiding him for the last few days. He longed to know what she wanted, but was afraid to ask. Helpful friends told him, that Rosa had been heard to say that the Artemis was good for nothing but to be got rid of to the highest bidder. But Hunter did not imagine that his sister, who was not famous for saying what she really thought in public, was any more likely to have done so on this occasion. The responsibilities of his position became more tormenting as he began to realize their extent. There was no one who could help him, since there was no one to whom he could reveal the extraordinary conception of the situation which was gradually taking shape in his mind. He found himself unable to work, and spent the day sitting wretchedly in his office or else walking aimlessly round Kensington and Notting Hill; and each night he plunged into an uneasy sleep in which he would perpetually find himself required, by means which were either beyond his capacity or beyond his comprehension, to save his sister from some ill-defined catastrophe.

However, the very fact that he had decided nothing was by now beginning to amount to a decision. Hunter's desire to sell the Artemis had become very clear and very sharp. He had thoroughly rehea.r.s.ed the advantages of doing so, and he wished profoundly to be through with the whole business and be free to start, as he put it to himself, on something entirely new - though what that new thing would be was not, when he interrogated himself further, quite so plain. Hunter felt that it would be wise to sell the Artemis - but he also felt that it would be scandalous. This aspect of the matter had not, in spite of much reflection, come out so clearly. Some sort, he was not sure what sort, of betrayal of trust seemed to be involved in selling the periodical. What Hunter needed in order to get over this uneasy feeling was a word from Rosa - and this was just what was not forthcoming. If Rosa had told him that his scruples were foolish, he would have been perfectly happy to sell. On the other hand, if Rosa had said that the Artemis must be saved at all costs, Hunter would have been equally happy to attempt that.

This degree of complication would have been bad enough. It was when Hunter tried to speculate about the intentions of the would-be purchaser that his head really began to reel. After a good deal of conjecturing, in the course of which he astonished himself by his capacity to conjure up the grotesque and the fantastic, he began to conclude that he had better not sell. Hunter said to himself, without a lead from Rosa, I can't do it. I've said No, and I'll stick to it. But he added to himself, even more secretly: Of course if Mischa Fox approaches me in person, that will be another matter.

It was some indeterminate time in the afternoon, and Hunter, who had had no lunch, was sloping along Kensington High Street. He noticed that he was feeling rather odd, and could not decide whether this odd feeling was hunger or whether it was the sensation of being followed, a sensation which Hunter had suffered from intermittently ever since his fourteenth year, and which had of late been much aggravated by frequent visits to detective films, a form of entertainment to which he was greatly addicted. He kept looking round quickly to see if he was perhaps really being followed, but although almost everyone within sight was looking sinister, he could see n.o.body to accuse. He dodged into Barker's and bought himself a veal-and-ham pie with the intention of eating it in Kensington Gardens, since it was quite a warm day. He emerged from the shop and then turned round to inspect his reflection in the gla.s.s door. He took a comb furtively from his pocket and dashed it two or three times through his hair. As he was about to replace the comb he saw something which chilled him with horror and made him pause and gape at his image in the gla.s.s.

His features had changed. Another face, a familiar and dreaded one, had come to take the place of his own. He was looking straight into the eyes of Calvin Blick. After the first shock, Hunter realized that what had happened was that Blick was standing inside the shop, on the other side of the gla.s.s door, and looking out at him through it. Hunter turned away abruptly and dashed across the road, narrowly missing a bus and two taxis. With mingled shame and fear he put the comb away and began to walk quickly in the direction of Kensington Gardens on the north side of the street. So I was being followed! thought Hunter. I'll soon shake him off!

After he had walked about fifty yards he slackened his pace and cast a quick glance to the right. He could see, a little way behind him, on the south side of the street, a figure which he took to be Calvin Blick proceeding in a leisurely way in the same direction as himself. What can he want? Hunter wondered, and he slackened his pace a little more. By the time he reached the first gate of Kensington Gardens Calvin was almost level with him on the other side of the road, walking at an even pace and showing no sign of being aware of Hunter's existence. Hunter did not turn into the Gardens, but kept walking along the pavement keeping an eye on Calvin. By now Calvin was if anything a little ahead of him. Blast the fellow, thought Hunter, what is he up to? He was consumed with curiosity.

At that moment Calvin turned to the right into Palace Gate, leaving the main road altogether, and disappeared. Hunter felt first astonishment and then frenzy. He stopped dead. An instant later he was plunging back across the street. He had to wait half-way across while hooting and infuriated traffic missed him by inches - and, when he reached the corner of Palace Gate, Calvin, who must have accelerated rapidly once be was round the corner, was a long way ahead. Hunter began to run. He caught up with Calvin just as the latter was about to turn into Canning Place.

'Look here, Blick,' said Hunter breathlessly.

Calvin stopped, turning round with a surprised expression. 'Why, my dear Mr Keepe!' he said, 'what a shock you gave me.'

'Look here - ' said Hunter.

'You have all my attention!' said Calvin.

'You were following me,' said Hunter.

'I a.s.sure you,' said Calvin, 'you are mistaken, Mr Keepe. I was quite unaware until this moment that I had the privilege of sharing Kensington with you on this very bright and sunny afternoon.'

'Oh, stop it!' said Hunter. He was mad with embarra.s.sment and exasperation. 'You know you were following me. You want something. What is it?'

Calvin looked at him with delighted amus.e.m.e.nt. 'I am afraid you are suffering from delusions,' he said. 'If I were following you, why should you now be quite out of breath from running after me?'

Hunter was very red. He mumbled something inarticulate and then turned on his heel. Calvin let him go nearly ten yards and then called, 'Wait a minute!' Hunter stopped and looked round. He waited, and then as Calvin said nothing more and stood his ground, he came slowly back.

'What do you want?' said Hunter savagely.

'Don't be so angry with me, Mr Keepe,' said Calvin. 'It just occurs to me that since we have met, on this delightful afternoon, there is something that we might profitably discuss.'

'If it's the Artemis, the answer's No,' said Hunter.

'It's not exactly the Artemis' said Calvin. 'There's something else which I should like to suggest to you. I know you're very busy, but have you got a moment?'

Hunter hesitated. He did not want to oblige Calvin - but he was very curious, and he thought it just possible that the new move might be to suggest a meeting between himself and Mischa Fox.

'All right,' he said, 'but make it snappy. I've got an important engagement at five.' This was untrue.

'How kind of you!' said Calvin.' Would you mind walking along with me? I can't discuss business in the open air. In fact, I was just on the way to my studio. If you don't mind coming along, we could have a chat while I print a couple of photos.'

Calvin walked on briskly, and Hunter followed in silence. They walked the length of two streets and then turned into a rather dark mews, where it seemed to have been raining. Calvin produced a latch-key and opened a rickety door off which faded blue paint immediately fell in flakes. Inside the door was a dark hole of a corridor. Calvin went ahead and put on a light at the far end. Hunter stood undecidedly at the entrance. The electric light showed him a damp stone floor. 'Come in and close the door behind you,' said Calvin. His voice echoed.

Hunter came in and shut the door. The daylight disappeared. Calvin was standing under the lamp at the end of the corridor, his hair illuminated, but his face in shadow. Hunter came towards him. It was slimy underfoot.

'Some stairs here,' said Calvin. Hunter saw him vanis.h.i.+ng down a twist of stone stairs. He followed, and as he reached the bottom step, the light above him went off.

'Stay still,' said Calvin's voice, 'till I find the switch.' Another light went on, revealing another corridor. It was, Hunter noticed, extremely cold. He put up the collar of his coat.

'This way,' said Calvin, 'and keep close behind me. These cellars go on for miles, you know. You could easily get lost. And the electric lights go out automatically after a minute.'

Calvin turned a corner and opened a door. 'This is my little studio,' he said.

Hunter stumbled in. An amber-coloured light was burning in the far corner, its face turned to the wall. There was a smell of science. Hunter stood still, taking in nothing, concentrated upon the task of showing no signs that he was feeling frightened.

'What a strange place I' he said. He began to look about him. The room, which was dimly lit only by the amber lamp, had walls of rough brick which had been whitewashed but were now gilded by the light. It was meticulously clean and neat. In the centre stood two tables. On the nearer one were piled a number of thick books, and on the farther one stood a tall black machine. Against the wall was what appeared to be an electric hot-plate, on which were ranged a number of dishes of liquid. Above this, attached to the wall, was a large clock, its face marked out in seconds. At the far end of the room, under the shelf where the lamp was standing, and set deep into the floor like a natural pool, was a large zinc bath. The place had something of the air of what Hunter imagined an operating-theatre to look like. An electric fire, which was fixed high upon the wall and which had been burning when they entered, made the room warm. But Hunter found that he was still s.h.i.+vering.