Coin-Operated Machines Part 1

COIN-OPERATED MACHINES.

by Alan Spencer.

CEMETERY MELTDOWN.

Piedmont Cemetery was located on the outskirts of Blue Hills, Virginia. The area was picturesque, though sadly the calming backdrop view of the Appalachian Valley did nothing for Andrea Stone's current mental state. What could distract her from the reality of her husband being two months dead? Visiting Mickey's grave had been a weekly tradition since his burial. The visits gave Andrea enough solace and stability to keep on working as a dental a.s.sistant and raising their eight year old daughter alone. The single mother somehow remained strong. Despite her wherewithal, Andrea wasn't prepared to hear Mickey's voice again.

"Leave the cemetery/leave before it happens/run for your life/it isn't too late/you won't survive if you don't escape/Andrea, you must run!"

Andrea couldn't dismiss the words, nor could she react to them. The warnings made no sense. She was alone in a cemetery. What did she have to run from? Who was here that could possibly harm her?

The wind carried nothing for a short period of time, as if the words didn't happen at all. The occurrence was so random and unexplainable. What was Mickey really trying to tell her, or was she hearing things? Was independent, strong-willed Andrea finally losing herself to her grief?

The feeling of unease didn't leave her body. Her deep down instincts told her to be afraid and for good reason. Seconds later, the ground rumbled. The turf over the graves, including Mickey's, detonated. Gra.s.s clods and dirt sprayed the air. Pockets of gas erupted from the holes, hundreds of high-pressure poots of air shredding the earth. So powerful the plumes of air, headstones shattered. Slab shrapnel rained down. Andrea had to duck and cover after taking a small sliver of marble to the head. Blood oozed down her scalp. The pain forced her into survival mode. The broken up ground revealed dozens of exposed caskets six feet down.

Mickey was speaking on the air again. "It's too late/it's much too late, my love/you should've ran away when you had the chance."

She was dizzy from the blow to the head. Andrea couldn't trust what she was hearing anymore. No time to react, a whoosh of air beneath her feet knocked her helplessly onto the ground. The rocking earth threatened to tip her over into one of the exposed coffins.

The dirt explosions doubled. Every grave was under attack. Andrea couldn't see through the veil of exploding dirt and raining headstone chunks. Then the deathly smell arrived in force. The thick yellowish fog enshrouding the cemetery contained hints of rotting flesh, wafts of infection, and pungent gangrene tangs. She choked on the offal odors. All around her the yellow air grew hotter.

Voices not her husband's beckoned from everywhere: "The dead are back/the dead are here/the dead have returned/the dead are alive/celebrate their resurrection/you die we live/you die we live/you die we live/the fun is only beginning/play our games, won't you?"

Hundreds of thousands of haunting voices boomed loud enough to rip the limbs off of trees and break both of her ear drums. Deafened, she lost her equilibrium, and subsequently, her footing. Stepping wrong and twisting her ankle, Andrea tipped over and tumbled headfirst into her husband's open grave. The casket, nor his corpse, would break her fall. Boiling black oil burbled up from the grave's hole. The boiling black oil was thicker than tar. Andrea dissolved the instant she touched the wicked brew.

Andrea's deranged voice soon joined the throngs of the dead.

The oils spitting up from the casket holes spilled all across the cemetery acres. The molten tide burned up the gra.s.s and caught fire to the trees. Moving forward, it filled up the cemetery house. So hot the flow, the gla.s.s in the windows melted. The very foundation crumbled upon itself until the entire structure vanished. With nothing left to burn, the black oil seeped back into the earth. It moved underground in a forward direction, slowly working its way deeper into the town of Blue Hills.

AMERICA'S GOT FLAIR.

Nine Days after Piedmont Cemetery Melted Brock Richards, the seasoned talent scout, asked his next tryout to begin their act. After Mr. Stewart lit the torch in his hand, the flaming ball produced a reek of gasoline. He raised the torch, posing to dip it into his mouth. Before he did, the hick finally explained his talent.

"I'm a fire eater, you see."

Before the flame enters his mouth, a leak out of the metal head starts a liquid-fire spill. Before Mr. Stewart's rented tux is set aflame, Brock raced over to the wall, ripped the fire extinguisher from its post, and doused the tryout in foam. After the commotion subsides, and everybody's deemed unharmed, Mr. Stewart leaves the room in shame.

Brock writes on his Steno notebook as the man's leaving: Never leave home-or host an open try-out-without a fire extinguisher handy.

Next, Anna Belle Young stands before Brock and his co-judge sheepishly, her arms tucked behind her back. She's twelve years old, and her mother has dressed her in a pink dress and pig tails, though the pigtails are crooked, and it looks as if she'd just taken a shower, her hair damp. Brock looks on at the child with sympathy-and sympathy gains a ticket to the finals if the contestant can pull off something half-interesting and competent-and waits for her to showcase her talent.

"Ms. Young, what do you have for us today, sweetie?" Brock's question elicits a knowing smile from the girl's lips. She replies in a sing-song voice, "My name is Anna Belle Young, and I'm nine years old. I go to school at Mill Creek Elementary. My talent, you can hear it, and you sure can smell it. Here goes!"

Moments pa.s.s, and Brock catches a whiff. "Whoa, okay now! That's all we need. Thank you very much for coming in, Ms. Young. The door is right behind you."

The hasty chicken scratch on Brock's notebook reads: I never believed farting between every word when you talk was a talent. What on Earth does that mother feed her child?

Mr. Roy Hanover is up next. Brock watches him strut into Ralston, Kansas's, Community Center Banquet Hall Conference Room with hair s.h.i.+ning of fresh pomade and adorned in his best suit with an oversized red bow tie. The man opens his black carry case to introduce Reggie, the jive-talking short order cook.

Brock writes in resignation: Didn't Mr. Hanover read the sign? No ventriloquist acts.

The next act came and went in under thirty seconds. Brock raises and lowers his jaw to check if his hearing has been damaged. His hand aches, but he keeps writing in his trusty notebook anyway. No, Debra Franklin, you don't sound like the love child of Cindy Lauper.

After the next act, Tommy Wiseman, the unit producer, is on his hands and knees wiping up spots of blood from the tiles. He scowls at Brock, then bursts out laughing, "'d.a.m.n yokels'-that's what our show should be called from now on."

Brock's final verdict on the d.a.m.n Yokels act: As fun as it is watching you punch your friend in the mouth, and as hilarious and amusing it is to watch you bust out his false teeth tooth-by-tooth, I'm afraid it's not suitable for a show designed for family viewing.

Another contestant later, Brock wets his tongue with the tip of his pen before writing: No, Mr. Brundage, peeing for two minutes straight into a Gatorade cooler isn't a talent, it's called having an infection.

Brock completed writing his notes, cringing on the inside after enduring the six hours of open tryouts for the nationally televised show called "America's Got Flair."

His fellow judge, Ryan Wilson, patted Brock's back in consolation. "Well, America Sucks b.a.l.l.s, and the biggest c.o.c.k sucker is...?"

"The guy who could pee like a champion. And did you see him carry that cooler out with him? What the h.e.l.l does he do with the p.i.s.s? Does he save it for later?"

"Start a lemonade stand. Freshly squeezed."

"I bet the sign would be spelled with a backwards 'L'. Man, we get some serious weirdoes when we visit the f.u.c.king Midwest."

Brock gathered up his notes and shoved them into his brown leather briefcase. He rubbed the fatigue from his eyes, stood up and stretched, and then checked his watch. It was nine at night. They'd concluded their Midwest tour and their search for new talent this season. Two months from now, the contestants chosen for the finals would be flown out to Las Vegas for recorded try outs, and then the compet.i.tion would be televised and drawn out for network ratings and commercial time. In the background, the unit producer and a few interns from CBS packed up the show, and with few words, the traveling operation was dismantled.

Brock and Ryan exited the community center with two local security officers at their sides. They were each dead ringers for Don Knotts. Their hands were comically arched over their guns ready to shoot themselves in the foot. One of the officers tried to enquire if his farting daughter had made it into finals.

Brock had to lie. "They're all under serious consideration. Everybody's got a fair shot."

Once they made it safely to their vehicle, the two cops said goodnight. Brock drove their Winnebago straight out of Ralston, Kansas, and twenty-five miles later, they hit the nearest watering hole off exit 90A. The place was called The Cactus Gulp. The bar had a country western feel, though in actuality, it was a ramshackle p.i.s.s stop with the occasional dying cactus on display and a jukebox that exclusively played down-and-out country music.

Brock said to Ryan as they searched for a place to sit, "I'd say this was the armpit of the universe, but I think it's more accurately the sweaty area between your leg and crotch part of the universe."

"Je-sus," Ryan whistled, turning his eyes over the downtrodden folks in the bar who eyed them back sternly. "Maybe this is the wrong place for a drink."

"Nah. Give it a shot. If things go bad, we book it out of here."

They sat down at the bar. The bar maid was friendly. She wore boots with spurs, a red plaid t-s.h.i.+rt, and tight blue jeans. Her dirty blonde hair was styled in a pony tail with a blue ribbon holding it all together. "How you folks doin'? After a day of round up, you two sure look plenty bushy-eyed. Well, I'll rope ya back in. What can I get to parch those dry throat of yers?"

"I have something that'll parch your throat, honey," an old man belted out from four seats down. He gripped his oversized belt buckle with one hand and tipped back a brown bottle into his mouth with the other. "Shucks, I'd do it for ya anytime, sweetie honey. Just come over her and get on all fours. Howdy howdy!"

"Go stick it in a cow's a.s.s, Bill." Then flipping him off, she added, "Ah shucks."

She turned back to her new customers, her scowl going soft. Brock could spot a fake hick/country impersonation, and this woman crafted it well. "You're not really a cowpoke gal, are you?"

"No, but my boss insists I act the part. I think it's some kinky fantasy he's got in his head. I'm between semesters at Kansas University. I'm just making ends meet. My parents live a few miles from this place. I save money on rent by living at home." With that personal nugget disclosed, she asked, "What ya have tonight, pardners?"

Ryan scanned the rows of hard liquor, noting the choices were lacking in anything better than middle to bottom shelf. Ryan asked if she had any imported beer.

"Nothing descent except our local brew, Cactus Juice Ale."

"He'll have a Cactus Juice Ale," Brock said. "This guy loves local brews."

Ryan huffed at Brock. "Okay, I'm a good sport. I'll try it, but this guy wants a soda, minus the hair of the dog."

The woman turned her head to the side. "So a soda, right?"

Brock smiled. "Yes, just a soda. I don't drink."

"Then what are you doin' here?"

"I like the," Brock paused, watching a young man put two quarters into the mechanical bull in the corner, but before finis.h.i.+ng the transaction, he stumbled onto the floor and lost his change, "ambiance of the place."

"One beer and a soda. No problem."

The woman shuffled to the bar to fulfill their orders.

Brock appreciated Ryan supporting his sobriety. He was two years sober, what was also the length of his tenure as a judge on "America's Got Flair." Alcohol wasn't his only vice. Cocaine was his other demon.

Ryan forced Brock from his thoughts. "You okay? I'm worried about you. I know what that face means."

Brock thanked the bar maid for his soda. She went right back to work.

"What face?"

"The drowning fish look."

Brock did his best not to think too deeply on the comment. The trick to keeping his nose clean and his liver functioning was staying busy. This job kept him occupied year round, except for the upcoming two months, and those were the hardest to stay sober and out of trouble. Ryan would return to his wife and kids, a life, and all Brock had was debt and a lonely apartment that reeked of starting over. And that was starting over for a man who was fifty-two years old.

Brock restrained the tears. "I'm worried, is all. I've got two months to myself. Idle hands, you know?"

Ryan sipped his Cactus Juice Ale. His face scrunched up like a dead California raisin. "This beer tastes like camel c.u.n.t. Sorry, as you were saying?"

"I'm scared that I'm going to start drinking again, or worse."

"I know you're scared. It's something you never get over." Ryan's face became one of understanding, and in the dim lighting, he suddenly looked much older than his thirty-nine years. "I remember your father. I worked with Gene for almost three years before he pa.s.sed away. I was only a behind-the-scenes guy at the time. Your father was the face, the host, the personality of TV in the seventies and eighties. He was the man. Gene was on five game shows, two different late-night talk shows, and he hosted The Academy Awards like three times. That man was on-top of the world. You couldn't best him."

"Yeah," Brock sighed. "He was on top of everything, and then he just dies of a stroke two weeks after his seventieth birthday. He was a good man, but he had vices. I learned it all from him."

"You're doing better than your father, no offense, Brock. You're taking care of yourself. You're learning from your mistakes. You're not like your father at all."

"I wish I never inherited any of that money or that d.a.m.n mansion off Sunset Boulevard." A scowl burned Brock's face. "Angel and I split my dad's money between us. We lived the high life for almost nine years in that G.o.dd.a.m.n mansion. My sister and I forgot everything. We just partied. I hardly remember a G.o.dd.a.m.n thing that happened when we lived there. The accountants handled the bills, and we just snorted and drank our way into debt. Pretty much ten years gone like that.

"Gene would be ashamed of me, ruining his good name like I did. And Angel, I haven't been in touch with her since our finances collapsed. My sister's out of my life completely. I'd have to hire a private investigator to find her. What kind of a brother am I? I supported her habit. I'm her big-brother, and I let it happen. I might struggle with kicking the habit, but Angel, G.o.d be with her, I don't know how strong she is. And now I'm going to be alone for two months with all this s.h.i.+t to think about. I've got you and this bar tonight, sure, and when we pack it up tomorrow morning after we check out of our hotel, that's it. It's me, myself, and I, and I'm so tempted to go back to that old life because that's all there is. But I can't. I'll die if I do. I just know it. I'll go out like my dad did.

"Listen, before you say anything else, Ryan, I know I'm only famous because of Gene. I'm a joke. I'm washed up. This talent show gig is a paying job, and it's distracted me from my problems, but I'm still a joke. The son of Gene Richards. There are eighteen books and four movies based on the man's life and three women claiming to have his love-child, and now, I'm feeding off of that. I'm a bottom feeder. A washed up future reality star loser. The people out there relish failures and f.u.c.k-ups like me. Hey world, you thought Gene Richards was messed up, well, watch his equally f.u.c.ked-up son host a talent show, and oh, he's trying to clean up. That's cute and everything, but we're really watching him to see how long it will take for his train to derail, and when it does, the pubic will eat it the f.u.c.k up."

Ryan decided the Cactus Juice Ale wasn't so bad after all and drank up. "Forget all of that nonsense. Who gives a s.h.i.+t if people think you're a joke? Does anybody take any of these jokers on TV seriously? Once our moment in time is up, we're somebody's punch line, somebody's TV movie, and like you said, you're only useful as long as you're entertaining. But you have a life, Brock. You might have to look between the cracks and see what's fallen in there and see what you still want that's down there, but you'll find something good, I promise you. But only if you keep looking."

Brock sighed. "I have to keep busy. Keep my mind off my mind."

"You've got the right att.i.tude. Stay busy. Grab a woman by the t.i.tties, look up an old friend, or hey, refurnish your apartment, or better yet, knowing your sense-of-humor, why not start a page on that website about all those ex-famous people called "Washed Up and Loving It?" Really turn the tables on those tabloid a.s.sholes."

Brock started to enjoy the taste of his soda again. Perhaps he'd been looking at his time alone the wrong way. "Maybe I'll bust out the biggest jigsaw puzzle in history. It'll have to be a thousand piece job. Maybe a puzzle with a kitty cat on it. There's that impossible one with a hundred Dalmatian dogs on it. It's really hard to finish."

Ryan held up his bottle in cheers, and Brock clanked his gla.s.s against his friend's. "To making good use of your time."

Brock celebrated the toast, though he still held his reservations about what the next two months could hold for him.

COMING HOME.

After catching a flight from Illinois to San Diego, Brock realized he did have something to go home to, and her name was Hannah Riley-or Sheryl Flynn, that being her acting name. Hannah waited at the San Diego Airport terminal for his arrival. Seeing her, Brock was so grateful for the pleasant surprise. He caught Hannah mark her place in a romance novel and met up with him. The woman was beautiful despite her wear-and who was he kidding, his face was as worn as the tires of an old dirt bicycle rode hard-with her one hundred and twenty pound physique sculpted by aerobics and dieting. Hannah had platinum blonde hair, natural aqua blue eyes, and that winning smile; the very reason she became an actress in the first place. Those lips could boast s.e.xually prowess, heartfelt emotion, and conniving b.i.t.c.h. The problem, after ten years of riding the white pony, Hannah lost that inner actress and never reclaimed it, though according to her agent, it was simply her time to move on from the business because the business had moved on from her.

Hannah wasn't his girlfriend, but instead an old friend who exchanged romantic niceties from time to time. She didn't want marriage, because she'd done the marriage dance three times, and she had finally said enough. They had a special bond together. She had partic.i.p.ated in what Brock called the legacy of Gene Richards. She had partied down at his father's mansion alongside Brock and his sister until they had successful dismantled each of their own successes. Hannah called herself a rehab queen. They were each other's liaisons into sobriety. Best friends.

Brock dragged along his airport bag on wheels. Reaching her, Brock hugged Hannah close. "What a surprise. I didn't expect you to be here. Seriously." It would've been a long trip in a public bus, since he didn't own a car, to lower Beverly Hills. "How did you know I was going to be here?"

"I called Ryan, and he dished the details." She worked a strand of blonde hair from her the edge of her mouth with a finger. "And here I am. I have really good news. But first, let's get out of this place. I hate terminals."

They walked to the parking garage three levels down and reached the Honda Civic parked in the orange level. After storing his bag in the trunk, Brock plopped down on the pa.s.senger seat, and Hannah took the wheel. After driving out of the airport, then getting onto the interstate, they had a decent drive ahead of them. During that time, Hannah shared an exciting piece of good news.

After hearing it, Brock asked, "So what's the movie you're going to be in called?"

Hannah tried not to laugh. "It's called Dust Devils. It's about these insects in the Sahara Desert who grow to the size of dogs, but they're like mites, but with teeth, and they can fly, and they can eat a person in two seconds. It's a straight to cable release, but hey, it's work. I'm playing a bug specialist and an adventurer. They say I get to wear my boots and spurs like back in my old western movie days, and unlike those macho westerns films, I get to wear the guns this time. Two six-shooters. I'm the man this time. I'm shooting my phallic pistols at the monsters and slaying the evil."

Brock was genuinely happy for her. "How did you get the job, you star you?"

"A new agent contacted me, and he said there's a market for aged actors and actresses to be in b-movies. It's mostly science fiction and horror flicks, but they pay-they pay, Brock! I need this. I could be doing tampon commercials, and I'd still be ecstatic, though I about s.h.i.+t myself when I learned I get to wear spurs again. I loved being in westerns. There's something so romantic about it. Horses and leather and hot grizzled men get me hot."

Brock suffered a pang of concern. If this movie landed her other gigs, would she drop off of his radar now that she wasn't completely washed up anymore like him? You selfish p.r.i.c.k, be happy for her.

He sweetened his words to cover up his thoughts. "So when do you start working?"

"I fly out to New Mexico in two weeks. That leaves me time to get into character."

The next two months would be h.e.l.l to survive, he remembered. Brock needed a plan and fast. He did his best to keep it from showing on his face, but he'd never been an actor or TV personality like his father. He was a son riding his father's success, those coattails extended for decades. He judged people of their talent without having a talent of his own.