Tessa Leoni: Crash And Burn Part 35

Wyatt shot a glance at Tessa. She'd tried to warn him there had to be a reason Nicky had buried her past. This sounded good enough to him.

"Chelsea-"

"Nicky."

"Nicky. Did Vero die that night?"

"There is only one way out of the dollhouse."

"Are you sure?" he asked carefully, aware of Marlene Bilek's sharp intake of breath.

Nicky didn't answer. The anguished look on her face was proof enough.

"Then how did her fingerprints wind up in your car?"

"She didn't die!" Marlene picked up immediately, leaning forward in her chair. "She was with you! You've seen my daughter. You know where she is."

Wyatt turned to Nicky. She was frowning, scrubbing at her forehead again. "Shhh," she whispered. "Just . . . shhh . . ."

"Are you all right?" he asked her cautiously.

"She's laughing at me. I hate it when she's in this mood. I wish she would put on clothes. Or at least skin."

Wyatt and Tessa exchanged another glance.

"Nicky," he commanded briskly. "Wednesday night. You're in your car. You're driving to the New Hamps.h.i.+re state liquor store. You came to see Marlene Bilek, Vero's long-lost mother. Who is with you?"

Nicky opened her eyes. She appeared miserable, but not misleading. "Vero's with me. She's always with me. But not like you think."

"You're looking for her."

"Always."

"You want to keep her safe. You failed her once, and now you're stuck trying to get it right."

"Yes!"

"Nicky," Wyatt took her hand, held it between his own. Her fingers were ice-cold, in sharp contrast to the beads of sweat forming on her brow. They didn't have much time left, he realized. Regardless of his concerns about the rest of the case, Nicky's concussions were real enough, and the stress of the situation was taking its toll. Any minute now, she'd be hammer-smacked by a migraine, and that would be that.

"Once and for all, did Veronica Sellers, did your friend, your roommate, make it out of the dollhouse?"

"Vero learned to fly."

"The drugs, she OD'd on the drugs."

Nicky stared at him. Stared at him, stared at him, stared at him. And for the first time, Wyatt got it. It wasn't that she couldn't admit these things to the police. It was that she couldn't admit them to herself. Chelsea, who'd been unloved before the dollhouse, but who'd found a sister while living in it.

"Yes," she whispered. Then she closed her eyes, which suited them both, because he wasn't sure even he could handle the pain he saw there.

"Nicky, I have to ask you another question."

She swallowed heavily.

"The fingerprints, the ones we recovered from your car . . . How did they get there?"

"She had to be with you," Marlene spoke up urgently. "My daughter. You're lying about her death. She was with you that night in your car."

Nicky shook her head. "No, it's not like that."

"It's not," Wyatt agreed. "We had a search dog on the scene. And according to Annie, there was only one occupant of the vehicle, the driver who hiked up to the road."

"But then how do you explain the fingerprints?" Tessa pressed. Her brow was furrowed. It made him feel better to know this was as perplexing to her as it was to him. "You can't fake fingerprints. No two sets are alike. Not even with identical twins."

"True." Wyatt's gaze fell to Nicky's hands. They had recovered prints from Nicky's car, but until this afternoon they'd never printed Nicky herself. They'd questioned her, visited her home, taken her on a road trip, but printed her . . . No, it had never come to that.

Meaning at the end of the day, they had recovered Veronica Sellers's fingerprints from Nicky Frank's car. But that didn't mean they were Nicky Frank's prints.

Of all the stupid, idiotic, rookie mistakes. He'd have to call Kevin immediately and have him perform a comparison of Nicky's prints from this afternoon and Veronica Sellers's childhood prints from thirty years ago.

"Nicky," he said now, "those prints were left in blood. I saw them for myself. They weren't old prints. They were made that night. Left in blood, your blood, on the car seats and dash of your vehicle."

"Vero wants to fly," she whispered. "And the car flew, so weightless. I can feel her smile. I can feel her laugh with me."

"What happened?"

"Nothing stays weightless forever."

"What happened?"

"It's not the flying; it's the landing that's the hard part."

"Nicky!" he commanded firmly. "Look at me. Consider the photo. That's not a picture of Vero. Do you understand me? That's a picture of you! You. Meaning however Thomas got that picture . . . This isn't about Vero. It's always been about you."

"You're wrong." Nicky looked up abruptly, stared Marlene straight in the eye. "It is about Vero. She never should've been in the dollhouse. She never should've died there. Twenty-two years later, she still wants her revenge. And we will all pay in the end."

WYATT ESCORTED MARLENE Bilek back into the adjoining room. Having made her grand announcement, Nicky had collapsed on the nearest bed. For her part, Marlene seemed to have gotten over the worst of her anger and now seemed sh.e.l.l-shocked instead.

Wyatt made Marlene review the details of Vero's description once again, but she had nothing new to offer. Her Vero had had gray eyes. Nicky Frank's were blue. And her Vero had a scar on her left forearm. Yes, the coffee table accident had happened exactly the way Nicky described it, and no, she wasn't proud of it, but the fact that Nicky knew the details didn't change anything in Marlene's mind. Nicky Frank might know all the stories from Veronica Sellers's life, but she still wasn't Marlene's long-lost daughter.

As for the fingerprints retrieved from the woman's vehicle . . . They just didn't make any sense. If Vero was still alive, why hadn't she contacted her family? For that matter, why had Nicky gone to the trouble to track down Marlene through Northledge Investigations? It wasn't like Marlene had come into a large inheritance since her daughter's disappearance. She and her family were strictly working cla.s.s, meaning there was no financial gain to posing as Marlene's missing child.

"She's sick," Marlene said at last, seeming to have finally talked herself into some semblance of empathy. "And I don't just mean the way she keeps rubbing her forehead. Nicky, that woman . . . she's a little crazy, isn't she?"

Wyatt hesitated, unsure how to answer that question. "I think she's honestly confused."

"She thought she was Vero," Marlene said. "I mean, buying the quilt, tracking me down. It's like she really thought she was my daughter."

"She seems to feel a strong connection to Vero," Wyatt said at last, which was the most he could understand the subject.

"Why?"

He found himself hesitating again. "Mrs. Bilek . . . For everything that comes out of Nicky's disjointed mind . . . I don't think she's delusional. In fact, I suspect many of her recollections are genuine memories. If that's the case . . ."

Marlene grew quiet. "You think she's telling the truth about this dollhouse. Those stories she told me in the beginning. They really did happen. To Vero. And to her."

"I think we owe it to Nicky and Vero to find out."

She looked up at him. "My daughter died there. This Chelsea girl, she found the strength to get off the drugs. Whereas my Vero . . ." Her voice broke; she swallowed heavily. "That's why Chelsea can't let her go. She used my daughter's death for her own escape, and she's been feeling guilty ever since."

"I don't think we should rush to any more a.s.sumptions."

Wyatt retrieved the sketches Tessa had provided earlier. "Do you recognize this house?" He showed Marlene Bilek the picture of the dollhouse. The woman's face shuttered. She eyed the drawing stonily.

"That's the place?" She flashed him a look. "It's big. It's . . . grand. You'd think the people lucky enough to live in a house that nice were good people. You'd think the kids there, the little girls, were happy."

Wyatt continued to hold the drawing. After another moment, she shook her head.

He moved on to the sketch of Madame Sade. Much like his initial reaction, Marlene flinched. Then she did the unexpected. She reached out and jabbed the image.

"This is the woman who killed my girl?"

Wyatt didn't say anything.

"Whatever happened, it was her fault. You heard Nicky, Chelsea, talking. This woman took Vero from the park. This woman locked her up, never let her go. This woman killed my child."

"You recognize her from the park?"

"No."

"Ever see her before? In your building, around your neighborhood?" Because Wyatt didn't believe a woman like Madame Sade abducted girls at random. Especially given the physical similarities between Vero and Chelsea, it was clear she was looking for a specific type. Perhaps even filling a client's request, which would take scouting on her part.

But Marlene shook her head. "No."

"You're sure?"

She regarded him sharply. "You think you could forget a woman this cold? Just looking at her picture churns my stomach."

Wyatt had another thought. "Notice any boys in the park that day?" He did his best to describe a younger version of Thomas Frank, who had to fit into this puzzle somehow. But once again Marlene shook her head.

"It's been a long time, Sergeant. And Nicky wasn't lying. I was drunk that day. I shouldn't have taken my girl to the park. I shouldn't have sat on that bench. That's on me. And I paid for it, paid as dear as any mother can."

He tried a different tack. "Who knew about Vero's scar?"

"Anyone who read the missing persons report, of course."

"By that, you mean the official police report? Because it's not on any of the flyers. Those just have her picture and the basics, height, weight, age."

"True."

"Friends and family?" he asked her.

She grimaced shamefully. "Didn't really have those. It was just me, Vero, and Ronnie."

"So Ronnie knew. Police ever question him about Vero's disappearance?"

"Sure. But that was a long time ago, and he had an alibi-he was at work when she disappeared."

"Okay." But Wyatt was thinking again. In terms of general age and description, Nicky Frank really would make the perfect long-lost Veronica Sellers. If not for that scar, as Marlene said.

Which made him very curious. Because not many people would have the information on that particular detail. Certainly, police reports weren't available to the general public. Meaning, if you wanted Nicky Frank to be Veronica Sellers . . . Even went so far, say, as to plant a missing girl's fingerprints in Nicky's car in order to try to get away with something . . .

Except how? And why?

Thomas had met Nicky that night. His half-drunk, thrice-concussed, extremely distraught wife. He'd handed her gloves. He'd put her car into neutral and shoved it down a hill toward a ravine. Had he somehow planted the prints? Because he wanted her to live as Veronica Sellers? Or die as a long-lost child? But why?

A collapsible shovel, a pair of b.l.o.o.d.y gloves. What the h.e.l.l had the man been up to that night? And when would any of this case make sense?

Wyatt thanked Marlene for her time. Got the woman's a.s.surances she wouldn't be talking to the press, then arranged for a deputy to drive her home.

Moment she left, Tessa appeared in the adjoining doorway. This room was a twin to its neighbor; she took a seat on the bed directly across from him.

"Well," she said at last. "That didn't go as planned."

"Let me ask you something: Can you fake a fingerprint?"

"Don't I wish." Her tone was dry. He shot her a glance, but she merely smiled at him. "In theory, I guess it could be done. Lift it from one surface, maybe with tape, then try to transfer it to another. But . . . a latent print is nothing more than a microscopic film of skin ridges and natural oils. Transferring it back onto a second surface and managing to recapture the entire print . . . feels like something that might work better on a TV show than in real life."

"You know what struck me about the vehicle?" he asked her now.

Tessa shook her head.

"How lucky we were to have such obvious prints. Think about it-most cars, you can't even print. Surfaces are irregular, have been handled so often, all you get is a smeary mess. But Nicole Frank's car. With my plain eyes, I could make out a thumb print left behind in blood. Lucky us."

Tessa stared at him. "You're thinking it was planted."

"Annie the search canine swears there was only one person present at the crash site, and I don't argue with a good dog's nose."

"But why?"

"I have no idea."

"How would you get such a print?" Tessa continued. "Three decades later, who even has access to her case file?"

"Don't need her case file for her fingerprints," Wyatt said. "The Center for Missing and Exploited Children digitized all the records years ago for national distribution. To a.s.sist with matches."

"So we don't know why or how, but under the who column, you're thinking someone with access to the national database."