Lyrical Ballads with Other Poems, 1800 Volume I Part 8

If I these thoughts may not prevent, If such be of my creed the plan, Have I not reason to lament What man has made of man?

_The NIGHTINGALE.

Written in April, 1798._

No cloud, no relique of the sunken day Distinguishes the West, no long thin slip Of sullen Light, no obscure trembling hues.

Come, we will rest on this old mossy Bridge!

You see the glimmer of the stream beneath, But hear no murmuring: it flows silently O'er its soft bed of verdure. All is still, A balmy night! and tho' the stars be dim, Yet let us think upon the vernal showers That gladden the green earth, and we shall find A pleasure in the dimness of the stars.

And hark! the Nightingale begins its song "Most musical, most melancholy" [4] Bird!

A melancholy Bird? O idle thought!

In nature there is nothing melancholy.

--But some night wandering Man, whose heart was pierc'd With the remembrance of a grievous wrong, Or slow distemper or neglected love, (And so, poor Wretch! fill'd all things with himself And made all gentle sounds tell back the tale Of his own sorrows) he and such as he First named these notes a melancholy strain: And many a poet echoes the conceit; Poet, who hath been building up the rhyme

[Footnote 4: "_Most musical, most melancholy_." This pa.s.sage in Milton possesses an excellence far superior to that of mere description: it is spoken in the character of the melancholy Man, and has therefore a _dramatic_ propriety. The Author makes this remark, to rescue himself from the charge of having alluded with levity to a line in Milton: a charge than which none could be more painful to him, except perhaps that of having ridiculed his Bible.]

When he had better far have stretch'd his limbs Beside a 'brook in mossy forest-dell By sun or moonlight, to the influxes Of shapes and sounds and s.h.i.+fting elements Surrendering his whole spirit, of his song And of his fame forgetful! so his fame Should share in nature's immortality, A venerable thing! and so his song Should make all nature lovelier, and itself Be lov'd, like nature!--But 'twill not be so; And youths and maidens most poetical Who lose the deep'ning twilights of the spring In ball-rooms and hot theatres, they still Full of meek sympathy must heave their sighs O'er Philomela's pity-pleading strains.

My Friend, and my Friend's Sister! we have learnt A different lore: we may not thus profane Nature's sweet voices always full of love And joyance! Tis the merry Nightingale

That crowds, and hurries, and precipitates With fast thick warble his delicious notes, As he were fearful, that an April night Would be too short for him to utter forth Hi? love-chant, and disburthen his full soul Of all its music! And I know a grove Of large extent, hard by a castle huge Which the great lord inhabits not: and so This grove is wild with tangling underwood, And the trim walks are broken up, and gra.s.s, Thin gra.s.s and king-cups grow within the paths.

But never elsewhere in one place I knew So many Nightingales: and far and near In wood and thicket over the wide grove They answer and provoke each other's songs-- With skirmish and capricious pa.s.sagings, And murmurs musical and swift jug jug And one low piping sound more sweet than all-- Stirring the air with such an harmony, That should you close your eyes, you might almost Forget it was not day!

A most gentle maid Who dwelleth in her hospitable home Hard by the Castle, and at latest eve, (Even like a Lady vow'd and dedicate To something more than nature in the grove) Glides thro' the pathways; she knows all their notes, That gentle Maid! and oft, a moment's s.p.a.ce, What time the moon was lost behind a cloud, Hath heard a pause of silence: till the Moon Emerging, hath awaken'd earth and sky With one sensation, and those wakeful Birds Have all burst forth in choral minstrelsy, At if one quick and sudden Gale had swept An hundred airy harps! And she hath watch'd Many a Nightingale perch giddily On blosmy twig still swinging from the breeze, And to that motion tune his wanton song, Like tipsy Joy that reels with tossing head.

Farewell, O Warbler! till to-morrow eve, And you, my friends! farewell, a short farewell!

We have been loitering long and pleasantly, And now for our dear homes.--That strain again!

Full fain it would delay me!-My dear Babe, Who, capable of no articulate sound, Mars all things with his imitative lisp, How he would place his hand beside his ear, His little hand, the small forefinger up, And bid us listen! And I deem it wise To make him Nature's playmate. He knows well The evening star: and once when he awoke In most distressful mood (some inward pain Had made up that strange thing, an infant's dream) I hurried with him to our orchard plot, And he beholds the moon, and hush'd at once Suspends his sobs, and laughs most silently, While his fair eyes that swam with undropt tears Did glitter in the yellow moon-beam! Well-- It is a father's tale. But if that Heaven Should give me life, his childhood shall grow up Familiar with these songs, that with the night He may a.s.sociate Joy! Once more farewell, Sweet Nightingale! once more, my friends! farewell.

_LINES Written when sailing in a Boat At EVENING._

How rich the wave, in front, imprest With evening twilights summer hues, While, facing thus the crimson west, The boat her silent path pursues!

And see how dark the backward stream!

A little moment past, so smiling!

And still, perhaps, with faithless gleam, Some other loiterer beguiling.

Such views the youthful bard allure, But, heedless of the following gloom, He deems their colours shall endure 'Till peace go with him to the tomb.

--And let him nurse his fond deceit, And what if he must die in sorrow!

Who would not cherish dreams so sweet, Though grief and pain may come to-morrow?

_LINES Written near Richmond upon the Thames._

Glide gently, thus for ever glide, O Thames! that other bards may see, As lovely visions by thy side As now, fair river! come to me.

Oh glide, fair stream! for ever so; Thy quiet soul on all bestowing, 'Till all our minds for ever flow, As thy deep waters now are flowing.

Vain thought! yet be as now thou art, That in thy waters may be seen The image of a poet's heart, How bright, how solemn, how serene!

Such as did once the poet bless, Who, pouring here a _later_ ditty, Could find no refuge from distress, But in the milder grief of pity.

Remembrance! as we float along, For him suspend the das.h.i.+ng oar, And pray that never child of Song May know his freezing sorrows more.

How calm! how still! the only sound, The dripping of the oar suspended!

--The evening darkness gathers round By virtue's holiest powers attended. [5]

[Footnote 5: Collins's Ode on the death of Thomson, the last written, I believe, of the poems which were published during his life-time.

This Ode is also alluded to in the next stanza.]

THE IDIOT BOY.

_The IDIOT BOY_.

'Tis eight o'clock,--a clear March night, The moon is up--the sky is blue, The owlet in the moonlight air, He shouts from n.o.body knows where; He lengthens out his lonely shout, Halloo! halloo! a long halloo!

--Why bustle thus about your door, What means this bustle, Betty Foy?

Why are you in this mighty fret?

And why on horseback have you set Him whom you love, your idiot boy?

Beneath the moon that s.h.i.+nes so bright, Till she is tired, let Betty Foy With girt and stirrup fiddle-faddle; But wherefore set upon a saddle Him whom she loves, her idiot boy?

There's scarce a soul that's out of bed; Good Betty put him down again; His lips with joy they burr at you, But, Betty! what has he to do With stirrup, saddle, or with rein?

The world will say 'tis very idle, Bethink you of the time of night; There's not a mother, no not one, But when she hears what you have done, Oh! Betty she'll be in a fright.

But Betty's bent on her intent, For her good neighbour, Susan Gale, Old Susan, she who dwells alone, Is sick, and makes a piteous moan, As if her very life would fail.

There's not a house within a mile, No hand to help them in distress; Old Susan lies a bed in pain, And sorely puzzled are the twain, For what she ails they cannot guess.

And Betty's husband's at the wood, Where by the week he doth abide, A woodman in the distant vale; There's none to help poor Susan Gale, What must be done? what will betide?

And Betty from the lane has fetched Her pony, that is mild and good, Whether he be in joy or pain, Feeding at will along the lane, Or bringing f.a.ggots from the wood.

And he is all in travelling trim, And by the moonlight, Betty Foy Has up upon the saddle set, The like was never heard of yet, Him whom she loves, her idiot boy.

And he must post without delay Across the bridge that's in the dale, And by the church, and o'er the down, To bring a doctor from the town, Or she will die, old Susan Gale.

There is no need of boot or spur, There is no need of whip or wand, For Johnny has his holly-bough, And with a hurly-burly now He shakes the green bough in his hand.

And Betty o'er and o'er has told The boy who is her best delight, Both what to follow, what to shun, What do, and what to leave undone, How turn to left, and how to right.

And Betty's most especial charge, Was, "Johnny! Johnny! mind that you Come home again, nor stop at all, Come home again, whate'er befal, My Johnny do, I pray you do."