An Essay Toward a History of Shakespeare in Norway Part 1

An Essay Toward a History of Shakespeare in Norway.

by Martin Brown Ruud.

PREFATORY NOTE

I have attempted in this study to trace the history of Shakespearean translations, Shakespearean criticism, and the performances of Shakespeare's plays in Norway. I have not attempted to investigate Shakespeare's influence on Norwegian literature. To do so would not, perhaps, be entirely fruitless, but it would const.i.tute a different kind of work.

The investigation was made possible by a fellows.h.i.+p from the University of Chicago and a scholars.h.i.+p from the American-Scandinavian Foundation, and I am glad to express my grat.i.tude to these bodies for the opportunities given to me of study in the Scandinavian countries.

I am indebted for special help and encouragement to Dr. C.N. Gould and Professor J.M. Manly, of the University of Chicago, and to the authorities of the University library in Kristiania for their unfailing courtesy. To my wife, who has worked with me throughout, my obligations are greater than I can express.

It is my plan to follow this monograph with a second on the history of Shakespeare in Denmark.

M.B.R.

Minneapolis, Minnesota.

September, 1916.

CHAPTER I

Shakespeare Translations In Norway

A

In the years following 1750, there was gathered in the city of Trondhjem a remarkable group of men: Nils Krog Bredal, composer of the first Danish opera, John Gunnerus, theologian and biologist, Gerhart Schning, rector of the Cathedral School and author of an elaborate history of the fatherland, and Peter Suhm, whose 14,047 pages on the history of Denmark testify to a learning, an industry, and a generous devotion to scholars.h.i.+p which few have rivalled. Bredal was mayor (Borgermester), Gunnerus was bishop, Schning was rector, and Suhm was for the moment merely the husband of a rich and unsympathetic wife. But they were united in their interest in serious studies, and in 1760, the last three--somewhat before Bredal's arrival--founded "Videnskabsselkabet i Trondhjem." A few years later the society received its charter as "Det Kongelige Videnskabsselskab."

A little provincial scientific body! Of what moment is it? But in those days it was of moment. Norway was then and long afterwards the political and intellectual dependency of Denmark. For three hundred years she had been governed more or less effectively from Copenhagen, and for two hundred years Danish had supplanted Norwegian as the language of church and state, of trade, and of higher social intercourse. The country had no university; Norwegians were compelled to go to Copenhagen for their degrees and there loaf about in the anterooms of ministers waiting for preferment. Videnskabsselskabet was the first tangible evidence of awakened national life, and we are not surprised to find that it was in this circle that the demand for a separate Norwegian university was first authoritatively presented. Again, a little group of periodicals sprang up in which were discussed, learnedly and pedantically, to be sure, but with keen intelligence, the questions that were interesting the great world outside. It is dreary business ploughing through these solemn, badly printed octavos and quartos. Of a sudden, however, one comes upon the first, and for thirty-six years the only Norwegian translation of Shakespeare.

We find it in _Trondhjems Allehaande_ for October 23, 1782--the third and last volume. The translator has. .h.i.t upon Antony's funeral oration and introduces it with a short note:[1] "The following is taken from the famous English play _Julius Caesar_ and may be regarded as a masterpiece. When Julius Caesar was killed, Antonius secured permission from Brutus and the other conspirators to speak at his funeral. The people, whose minds were full of the prosperity to come, were satisfied with Caesar's murder and regarded the murderers as benefactors. Antonius spoke so as to turn their minds from rejoicing to regret at a great man's untimely death and so as to justify himself and win the hearts of the populace. And in what a masterly way Antonius won them! We shall render, along with the oration, the interjected remarks of the crowd, inasmuch as they too are evidences of Shakespeare's understanding of the human soul and his realization of the manner in which the oration gradually brought about the purpose toward which he aimed:"

[1. It has been thought best to give such citations for the most part in translation.]

Antonius: Venner, Medborgere, giver mig Gehr, jeg kommer for at jorde Caesars Legeme, ikke for at rose ham. Det Onde man gjr lever endnu efter os; det G.o.de begraves ofte tilligemed vore Been. Saa Vaere det ogsaa med Caesar. Den aedle Brutus har sagt Eder, Caesar var herskesyg. Var han det saa var det en svaer Forseelse: og Caesar har ogsaa dyrt maattet bde derfor. Efter Brutus og de vriges Tilladelse--og Brutus er en hederlig Mand, og det er de alle, lutter hederlige Maend, kommer jeg hid for at holde Caesars Ligtale. Han var min Ven, trofast og oprigtig mod mig! dog, Brutus siger, han var herskesyg, og Brutus er en hederlig Mand. Han har bragt mange Fanger med til Rom, hvis Lsepenge formerede de offentlige Skatter; synes Eder det herskesygt af Caesar--naar de Arme skreeg, saa graed Caesar--Herskesyge maate dog vel vaeves af staerkere Stof.--Dog Brutus siger han var herskesyg; og Brutus er en hederlig Mand. I have alle seet at jeg paa Pans Fest tre Gange tilbd ham en kongelig Krone, og at han tre Gange afslog den. Var det herskesygt?--Dog Brutus siger han var herskesyg, og i Sandhed, han er en hederlig Mand. Jeg taler ikke for at gjendrive det, som Brutus har sagt; men jeg staar her, for at sige hvad jeg veed. I alle elskede ham engang, uden Aarsag; hvad for en Aarsag afholder Eder fra at srge over ham? O! Fornuft! Du er flyed hen til de umaelende Baester, og Menneskene have tabt deres Forstand. Haver Taalmodighed med mig; mit Hjerte er hist i Kisten hos Caesar, og jeg maa holde inde til det kommer tilbage til mig.

Den Frste af Folket: Mig synes der er megen Fornuft i hans Tale.

Den Anden af Folket: Naar du ret overveier Sagen, saa er Caesar skeet stor Uret.

Den Tredje: Mener I det, G.o.dt Folk? Jeg frygter der vil komme slemmere i hans Sted.

Den Fjerde: Har I lagt Maerke til hvad han sagde? Han vilde ikke modtage Kronen, det er altsaa vist at han ikke var herskesyg.

Den Frste: Hvis saa er, vil det komme visse Folk dyrt at staae.

Den Anden: Den fromme Mand! Hans ien er blodrde af Graad.

Den Tredje: Der er ingen fortraeffeligere Mand i Rom end Antonius.

Den Fjerde: Giver Agt, han begynder igjen at tale.

Antonius: Endnu i Gaar havde et Ord af Caesar gjaeldt imod hele Verden, nu ligger han der, endog den Usleste naegter ham Agtelse. O, I Folk!

var jeg sindet, at ophidse Eders Gemytter til Raserie og Oprr, saa skulde jeg skade Brutus og Ka.s.sius, hvilke, som I alle veed, ere hederlige Maend. Men jeg vil intet Ondt gjre dem: h.e.l.lere vil jeg gjre den Dde, mig selv, og Eder Uret, end at jeg skulde volde slige hederlige Maend Fortraed. Men her er et Pergament med Caesars Segl: jeg fandt det i hans Kammer; det er hans sidste Villie. Lad Folket blot hre hans Testament, som jeg, tilgiv mig det, ikke taenker at oplaese, da skulde de alle gaa hen og kysse den dde Caesars Saar; og dyppe deres Klaeder i hans h.e.l.lige Blod; skulde bede om et Haar af ham til Erindring, og paa deres Ddsdag i deres sidste Villie taenke paa dette Haar, og testamentere deres Efterkommere det som en rig Arvedel.

Den Fjerde: Vi ville hre Testamentet! Laes det, Marcus Antonius.

Antonius: Haver Taalmodighed, mine Venner: jeg tr ikke forelaese det; deter ikke raadeligt, at I erfare hvor kjaer Caesar havde Eder. I ere ikke Traee, I ere ikke Stene, I ere Mennesker; og da I ere Mennesker saa skulde Testamentet, om I hrte det, saette Eder i Flamme, det skulde gjre Eder rasende. Det er G.o.dt at I ikke vide, at I ere hans Arvinger; thi vidste I det, O, hvad vilde der da blive af?

Den fjerde: Laes Testamentet; vi ville hre det, Antonius! Du maae laese Testamentet for os, Caesars Testament!

Antonius: Ville i vaere rolige? Ville I bie lidt? Jeg er gaaen for vidt at jeg har sagt Eder noget derom--jeg frygter jeg fornaermer de hederlige Maend, som have myrdet Caesar--jeg befrygter det.

Den Fjerde: De vare Forraedere!--ha, hederlige Maend!

The translation continues to the point where the plebeians, roused to fury by the cunning appeal of Antony, rush out with the cries:[2]

2. Pleb: Go fetch fire!

3. Pleb: Plucke down Benches!

2. Pleb: Plucke down Formes, Windowes, anything.

[2. _Julius Caesar_. III, 2. 268-70. Variorum Edition Furness.

Phila. 1913.]

But we have not s.p.a.ce for a more extended quotation, and the pa.s.sage given is sufficiently representative.

The faults are obvious. The translator has not ventured to reproduce Shakespeare's blank verse, nor, indeed, could that be expected. The Alexandrine had long held sway in Danish poetry. In _Rolf Krage_ (1770), Ewald had broken with the tradition and written an heroic tragedy in prose. Unquestionably he had been moved to take this step by the example of his great model Klopstock in _Bardiete_.[3] It seems equally certain, however, that he was also inspired by the plays of Shakespeare, and the songs of Ossian, which came to him in the translations of Wieland.[4]

[3. Rnning--_Rationalismens Tidsalder_. 11-95.]

[4. Ewald--_Levnet og meninger_. Ed. Bobe. Kbhn. 1911, p. 166.]

A few years later, when he had learned English and read Shakespeare in the original, he wrote _Balders Dd_ in blank verse and naturalized Shakespeare's metre in Denmark.[5] At any rate, it is not surprising that this unknown plodder far north in Trondhjem had not progressed beyond Klopstock and Ewald. But the result of turning Shakespeare's poetry into the journeyman prose of a foreign language is necessarily bad. The translation before us amounts to a paraphrase,--good, respectable Danish untouched by genius. Two examples will ill.u.s.trate this. The lines:

.... Now lies he there, And none so poor to do him reverence.

[5. _Ibid._ II, 234-235.]

are rendered in the thoroughly matter-of-fact words, appropriate for a letter or a newspaper "story":

.... Nu ligger han der, endog den Usleste naegter ham Agtelse.

Again,