Travels in the Far East Part 15

YAMADA, _April 23d_: In the afternoon we left for Yamada, the city of the celebrated Temple of Ise. On arriving, we took quite a drive up the mountain side to Furuichi and to the Goni-Kwai Hotel, a large, beautifully situated j.a.panese hostelry with a European department. This consisted of eight rooms, furnished comfortably in European style, even with grates, but we had the novelty of j.a.panese environment as we walked down the corridors and pa.s.sed little j.a.panese rooms with sliding screens and open windows. In the morning, we walked up the hill and had a magnificent view; we left early in jinrikishas for a long day's programme. First we went through the town, the shops forming part of a long street, with open fronts and interiors. We then crossed a bridge to a suburb which contained the celebrated Temple of Ise. We proceeded up a long avenue, containing torii No. 1, torii No. 2, and torii No. 3, entering what is called the inner Temple of Ise, which, like all s.h.i.+nto places of wors.h.i.+p, is very plain on the exterior. We were not permitted to enter, but were obliged to look through an open enclosure.

Our j.a.panese guide knelt down, bowed, and clapped his hands three times, which is the act of devotion of all s.h.i.+ntoites on their approaching any temple. In the rear there was another temple which we saw only from the outside; the guide told us that at this shrine Marquis Ito came to offer thanks for the success of the Chinese-j.a.panese war in 1894, and that Admiral Togo also came at the close of the Russian-j.a.panese war. It is estimated that at least half a million pilgrims repair annually to the Temple of Ise, but the educated cla.s.s seldom visits the place,--perhaps not more than once in a lifetime.

[Ill.u.s.tration: _The Temple of Ise (Yamada)_]

We then drove eight miles to Futami, a seaside resort with a pretty j.a.panese tea-house fronting the water. Here is a peculiar formation of rock called "The Husband and Wife Rocks," connected by a chain. The bazar is quite interesting, and we had our luncheon at the tea-house, served in j.a.panese style, which means that we would have had nothing but tea if our thoughtful guide had not brought a basket with us. The return trip of eight miles was over a little different route, more picturesque even than the first. Arriving at Yamada, we went to the outer Temple of Ise. Here, as in the inner temple, there is a large house for sacred dances.

Many tea-houses in Yamada furnish music during the evening. We visited a very artistic place, said to be five hundred years old, and there we saw one of the sacred dances peculiar to that province.

NAGOYA, _April 25th_: We left in the morning for Nagoya, and were guests at the Nagoya Hotel. This is a flouris.h.i.+ng, commercial city, with one of the longest and widest streets we had seen in j.a.pan. The garrison occupies the castle, whose approach is the same as in the olden time--through gates and past moats. This castle was erected in 1610 by twenty great feudal lords to serve as a residence for Ieyasu's son. Like other j.a.panese castles, it is a wooden building, standing on immense walls which are eighteen feet thick. The castle has been taken by the Imperial household and is preserved as a monument of historical interest. The two golden dolphins with silver eyes which can be seen glittering all over the city from the top of the five-story donjon were made in 1610 at the expense of the celebrated general, Kato Kiyomosa, who also built the donjon, or keep.

[Ill.u.s.tration: _Nagoya Castle_]

The apartments of the castle are very beautiful. The sliding screens between the rooms and the wooden doors separating the different suites are all adorned with paintings of flowers and birds. Leaving these apartments, we visited the historic donjon, a gloomy building of stone on the exterior, but furnished with wooden staircases within. The fifth story commands an extensive view of the town, the sea, and the vast plain,--rice-fields and mountains stretching in the distance. The roofs of the keep are of copper, and its ma.s.sive gates are cased in iron.

Nagoya is noted for its manufacture of porcelain and cloisonne. There is one celebrated Buddhist temple, Higas.h.i.+ Hongwanji, and the Museum. There are also extensive parks and parade grounds. In the evening of our stay there, the unexpected occurred. We had known for some time of the approaching Imperial Cherry Blossom Garden Party at Tokio. A telegram arrived, stating that our invitations awaited us in Yokohama; we were most fortunate, since they were in great demand. A hurried consultation followed, but as the remainder of the party expected to sail for San Francisco on May 13th, they declined to change their programme, while I accepted the invitation, having two weeks' more time in j.a.pan during June; I regretfully bade adieu to the party, and the following morning proceeded to Yokohama.

YOKOHAMA, _April 26th_: The next two weeks I was to be thrown upon my own responsibility. I arrived at Yokohama in the evening and antic.i.p.ated a departure the following morning for Tokio. A pouring rain, however, caused an unexpected postponement. There were many disappointed guests in the Tokio hotels which were crowded in view of the great annual event. This is said to be very beautiful in all its appointments, the profusion of cherry blossoms being an attraction, as is the presence of the Emperor and Empress. The rain abating at noon, the grounds of the Crown Prince's palace were opened and the persons who were in Tokio availed themselves of the privilege of visiting them. A fine collation was served. The Emperor and Empress, however, did not appear, and the usual extremely formal ceremonies were dispensed with.

It is the custom to give the inmates of the hospitals in Tokio a rare feast from what is left of the banquet. I had a busy day in Yokohama, which I found an attractive modern city, with beautiful shops, pleasant hotels, and a great crowd of visitors. I left early the following morning, April 28th, for Nikko.

NIKKO, _April 28th_: The sky was overcast when we started, and before noon there was a heavy rain which prevented any enjoyment of the really fine landscape. The j.a.panese proverb in substance runs: "Do not use the word 'magnificent' until you have seen Nikko." This had been ringing in my ears all the way, and to be compelled to proceed through the long street of the village in a closed jinrikisha was tantalizing. The Nikko Hotel was to have been my destination, but I met friends on the train and was persuaded to accompany them to the new Kanaya Hotel, situated nearer the village on a height. My programme in Nikko could only include three days; hence I decided that a study of the various temples, a general view of the city, and an excursion to Lake Chuzenji must suffice.

The following morning the sun was s.h.i.+ning, and I departed early to visit the temples. The way lay down to the river Daiya-gawa. From the bridge in actual use and at a short distance I beheld the "Red Bridge,"

formerly lacquered and having bra.s.s ornaments, sacred to royal use only, and held in veneration by the j.a.panese. A long avenue of cryptomerias followed. This tree is like the redwood of California when used in the interior of a building; indeed, after a long period of time, the coloring is precisely the same. This I noticed in the Imperial palaces at Kyoto.

I walked up the avenue with a feeling of awe, and it seemed as if the whole atmosphere of Nikko was surcharged with an element of sanct.i.ty, and that no one could gaze on the mountains and the groves of cryptomerias without being somewhat better than before. At the end of the avenue the perspective is wonderful, for one looks through a series of great stone toriis, gray with age, and sees along the way objects that are of interest, a five-story paG.o.da being the most striking. This approach is to the great Temple of Ieyasu, the ill.u.s.trious Shogun and founder of the Tokugawa dynasty and, like the other great temple and mausoleum of his grandson, Iemitzu (farther on), was erected in the seventeenth century, at a time when the art of building shrines was at its perfection, as was the work in lacquer and bronze, wood carving and decorative painting. Every detail is perfect, and the great predominance of red and gold lacquer with its setting of green produced a striking effect, but without being in the least garish. Indeed, the keynote to all the buildings and interiors we have seen in j.a.pan, of any age whatsoever, has been chasteness of design and harmony. If we sometimes find a discordant note in modern j.a.panese art, I fear Western taste has had some influence, if it be true that the producer ever seeks to please the purchaser.

[Ill.u.s.tration: _The way to the Temple, Ieyasu_]

[Ill.u.s.tration: _Kokamon: Iemitzu Temple_]

With all this perfection on every side, it becomes even more difficult to give any adequate description, so that an outline comprising only general details will be suggested. A quotation explains my position fully. Dr. Dresser once wrote: "Any words that I can use must fail to convey any adequate idea of the consciousness of the work, the loveliness of the compositions, the harmoniousness of the colors, and the beauty of the surroundings here before me; and yet the adjectives which I have tried to heap one upon another, in the hope of conveying to the reader what I--an architect and ornamentist--feel when contemplating these matchless shrines, must appear, I am afraid, altogether unreasonable." The difficulty is further added to by the fact that there are in all six groups of temples with numerous a.s.sociated buildings and gateways in the near vicinity, although Ieyasu and Iemitzu are the most famous.

The approach to Ieyasu Temple is most unusual. Within the two courts, each with toriis and stone steps, are many notable adjuncts to the temples, the five-story paG.o.da, one hundred and four feet high, being a marvel of rich lacquered walls. It has peculiar bra.s.s-trimmed roofs and bells hanging from every angle. Three artistic buildings are used as storehouses, where articles employed in wors.h.i.+p, pictures, and many treasures of Ieyasu are deposited. Near by is a finely carved gateway leading to a beautiful carved water cistern which is cut out of one solid piece of granite and sheltered by a roof supported on twelve square pillars of stone, all erected in 1618. A beautifully decorated building behind this is the depository for the complete collection of the Buddhist scriptures, contained in a fine revolving octagonal bookcase with red lacquered panels and gilt pillars. In the centre of this court stands a fine bronze torii. A flight of steps gives access to the second court. Just inside of this are two stone lions in the act of leaping down; on the right stand a bell tower, a bronze candelabrum presented by the King of Loochoo, and another bell presented by the King of Korea; there is also a bronze candelabrum from Holland. This diversity of gifts indicates the general interest at that time in this shrine. All of these articles are of very unusual style of workmans.h.i.+p.

At the left extremity of this same platform stands the Temple of Wakus.h.i.+, dedicated to the patron saint of Ieyasu, for which reason its Buddhist emblems have been left intact. The building is a blaze of gold and harmonious colors. Stone steps lead up to the exquisitely beautiful gate called Yomei-mon; it has a fence on each side. Pa.s.sing through the gateway, we entered the third court, in which the Buddhist priests used to offer liturgies on the occasions of the two great annual festivals.

In this court are also two buildings, one containing a stage for the performance of the sacred dance, and the other an altar for burning the fragrant cedar while prayers were recited. Next we have the Karu-mon or Chinese gate. It gives admittance to the main shrines. The folding doors of the oratory are lavishly decorated with arabesques of peonies, in gilt relief.

[Ill.u.s.tration: _A five-story paG.o.da_]

The chapel is a large matted room, forty-two feet long by twenty-seven feet deep, with an antechamber at each end. The chapel and the antechambers are all very profusely decorated with pictures on the walls, with carved panels and painted ceilings. The Holy of Holies of this temple is accessible to the public only by special permit. It is composed of three chambers, and here j.a.panese Buddhist art is exhibited in its perfection,--a blaze of gold and color, with its elaborate paintings of court personages, its precious woods, inlaid and carved, and its richly lacquered pillars and splendid metal work--the whole a marvel of detail, all the more marvellous because it is in perfect preservation. Now that it has been changed into a s.h.i.+nto shrine and is under the patronage of the Government, the Buddhas and attendant Buddhas of the olden time are no longer to be seen.

An old mossy staircase and a time-worn pavement lead to Ieyasu's tomb, before which stand two long tables. Here are placed the usual bronze ornaments, consisting of a stork, an incense burner, and a vase of bronze lotus flowers. The tomb, shaped like a small paG.o.da, has a single bronze casting of a light color, produced, it is said, by a mixture of gold. Leaving the mausoleum, I pa.s.sed down through the courts and gateways until I came to the avenue of cryptomerias, visiting a number of temples on the way, and finally I reached Iemitzu's temple. A ma.s.sive stone staircase and a fine gateway are among the many details of an attractive exterior that claim attention. The temple is much less magnificent than Ieyasu's, but a more perfect representation of the Buddhist art, inasmuch as here can be seen the interior as it was originally. After the restoration in 1886, the interiors of all the other temples were changed to meet the requirements of the s.h.i.+nto faith, that being the State religion. The tomb is reached by a flight of steps running up the side of the wall. It is of the same general style as that of Ieyasu. In the afternoon a walk back of the temple of Ieyasu revealed more stone lanterns, shrines, and toriis.

At Nikko the homes are attractive, with their open s.p.a.ce and their verandas. The Park and Botanical Garden are also not without interest.

Sometimes a shrine could be seen, and with the inmates dressed in pretty kimonos, it was truly a fascinating picture, unlike anything that had elsewhere struck our fancy. The invariable smile, bow, and courtesy that always greet you place a finis.h.i.+ng and charming touch to the whole.

[Ill.u.s.tration: _The gate called Yomei-mon_]

The bazar or long street of shops was enticing, with so many souvenirs to choose from. The thoroughfare itself presented a never-ending panorama of carts, packhorses, natives, pilgrims, and tourists.

There were several tempting excursions of two or three miles each, the most celebrated of which was to Lake Chuzenji, eight miles distant. This required an early morning departure in a jinrikisha. The ride there was through a region which affords a fine example of the j.a.panese method of cultivating the soil. The little homes were attractive. Potatoes, rice, and millet seemed to be the princ.i.p.al crops. Chuzenji Lake is a marvel of beauty, with its many walks along the sh.o.r.e. Luncheon was served at the hotel. It is estimated that ten thousand pilgrims come to the village during July and August to make the ascent to the sacred mountain, Nantaisan, two thousand feet above the sea-level. This is not so very difficult, since at points there are stairways that give ready access. Shrines and tea-houses are stationed all along the road, as the j.a.panese never neglect creature comforts. Eight miles further on is situated Yunoto village and the lake which bears the same name and is celebrated for its hot springs. This place is said to be as attractive as Lake Chuzenji. We left Nikko on an early morning train with a strong desire some day to return and make a more protracted stay.

TOKIO, _April 30th_: Leaving Nikko, with an alt.i.tude of two thousand feet higher than the sea, for Tokio, one hundred miles distant and at sea-level, was a decided drop. The day was bright and the views from the car window gave one an ever-varying panorama, consisting of mountains, a long avenue of tall cryptomerias that seemed to extend for miles, cultivated fields, and luxuriant vegetation freshened by the recent rain. Nature put forth her loveliest Spring tints, to which cherry blossoms ever and anon gave a touch of color. Arriving at Tokio in the afternoon, and going to the Imperial Hotel, I had a two days' reunion with eight of the "party" who had already arrived there. We took a general drive on the first afternoon, past the palace built on the ruins of the old Shogun palace, in its new guise a long rambling building of yellow brick. The old gateways with their towers were at the front entrance and were a feature of the scene. The arrangement of the rooms in the interior of the palace was said to be pleasing, the dining-room being unusually large. The walls and decorations are also fine, but the furnis.h.i.+ngs, a mixture of j.a.panese and European styles, are not so harmonious. We also pa.s.sed the Crown Prince's palace, and then went on from Hibiya Park to the street on which are situated the brick buildings of the Naval Department, the Judicial Department, and the Courts of Justice.

[Ill.u.s.tration: _The Imperial Palace at Tokio_]

We saw the Russian Emba.s.sy, the Chinese Legation, and also some palaces and residences of many officers and foreign emba.s.sies. This neighborhood, called Nagata-cha, is the most fas.h.i.+onable in Tokio. Near the palace lies a garden planted with azaleas, and also containing some trellises wholly covered in season with wistaria. We also pa.s.sed a fine s.h.i.+nto temple and several statues, and, on an eminence, saw the Russian Cathedral, consecrated in 1891.

The following morning we went to s.h.i.+ba Park. Until 1887 this formed the grounds of a great Buddhist temple, and here are still preserved the mortuary temples of several Tokugawa Shoguns, Ieyasu, the founder of that dynasty, having chosen it as the temple where the funeral tablets of himself and of his descendants should be enshrined. There are several temples in the park, and they rank among the chief marvels of j.a.panese art. They are somewhat after the style of the temples at Nikko. All of them have a wonderful setting of green, the many fine trees and the beautiful park forming an excellent background. Each of these mortuary temples consists of three parts, an outer oratory, a connecting gallery, and an inner sanctuary. In each of these the decorations are of gilt and different colors, with elaborate patterns which are almost dazzling to the eye.

On one occasion we visited Ueno Park, famed for its temples and tombs of the Shoguns; it is a most popular resort in Tokio, and is celebrated for its display of cherry blossoms in the month of April, during which season there are held gala times. Six Shoguns, members of the Tokugawa family, lie buried at Ueno. In general style the tombs here resemble those at s.h.i.+ba Park.

There are many objects of interest in Ueno Park other than its temples.

One is the bronze image of Buddha, twenty-one and a half feet high, known as Dai-butsu, near which is a ma.s.sive torii. We pa.s.sed along an avenue of stately cryptomerias where stands an ancient paG.o.da. There is also a long row of very large stone lanterns, presented as a tribute to the memory of the Shogun, Ieyasu. While in Ueno Park the attendant pointed out, in a small enclosure, two diminutive trees,--a hinoki, planted by General Grant, and a magnolia by Mrs. Grant during their visit to Tokio.

The Ueno Museum proved interesting, particularly in the historical and archaeological departments. Near the Museum is a public library and reading-room--the largest in the Empire. In the distance we saw the Imperial University, which has a very high reputation, even foreign students attending there for the purpose of studying art.

[Ill.u.s.tration: _Court of the Temple s.h.i.+ba at Tokio_]

ASAKUSA: The district of Asakusa possesses a fine park, and here also is the s.p.a.cious Temple of Higas.h.i.+ Hongwanji, the chief religious edifice of the Monto sect of Buddhists. It is very plain in its architecture, but is noted princ.i.p.ally for its proportions. The area of the matted floor of the nave alone is one hundred and fifty mats, and around the front and sides is a wooden aisle one hundred and twelve feet wide.

Tokio has many other temples and parks, but of these, as I have said, Ueno is the most popular; around us were crowds of gayly dressed grown people and children, all in holiday attire; various games for adults and children were in progress, and there was a tea-house where refreshments were being served. To me this appeared in very truth a park for the people.

The Botanical Garden is also quite interesting. A long, imposing street led down to it from Ueno Park, and on this were situated the princ.i.p.al shops of the city, with curio nooks in abundance. These, of course, were larger and more pretentious than the bazars spoken of elsewhere, some of them being three stories in height, the first of the kind we had seen in j.a.pan. Taken as a whole, Tokio is a large, populous city, with a bright future before it. I now was obliged to turn my face toward Yokohama, it being a comparatively short distance from Tokio. Here I found a number of friends whom I had met at different points and who were about to leave for San Francisco,--my own departure for North China to occur the following morning.

To visit North China, I was compelled to return to Shanghai in order to join the Collver Tours party I had met at Kyoto. I left Yokohama on March 3d by rail for Kobe, arriving at the Oriental Hotel about 9 P.M.

The route by day was very pleasant, as we saw much fine scenery, and for some time Mt. Fujiyama rose before us in the distance. At Kobe I found that the steamer, _Mongolia_, would be delayed, and therefore I would need to remain there until the second day. The following morning, I took a jinrikisha ride to the country and revisited several points of interest.

[Ill.u.s.tration: _Gate of Chionin in Kyoto_]

[Ill.u.s.tration: _Ueno Park PaG.o.da_]

_June 6th_: I was awakened at seven on the morning of June 6th by the voice of the guide saying, "We are now in the narrowest part of the Inland Sea." I arose quickly, and, glancing out of the port-hole, beheld a scene of loveliness which caused a spontaneous exclamation, "Oh, how beautiful!" Before me on the left was an island clad in verdure; behind, the towering mountains; then farther off, a lesser peak, sloping down to the sea; a promontory jutted out at the right, ribbed with terraces from which peeped forth tiny shoots of delicate green. Scarcely had I time to catch a glimpse before the panorama changed. This scene was repeated with slight variations until suddenly there appeared a break, and in a cove were moored many little boats; next came a tall mountain sloping down to the sea, with a wealth of foliage along the side, while on the top was a fringe of tall trees, like so many hills seen in j.a.pan. I had cause to wonder if this too was not one of the many expressions of Nature's artistic sense.

One scene succeeded another, and I became almost oblivious to all thought of dressing until the gong rang for breakfast. I felt rebellious, and, on that morning at least, the meal seemed a desecration, the sacrifice of an opportunity. Once before, I had a similar early morning experience; that was at Laggan, on the Canadian Pacific Railway, when, on awakening, I beheld directly opposite my window lovely Lake Louise and the beautiful glacier mirrored within the opalescent blue. This day in j.a.pan ended with a glorious sunset, and, as the gold and azure melted away into nothingness, it was a fitful close to hours of rare enjoyment.

On the morning following, I was again awakened, this time by the magic word Nagasaki, and I beheld another never-to-be-forgotten scene. The harbor and s.h.i.+pping lay in the foreground; beyond the sh.o.r.e line rose large buildings, smaller ones creeping up the mountain side; this whole panorama was bathed in sunlight. Immediately on landing a jinrikisha ride was enjoyed, and I was propelled about in an aimless fas.h.i.+on, enjoying the street scenes, visiting the heights, and the Horse's Temple. It was a restless, irresponsible kind of day that I enjoyed, and I returned to the steamer at five o'clock with considerable regret. Half an hour later we were sailing away for Shanghai; and again we saw islands, promontories, and inlets quite like those of the day previous.