Mark Twain A Biography - LightNovelsOnl.com
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"Uncle Mark"--he often called him that--"Major Leigh handed me a report of the year's sales just as I was leaving. It shows your royalty returns this year to be very close to fifty thousand dollars. I don't believe there is another such return from old books on record."
This was said in an undertone, to Clemens only, but was overheard by one or two of those who sat nearest. Clemens was not unwilling to repeat it for the benefit of all, and did so. Howells said:
"A statement like that arouses my basest pa.s.sions. The books are no good; it's just the advertising they get."
Clemens said: "Yes, my contract compels the publisher to advertise. It costs them two hundred dollars every time they leave the advertis.e.m.e.nt out of the magazines."
"And three hundred every time we put it in," said Harvey. "We often debate whether it is more profitable to put in the advertis.e.m.e.nt or to leave it out."
The talk switched back to plays and acting. Thomas recalled an incident of Beerbohm Tree's performance of "Hamlet." W. S. Gilbert, of light-opera celebrity, was present at a performance, and when the play ended Mrs. Tree hurried over to him and said:
"Oh, Mr. Gilbert, what did you think of Mr. Tree's rendition of Hamlet?"
"Remarkable," said Gilbert. "Funny without being vulgar."
It was with such idle tales and talk-play that the afternoon pa.s.sed.
Not much of it all is left to me, but I remember Howells saying, "Did it ever occur to you that the newspapers abolished h.e.l.l? Well, they did--it was never done by the church. There was a consensus of newspaper opinion that the old h.e.l.l with its lake of fire and brimstone was an antiquated inst.i.tution; in fact a dead letter." And again, "I was coming down Broadway last night, and I stopped to look at one of the street-venders selling those little toy fighting roosters. It was a bleak, desolate evening; n.o.body was buying anything, and as he pulled the string and kept those little roosters dancing and fighting his remarks grew more and more cheerless and sardonic.
"'j.a.panese game chickens,' he said; 'pretty toys, amuse the children with their antics. Child of three can operate it. Take them home for Christmas. Chicken-fight at your own fireside.' I tried to catch his eye to show him that I understood his desolation and sorrow, but it was no use. He went on dancing his toy chickens, and saying, over and over, 'Chicken-fight at your own fireside.'"
The luncheon over, we wandered back into the drawing-room, and presently all left but Colonel Harvey. Clemens and the Colonel went up to the billiard-room and engaged in a game of cus.h.i.+on caroms, at twenty-five cents a game. I was umpire and stakeholder, and it was a most interesting occupation, for the series was close and a very cheerful one. It ended the day much to Mark Twain's satisfaction, for he was oftenest winner. That evening he said:
"We will repeat that luncheon; we ought to repeat it once a month.
Howells will be gone, but we must have the others. We cannot have a thing like that too often."
There was, in fact, a second stag-luncheon very soon after, at which George Riggs was present and that rare Irish musician, Denis O'Sullivan.
It was another choice afternoon, with a mystical quality which came of the music made by O'Sullivan on some Hindu reeds-pipes of Pan. But we shall have more of O'Sullivan presently--all too little, for his days were few and fleeting.
Howells could not get away just yet. Colonel Harvey, who, like James Osgood, would not fail to find excuse for entertainment, chartered two drawing-room cars, and with Mrs. Harvey took a party of fifty-five or sixty congenial men and women to Lakewood for a good-by luncheon to Howells. It was a day borrowed from June, warm and beautiful.
The trip down was a sort of reception. Most of the guests were acquainted, but many of them did not often meet. There was constant visiting back and forth the full length of the two coaches. Denis O'Sullivan was among the guests. He looked in the bloom of health, and he had his pipes and played his mystic airs; then he brought out the tin-whistle of Ireland, and blew such rollicking melodies as capering fairies invented a long time ago. This was on the train going down.
There was a brief program following the light-hearted feasting--an informal program fitting to that sunny day. It opened with some recitations by Miss Kitty Cheatham; then Colonel Harvey introduced Howells, with mention of his coming journey. As a rule, Howells does not enjoy speaking. He is willing to read an address on occasion, but he has owned that the prospect of talking without his notes terrifies him.
This time, however, there was no reluctance, though he had prepared no speech. He was among friends. He looked even happy when he got on his feet, and he spoke like a happy man. He talked about Mark Twain. It was all delicate, delicious chaffing which showed Howells at his very best--all too short for his listeners.
Clemens, replying, returned the chaff, and rambled amusingly among his fancies, closing with a few beautiful words of "G.o.dspeed and safe return" to his old comrade and friend.
Then once more came Denis and his pipes. No one will ever forget his part of the program. The little samples we had heard on the train were expanded and multiplied and elaborated in a way that fairly swept his listeners out of themselves into that land where perhaps Denis himself wanders playing now; for a month later, strong and l.u.s.ty and beautiful as he seemed that day, he suddenly vanished from among us and his reeds were silent. It never occurred to us then that Denis could die; and as he finished each melody and song there was a shout for a repet.i.tion, and I think we could have sat there and let the days and years slip away unheeded, for time is banished by music like that, and one wonders if it might not even divert death.
It was dark when we crossed the river homeward; the myriad lights from heaven-climbing windows made an enchanted city in the sky. The evening, like the day, was warm, and some of the party left the ferry-cabin to lean over and watch the magic spectacle, the like of which is not to be found elsewhere on the earth.
CCLXIV. "CAPTAIN STORMFIELD" IN PRINT
During the forty years or so that had elapsed since the publication of the "Gates Ajar" and the perpetration of Mark Twain's intended burlesque, built on Captain Ned Wakeman's dream, the Christian religion in its more orthodox aspects had undergone some large modifications. It was no longer regarded as dangerous to speak lightly of h.e.l.l, or even to suggest that the golden streets and jeweled architecture of the sky might be regarded as symbols of hope rather than exhibits of actual bullion and lapidary construction. Clemens re-read his extravaganza, Captain Stormfields Visit to Heaven, gave it a modernizing touch here and there, and handed it to his publishers, who must have agreed that it was no longer dangerous, for it was promptly accepted and appeared in the December and January numbers (1907-8) of Harper's Magazine, and was also issued as a small book. If there were any readers who still found it blasphemous, or even irreverent, they did not say so; the letters that came--and they were a good many--expressed enjoyment and approval, also (some of them) a good deal of satisfaction that Mark Twain "had returned to his earlier form."
The publication of this story recalled to Clemens's mind another heresy somewhat similar which he had written during the winter of 1891 and 1892 in Berlin. This was a dream of his own, in which he had set out on a train with the evangelist Sam Jones and the Archbishop of Canterbury for the other world. He had noticed that his ticket was to a different destination than the Archbishop's, and so, when the prelate nodded and finally went to sleep, he changed the tickets in their hats with disturbing results. Clemens thought a good deal of this fancy when he wrote it, and when Mrs. Clemens had refused to allow it to be printed he had laboriously translated it into German, with some idea of publis.h.i.+ng it surrept.i.tiously; but his conscience had been too much for him. He had confessed, and even the German version had been suppressed.
Clemens often allowed his fancy to play with the idea of the orthodox heaven, its curiosities of architecture, and its employments of continuous prayer, psalm-singing, and harpistry.
"What a childish notion it was," he said, "and how curious that only a little while ago human beings were so willing to accept such fragile evidences about a place of so much importance. If we should find somewhere to-day an ancient book containing an account of a beautiful and blooming tropical Paradise secreted in the center of eternal icebergs--an account written by men who did not even claim to have seen it themselves--no geographical society on earth would take any stock in that book, yet that account would be quite as authentic as any we have of heaven. If G.o.d has such a place prepared for us, and really wanted us to know it, He could have found some better way than a book so liable to alterations and misinterpretation. G.o.d has had no trouble to prove to man the laws of the constellations and the construction of the world, and such things as that, none of which agree with His so-called book. As to a hereafter, we have not the slightest evidence that there is any--no evidence that appeals to logic and reason. I have never seen what to me seemed an atom of proof that there is a future life."
Then, after a long pause, he added:
"And yet--I am strongly inclined to expect one."
CCLXV. LOTOS CLUB HONORS
It was on January 11, 1908, that Mark Twain was given his last great banquet by the Lotos Club. The club was about to move again, into splendid new quarters, and it wished to entertain him once more in its old rooms.
He wore white, and amid the throng of black-clad men was like a white moth among a horde of beetles. The room fairly swarmed with them, and they seemed likely to overwhelm him.
President Lawrence was toast-master of the evening, and he ended his customary address by introducing Robert Porter, who had been Mark Twain's host at Oxford. Porter told something of the great Oxford week, and ended by introducing Mark Twain. It had been expected that Clemens would tell of his London experiences. Instead of doing this, he said he had started a new kind of collection, a collection of compliments. He had picked up a number of valuable ones abroad and some at home. He read selections from them, and kept the company going with cheers and merriment until just before the close of his speech. Then he repeated, in his most impressive manner, that stately conclusion of his Liverpool speech, and the room became still and the eyes of his hearers grew dim.
It may have been even more moving than when originally given, for now the closing words, "homeward bound," had only the deeper meaning.
Dr. John MacArthur followed with a speech that was as good a sermon as any he ever delivered, and closed it by saying:
"I do not want men to prepare for heaven, but to prepare to remain on earth, and it is such men as Mark Twain who make other men not fit to die, but fit to live."
Andrew Carnegie also spoke, and Colonel Harvey, and as the speaking ended Robert Porter stepped up behind Clemens and threw over his shoulders the scarlet Oxford robe which had been surrept.i.tiously brought, and placed the mortar-board cap upon his head, while the diners vociferated their approval. Clemens was quite calm.
"I like this," he said, when the noise had subsided. "I like its splendid color. I would dress that way all the time, if I dared."
In the cab going home I mentioned the success of his speech, how well it had been received.
"Yes," he said; "but then I have the advantage of knowing now that I am likely to be favorably received, whatever I say. I know that my audiences are warm and responseful. It is an immense advantage to feel that. There are cold places in almost every speech, and if your audience notices them and becomes cool, you get a chill yourself in those zones, and it is hard to warm up again. Perhaps there haven't been so many lately; but I have been acquainted with them more than once." And then I could not help remembering that deadly Whittier birthday speech of more than thirty years before--that bleak, arctic experience from beginning to end.
"We have just time for four games," he said, as we reached the billiard-room; but there was no sign of stopping when the four games were over. We were winning alternately, and neither noted the time. I was leaving by an early train, and was willing to play all night. The milk-wagons were rattling outside when he said:
"Well, perhaps we'd better quit now. It seems pretty early, though." I looked at my watch. It was quarter to four, and we said good night.
CCLXVI. A WINTER IN BERMUDA
Edmund Clarence Stedman died suddenly at his desk, January 18, 1908, and Clemens, in response to telegrams, sent this message:
I do not wish to talk about it. He was a valued friend from days that date back thirty-five years. His loss stuns me and unfits me to speak.
He recalled the New England dinners which he used to attend, and where he had often met Stedman.
"Those were great affairs," he said. "They began early, and they ended early. I used to go down from Hartford with the feeling that it wasn't an all-night supper, and that it was going to be an enjoyable time.
Choate and Depew and Stedman were in their prime then--we were all young men together. Their speeches were always worth listening to. Stedman was a prominent figure there. There don't seem to be any such men now--or any such occasions."