Burning Daylight Part 18

Hundreds of old-timers had failed to locate on Bonanza and Eldorado, while Swedes and chechaquos had come in on the moose-pasture and blindly staked millions. It was life, and life was a savage proposition at best. Men in civilization robbed because they were so made. They robbed just as cats scratched, famine pinched, and frost bit.

So it was that Daylight became a successful financier. He did not go in for swindling the workers. Not only did he not have the heart for it, but it did not strike him as a sporting proposition. The workers were so easy, so stupid. It was more like slaughtering fat hand-reared pheasants on the English preserves he had heard about. The sport to him, was in waylaying the successful robbers and taking their spoils from them. There was fun and excitement in that, and sometimes they put up the very devil of a fight. Like Robin Hood of old, Daylight proceeded to rob the rich; and, in a small way, to distribute to the needy.

But he was charitable after his own fas.h.i.+on. The great ma.s.s of human misery meant nothing to him. That was part of the everlasting order.

He had no patience with the organized charities and the professional charity mongers. Nor, on the other hand, was what he gave a conscience dole. He owed no man, and rest.i.tution was unthinkable. What he gave was a largess, a free, spontaneous gift; and it was for those about him. He never contributed to an earthquake fund in j.a.pan nor to an open-air fund in New York City. Instead, he financed Jones, the elevator boy, for a year that he might write a book. When he learned that the wife of his waiter at the St. Francis was suffering from tuberculosis, he sent her to Arizona, and later, when her case was declared hopeless, he sent the husband, too, to be with her to the end.

Likewise, he bought a string of horse-hair bridles from a convict in a Western penitentiary, who spread the good news until it seemed to Daylight that half the convicts in that inst.i.tution were making bridles for him. He bought them all, paying from twenty to fifty dollars each for them. They were beautiful and honest things, and he decorated all the available wall-s.p.a.ce of his bedroom with them.

The grim Yukon life had failed to make Daylight hard. It required civilization to produce this result. In the fierce, savage game he now played, his habitual geniality imperceptibly slipped away from him, as did his lazy Western drawl. As his speech became sharp and nervous, so did his mental processes. In the swift rush of the game he found less and less time to spend on being merely good-natured. The change marked his face itself.

The lines grew sterner. Less often appeared the playful curl of his lips, the smile in the wrinkling corners of his eyes. The eyes themselves, black and flas.h.i.+ng, like an Indian's, betrayed glints of cruelty and brutal consciousness of power. His tremendous vitality remained, and radiated from all his being, but it was vitality under the new aspect of the man-trampling man-conqueror. His battles with elemental nature had been, in a way, impersonal; his present battles were wholly with the males of his species, and the hards.h.i.+ps of the trail, the river, and the frost marred him far less than the bitter keenness of the struggle with his fellows.

He still had recrudescence of geniality, but they were largely periodical and forced, and they were usually due to the c.o.c.ktails he took prior to meal-time. In the North, he had drunk deeply and at irregular intervals; but now his drinking became systematic and disciplined. It was an unconscious development, but it was based upon physical and mental condition. The c.o.c.ktails served as an inhibition.

Without reasoning or thinking about it, the strain of the office, which was essentially due to the daring and audacity of his ventures, required check or cessation; and he found, through the weeks and months, that the c.o.c.ktails supplied this very thing. They const.i.tuted a stone wall. He never drank during the morning, nor in office hours; but the instant he left the office he proceeded to rear this wall of alcoholic inhibition athwart his consciousness. The office became immediately a closed affair. It ceased to exist. In the afternoon, after lunch, it lived again for one or two hours, when, leaving it, he rebuilt the wall of inhibition. Of course, there were exceptions to this; and, such was the rigor of his discipline, that if he had a dinner or a conference before him in which, in a business way, he encountered enemies or allies and planned or prosecuted campaigns, he abstained from drinking. But the instant the business was settled, his everlasting call went out for a Martini, and for a double-Martini at that, served in a long gla.s.s so as not to excite comment.

CHAPTER VI

Into Daylight's life came Dede Mason. She came rather imperceptibly.

He had accepted her impersonally along with the office furnis.h.i.+ng, the office boy, Morrison, the chief, confidential, and only clerk, and all the rest of the accessories of a superman's gambling place of business.

Had he been asked any time during the first months she was in his employ, he would have been unable to tell the color of her eyes. From the fact that she was a demiblonde, there resided dimly in his subconsciousness a conception that she was a brunette. Likewise he had an idea that she was not thin, while there was an absence in his mind of any idea that she was fat. As to how she dressed, he had no ideas at all. He had no trained eye in such matters, nor was he interested.

He took it for granted, in the lack of any impression to the contrary, that she was dressed some how. He knew her as "Miss Mason," and that was all, though he was aware that as a stenographer she seemed quick and accurate. This impression, however, was quite vague, for he had had no experience with other stenographers, and naturally believed that they were all quick and accurate.

One morning, signing up letters, he came upon an I shall. Glancing quickly over the page for similar constructions, he found a number of I wills. The I shall was alone. It stood out conspicuously. He pressed the call-bell twice, and a moment later Dede Mason entered. "Did I say that, Miss Mason?" he asked, extending the letter to her and pointing out the criminal phrase. A shade of annoyance crossed her face. She stood convicted.

"My mistake," she said. "I am sorry. But it's not a mistake, you know," she added quickly.

"How do you make that out?" challenged Daylight. "It sure don't sound right, in my way of thinking."

She had reached the door by this time, and now turned the offending letter in her hand. "It's right just the same."

"But that would make all those I wills wrong, then," he argued.

"It does," was her audacious answer. "Shall I change them?"

"I shall be over to look that affair up on Monday." Daylight repeated the sentence from the letter aloud. He did it with a grave, serious air, listening intently to the sound of his own voice. He shook his head. "It don't sound right, Miss Mason. It just don't sound right.

Why, n.o.body writes to me that way. They all say I will--educated men, too, some of them. Ain't that so?"

"Yes," she acknowledged, and pa.s.sed out to her machine to make the correction.

It chanced that day that among the several men with whom he sat at luncheon was a young Englishman, a mining engineer. Had it happened any other time it would have pa.s.sed unnoticed, but, fresh from the tilt with his stenographer, Daylight was struck immediately by the Englishman's I shall. Several times, in the course of the meal, the phrase was repeated, and Daylight was certain there was no mistake about it.

After luncheon he cornered Macintosh, one of the members whom he knew to have been a college man, because of his football reputation.

"Look here, Bunny," Daylight demanded, "which is right, I shall be over to look that affair up on Monday, or I will be over to look that affair up on Monday?"

The ex-football captain debated painfully for a minute. "Blessed if I know," he confessed. "Which way do I say it?"

"Oh, I will, of course."

"Then the other is right, depend upon it. I always was rotten on grammar."

On the way back to the office, Daylight dropped into a bookstore and bought a grammar; and for a solid hour, his feet up on the desk, he toiled through its pages. "Knock off my head with little apples if the girl ain't right," he communed aloud at the end of the session. For the first time it struck him that there was something about his stenographer. He had accepted her up to then, as a female creature and a bit of office furnis.h.i.+ng. But now, having demonstrated that she knew more grammar than did business men and college graduates, she became an individual. She seemed to stand out in his consciousness as conspicuously as the I shall had stood out on the typed page, and he began to take notice.

He managed to watch her leaving that afternoon, and he was aware for the first time that she was well-formed, and that her manner of dress was satisfying. He knew none of the details of women's dress, and he saw none of the details of her neat s.h.i.+rt-waist and well-cut tailor suit. He saw only the effect in a general, sketchy way. She looked right. This was in the absence of anything wrong or out of the way.

"She's a trim little good-looker," was his verdict, when the outer office door closed on her.

The next morning, dictating, he concluded that he liked the way she did her hair, though for the life of him he could have given no description of it. The impression was pleasing, that was all.

She sat between him and the window, and he noted that her hair was light brown, with hints of golden bronze. A pale sun, s.h.i.+ning in, touched the golden bronze into smouldering fires that were very pleasing to behold. Funny, he thought, that he had never observed this phenomenon before.

In the midst of the letter he came to the construction which had caused the trouble the day before. He remembered his wrestle with the grammar, and dictated.

"I shall meet you halfway this proposition--"

Miss Mason gave a quick look up at him. The action was purely involuntary, and, in fact, had been half a startle of surprise. The next instant her eyes had dropped again, and she sat waiting to go on with the dictation. But in that moment of her glance Daylight had noted that her eyes were gray. He was later to learn that at times there were golden lights in those same gray eyes; but he had seen enough, as it was, to surprise him, for he became suddenly aware that he had always taken her for a brunette with brown eyes, as a matter of course.

"You were right, after all," he confessed, with a sheepish grin that sat incongruously on his stern, Indian-like features.

Again he was rewarded by an upward glance and an acknowledging smile, and this time he verified the fact that her eyes were gray.

"But it don't sound right, just the same," he complained. At this she laughed outright.

"I beg your pardon," she hastened to make amends, and then spoiled it by adding, "but you are so funny."

Daylight began to feel a slight awkwardness, and the sun would persist in setting her hair a-smouldering.

"I didn't mean to be funny," he said.

"That was why I laughed. But it is right, and perfectly good grammar."

"All right," he sighed--"I shall meet you halfway in this proposition--got that?" And the dictation went on. He discovered that in the intervals, when she had nothing to do, she read books and magazines, or worked on some sort of feminine fancy work.

Pa.s.sing her desk, once, he picked up a volume of Kipling's poems and glanced bepuzzled through the pages. "You like reading, Miss Mason?"

he said, laying the book down.

"Oh, yes," was her answer; "very much."

Another time it was a book of Wells', The Wheels of Change. "What's it all about?" Daylight asked.

"Oh, it's just a novel, a love-story." She stopped, but he still stood waiting, and she felt it inc.u.mbent to go on.

"It's about a little c.o.c.kney draper's a.s.sistant, who takes a vacation on his bicycle, and falls in with a young girl very much above him.

Her mother is a popular writer and all that. And the situation is very curious, and sad, too, and tragic. Would you care to read it?"

"Does he get her?" Daylight demanded.

"No; that's the point of it. He wasn't--"