The History of Roman Literature - LightNovelsOnl.com
You're reading novel online at LightNovelsOnl.com. Please use the follow button to get notifications about your favorite novels and its latest chapters so you can come back anytime and won't miss anything.
[36] _Superum pudor_, Phars. viii. 597.
[37] Ib. 605.
[38] Ib. 665.
[39] Ib. 800.
[40] Ib. 869, _Tam mendax Magni tumulo quam Creta Tonantis_.
[41] Ib. ix. 143.
[42] Ib. i. 128.
[43] Phars. vii. 454.
[44] Est ergo flamen ut Iovi ... sic Divo Iulio M. Antonius. Cic. Phil.
ii.
[45] Nos te, Nos facimus Fortuna deam caeloque locamus, Juv. x. ult.
[46] Phars. v. 110, _sqq._
[47] Ib. vi. 420-830.
[48] Ib. ii. 1-15.
[49] Ib. v. 199.
[50] Ib. ii. 380.
[51] Ib. ix. 566-586. This speech contains several difficulties. In v. 567 the reading is uncertain. The MS. reads _An sit vita nihil, sed longam differat aetas?_ which has been changed to _et longa? an differat actas?_ but the original reading might be thus translated, "Or whether life itself is nothing, but the years we spend here do but put off a long (_i.e._ an eternal) life?" This would refer to the Druidical theory, which seems to have taken great hold on him, that life in reality begins after death. See i. 457, _longae vitae Mors media est_, which exactly corresponds with the sentiment in this pa.s.sage, and exemplifies the same use of _longus_.
[52] Capit impia plebes Cespite patricio somnos, Phars. vii. 760.
[53] Vivant Galataeque, Syrique, Cappadoces, Gallique, extremique orbis Iberi, Armenii, Cilices, nam post civilia bella Hic populus Roma.n.u.s erit, Ib. vii. 335. Compare Juv. iii. 60; vii. 15.
[54] Phars. i. 56.
[55] Ib. vii. 174.
[56] See the long list, ii. 525, and the admirable criticism of M. Nisard.
[57] Phars. iii. 538, _sqq._
[58] Ib. ix. 735.
[59] Of the seps Lucan says, Cyniphias inter pestes tibi palma nocendi est; Eripiunt onmes animam, _tu sola cadaver_ (Phars. ix. 788).
[60] In allusion to the swelling caused by the _prester_, Non ausi tradere busto, Nondum stante modo, _crescens fugere cadaver_! Of the _iaculus_, a species which launched itself like an arrow at its victim, Deprensum est, quae funda rotat, quam lenta volarent, quam segnis Scythicae strideret arundinis aer.
[61] Phars. ix. 211.
[62] Ib. iv. 520.
[63] Silv. ii. 7, 54.
[64] Phars. v. 540.
[65] Ib. vi. 195.
[66] Phars. vii. 825.
[67] Ib. iv. 823.
[68] Ib iv. 185.
[69] The two pa.s.sages are, Eumenidum veluti demens videt agmina Pentheus Et solem geminum et duplices se ostendere Thebas; Aut Agamemdnonius scaenis agitatus Orestes Armatum facibus matrem et squalentibus hydris c.u.m fugit, ultricesque sedent in limiue Dirae (Aen. iv. 469). Lucan's (Phars.
vii. 777), runs, Haud alios nondum Scythica purgatus in ara Emmenidum vidit vultus Pelopeius Orestes: Nec magis attonitos animi sensere tumultus, c.u.m fueret, Pentheus, aut c.u.m desisset, Agave.
[70] Particularly that after the third foot, which is a feature in his style (Phars. vii. 464), _Facturi qui monstra ferunt_. This mode of closing a period occurs ten times more frequently than any other.
[71] I have collected a few instances where he imitates former poets:-- Lucretius (i. 72-80), Ovid (i. 67 and 288), Horace (v. 403), by a characteristic epigram; Virgil in several places, the chief being i. 100, though the phrase _belli mora_ is not Virgil's; ii. 32, 290, 408, 696; iii. 234, 391, 440, 605; iv. 392; v. 313, 610; vi. 217, 454; vii. 467, 105, 512, 194; viii. 864; x. 873.
[72] Phars. i. 363.
[73] Ib. viii. 3.
[74] Ib. i. 529.
[75] Phars. v. 479.
[76] Ib. v. 364.
[77] _Metuentia astra_, 51; _Sirius irdex_, 247. Cf. Man. i. 399 _sqq._
[78] The rare form _Ditis = Dis_ occurs in these two writers.
[79] Ep. 34, 2.
[80] Ep. 79, 1, 5, 7.
[81] See v. 208, 216, 304, 315, 334.
[82] Tac. A. xiv. 52, _carmina orebrius fact.i.tare_ points to tragedy, since that was Nero's favourite study. Mart. i. 61, 7, makes no distinction between Seneca the philosopher and Seneca the tragedian, nor does Quint. ix. 2, 8, _Medea apud Senecam_, seem to refer to any but the well-known name. M. Nisard hazards the conjecture that they are a joint production of the family; the rhetorician, his two sons Seneca and Mela, and his grandson Lucan having each worked at them!
[83] Aen. iv. 11, _Con._
[84] Hippol. 1124 and Oed. 979, are the finest examples.
