The Story of an African Farm Part 23

On our way back to work we pause and stand to see the ground-spider make its trap, bury itself in the sand, and then wait for the falling in of its enemy.

Further on walks a horned beetle, and near him starts open the door of a spider, who peeps out carefully, and quickly pulls it down again. On a karoo-bush a green fly is laying her silver eggs. We carry them home, and see the sh.e.l.ls pierced, the spotted grub come out, turn to a green fly, and flit away. We are not satisfied with what Nature shows us, and we see something for ourselves. Under the white hen we put a dozen eggs, and break one daily, to see the white spot wax into the chicken. We are not excited or enthusiastic about it; but a man is not to lay his throat open, he must think of something. So we plant seeds in rows on our dam-wall, and pull one up daily to see how it goes with them. Alladeen buried her wonderful stone, and a golden palace sprung up at her feet.

We do far more. We put a brown seed in the earth, and a living thing starts out--starts upward--why, no more than Alladeen can we say--starts upward, and does not desist till it is higher than our heads, sparkling with dew in the early morning, glittering with yellow blossoms, shaking brown seeds with little embryo souls on to the ground. We look at it solemnly, from the time it consists of two leaves peeping above the ground and a soft white root, till we have to raise our faces to look at it; but we find no reason for that upward starting.

We look into dead ducks and lambs. In the evening we carry them home, spread newspapers on the floor, and lie working with them till midnight.

With a started feeling near akin to ecstasy we open the lump of flesh called a heart, and find little doors and strings inside. We feel them, and put the heart away; but every now and then return to look, and to feel them again. Why we like them so we can hardly tell.

A gander drowns itself in our dam. We take it out, and open it on the bank, and kneel looking at it. Above are the organs divided by delicate tissues; below are the intestines artistically curved in a spiral form, and each tier covered by a delicate network of blood-vessels standing out red against the faint blue background. Each branch of the blood-vessels is comprised of a trunk, bifurcating and rebifurcating into the most delicate, hair-like threads, symmetrically arranged. We are struck with its singular beauty. And, moreover--and here we drop from our kneeling into a sitting posture--this also we remark: of that same exact shape and outline is our thorn-tree seen against the sky in mid-winter: of that shape also is delicate metallic tracery between our rocks; in that exact path does our water flow when without a furrow we lead it from the dam; so shaped are the antlers of the horned beetle.

How are these things related that such deep union should exist between them all? Is it chance? Or, are they not all the fine branches of one trunk, whose sap flows through us all? That would explain it. We nod over the gander's inside.

This thing we call existence; is it not a something which has its roots far down below in the dark, and its branches stretching out into the immensity above, which we among the branches cannot see? Not a chance jungle; a living thing, a One. The thought gives us intense satisfaction, we cannot tell why.

We nod over the gander; then start up suddenly, look into the blue sky, throw the dead gander and the refuse into the dam, and go to work again.

And so, it comes to pa.s.s in time, that the earth ceases for us to be a weltering chaos. We walk in the great hall of life, looking up and round reverentially. Nothing is despicable--all is meaning-full; nothing is small--all is part of a whole, whose beginning and end we know not. The life that throbs in us is a beginning and end we know not. The life that throbs in us is a pulsation from it; too mighty for our comprehension, not too small.

And so, it comes to pa.s.s at last, that whereas the sky was at first a small blue rag stretched out over us, and so low that our hands might touch it, pressing down on us, it raises itself into an immeasurable blue arch over our heads, and we begin to live again.

Chapter 2.II. Waldo's Stranger.

Waldo lay on his stomach on the red sand. The small ostriches he herded wandered about him, pecking at the food he had cut, or at pebbles and dry sticks. On his right lay the graves; to his left the dam; in his hand was a large wooden post covered with carvings, at which he worked.

Doss lay before him basking in the winter suns.h.i.+ne, and now and again casting an expectant glance at the corner of the nearest ostrich camp.

The scrubby thorn-trees under which they lay yielded no shade, but none was needed in that glorious June weather, when in the hottest part of the afternoon the sun was but pleasantly warm; and the boy carved on, not looking up, yet conscious of the brown serene earth about him and the intensely blue sky above.

Presently, at the corner of the camp, Em appeared, bearing a covered saucer in one hand and in the other a jug, with a cup in the top. She was grown into a premature little old woman of sixteen, ridiculously fat. The jug and saucer she put down on the ground before the dog and his master and dropped down beside them herself, panting and out of breath.

"Waldo, as I came up the camps I met some one on horseback, and I do believe it must be the new man that is coming."

The new man was an Englishman to whom the Boer-woman had hired half the farm.

"Hum!" said Waldo.

"He is quite young," said Em, holding her side, "and he has brown hair, and beard curling close to his face, and such dark blue eyes. And, Waldo, I was so ashamed! I was just looking back to see, you know, and he happened just to be looking back too, and we looked right into each other's faces; and he got red, and I got so red. I believe he is the new man."

"Yes," said Waldo.

"I must go now. Perhaps he has brought us letters from the post from Lyndall. You know she can't stay at school much longer, she must come back soon. And the new man will have to stay with us till his house is built. I must get his room ready. Good-bye!"

She tripped off again, and Waldo carved on at his post. Doss lay with his nose close to the covered saucer, and smelt that some one had made nice little fat cakes that afternoon. Both were so intent on their occupation that not till a horse's hoofs beat beside them in the sand did they look up to see a rider drawing in his steed.

He was certainly not the stranger whom Em had described. A dark, somewhat French-looking little man of eight-and-twenty, rather stout, with heavy, cloudy eyes and pointed moustaches. His horse was a fiery creature, well caparisoned; a highly-finished saddlebag hung from the saddle; the man's hands were gloved, and he presented the appearance-an appearance rare on that farm--of a well-dressed gentleman.

In an uncommonly melodious voice he inquired whether he might be allowed to remain there for an hour. Waldo directed him to the farmhouse, but the stranger declined. He would merely rest under the trees and give his horse water. He removed the saddle and Waldo led the animal away to the dam. When he returned, the stranger had settled himself under the trees, with his back against the saddle. The boy offered him of the cakes. He declined, but took a draught from the jug; and Waldo lay down not far off and fell to work again. It mattered nothing if cold eyes saw it. It was not his sheep-shearing machine. With material loves, as with human, we go mad once, love out, and have done. We never get up the true enthusiasm a second time. This was but a thing he had made, laboured over, loved and liked--nothing more--not his machine.

The stranger forced himself lower down in the saddle and yawned. It was a drowsy afternoon, and he objected to travel in these out-of-the-world parts. He liked better civilised life, where at every hour of the day a man may look for his gla.s.s of wine, and his easy-chair, and paper; where at night he may lock himself into his room with his books and a bottle of brandy, and taste joys mental and physical. The world said of him--the all-knowing, omnipotent world, whom no locks can bar, who has the cat-like propensity of seeing best in the dark--the world said, that better than the books he loved the brandy, and better than books or brandy that which it had been better had he loved less. But for the world he cared nothing; he smiled blandly in its teeth. All life is a dream; if wine and philosophy and women keep the dream from becoming a nightmare, so much the better. It is all they are fit for, all they can be used for. There was another side to his life and thought; but of that the world knew nothing, and said nothing, as the way of the wise world is.

The stranger looked from beneath his sleepy eyelids at the brown earth that stretched away, beautiful in spite of itself in that June suns.h.i.+ne; looked at the graves, the gables of the farmhouse showing over the stone walls of the camps, at the clownish fellow at his feet, and yawned. But he had drunk of the hind's tea, and must say something.

"Your father's place I presume?" he inquired sleepily.

"No; I am only a servant."

"Dutch people?"

"Yes."

"And you like the life?"

The boy hesitated.

"On days like these."

"And why on these?"

The boy waited.

"They are very beautiful."

The stranger looked at him. It seemed that as the fellow's dark eyes looked across the brown earth they kindled with an intense satisfaction; then they looked back at the carving.

What had that creature, so coa.r.s.e-clad and clownish, to do with the subtle joys of the weather? Himself, white-handed and delicate, he might hear the music with s.h.i.+mmering suns.h.i.+ne and solitude play on the finely-strung chords of nature; but that fellow! Was not the ear in that great body too gross for such delicate mutterings?

Presently he said:

"May I see what you work at?"

The fellow handed his wooden post. It was by no means lovely. The men and birds were almost grotesque in their laboured resemblance to nature, and bore signs of patient thought. The stranger turned the thing over on his knee.

"Where did you learn this work?"

"I taught myself."

"And these zigzag lines represent--"

"A mountain."

The stranger looked.

"It has some meaning, has it not?"

The boy muttered confusedly.

"Only things."

The questioner looked down at him--the huge, unwieldy figure, in size a man's, in right of his childlike features and curling hair a child's; and it hurt him--it attracted him and it hurt him. It was something between pity and sympathy.