The Woman's Part Part 2

Women are now exclusively used for the painting of the sh.e.l.ls, a process accomplished, not by means of a brush and paint-pot, but by the operator playing a fine electrically-worked syringe on to the surface of the sh.e.l.l.

This process is undertaken in what is often called 'the butcher's shop', the sh.e.l.ls, in pairs, being swung up on a rope into a compartment where the operator works from behind a protective iron screen.

In the Filling shops, women's devotion to their work has been proved once and again. Whether the process undertaken be in company of a few comrades, or in isolated huts where lonely vigils are kept over stores of explosives, the munition-girls are hardly known to flinch in their duty.

Sometimes, they have volunteered to work throughout the night when air-raids are in progress, at other times, women-workers have returned to the Danger Zone immediately after some bad experience there; and, in every case, the woman worker in the Filling Factory cheerfully sacrifices much which she holds dear in life. It may signify but little to a man to give up his small personal possessions whilst at work in the danger areas, but to many a woman worker it means much, that she may not wear a brooch, or a flower, while on duty, and that her wedding-ring, the only allowable trinket, must be bound with thread while she works. Her tresses, which she normally loves to braid, or twist into varying fas.h.i.+ons, must also be left hairpinless beneath her cap. She must relinquish her personal belongings before going to her allotted task; no crochet-hook or knitting-pin may accompany her into the zone where friction of steel, or hard metal, might spell death to a mult.i.tude of employees. Yet this sacrifice of individuality is given freely by the woman in the Filling shop, and she is still merry-hearted and blithe as she fills the small bags with deadly powder, or binds the charge which shall fire the sh.e.l.l.

When the sh.e.l.l is finally filled and pa.s.sed 'O.K.', or perfect, it is a woman who packs it into its box and who wheels it on a truck, sometimes for a mile or more over narrow platforms, to hand it to another woman who stacks it into the waiting railway-wagon. Any one who has watched throughout the production of a sh.e.l.l in a factory of to-day can only echo a well-known author's recent salute: 'Hats off to the Women'.

_In the Fuse Shop_

The fuse, that small and complicated object which explodes the sh.e.l.l, is a war-product now largely produced by women's labour. A few inches in length, it requires some hundreds of operations for its manufacture, even if the initial processes on the metal are excluded from the count. In section, it looks like a complicated metal jig-saw puzzle of exquisite finish and cohesion: viewing it externally, a child might mistake it for a conjurer's 'property', a bright metal egg, or roll often surrounded by a metal ring marked with time measurements.

The care and accuracy necessary for the production of this small object can hardly be imagined by the uninitiated: it is measured and re-measured in every diameter, since on its perfection depends the life of the gunner and his team. The fuse shop is usually characterized by its cleanliness and quietude. I recall one such shop stretching far away into distance both in length and breadth. Under its roof some 1,500 women were at work.

Conversation could be held in any part of the shop, undisturbed by the usual factory noises. The fuse parts are, indeed, so small that the machinery is necessarily light, and in such a shop it is dexterity and accuracy that tell, rather than physical strength.

Rows of graceful women and girls were standing at their machines, and I recall how their overalls and caps of varied hues made a rainbow effect, as one watched from a distant corner. Some were in cream colour and some in russet-brown, or apple green, the caps sometimes matching the overall and sometimes offering a strong contrast. A splash of purple, or a deep magenta, mingled with the head-dresses of softer hue, for in this shop, away from the Danger Zone, no insistence was made on uniformity of factory costume. Other women, wearing a distinctive armlet, were pa.s.sing in and out between the rows of workers, now stopping and bending over a machine, now making some bright remark to the operator, as a ripple of laughter indicated, or again, pointing out in sterner wise some danger, or some error in the job. These itinerary women are the overlookers, who since the war have perfected themselves in their special job and can now supervise the operators.

At long tables, other women were sitting; some quite elderly and grey-haired, some mere girls. They were measuring with small gauges parts of the fuse, some the size of a good-sized bead. There are 150 different gauges authorized for the measurement of one type of fuse, and in practice even more are used, to ensure perfection of accuracy. I stood spell-bound at one of these gauging tables and watched the examination of small screws and flash plugs. There were six little squares of felt on the table, on which the examiner placed rejects, cla.s.sified according to the detected flaw. The work proceeded with the utmost dispatch, the 'accepted' or 'perfect' heap growing as if by magic.

At another table, a girl was testing springs of about an inch long. If any of these showed the smallest fraction too much length after being submitted to a given pressure, they were put aside as 'sc.r.a.p'. At yet another table, tiny fuse needles were being examined for length, thickness of phlange, and accuracy of point, and on a high flat desk, near a machine, I noticed seventeen different gauges were ranged for the examination of the percussion end of the fuse-body, one ten-thousandth part of an inch being the limitation or variation allowed in such parts.

When all the parts have been examined they are pa.s.sed to other tables for a.s.sembling, or putting together. In this operation almost superhuman care is required, and the work is reserved for the best operators and time-keepers as a reward for long service. 'a.s.sembling' is regarded as the plum of the fuse-room. The operators are well aware of the importance of the task, as they stow away in the time fuses the pea-ball, pellet, spring, stirrup, ferrule, and other components of the fuse. The needle is fixed by blows from a small hammer, and at length the fuse is completed and pa.s.ses out of the room of its creation to receive its 'filling' from other hands.

_Cartridges and Bullets_

The production of cartridges and bullets is another branch of munitions production in which women are mainly employed. These objects, which, when completed, are together no longer than a ball-room pencil, make in their manufacture no great demand on physical strength.

On entering a cartridge and bullet shop, one is at once struck with its individuality. There is more stir and movement than in a fuse-room, but less of the imperiousness of the machinery than in the sh.e.l.l or gun shop.

There is in the cartridge and bullet room still the whirr of wheels and, above that, the deep constant throb of the driving-force, that makes conversation almost inaudible to the new-comer. But beneath this ba.s.s accompaniment, one can hear the lesser sounds belonging to the cartridge and bullet-room alone. There may be the buzz of the circulating gas machines--which resemble miniature merry-go-rounds--the tap, tap, of the cartridges as they are thrown out of the machine into a box below, and the tinkle of bullets as they are poured into weighing machines, or on to tables, or into huge barrels, such as are used on the wharves for the transport of herrings.

A cartridge and bullet-shop sometimes is as animated and as picturesque as an open-air market under a southern sky. I remember such a shop where the girls were in various factory costumes, some at the machines in khaki and some in cream-coloured overalls and caps; some, who were 'trucking', or removing the product in boxes, were in cream trouser-suits, with smart head-dresses fas.h.i.+oned from brightly-coloured oriental handkerchiefs. In between the rows of girls men in dark suits were pa.s.sing to and fro, now stopping to examine, or alter a machine and now taking up a box of bullets and pouring out its glittering contents like a silver stream, so that the output from each worker might be weighed and a.s.sessed.

Through an open door, at one side of the shop, one could see other men, like stern magicians, dropping cartridges into vats of acid, and just to the side of the vats I caught sight of two girls vigorously shaking a sack of cartridges, hot from the furnace. As they shook, they sang an army refrain: 'Take me back to dear old Blighty,' with a chorus of laughter. At the extreme end of the shop, near the door whence the product made its exit, were long narrow tables, piled with bullets, reminding one of a haul of silver sprats on the quay-side. These were the inspecting tables where the bullets receive minute attention from women viewers.

The women's work in the bullet-shop is of extraordinary interest to the onlooker, although many of the processes must be infinitely more monotonous, from the worker's standpoint, than operations in other munitions productions. The elongation of the little metal vessel, resembling an acorn-cup, into a full-length cartridge, or bullet, necessitates many operations in which the dexterity of human fingers and the ingenuity of the machine both come into play. In the shop I recall, in one machine employed for semi-annealing, the cartridge was being 'fed'

into a metal revolving plate. This pa.s.sed behind an asbestos screen into a double row of gas jets, where the semi-annealing or hardening process was being accomplished. The dexterity of the operators was so great that one woman was often feeding two machines, apparently without effort, and never missed placing the cartridge into the correct aperture in the revolving plate.

In another process, I watched young girls sitting round a table and placing bullets into circular apertures in small trays, resembling solitaire-boards. Many of the girls were working with such speed that it was impossible to follow the movements of their fingers, but they, unconscious of their prowess, worked with averted heads, smiling in amus.e.m.e.nt at the visitor's astonishment.

In yet another operation, it was the machine that held one's attention.

The operator was feeding cartridges into a metal band which slipped out of view while the process of 'tapering' was performed. When finished, a metal thumb and index finger appeared, which delicately picked up the cartridges, one by one, and threw them aside. The displaced cartridge then hopped out of the machine into a box at the side of the machine.

Entranced by the many mysteries in the production of cartridges and bullets in the shop I am recalling, I had not noticed that the tea-interval had arrived, and suddenly found that the work-room was almost empty of human beings. Only two girls remained. They were sitting sewing, whilst they devoured thick slices of bread and b.u.t.ter out of a newspaper packet. The woman inspector, who was my guide, turned sharply. 'What are you doing here?' she said, 'Eating your tea in the workshop, instead of outside, or in the canteen. Be off at once into the fresh air.' Then, with the indignation fading out of a good-humoured face: 'What next?' she said.

Looking out of the open door at the streams of bright and happy girls laughing, singing, dancing, and running, as only healthy youth can do in the midst of these dark days of war, I seemed to see other and brighter days ahead stretching out into the years of the future, when the workfolk would all taste a fuller joy in life. With renewed hope, I gave her back her challenge: 'Well! and what next?'

CHAPTER IV: AT WORK--II

THE MAKING OF AIRCRAFT--OPTICAL INSTRUMENTS--IN THE s.h.i.+PYARDS

_The Making of Aircraft_

The production of aircraft, undertaken in this country on a large scale only since the outbreak of the war, has fallen more naturally into the hands of women. The work is for the most part light, and the new factories, often erected in open country, are bright, airy, and largely free from the noise of machinery. Added to these special attractions to the woman worker, there is apparently a distinct appeal to the youth of both s.e.xes and to women of all ages in anything connected with the art of flying.

It is no secret that our output of aircraft is steadily increasing, and that during 1917 it has been doubled. In one factory in London, the output has been trebled within three months; in Lancas.h.i.+re, there are instances in which it has been doubled, and other areas show an improved production varying from 25 to 50 per cent. Yet the increased demand for labour for this work has always been immediately answered, and there is a steady flow into the factories of the best type of women workers from every cla.s.s of society. Here and there, one already meets a woman who, during the short period of the war, has risen to be manager or partner in an aircraft factory. Unconsciously, such a one emphasizes the fact that the mastery of the element of the future is likely to be an affair of both the s.e.xes.

A visit to any aeroplane factory repeats the hint, and reveals the extraordinary versatility of skill latent in women, which can well be applied to this form of industry. 'Women _must_ have been cabin'd, cribbed, and confined before the war', said a foreman in taking me over his shop in an aircraft works. 'Look what they can do at this kind of job, and yet many of them are ladies, from homes where they sat about and were waited upon.' The wonder of it cannot fail to impress a visitor, since only four years ago women were allowed to undertake in aircraft construction merely those parts which convention deemed suitable for feminine fingers: such processes, for instance, as the sewing of the wings by hand, or by machine, or the painting of the woodwork.

[Ill.u.s.tration: ENGRAVING METAL PARTS FOR COMPa.s.sES]

[Ill.u.s.tration: COLOURING AEROPLANE PLANES]

[Ill.u.s.tration: CHIPPING AND GRINDING BLADES OF CAST IRON PROPELLER WITH PORTABLE TOOLS]

[Ill.u.s.tration: WOMAN ACTING AS MATE TO JOINER. MAKING SEA-PLANE FLOATS]

To-day, they undertake almost every other process both at the carpenter's bench and in the engineering shop, and the chief impression you carry away from a stroll through such a factory is that the women are thoroughly at home in the work. The operations are often so clean that the workers'

overalls and caps of the daintiest shades of pink, blue, white, and heliotrope, remain fresh; the material for aeroplane parts is usually so light that the handling of it presents no difficulty to a slip of a girl.

When within the works, the visitor is constantly stimulated to the thought that the hand which rocks the cradle should obviously be the one to make the air-machine.

One expects, of course, women's familiarity with the occupation in the room where the fine Irish linen is cut out and fas.h.i.+oned into wings. One is not surprised at the facility with which the measuring and cutting out are accomplished, and, maybe, an emotion of admiration arises, similar to that evoked by the contemplation of old tapestries, when one watches the hand-sewing of a seam in a wing of some 10 feet in length. Not a st.i.tch of the b.u.t.ton-holing of such a seam deviates by a hairbreadth from its fellows. Such work has, however, been women's province through the ages.

But a new sensation is awakened in the carpenter's shop where women are working with dexterity at the bench, handling woodwork like the men, now dealing with delicate wooden ribs, or again, fas.h.i.+oning propellers out of mahogany or walnut with such nicety that there is not the slightest deviation between the dimensions of a pair. In the room where the linen is stretched over the wooden ribs, I have seen women working with tiny hammers, giving fairy blows that never miss their mark on tiny nails.

It is with fascination that a visitor stands by be-goggled women as they undertake the welding of metal joints by the oxy-acetylene process. Here, conscientiousness is a vital quality in the operator, since an undetected flaw in the weld, as a works foreman recently remarked, 'might easily send an airman to Kingdom Come'. For this process, women of education are more often selected.

It is with awe that you watch the women at work on the metal parts of the aeroplane, drilling, grinding, boring, milling on the machine, or soldering tiny aluminum parts for the fuselage, and in each process gauging and re-gauging, measuring and re-measuring. Women also work on aero-engines, and help in the manufacture of the magneto, the very heart of the machine. They even undertake special processes, which before the war were only entrusted to a select body of men. I stood one day, for example, watching a woman splicing steel rope, a process undertaken in pre-war days by sailors. She was working with extraordinary speed and unconcern, and had learned the job in three or four days. Before then, she told me, she had been her employer's cook.

But the most alluring scene of all is the a.s.sembling of aircraft. The infinite number of separate parts are now ready; they have been tested by factory overlookers and retested by Government inspectors. The greatest care is taken in these examinations: it is the only possible insurance of the lives of the brave youths on their journey above the clouds. All the workers know this, and the seriousness of the job is reflected on their faces. But now all the parts are ready and to hand in the Erecting shop. Then wings and propeller are added to body, the engine and leather-upholstered seats introduced, the electric apparatus fitted up, the compa.s.s, ammunition box and other instruments and weapons placed in position.

The aeroplane is at length complete, and stands in the hangar like some great bird, with outstretched pinions, awaiting its first flight into the Unknown. Women undertake every process of this a.s.sembling, and have acquired familiarity with all the parts. This was put to the test recently in a certain works when a woman operator was directed to dismantle a machine. Without hesitation, she stripped the complex network of the structural stay-wires and the control wires, and then re-a.s.sembled them, correct in every particular, at the first attempt.

_Optical Instruments_

Of the many industries developed by the war, the production of optical instruments offers a striking example of rapid progress. Before 1914, the optical gla.s.s industry of Europe was largely in the hands of Germany and Austria, and the outbreak of hostilities meant the total closing of that market to the Allies. The lack of optical instruments thus occasioned was at first a source of grave national peril, since optical gla.s.s provides, as it were, eyes for both Navy and Army. The eyes of the guns are the range-finder, the director, the sighting telescope, periscope, prism binoculars, and other instruments for observing fire and correcting the aim; the tank would be blind without its periscope, and observations are made from aircraft by means of photographic cameras and lenses.

At sea, the tale is repeated; the submarine requires at least one eye, and the submarine chaser needs many, while, by means of optical instruments, the naval gunner can fire at a target which is about 15 to 20 miles away.

The very health of the army depends, in great measure, on optical gla.s.s, since the Royal Army Medical Corps fights malaria and other diseases due to parasites, which must be magnified by a microscope a thousand times before they can be identified. Hence, the solution of the problem of optical munitions was a vital matter in the early days of the war.

With characteristic energy, Great Britain set to work and soon restored a languis.h.i.+ng trade. The task was enormous; the industry had to be revived from its very foundations. The production of the peculiar types of gla.s.s required for optical instruments in itself presented a formidable obstacle, even its princ.i.p.al ingredient, a special quality of sand, being formerly derived mainly from Fontainebleau and Belgium. But by widespread investigation efficient subst.i.tutes were soon discovered, the problem of mixing the ingredients was at length solved, formulae for special gla.s.ses devised, and we are now producing large quant.i.ties of optical gla.s.s of perfect quality. The production of the raw material was, however, only a first step in obtaining an adequate supply of optical instruments.