Crisscross. Part 39

"A voiceprint a.n.a.lysis comparing her tape to Blascoe's voice on one of our own instructional tapes will make us liars. She's got to be stopped, Jensen."

"I know. I'm-"

"I mean stopped stopped-as in, I do not want to hear from this woman again. Do you hear me?"

"Loud and clear."

"Find her."

Luther hung up and rose from his bed. Sleep now was out of the question. He strode into the office area, sat at his desk, and pressed the b.u.t.ton for the globe.

He stared at its glowing lights, twinkling in the darkness of the office, and wanted to cry.

So close. He was so close to completing Opus Omega, to fulfilling all the required tasks. The end was in sight. A year... he needed just another year or so and all would be in place. Everything had been going so smoothly...

Until now.

d.a.m.n that woman. Ruination. Disaster. Cooper Blascoe, the beloved PD, not in suspended animation but held prisoner and fitted with a bomb, and then... blown to pieces.

The Church would deny everything, of course, but the tape would d.a.m.n them.

Luther groaned and closed his eyes as he envisioned the fallout: Members fleeing in droves, recruitment coming to a standstill, revenues constricting to a trickle.

Revenues... he needed money, lots of it, to acquire the final sites. Final because they either were prime real estate or the owners refused to sell. They couldn't all be pushed in front of subway trains.

As a matter of fact, the new column was scheduled to be planted on the Masterson property tomorrow night.

But if that woman exposed the Blascoe debacle, it might be the last.

Luther slammed his fist on the desktop. He could not allow one lousy woman to threaten the greatest project in the history of mankind.

Yes! The history history of mankind. of mankind.

For Opus Omega had not begun with Luther Brady. Oh, at first he'd thought it did, but he had soon learned otherwise. He remembered the day in England when he'd begun to excavate a patch of moor he'd purchased in York. He'd found a bare spot in a field of wild rape and decided that would be as good a place as any to bury a pillar. But after digging only a few feet into the soft earth his crew discovered the top of a stone column. As they excavated around it Luther was stunned to see the symbols carved into its granite flanks-identical to the ones on the concrete column he'd prepared for this site.

Someone had been there ahead of him-hundreds, maybe thousands of years before. The conclusion was inescapable: Opus Omega had begun long, long ago. It was not Luther Brady's exclusive task, as he had thought. He was merely another man chosen to continue an ancient undertaking.

No, more than continue. He, Luther Brady, was determined to finish Opus Omega. The ancients had been at a disadvantage, lacking the means to travel to the necessary sites, let alone transport huge stone pillars. He was positioned to use all the modern world's learning and technology to bring Opus Omega to its fulfillment.

But one woman could bring his life's work to a grinding halt.

One woman.

Jamie Grant had to be stopped.

2.

"I understand, Jack," Jamie said, "and I appreciate your concern, but I know what I'm doing."

Like h.e.l.l you do, Jack thought.

He was driving through Midtown, heading east along Fifty-eighth, and they'd been arguing for more than half an hour.

Jamie had done pretty well behind the wheel, racing the Vic down the winding mountain road and speeding them to the highway. Jack would have preferred to be in the driver's seat but didn't want to waste the seconds it would have taken to switch places. When they'd reached 84 he'd made her turn west instead of east. He'd guessed that Jensen would expect them to head back to the city, so they went the other way.

It had worked. No sign of pursuit, even though he'd had Jamie set the cruise control at sixty-five and stick to it. Under any circ.u.mstances, Jack feared being pulled over, but more than ever tonight. Not having a valid ident.i.ty would be small potatoes compared to explaining how they'd wound up splattered head-to-toe with blood and tissue from Cooper Blascoe.

Jamie had held up until they pulled off the interstate at Carmel and waited to see if Jensen would show. The meltdown occurred a few seconds after she stopped the car. First a sniff, then a tear, and then Jamie Grant, hard-nosed investigative reporter, was sobbing in his arms. Jack held her, patted her back, told her what a great job she'd done, and that she'd be okay, everything would be okay.

Eventually she regained control and seemed embarra.s.sed. The good news was that throughout the long wait by the exit ramp he'd seen no sign of Jensen and company. Heading the wrong way had worked.

They'd found an all-night Wal-Mart and bought clean clothes. Jack grabbed the wheel then and took the long way home.

They'd been arguing since they hit North Jersey about where Jamie would spend the night. Her place was out of the question-probably had half a dozen IPs glued to it-as was Jack's. He hadn't let her know his name, and he sure as h.e.l.l wasn't letting her know where he lived. So he'd been pus.h.i.+ng for a hotel room somewhere in the wilds of Queens. He'd sleep outside her door if necessary.

Jamie wanted none of it. She insisted that he drop her off at The Light The Light.

"You think they won't be watching your office too?" Jack said. "It's stupid to go back there."

"Jack, I'll be under guard. You've seen the security there during the day, and it's even tougher at night. You've got to be buzzed through the door, and Henry, the night guy, is armed."

Jack shook his head. "I don't like it."

She reached over and patted his hand. "I'll be fine. I'll take a cab and get dropped off right at the door. What are they going to do-grab me off the street in front of Henry? He'll buzz me in and I'll be safe for the night. I can work on transcribing the interview without worrying."

"I think you should call the cops. You're a taxpayer-get some of it back in protection."

She looked at him. " 'You're a taxpayer'... kind of an odd turn of phrase, don't you think? I mean, so are you."

Jack could have told her how he'd never sullied his hands with a 1040, but didn't want to get into that.

"Let's forget turns of phrase. Call the cops."

"No way. Not yet. I want to get this story filed first. If I call in the gendarmes now, I'll have to tell them about Coop and-"

"'Coop'?"

She blinked and Jack noticed her eyes glistening. "He wasn't a bad guy, just an old hippie. A gentle hedonist. He didn't create Dormentalism as it is today, he isn't responsible for what Brady's done to it. He didn't deserve to die... to be blown up... and I can't help thinking how he'd still be alive if I'd just left him alone..."

Her voice choked off in a sob, but only one.

Jack thought about asking her if her meltdown in Carmel was the reason she was being so hard-nosed about not hiding out or getting help. He decided against it. Probably only get her back up.

"The cops, Jamie? What's wrong with getting them involved now instead of later?"

"Because in order to get protection I'll have to tell them why I'm in danger, and that means telling them what happened to Coop. And once they hear that, I'll be trapped in an interrogation-deposition situation for hours, maybe days, during which-"

"At least you'll he safe."

"-the story of what happened up there will leak out, and every paper in the city will he screaming their takes while mine remains unwritten and unfiled."

"Yeah, but the stories will be about you. You'll be famous."

"Like I care, /want to break the story-me. n.o.body else. Where I come from, that's important. I'll be safe. Really."

"Really? Remember Coop? They blew him up."

She threw up her hands. "Look, I'm through talking about it. Stop someplace where I can get a cab."

Jack sighed. He knew an immovable object when he saw one-Gia could be just as intransigent. His instincts urged him to head straight for the on-ramp to the Queensboro Bridge and cross the East River. He wanted to find a motel room and lock her in it until she saw the light.

But he couldn't do that. He'd fight tooth and nail if someone tried to lock him up, so how could he do that to her? It went against everything he believed in.

And yet... how could he let her put her life on the line just to be first to file a story?

Let her... listen to me... like I own her.

He didn't. Jamie owned Jamie, and so Jamie had to be allowed to do what she felt she had to, even if Jack thought it was insanely risky. Because in the end all that mattered was what Jamie thought. It was her life. And so what mattered most was what mattered to Jamie.

Jack turned downtown, away from the bridge.

"s.h.i.+t! This is idiotic, Jamie! You're going to get yourself killed. And me with you."

"How's that?"

"Well, you don't think I'm going to let you go alone."

She placed a hand on his arm. "I appreciate that, but you don't need to come along. Just cover my back till I'm inside. After that I'm home free: locked doors, an armed guard."

"I do not not like this." like this."

"I'm not crazy about it either, but a gal's gotta do what a gal's gotta do."

"Not funny."

"Wasn't meant to be," she said.

3.

Jamie waited in the rear of the cab until she spotted Henry through the gla.s.s doors of The Light's The Light's front entrance. There he was, sitting behind his kiosk, just where he was supposed to be. Time to move. Heart pounding, she hopped from the cab and raced across the sidewalk. front entrance. There he was, sitting behind his kiosk, just where he was supposed to be. Time to move. Heart pounding, she hopped from the cab and raced across the sidewalk.

As she jammed the ringer b.u.t.ton, her head snapped left and right-would have rotated full circle had her neck allowed-looking for Dementedist goons. She knew Jack was somewhere nearby, hiding in the shadows. Still, if a couple of TPs suddenly jumped out and pulled her into a van, was he close enough to help?

She heard a noise and jumped. About a hundred feet to her left two men in raincoats were gliding from a parked sedan.

Oh, G.o.d!

She started hammering on the gla.s.s and at just that moment the door swung open. She leaped inside and elbowed Henry out of the way to pull it closed behind her. As it latched she peered through the gla.s.s and saw the two men standing on the sidewalk, halfway to the door, staring at her. She resisted the urge to give them the finger.

Henry laughed. "What's the hurry, Ms. Grant?"

Jamie figured if she told him that people were after her because of a story she was about to write, he'd call the cops.

She turned and smiled. "Got a big story to write, Henry."

"Must be a whopper to bring you in at this hour. I mean, this is early even for you." He leaned closer and looked at her. "Or is it late?"

She glanced up. The lobby clock showed ten after two.

"Late, Henry," she said as she started for the elevators. "Very late."

She hadn't slept well Wednesday, finally giving up on the possibility around four A.M. Thursday. She'd hauled herself out of bed and headed for the office. Here it was, Friday morning, which meant she'd been going full speed for over twenty-two hours. Yet she didn't feel the slightest hint of fatigue. She was jazzed. Adrenaline strummed heavy-metal power chords along her axons.

Good thing too, otherwise the horrors of the night-cutting through Coop's skin... his body blowing to pieces-would have reduced her to a trembling basket case by now.

But she couldn't dwell on that.

On the third floor she turned on all the overhead lights and wound through the deserted cubicle farm to her office. She paused on the threshold and looked at the comforting confusion of strewn-about books, newspapers, printouts, and scribbled-up yellow notepads.

Bless this mess, she thought. I'm home.

She dropped into her desk chair, lit a ciggie, and turned on her terminal. She'd rewound the tape during the trip back, so all she had to do now was pull the recorder from her shoulder bag and hit PLAY.

She had a bad moment when she first heard the murdered man's voice begin to speak to her from the tiny speaker...

'"You mean why I'm not in suspended animation, and how I came to be a sh.e.l.l of my former self? Know what? If you hold me up to your ear you can hear the ocean roar."

... but she held herself together and began to transcribe.