Occasion for Disaster Part 11

"In Was.h.i.+ngton," O'Connor said, "it was noon. Here it is nine o'clock, and hardly as warm. The atmosphere is quite arid, and about twenty degrees below that obtaining in Was.h.i.+ngton."

Malone thought about it, trying to ignore the chills. "Oh," he said at last. "And all the time I thought it was you."

"What?" O'Connor leaned forward.

"Nothing," Malone said hastily.

"My suggestion," O'Connor said, putting his fingertips together again, "is that you take off your clothes, which are undoubtedly damp, and--"

Naturally, Malone had not brought any clothes to Yucca Flats to change into. And when he tried to picture himself in a spare suit of Dr.

O'Connor's, the picture just wouldn't come. Besides, the idea of doing a modified strip-tease in, or near, the O'Connor office was thoroughly unattractive.

"Well," he said slowly, "thanks a lot, doctor, but no thanks. I really have a better idea."

"Better?" O'Connor said.

"Well, I--" Malone took a deep breath and shut his eyes.

He heard Dr. O'Connor say: "Well, Mr. Malone--good-by. And good luck."

Then the office in Yucca Flats was gone, and Malone was standing in the bedroom of his own apartment, on the fringes of Was.h.i.+ngton, D. C.

IV

He walked over to the wall control and shut off the air-conditioning in a hurry. He threw open a window and breathed great gulps of the hot, humid air from the streets. In a small corner at the back of his mind, he wondered why he was grateful for the air he had suffered under only a few minutes before. But that, he reflected, was life. And a very silly kind of life, too, he told himself without rancor.

In a few minutes he left the window, somewhat restored, and headed for the shower. When it was running nicely and he was under it, he started to sing. But his voice didn't sound as much like the voice of Lauritz Melchior as it usually did, not even when he made a brave, if foolhardy stab at the Melchior accent. Slowly, he began to realize that he was bothered.

He climbed out of the shower and started drying himself. Up to now, he thought, he had depended on Dr. Thomas O'Connor for edifying, trustworthy and reasonably complete information about psionics and _psi_ phenomena in general. He had looked on O'Connor as a sort of living version of an extremely good edition of the _Britannica_, always available for reference.

And now O'Connor had failed him. That, Malone thought, was hardly fair. O'Connor had no business failing him--particularly when there was no place else to go.

The scientist had been right, of course, Malone knew. There was no other scientist who knew as much about psionics as O'Connor, and if O'Connor said there were no books, then that was that: there were no books.

He reached for a drawer in his dresser, opened it and pulled out some underclothes, humming tunelessly under his breath as he dressed. If there was no one to ask, he thought, and if there were no books--

He stopped with a sock in his hand, and stared at it in wonder.

O'Connor hadn't said there were no books. As a matter of fact, Malone realized, he'd said exactly the opposite.

There were books. But they were "crackpot" books. O'Connor had never read them. He had, he said, probably never even heard of many of them.

"Crackpot" was a fighting word to O'Connor. But to Malone it had all the sweetness of flattery. After all, he'd found telepaths in insane asylums, and teleports among the juvenile delinquents of New York.

"Crackpot" was a word that was rapidly ceasing to have any meaning at all in Malone's mind.

He realized that he was still staring at the sock, which was black with a gold clock. Hurriedly, he put it on, and finished dressing. He reached for the phone and made a few fast calls, and then teleported himself to his locked office in FBI Headquarters, on East Sixty-ninth Street in New York. He let himself out, and strolled down the corridor. The agent-in-charge looked up from his desk as Malone pa.s.sed, blinked, and said: "h.e.l.lo, Malone. What's up now?"

"I'm going prowling," Malone said. "But there won't be any work for you, as far as I can see."

"Oh?"

"Just relax," Malone said. "Breathe easy."

"I'll try to," the agent-in-charge said, a little sadly. "But every time you show up, I think about that wave of red Cadillacs you started. I'll never feel really secure again."

"Relax," Malone said. "Next time it won't be Cadillacs. But it might be spirits, blowing on ear-trumpets. Or whatever it is they do."

"Spirits, Malone?" the agent-in-charge said.

"No, thanks," Malone said sternly. "I never drink on duty." He gave the agent a cheery wave of his hand and went out to the street.

The Psychical Research Society had offices in the Ravell Building, a large structure composed mostly of plate gla.s.s and anodized aluminum that looked just a little like a bright blue, partially transparent crackerbox that had been stood on end for purposes unknown. Having walked all the way down to this box on Fifty-sixth Street, Malone had recovered his former sensitivity range to temperature and felt pathetically grateful for the coolish sea breeze that made New York somewhat less of an unbearable Summer Festival than was normal.

The lobby of the building was glittering and polished, as if human beings could not possibly exist in it. Malone took an elevator to the sixth floor, stepped out into a small, equally polished hall, and hurriedly looked off to his right. A small door stood there, with a legend engraved in elegantly small letters. It said:

_The Psychical Research Society_ _Push_

Malone obeyed instructions. The door swung noiselessly open, and then closed behind him.

He was in a large square-looking room which had a couch and chair set at one corner, and a desk at the far end. Behind the desk was a bra.s.s plate, on which was engraved:

_The Psychical Research Society_ _Main Offices_

To Malone's left was a hall that angled off into invisibility, and to the left of the desk was another one, going straight back past doors and two radiators until it ran into a right-angled turn and also disappeared.

Malone took in the details of his surroundings almost automatically, filing them in his memory just in case he ever needed to use them.

One detail, however, required more than automatic attention. Sitting behind the desk, her head just below the bra.s.s plaque, was a redhead.

She was, Malone thought, positively beautiful. Of course, he could not see the lower two-thirds of her body, but if they were half as interesting as the upper third and the face and head, he was willing to spend days, weeks or even months on their investigation. Some jobs, he told himself, feeling a strong sense of duty, were definitely worth taking time over.

She was turned slightly away from Malone, and had obviously not heard him come in. Malone wondered how best to announce himself, and regretfully gave up the idea of tiptoeing up to the girl, placing his hands over her eyes, kissing the back of her neck and crying: "Surprise!" It was elegant, he felt, but it just wasn't right.

He compromised at last on the old established method of throat-clearing to attract her attention. He was sure he could take it from there, to an eminently satisfying conclusion.

He tiptoed on the deep-pile rug right up to her desk.

And the expected happened.

He sneezed.

The sneeze was loud and long, and it echoed through the room and throughout the corridors. It sounded to Malone like the blast of a small bomb, or possibly a grenade. Startled himself by the volume of sound he had managed to generate, he jumped back.

The girl had jumped, too--but her leap had been straight upward, about an inch and a half. She came down on her chair and reached up a hand.

The hand wiped the back of her neck with a slow, lingering motion of complete loathing. Then, equally slowly, she turned.

"That," she said in a low, sweet voice, "was a dirty trick."