Mince Pie Part 15

The drawing-room rug is not for thee, nor the sofa, nor the best armchair. Thou hast the porch and thy own kennel. But for the love I bear thee, there is always a corner for thee by the winter fire.

Meditate on these commandments day and night; so shalt thou be a dog of good breeding and an honor to thy master.

THE VALUE OF CRITICISM

Our friend Dove Dulcet, the well-known sub-caliber poet, has recently issued a slender volume of verses called _Peanut b.u.t.ter_. He thinks we may be interested to see the comment of the press on his book. We don't know why he should think so, but anyway here are some of the reviews:

Buffalo _Lens_: Mr. Dulcet is a sweet singer, and we could only wish there were twice as many of these delicately rhymed fancies. There is not a poem in the book that does not exhibit a tender grasp of the beautiful homely emotions. Perhaps the least successful, however, is that ent.i.tled "On Losing a Latchkey."

Syracuse _Hammer and Tongs_: This little book of savage satires will rather dismay the simple-minded reader. Into the acid vials of his song Mr. Dulcet has poured a bitter cynicism. He seems to us to be an irremediable pessimist, a man of brutal and embittered life. In one poem, however, he does soar to a very fine imaginative height. This is the ode "On Losing a Latchkey," which is worth all the rest of the pieces put together.

New York _Reaping Hook_: It is odd that Mr. Dove Dulcet, of Philadelphia we believe should have been able to find a publisher for this volume.

These queer little doggerels have an instinctive affinity for oblivion, and they will soon coalesce with the driftwood of the literary Sarga.s.so Sea. Among many bad things we can hardly remember ever to have seen anything worse than "On Losing a Latchkey."

Philadelphia _Prism_: Our gifted fellow townsman, Mr. Dove Dulcet, has once more demonstrated his ability to set humble themes in entrancing measures. He calls his book _Peanut b.u.t.ter_. A t.i.tle chosen with rare discernment, for the little volume has all the savor and nouris.h.i.+ng properties of that palatable delicacy. We wish there were s.p.a.ce to quote "On Losing a Latchkey," for it expresses a common human experience in language of haunting melody and witty brevity. How rare it is to find a poet with such metrical skill who is content to handle the minor themes of life in this mood of delicious pleasantry. The only failure in the book is the ba.n.a.l sonnet ent.i.tled "On Raiding the Ice Box." This we would be content to forego.

Pittsburgh _Cylinder_: It is a relief to meet one poet who deals with really exalted themes. We are profoundly weary of the myriad versifiers who strum the so-called lowly and domestic themes. Mr. Dulcet, however, in his superb free verse, has scaled olympian heights, disdaining the customary twaddling topics of the rhymesters. Such an amazing allegory as "On Raiding the Ice Box," which deals, of course, with the experience of a man who attempts to explore the mind of an elderly Boston spinster, marks this powerful poet as a man of unusual satirical and philosophical depth.

Boston _Penseroso_: We find Mr. Dove Dulcet's new book rather baffling.

We take his poem "On Raiding the Ice Box" to be a paean in honor of the discovery of the North Pole; but such a poem as "On Losing a Latchkey,"

is quite inscrutable. Our guess is that it is an intricate psycho-a.n.a.lysis of a pathological case of amnesia. Our own taste is more for the verse that deals with the gentler emotions of every day, but there can be no doubt that Mr. Dulcet is an artist to be reckoned with.

A MARRIAGE SERVICE FOR COMMUTERS

(_Fill in railroad as required_)

[Ill.u.s.tration]

Wilt thou, Jack, have this woman to be thy wedded wife, to live together in so far as the ---- Railroad will allow? Wilt thou love her, comfort her, honor and keep her, take her to the movies, prevent the furnace from going out, and come home regularly on the 5:42 train?"

"I will."

"Wilt thou, Jill, have this commuter to thy wedded husband, bearing in mind snowdrifts, washouts, lack of servants and all other penalties of suburban life? Wilt thou obey him and serve him, love, honor and keep him, and let him smoke a corncob pipe in the house?"

"I will."

"I, Jack, take thee, Jill, to my wedded wife, from 6 P.M. until 8 A.M., as far as permitted by the ---- Railroad, schedule subject to change without notice, for better, for worse, for later, for earlier, to love and to cherish, and I promise to telephone you when I miss the train."

"I, Jill, take thee, Jack, to my wedded husband, subject to the mutability of the suburban service, changing trains at----, to have and to hold, save when the card club meets on Wednesday evenings, and thereto I give thee my troth."

THE SUNNY SIDE OF GRUB STREET

[Ill.u.s.tration]

I often wonder how many present-day writers keep diaries. I wish _The Bookman_ would conduct a questionnaire on the subject. I have a suspicion that Charley Towne keeps one--probably a grim, tragic parchment wherein that waggish soul sets down its secret musings. I dare say Louis Untermeyer has one (morocco, tooled and goffered, with gilt edges), and looks over its nipping paragraphs now and then with a certain relish. It undoubtedly has a large portmanteau pocket with it, to contain clippings of Mr. Untermeyer's letters to the papers taking issue with the reviews of his books. There is no way for the reviewer to escape that backfire. I knew one critic who was determined to review one of Louis's books in such a way that the author would have no excuse for writing to the _Times_ about it. He was overwhelmingly complimentary. But along came the usual letter by return of post. Mr.

Untermeyer asked for enough s.p.a.ce to "diverge from the critique at one point." He said the review was too fulsome.

I wish Don Marquis kept a diary, but I am quite sure he doesn't. Don is too--well, I was going to say he is too--but after all he has a perfect right to be that way.

It's rather an important thing. Every one knows the fascination exerted by personal details of authors' lives. Every one has hustled to the Cafe de la Source in Paris because R.L.S. once frequented it, or to Allaire's in New York because O. Henry wrote it up in one of his tales, and that sort of thing. People like to know all the minutiae concerning their favorite author. It is not sufficient to know (let us say) that Murray Hill or some one of that sort, once belonged to the Porrier's Corner Club. One wants to know where the Porrier's Corner Club was, and who were the members, and how he got there, and what he got there, and so forth. One wants to know where Murray Hill (I take his name only as a symbol) buys his cigars, and where he eats lunch, and what he eats, whether pigeon potpie with iced tea or hamburg steak and "coffee with plenty." It is all these intimate details that the public has thirst for.

Now the point I want to make is this. Here, all around us, is fine doings (as Murray Hill would put it), the jolliest literary hullabaloo going. Some of the writers round about--Arthur Guiterman or Tom Ma.s.son or Witter Bynner or Tom Daly, or some of these chaps now sitting down to combination-plate luncheons and getting off all manner of merry quips and confidential matters--some of these chaps may be famous some day (posterity is so undiscriminating) and all that savory personal stuff will have evaporated from our memories. The world of bookmen is in great need of a new crop of intimists, or whatever you call them. Barbellion chaps. Henry Ryecrofts. We need a chiel taking notes somewhere.

Now if you really jot down the merry gossip, and make bright little pen portraits, and tell just what happens, it will not only afford you a deal of discreet amus.e.m.e.nt, but the diary you keep will reciprocate. In your older years it will keep you. _Harper's Magazine_ will undoubtedly want to publish it, forty years from now. If that is too late to keep you, it will help to keep your descendants. So I wish some of the authors would confess and let us know which of them are doing it. It would be jolly to know to whom we might confide the genial little items of what-not and don't-let-this-go-farther that come the rounds. The inside story of the literature of any epoch is best told in the diaries.

I'll bet Brander Matthews kept one, and James Huneker. It's a pity Professor Matthews's was a bit tedious. Crabb Robinson was the man for my money.

The diarists I would choose for the present generation on Grub Street would be Heywood Broun, Franklin Adams, Bob Holliday, William McFee, and maybe Ben De Ca.s.seres (if he would promise not to mention Don Marquis and Walt Whitman more than once per page). McFee might be let off the job by reason of his ambrosial letters. But it just occurs to me that of course one must not know who is keeping the diary. If it were known, he would be deluged with letters from people wanting to get their names into it. And the really worthwhile folks would be on their guard.

But if all the writers wait until they are eighty years old and can write their memoirs with the beautifully gnarled and chalky old hands Joyce Kilmer loved to contemplate, they will have forgotten the comical pith of a lot of it. If you want to reproduce the colors and collisions along the sunny side of Grub Street, you've got to jot down your data before they fade. I wish I had time to be diarist of such matters. How candid I'd be! I'd put down all about the two young novelists who used to meet every day in City Hall Park to compare notes while they were hunting for jobs, and make wagers as to whose pair of trousers would last longer. (Quite a desirable essay could he written, by the way, on the influence of trousers on the fortunes of Grub Street, with the three stages of the Grub Street trouser, viz.: 1, baggy; 2, s.h.i.+ny; 3, trousers that must not be stooped in on any account.) There is an uproarious tale about a pair of trousers and a very well-known writer and a lecture at Va.s.sar College, but these things have to be reserved for posterity, the legatee of all really amusing matters.

But then there are other topics, too, such as the question whether Ibanez always wears a polo s.h.i.+rt, as the photos lead one to believe. The secret Philip Gibbs told me about the kind of typewriter he used on the western front. I would be enormously candid (if I were a diarist). I'd put down that I never can remember whether Vida Scudder is a man or a woman. I'd tell what A. Edward Newton said when he came rus.h.i.+ng into the office to show me the Severn death-bed portrait of Keats, which he had just bought from Rosenbach. I'd tell the story of the unpublished letter of R.L.S. which a young man sold to buy a wedding present, which has since vanished (the R.L.S. letter). I'd tell the amazing story of how a piece of Walt Whitman ma.n.u.script was lost in Philadelphia on the memorable night of June 30, 1919. I'd tell just how Vachel Lindsay behaves when he's off duty. I'd even forsake everything to travel over to England with Vachel on his forthcoming lecture tour, as I'm convinced that England's comments on Vachel will be worth listening to.

The ideal man to keep the sort of diary I have in mind would be Hilaire Belloc. It was an ancestor of Mr. Belloc, Dr. Joseph Priestley (who died in Pennsylvania, by the way) who discovered oxygen; and it is Mr. Belloc himself who has discovered how to put oxygen into the modern English essay. The gift, together with his love of good eating, probably came to him from his mother, Bessie Rayner Parkes, who once partook of Samuel Rogers's famous literary breakfasts. And this brings us back to our old friend Crabb Robinson, another of the Rogers breakfast clan. Robinson is never wildly exciting, but he gives a perfect panorama of his day. It is not often that one finds a man who a.s.sociated with such figures as Goethe, Wordsworth, Coleridge, Blake, and Lamb. He had the true gift for diarizing. What could be better, for instance, than this little miniature picture of the rise and fall of teetotalism in one well-loved person?--

Mary Lamb, I am glad to say, is just now very comfortable. She has put herself under Doctor Tuthill, who has prescribed water. Charles, in consequence, resolved to accommodate himself to her, and since Lord-Mayor's day has abstained from all other liquor, as well as from smoking. We shall all rejoice if this experiment succeeds....

His change of habit, though it, on the whole, improves his health, yet when he is low-spirited, leaves him without a remedy or relief.

--LETTER OF HENRY CRABB ROBINSON To Miss WORDSWORTH, December 23, 1810.

Spent part of the evening with Charles Lamb (unwell) and his sister.

--ROBINSON'S DIARY, January 8, 1811.

Late in the evening Lamb called, to sit with me while he smoked his pipe.

--ROBINSON'S DIARY, December 20, 1814.

Lamb was in a happy frame, and I can still recall to my mind the look and tone with which he addressed Moore, when he could not articulate very distinctly: "Mister Moore, will you drink a gla.s.s of wine with me?"--suiting the action to the word, and hobn.o.bbing.

--ROBINSON'S DIARY, April 4, 1823.

Now that, I maintain, is just the kind of stuff we need in a diary of today. How fascinating that old book Peyrat's "Pastors of the Desert"

became when we learned that R.L.S. had a copy of the second volume of it in his sleeping sack when he camped out with Modestine. Even so it may be a matter of delicious interest to our grandsons to know what book Joe Hergesheimer was reading when he came in town on the local from West Chester recently, and who taught him to shoot c.r.a.ps. It is interesting to know what Will and Stephen Benet (those skiey fraternals) eat when they visit a Hartford Lunch; to know whether Gilbert Chesterton is really fond of dogs (as "The Flying Inn" implies, if you remember Quoodle), and whether Edwin Meade Robinson and Edwin Arlington Robinson, _arcades ambo_, ever write to each other. It would be interesting--indeed it would be highly entertaining--to compile a list of the free meals Vachel Lindsay has received, and to ascertain the number of times Harry Kemp has been "discovered." It would be interesting to know how many people shudder with faint nausea (as I do) when they pick up a Dowson playlet and find it beginning with a list of characters including "A Moon Maiden" and "Pierrot," scene set in "a glade in the Parc du Pet.i.t Trianon--a statue of Cupid--Pierrot enters with his hands full of lilies." It would be interesting to resume the number of brazen imitations of McCrae's "In Flanders Fields"--here is the most striking, put out on a highly illuminated card by a New York publis.h.i.+ng firm: