The World's Greatest Books - Volume 2 Part 44

His first published work was a volume of poems, which appeared in 1879, and achieved a moderate success. But Hugh Conway is chiefly known to the reading public for his famous story "Called Black." The work was submitted to a number of publishers before it was finally accepted and published, in 1884. Attracting little notice at first, it eventually made a hit, and within five years 350,000 copies were sold. Several other works appeared from Conway's pen in rapid succession, but none of them attained the popularity of "Called Back."

Hugh Conway died at Monte Carlo on May 15, 1885.

_I.--A Blind Witness_

I was young, rich, and possessed of unusual vigour and strength. Life, you would think, should have been very pleasant to me. I was beyond the reach of care; I was as free as the wind to follow my own devices. But in spite of all these advantages, I was as helpless and miserable as the poorest toiler in the country.

For I was blind, stone blind!

The dread disease that robbed me of my sight had crept on me slowly through the years, and now I lay in my bedroom in Walpole Street, with my old nurse, Priscilla Drew, sleeping on an extemporised bed outside my door to tend and care for me.

It was a stifling night in August. I could not sleep. Despair filled my heart. I was blind, blind, blind! I should be blind for ever! So entirely had I lost heart that I began to think I would not have performed at all the operation which the doctors said might give me back the use of my eyes.

Presently a sudden, fierce longing to be out of doors came over me. It was night, very few people would be about. Old Priscilla slept soundly.

I rose from my bed, and, dressing myself with difficulty, crept, cautious as a thief, to the street door. The street, a quiet one, was deserted. For a time I walked backwards and forwards up the street. The exercise filled me with a peculiar elation. By carefully counting my footsteps, I gauged accurately the position of my house. At last, I decided to return, and opening the door, I entered and climbed the stairs. The atmosphere of the place struck me as strange and unfamiliar.

I felt for a bracket which should have been upon the wall, that I had often been warned to avoid knocking with my head. It was not there. I had entered the wrong house.

As I turned to grope my way back, I heard the murmur of voices. I made my way in the direction of these sounds to seek for a.s.sistance.

Suddenly, there fell upon my ears the notes of a piano and a woman's voice singing.

Music with me was an absorbing pa.s.sion. I listened enthralled, placing my ear close to the door from behind which the sound proceeded. It was a song that few amateurs would dare to attempt, and I waited eagerly to hear how the beautiful voice would render the finale. But I never heard that last movement.

Instead of the soft, sweet, liquid notes of pa.s.sionate love, there was a spasmodic, fearful gasp succeeded by a long, deep groan. The music stopped abruptly, and the piercing cry of a woman rang out. I threw open the door and rushed headlong into the room. I heard an oath, an exclamation of surprise, and the m.u.f.fled cry of the woman. I turned in the direction of that faint cry. My foot caught in something, and I fell prostrate on the body of a man. Before I could rise a strong hand gripped my throat and I heard the sharp click of a pistol lock.

"Spare me!" I cried. "I am blind, blind, blind!"

I lay perfectly still, crying out these words again and again.

A strong light was turned on my eyes. There was no sound in the room save the m.u.f.fled cry of the woman. The hands at my throat were released, and I was ordered to stand up. Some elementary tests of my blindness were tried, and I was told to give an account of my presence in the house. My story seemed to satisfy the man who questioned me. I was bidden to sit in a chair. I could hear the sound of men carrying a heavy burden out of the room. Then the woman's moans ceased. A voice at my side bade me drink something out of a gla.s.s, enforcing the demand with a pistol at my temple. A heavy drowsiness came over me, and I sank into unconsciousness.

When I came to myself I was in my own bed in my own room, having been found, apparently in a state of helpless intoxication, lying in a street some distance from where I lived.

_II.--Not for Love or Marriage_

Two years elapsed. The operation had given me back the use of my eyes. I was in the city of Turin with a friend. The sight of a beautiful face lured my companion and myself into the cathedral of San Giovanni. It was the face of a young girl of about twenty-two; a face of entrancing beauty. Seated with my friend, I watched her until she rose and left with her companion, an old Italian woman. For a moment I caught a look of her dark, glorious eyes as she mechanically crossed herself with holy water. There was a dreamy, far-away look in them, a look that seemed to pa.s.s over one and see what was behind the object gazed at.

We followed her out of the cathedral and saw the old woman speak to a middle-aged, round-shouldered, bespectacled man of gentlemanly appearance.

"Do English gentlemen stare at their own countrywomen in public places like this?" said a voice at our elbows.

I turned to see a tall man of about thirty standing just behind us. His face, with its heavy moustache, sneering mouth, and darkened, sullen eyes, was not a pleasant one, and his impudent question annoyed me. My friend, with a few sharp retorts, delivered to him a crus.h.i.+ng snub, and the man turned away, scowling. We saw him cross the road to the middle-aged man who had been speaking to the old Italian woman and her charge. And then we, too, went our way.

The girl's face haunted me, but we never saw her again in the city of Turin.

Some weeks later, when I was wandering through London, I suddenly came upon her in the company of her old nurse. I tracked her to her lodgings and there engaged rooms myself. An accident to the nurse, whose name I discovered was Theresa, gave me an opportunity of introducing myself.

The girl spoke to me, but her voice and her manner was strangely apathetic. She seemed never to know me unless I spoke to her, and then, unless I asked questions, our conversation died a natural death. To make love to her seemed impossible, and yet I loved her pa.s.sionately.

At last, by aid of bribes, I managed to secure the qualified a.s.sistance of Theresa. She promised to place my proposals before the girl's guardian. Of Pauline herself--such was the girl's name--Theresa would say nothing. When I asked her if she thought the girl cared for me, she replied mysteriously and enigmatically.

"Who knows? I do not know--but I tell you the _signorina_ is not for love or marriage."

Theresa fulfilled her part of the bargain, and I received a visit from the middle-aged man I had seen in Turin. His name was Manuel Ceneri. His sister had married Pauline's father, an Englishman, March by name. He consented readily to my marriage with Pauline on one condition. I was to ask no questions, seek to know nothing of her birth and family, nothing of her early days.

Pauline was called into the room. I took her hand. I asked her to be my wife.

"Yes, if you wish it," she replied softly, without even changing colour.

She did not repulse me, but she did not respond to my affection. She remained as calm and undemonstrative as ever.

At Dr. Ceneri's strange urgency, Pauline and I were married two days later.

_III.--Calling Back the Past_

"Not for love or marriage!"

I learned all too soon the meaning of Theresa's words. Pauline, my wife, my love, had no past. Slowly at first, then with swift steps, the truth came home to me. The face of the woman I had married was fair as the morn; her figure as perfect as that of a Grecian statue; her voice low and sweet; but the one thing which animates every charm--the mind--was missing. Memory, except for the events of the moment before, she had none. Of all emotion she was incapable. She was sweet and docile, but her whole existence was a negative one. Such was Pauline, my wife.

When I was convinced of the truth, I placed her in charge of Priscilla and hastened to Geneva to seek an explanation from Ceneri. I should never have found the doctor had not chance thrown me in the way of the very Italian we had met outside the cathedral of San Giovanni. Knowing that he knew Ceneri, I spoke to him. At first he refused to have anything to do with me, but when I mentioned Pauline's name, he asked me what concern I had with her.

"She is my wife," I replied.

"Your wife!" he shouted. "You lie!"

I rose furiously, and bade him choose his words more carefully. After a few moments he apologised, asking me whether Ceneri knew of our marriage. "Traditore," I heard him whisper fiercely to himself when I replied in the affirmative.

After some further remarks, he consented to take me to Dr. Ceneri, telling me that his name was Macari. My interview with the doctor was somewhat unsatisfactory. Pauline had had a shock, but the nature of that shock he refused to disclose. Macari, before her illness, had imagined himself in love with her, and was furious at my marriage. One thing, however, the doctor told me, just as I left, which partially explained his consent to our union. He had been her guardian, and the fortune of 50,000 to which she was ent.i.tled he had spent in the cause of Italian freedom. Though he had betrayed his trust, he considered the cause justified the act; but he had been glad, none the less, to make her some compensation by marrying her to a wealthy Englishman.

When I left Dr. Ceneri, I met Macari lurking outside. He declared that in a few weeks he would come to England and explain much that Ceneri had left unsaid.

Several months later he kept his promise. Ceneri, he told me, had been arrested in St. Petersburg for partic.i.p.ation in some anarchist plot, and was on his way to Siberia. Of his own personal history he discoursed at length. His name, it appeared, was really March, and he was Pauline's brother. In common with his sister, he had been robbed by Ceneri of his fortune.

He asked to see his sister, but when they met, Pauline showed no recollection of him. He called often, and she watched him, I noticed, with an eager, troubled look. One night, after dinner, as he described how, in a battle, he had killed a white-coated Austrian, he seized a knife from the table, and ill.u.s.trated the downward blow with which he had saved his own life. I heard a deep sigh behind me, and turning, I saw Pauline in a dead faint. I carried her to her room. When she came to herself again, or rather when she rose in her bed and turned her face to mine, I saw in her eyes, what, by the mercy of G.o.d, I shall never again see there.

With eyes fixed and immovable, and dilated to their utmost extent, she rose and pa.s.sed out of the room. I followed her. Swiftly she pa.s.sed out of the house into the street, and without the slightest hesitation, turning at right angles, moved swiftly up a long, straight road. After turning once more she stopped at a three-storeyed house. Going up to the door, she laid her hand upon it. I tried to lead her gently away, but she resisted. What was I to do? The house was an empty one. I paused.

Once before my latch-key had opened a strange door. Would it open this one? I tried it. It fitted exactly.

Without waiting for me, Pauline ran in ahead. I shut the door. All was darkness. I could hear Pauline moving about on the first floor. I followed her, and, striking a match, found myself in a room with folding-doors. It was furnished, but the dust lay deep everywhere.

Pauline stood in the middle of the room, holding her head in her hands, striving, it seemed, to remember something. I entered the back room with the candle I had found. There was a piano there. Something induced me to sit down at it and to play the first few notes of the song I had heard that terrible night.

A nervous trembling seemed to seize Pauline. She crossed the floor towards me, and I made room for her at the piano. With a master hand she played brilliantly the prelude of the song of which I had struck a few vagrant notes. I waited breathlessly, expecting her to sing. Suddenly she started wildly to her feet and, uttering a wild cry of horror, sank into my arms. I laid her on a sofa close by. As I held her there, a strange thing happened.

The room beyond the folding-doors was lit with a brilliant light.

Grouped round a table were four men. One of them was Ceneri, the other Macari. The third man was a stranger to me. These three men were looking at a fourth man--a young man who appeared to be falling out of his chair, clutching convulsively the hilt of a dagger, the blade of which had been buried in his heart, clearly by Macari, who stood over him.