Bradbury Stories 100 of His Most Celebrated Tales Part 86

"Oh, my Lord, my Lord!" He slumped against the bureau, sighing. He tried the gloves on, held them up, proudly flexed them, b.u.t.toned them. They were soft, gray, thick, impregnable. He could do all sorts of tricks with hands now and leave no trace. He thumbed his nose in the bedroom mirror, sucking his teeth.

"NO!" cried Huxley.

What a wicked plan it had been.

Huxley had fallen to the floor, purposely! Oh, what a wickedly clever man! Down onto the hardwood floor had dropped Huxley, with Acton after him. They had rolled and tussled and clawed at the floor, printing and printing it with their frantic fingertips! Huxley had slipped away a few feet, Acton crawling after to lay hands on his neck and squeeze until the life came out like paste from a tube!

Gloved, William Acton returned to the room and knelt down upon the floor and laboriously began the task of swabbing every wildly infested inch of it. Inch by inch, inch by inch, he polished and polished until he could almost see his intent, sweating face in it. Then he came to a table and polished the leg of it, on up its solid body and along the k.n.o.bs and over the top. He came to a bowl of wax fruit, burnished the filigree silver, plucked out the wax fruit and wiped them clean, leaving the fruit at the bottom unpolished.

"I'm sure I didn't touch them," he said.

After rubbing the table he came to a picture frame hung over it.

"I'm certain I didn't touch that," he said.

He stood looking at it.

He glanced at all the doors in the room. Which doors had he used tonight? He couldn't remember. Polish all of them, then. He started on the doork.n.o.bs, s.h.i.+ned them all up, and then he curried the doors from head to foot, taking no chances. Then he went to all the furniture in the room and wiped the chair arms.

"That chair you're sitting in, Acton, is an old Louis XIV piece. Feel that material," said Huxley.

"I didn't come to talk furniture, Huxley! I came about Lily."

"Oh, come off it, you're not that serious about her. She doesn't love you, you know. She's told me she'll go with me to Mexico City tomorrow."

"You and your money and your d.a.m.ned furniture!"

"It's nice furniture, Acton; be a good guest and feel of it."

Fingerprints can be found on fabric.

"Huxley!" William Acton stared at the body. "Did you guess I was going to kill you? Did your subconscious suspect, just as my subconscious suspected? And did your subconscious tell you to make me run about the house handling, touching, fondling books, dishes, doors, chairs? Were you that clever and that mean?"

He washed the chairs dryly with the clenched handkerchief. Then he remembered the body-he hadn't dry-washed it. He went to it and turned it now this way, now that, and burnished every surface of it. He even s.h.i.+ned the shoes, charging nothing.

While s.h.i.+ning the shoes his face took on a little tremor of worry, and after a moment he got up and walked over to that table.

He took out and polished the wax fruit at the bottom of the bowl.

"Better," he whispered, and went back to the body.

But as he crouched over the body his eyelids twitched and his jaw moved from side to side and he debated, then he got up and walked once more to the table.

He polished the picture frame.

While polis.h.i.+ng the picture frame he discovered- The wall.

"That," he said, "is silly."

"Oh!" cried Huxley, fending him off. He gave Acton a shove as they struggled. Acton fell, got up, touching the wall, and ran toward Huxley again. He strangled Huxley. Huxley died.

Acton turned steadfastly from the wall, with equilibrium and decision. The harsh words and the action faded in his mind; he hid them away. He glanced at the four walls.

"Ridiculous!" he said.

From the corners of his eyes he saw something on one wall.

"I refuse to pay attention," he said to distract himself. "The next room, now! I'll be methodical. Let's see-altogether we were in the hall, the library, this room, and the dining room and the kitchen."

There was a spot on the wall behind him.

Well, wasn't there?

He turned angrily. "All right, all right, just to be sure," and he went over and couldn't find any spot. Oh, a little one, yes, right-there. He dabbed it. It wasn't a fingerprint anyhow. He finished with it, and his gloved hand leaned against the wall and he looked at the wall and the way it went over to his right and over to his left and how it went down to his feet and up over his head and he said softly, "No." He looked up and down and over and across and he said quietly, "That would be too much." How many square feet? "I don't give a good d.a.m.n," he said. But unknown to his eyes, his gloved fingers moved in a little rubbing rhythm on the wall.

He peered at his hand and the wallpaper. He looked over his shoulder at the other room. "I must go in there and polish the essentials," he told himself, but his hand remained, as if to hold the wall, or himself, up. His face hardened.

Without a word he began to scrub the wall, up and down, back and forth, up and down, as high as he could stretch and as low as he could bend.

"Ridiculous, oh my Lord, ridiculous!"

But you must be certain, his thought said to him.

"Yes, one must be certain," he replied.

He got one wall finished, and then . . .

He came to another wall.

"What time is it?"

He looked at the mantel clock. An hour gone. It was five after one.

The doorbell rang.

Acton froze, staring at the door, the clock, the door, the clock.

Someone rapped loudly.

A long moment pa.s.sed. Acton did not breathe. Without new air in his body he began to fail away, to sway; his head roared a silence of cold waves thundering onto heavy rocks.

"Hey, in there!" cried a drunken voice. "I know you're in there, Huxley! Open up, dammit! This is Billy-boy, drunk as an owl, Huxley, old pal, drunker than two owls."

"Go away," whispered Acton soundlessly, crushed.

"Huxley, you're in there, I hear you breathing!" cried the drunken voice.

"Yes, I'm in here," whispered Acton, feeling long and sprawled and clumsy on the floor, clumsy and cold and silent. "Yes."

"h.e.l.l!" said the voice, fading away into mist. The footsteps shuffled off. "h.e.l.l . . ."

Acton stood a long time feeling the red heart beat inside his shut eyes, within his head. When at last he opened his eyes he looked at the new fresh wall straight ahead of him and finally got courage to speak. "Silly," he said. "This wall's flawless. I won't touch it. Got to hurry. Got to hurry. Time, time. Only a few hours before those d.a.m.n-fool friends blunder in!" He turned away.

From the corners of his eyes he saw the little webs. When his back was turned the little spiders came out of the woodwork and delicately spun their fragile little half-invisible webs. Not upon the wall at his left, which was already washed fresh, but upon the three walls as yet untouched. Each time he stared directly at them the spiders dropped back into the woodwork, only to spindle out as he retreated. "Those walls are all right," he insisted in a half shout. "I won't touch them!"

He went to a writing desk at which Huxley had been seated earlier. He opened a drawer and took out what he was looking for. A little magnifying gla.s.s Huxley sometimes used for reading. He took the magnifier and approached the wall uneasily.

Fingerprints.

"But those aren't mine!" He laughed unsteadily. "I didn't put them there! I'm sure I didn't! A servant, a butler, or a maid perhaps!"

The wall was full of them.

"Look at this one here," he said. "Long and tapered, a woman's, I'd bet money on it."

"Would you?"

"I would!"

"Are you certain?"

"Yes!"

"Positive?"

"Well-yes."

"Absolutely?"

"Yes, d.a.m.n it, yes!"

"Wipe it out, anyway, why don't you?"

"There, by G.o.d!"

"Out d.a.m.ned spot, eh, Acton?"

"And this one, over here," scoffed Acton. "That's the print of a fat man."

"Are you sure?"

"Don't start that again!" he snapped, and rubbed it out. He pulled off a glove and held his hand up, trembling, in the glary light.

"Look at it, you idiot! See how the whorls go? See?"

"That proves nothing!"

"Oh, all right!" Raging, he swept the wall up and down, back and forth, with gloved hands, sweating, grunting, swearing, bending, rising, and getting redder of face.

He took off his coat, put it on a chair.

"Two o'clock," he said, finis.h.i.+ng the wall, glaring at the clock.

He walked over to the bowl and took out the wax fruit and polished the ones at the bottom and put them back, and polished the picture frame.

He gazed up at the chandelier.

His fingers twitched at his sides.

His mouth slipped open and the tongue moved along his lips and he looked at the chandelier and looked away and looked back at the chandelier and looked at Huxley's body and then at the crystal chandelier with its long pearls of rainbow gla.s.s.

He got a chair and brought it over under the chandelier and put one foot up on it and took it down and threw the chair, violently, laughing, into a corner. Then he ran out of the room, leaving one wall as yet unwashed.

In the dining room he came to a table.

"I want to show you my Gregorian cutlery, Acton," Huxley had said. Oh, that casual, that hypnotic voice!

"I haven't time," Acton said. "I've got to see Lily-"

"Nonsense, look at this silver, this exquisite craftsmans.h.i.+p."

Acton paused over the table where the boxes of cutlery were laid out, hearing once more Huxley's voice, remembering all the touchings and gesturings.

Now Acton wiped the forks and spoons and took down all the plaques and special ceramic dishes from the wall itself. . . .

"Here's a lovely bit of ceramics by Gertrude and Otto Natzler, Acton. Are you familiar with their work?"

"It is lovely."

"Pick it up. Turn it over. See the fine thinness of the bowl, hand-thrown on a turntable, thin as eggsh.e.l.l, incredible. And the amazing volcanic glaze. Handle it, go ahead. I don't mind."

HANDLE IT. GO AHEAD. PICK IT UP!.

Acton sobbed unevenly. He hurled the pottery against the wall. It shattered and spread, flaking wildly, upon the floor.

An instant later he was on his knees. Every piece, every shard of it, must be found. Fool, fool, fool! he cried to himself, shaking his head and shutting and opening his eyes and bending under the table. Find every piece, idiot, not one fragment of it must be left behind. Fool, fool! He gathered them. Are they all here? He looked at them on the table before him. He looked under the table again and under the chairs and the service bureaus, and found one more piece by match light and started to polish each little fragment as if it were a precious stone. He laid them all out neatly upon the s.h.i.+ning polished table.

"A lovely bit of ceramics, Acton. Go ahead-handle it."

He took out the linen and wiped it and wiped the chairs and tables and doork.n.o.bs and windowpanes and ledges and drapes and wiped the floor and found the kitchen, panting, breathing violently, and took off his vest and adjusted his gloves and wiped the glittering chromium. . . . "I want to show you my house, Acton," said Huxley. "Come along. . . ." And he wiped all the utensils and the silver faucets and the mixing bowls, for now he had forgotten what he had touched and what he had not. Huxley and he had lingered here, in the kitchen, Huxley prideful of its array, covering his nervousness at the presence of a potential killer, perhaps wanting to be near the knives if they were needed. They had idled, touched this, that, something else-there was no remembering what or how much or how many-and he finished the kitchen and came through the hall into the room where Huxley lay.

He cried out.

He had forgotten to wash the fourth wall of the room! And while he was gone the little spiders had popped from the fourth, unwashed wall and swarmed over the already clean walls, dirtying them again! On the ceilings, from the chandelier, in the corners, on the floor, a million little whorled webs hung billowing at his scream! Tiny, tiny little webs, no bigger than, ironically, your-finger!

As he watched, the webs were woven over the picture frame, the fruit bowl, the body, the floor. Prints wielded the paper knife, pulled out drawers, touched the tabletop, touched, touched, touched everything everywhere.

He polished the floor wildly, wildly. He rolled the body over and cried on it while he washed it, and got up and walked over and polished the fruit at the bottom of the bowl. Then he put a chair under the chandelier and got up and polished each little hanging fire of it, shaking it like a crystal tambourine until it tilted bellwise in the air. Then he leaped off the chair and gripped the doork.n.o.bs and got up on other chairs and swabbed the walls higher and higher and ran to the kitchen and got a broom and wiped the webs down from the ceiling and polished the bottom fruit of the bowl and washed the body and doork.n.o.bs and silverware and found the hall banister and followed the banister upstairs.