Bradbury Stories 100 of His Most Celebrated Tales Part 52

"Just-just like that?"

"Please," said the Man.

The Priest drew a series of breaths, s.h.i.+vering.

"Oh, if this moment could last for just an hour."

"Would you kill me?"

"No!"

"If you keep me, force me into this shape some little while longer, my death will be on your hands."

The Priest bit his knuckles, and felt a convulsion of sorrow rack his bones.

"You-you are a Martian, then?"

"No more. No less."

"And I have done this to you with my thoughts?"

"You did not mean. When you came downstairs, your old dream seized and made me over. My palms still bleed from the wounds you gave out of your secret mind."

The Priest shook his head, dazed.

"Just a moment more . . . wait . . ."

He gazed steadily, hungrily, at the darkness where the Ghost stood out of the light. That face was beautiful. And, oh, those hands were loving and beyond all description.

The Priest nodded, a sadness in him now as if he had within the hour come back from the true Calvary. And the hour was gone. And the coals strewn dying on the sand near Galilee.

"If-if I let you go-"

"You must, oh you must!"

"If I let you go, will you promise-"

"What?"

"Will you promise to come back?"

"Come back?" cried the figure in the darkness.

"Once a year, that's all I ask, come back once a year, here to this place, this font, at the same time of night-"

"Come back . . .?"

"Promise! Oh, I must know this moment again. You don't know how important it is! Promise, or I won't let you go!"

"I-"

"Say it! Swear it!"

"I promise," said the pale Ghost in the dark. "I swear."

"Thank you, oh thanks."

"On what day a year from now must I return?"

The tears had begun to roll down the young Priest's face now. He could hardly remember what he wanted to say and when he said it he could hardly hear: "Easter, oh, G.o.d, yes, Easter, a year from now!"

"Please, don't weep," said the figure. "I will come. Easter, you say? I know your calendar. Yes. Now-" The pale wounded hand moved in the air, softly pleading. "May I go?"

The Priest ground his teeth to keep the cries of woe from exploding forth. "Bless me, and go."

"Like this?" said the voice.

And the hand came out to touch him ever so quietly.

"Quick!" cried the Priest, eyes shut, clenching his fists hard against his ribs to prevent his reaching out to seize. "Go before I keep you forever. Run. Run!"

The pale hand touched him a last time upon his brow. There was a soft run of naked feet.

A door opened upon stars; the door slammed.

There was a long moment when the echo of the slam made its way through the church, to every altar, into every alcove and up like a blind flight of some single bird seeking and finding release in the apse. The church stopped trembling at last, and the Priest laid his hands on himself as if to tell himself how to behave, how to breathe again; be still, be calm, stand tall. . . .

Finally, he stumbled to the door and held to it, wanting to throw it wide, look out at the road which must be empty now, with perhaps a figure in white, far fleeing. He did not open the door.

He went about the church, glad for things to do, finis.h.i.+ng out the ritual of locking up. It was a long way around to all the doors. It was a long way to next Easter.

He paused at the font and saw the clear water with no trace of red. He dipped his hand and cooled his brow and temples and cheeks and eyelids.

Then he went slowly up the aisle and laid himself out before the altar and let himself burst forth and really weep. He heard the sound of his sadness go up and come back in agonies from the tower where the bell hung silent.

And he wept for many reasons.

For himself.

For the Man who had been here a moment ago.

For the long time until the rock was rolled back and the tomb found empty again.

Until Simon-called-Peter once more saw the Ghost upon the Martian sh.o.r.e, and himself Simon-Peter.

And most of all he wept because, oh, because, because . . . never in his life could he speak of this night to anyone. . . .

BANG! YOU'RE DEAD!

JOHNNY CHOIR CAME LIKE THE SPRING LAMBS over the green Italian hills, gamboling at the game of war. He leaped a line of bullets as if it were the hedge fronting his Iowa home. He ducked and dodged; a pedestrian in war traffic. Most of all, he laughed and was indefatigable as some khaki kangaroo, forever hopping.

Bullets, mortar sh.e.l.ls and shrapnel were only rumors in the air to Johnny. They were not true.

He moved with long-legged strides near San Vittore, froze, pointed his gun, fingered the trigger, cried, "Bang! I gotcha!" and watched a German fall with a red orchid pinned to one lapel. Then Johnny jigged again, to escape the answering machine gun blast.

An artillery sh.e.l.l approached. Johnny twisted, crying, "Missed!"

It did. It missed, like always.

Private Smith followed in Johnny's wake. Only Smith traveled on his thin-muscled stomach, face sweaty and juju'd with Italian mud. Smith crawled, ran, fell, got up again, and never let those enemy bullets near him. Frequently he yelled angrily at Johnny: "Lie down, you dumb egg! They'll gut you!"

But Johnny danced on to the metal music of bullets like new, bright hummingbirds on the air. While Smith crawled earthworm-wise taking each kilometer, Johnny catapulted toward the enemy, giggling. Tall as the sky, loud as a bazooka gun! Smith broke out a ration of cold sweat just watching the kid.

Germans screamed and ran away from Johnny. When they saw his limbs flourished in a kind of cla.s.sical St. Vitus-while bullets whistled under his earlobes, between his knees and betwixt thumb and forefinger-German morale disintegrated. They fled wildly!

Laughing heartily, Johnny Choir sat down, pulled out a chocolate ration and teethed on it, while Smith came inching up. Johnny glimpsed the crawling figure's exposed rump, and inquired, "Smith?"

The anonymous rump went down, a familiar thin face came up. "Yeah." Firing had ceased in the area. They were alone and safe. Smith wiped dirt from his chin. "Honest to G.o.d, I get the weemies watching you. You gallop around like a kid in the rain. Only it's the wrong kind of rain."

"I'll duck," said Johnny, munching.

He had a big handsome face with blue child eyes captured in innocent wonder in it, and small pink child lips. His shorn hair resembled the blond stubble of a clothes brush. Now immersed deeply in the enjoyment of candy, he had forgotten war.

"I duck," he explained again.

A thousand times Smith'd heard that excuse. It was too simple an explanation. G.o.d had a hand in this somewhere, Smith was certain. Johnny had probably been dunked in holy water. Bullets detoured around him, not daring to touch. Yeah. That was it. Smith laughed musingly.

"What happens if you forget to duck, Johnny?"

Johnny replied "I play dead."

"YOU-" said Smith, blinking, staring, "-you play dead. Uh-huh." He exhaled slowly. "Yeah. Sure. Okay."

Johnny threw away the candy wrapper. "I been thinking. It's almost my turn to play dead, isn't it? Everybody's done it, except me. It's only fair I take my turn. Everybody's been so decent about it, I think I'll play dead today."

Smith found that his hands were shaking. His appet.i.te was gone, too. "Now what do you want to talk that way for?" he argued.

"I'm tired," said Johnny simply.

"Take a nap, then. You're the d.a.m.nedest one for snoozing. Take a nap."

Johnny considered that with a pout. Then he arranged himself on the gra.s.s in the shape of a fried shrimp. "All right, Private Smith. If you say so."

Smith consulted his watch. "You got twenty minutes. Snooze fast. We'll be moving up as soon as the captain shows. And we don't want him finding you asleep."

But Johnny was already deep in soft dreams. Smith looked at him with wonder and envy. G.o.d, what a guy. Sleeping in the middle of h.e.l.l. Smith had to stay, watching over him. It wouldn't do to have some stray German sniping Johnny while he couldn't duck. Strangest d.a.m.n thing he ever knew . . .

A soldier ran heavily up, panting. "Hi, Smith!"

Smith recognized the soldier, uneasily. "Oh, it's you, Melter . . ."

"Somebody wounded?" Melter was big, too, but off-center with his fat and too high and hoa.r.s.e with his voice. "Oh, it's Johnny Choir. Dead?"

"Taking a nap."

Melter gaped. "A nap? For cripes sake, that infant! That moron!"

Smith said, quietly, "Moron, h.e.l.l. He just brushed the Heinies off this rise with one hand. I saw them throw a thousand rounds at Johnny, a thousand rounds, mind you, and Johnny slipped through it like a knife through warm ribs."

Melter's pink face looked worried. "What makes him tick, anyway?"

Smith shrugged. "As far as I can figure, he thinks this is all a game. He never grew up. He's got a big body with a kid's mind in it. He doesn't take war serious. He thinks we're all playing at this."

Melter swore. "Don't I wish we were." He eyed Johnny jealously. "I've watched him before, running like a fool, and he's still alive. Him and that s.h.i.+mmy of his, and yelling, 'Missed me!' like a kid, and yelling, 'Gotcha' when he shot a Heinie. How do you explain that?"

Johnny turned in his sleep, and his lips fumbled with words. A couple came out, soft, easy. "Mom! Hey, Mom! You there? Mom? You there, Mom?"

Smith reached over to take Johnny's hand. Johnny squeezed it in his sleep, saying with a little smile, "Oh, Mom."

"So now," said Smith, "after all this, I'm a mother."

They stayed there, the three of them, for all of three minutes, silent. Melter finally cleared his throat, nervously. "Some-somebody ought to tell Johnny about the facts of life. Death is real, and war is real, and bullets can knock out your guts. Let's tell him when he wakes up."

Smith laid Johnny's hand aside. He pointed at Melter, and his face got paler and harder with each word. "Look now, don't come around here with your philosophy! What's bad for you ain't bad for him! Let him dream his dreams, if he wants. I been with him since boot-camp, watching over him like a brother. I know. There's only one thing that keeps him in one piece, and that's thinking the things he thinks, believing that war is fun and we're all kids! And if you so much as flip your lip, I'll drop you in the Gagliano River with anchors on."

"Okay, okay, don't get tough. I only thought-"

Smith stood up. "You thought. You thought! Why, d.a.m.n you, I can see the stinking look on your face! You'd like to see Johnny dead. You're yellow jealous, that's what! Well, now look-" He made a sweep of his arm furiously. "-you keep away! From now on, you romp on the other side of any hill we're on! I don't want you running off at the mouth! Now, get the h.e.l.l out of here!"

Melter's fat face was red as Italian vino. He held his gun hard. His fingers itched the b.u.t.t end of it. "It ain't fair," he replied tightly, hoa.r.s.ely. "It ain't fair to us that he gets by. It ain't fair he lives while we die. What you expect, me to love him? Ha! When I gotta die, he lives, so I should kiss him? I don't work that way!"

Melter strode off, his back stiff and working funny, his neck like a ramrod, his fingers tight fists, his strides short and jolting.

Smith watched him. There I go with my big mouth, he thought. I should have stroked him nice. Now, maybe he tells the captain, and the captain turns Johnny over to the psychiatric ward for observation. Then maybe they trundle him back to the States and I lose my best friend. G.o.d, Smith, you lummox! Why ain't you got lock-jaw?

Johnny was waking up, rubbing eyes with big farmer-boy knuckles, tongue exploring the outer reaches of his chin for stray particles of ration chocolate.

They went over another hill together, Johnny Choir and Private Smith.

Johnny dancing in his special way, always ahead. Smith wisely but not happily bringing up the rear; afraid where Johnny was never afraid, careful where Johnny always splurged, groaning while Johnny was laughing into enemy fire. . . .