The Collected Short Fiction of Ramsey Campbell Part 102

Either my parents found this amusing or they felt compelled to pretend. I tried to take refuge in bed and forget about Beryl, and so it seems little has changed in more than sixty years. At least I'm no longer walking to school past her house, apprehensive that she may peer around the spidery net curtains or inch the front door open like a lid. If I didn't see her in the house I grew afraid that she was hiding somewhere else, so that even encountering her in the street felt like a trap she'd set. Surely all this is too childish to bother me now, and when sleep abandons me to daylight I don't immediately know why I'm nervous.

It's the family, of course. I've been wakened by the twins quarrelling outside my room over who should waken me for breakfast. "You both did," I call and hurry to the bathroom to speed through my ablutions. Once the twins have begun to toy with the extravagant remains of their food I risk giving them an excuse to finish. "What shall we do today?" I ask, and meet their expectant gazes by adding, "You used to like the beach."

That's phrased to let them claim to have outgrown it, but Gerald says "I've got no spade or bucket."

"I haven't," Geraldine competes.

"I'm sure replacements can be obtained if you're both going to make me proud to be seen out with you," I say and tell their parents, "I'll be in charge if you've better things to do."

Bertie purses his thin prim lips and raises his pale eyebrows. "Nothing's better than bringing up your children."

I'm not sure how many rebukes this incorporates. Too often the way he and Paula are raising the twins seems designed to reprove how she was brought up. "I know my dad wouldn't have meant it like that," she says. "We could go and look at some properties, Bertie."

"You're thinking of moving closer," I urge.

Her husband seems surprised to have to donate even a word of explanation. "Investments."

"Just say if you don't see enough of us," says Paula.

Since I suspect she isn't speaking for all of them, I revert to silence. Once the twins have been prevailed upon to take turns loading the dishwasher so that nothing is broken, I usher them out of the house. "Be good for grandpa," Paula says, which earns her a husbandly frown. "Text if you need to," he tells them.

I should have thought mobile phones were too expensive for young children to take to the beach. I don't want to begin the outing with an argument, and so I lead them downhill by their impatient hands. I see the scrawny windmills twirling on the bay until we turn down the road that slopes to the beach. If I don't revive my question now I may never have the opportunity or the nerve. "You were going to tell me who taught you that game."

Gerald's small hot sticky hand wriggles in my fist. "What game?"

"You know." I'm not about to release their hands while we're pa.s.sing a supermarket car park. I raise one shoulder and then the other to peer above them at the twins. "Peep," I remind them.

Once they've had enough of giggling Geraldine splutters, "Mummy said we mustn't say."

"I don't think she quite meant that, do you? I'm sure she won't mind if you just say it to me when I've asked."

"I'll tell if you tell," Gerald informs his sister.

"That's a good idea, then you'll each just have done half. Do it in chorus if you like."

He gives me a derisive look of the kind I've too often seen his father turn on Paula. "I'll tell mummy if you say," he warns Geraldine.

I mustn't cause any more strife. I'm only reviving an issue that will surely go away if it's ignored. I escort the twins into a newsagent's shop hung with buckets and spades and a.s.sociated paraphernalia, the sole establishment to preserve any sense of the seaside among the pubs and wine bars and charity shops. Once we've agreed on items the twins can bear to own I lead them to the beach.

The expanse of sand at the foot of the slipway from the promenade borders the mouth of the river. Except for us it's deserted, but not for long. The twins are seeing who can dump the most castles on the sand when it starts to grow populated. Bald youths tapestried with tattoos let their bullish dogs roam while children not much older than the twins drink cans of lager or roll some kind of cigarette to share, and boys who are barely teenage if even that race motorcycles along the muddy edge of the water. As the twins begin to argue over who's winning the sandcastle compet.i.tion I reflect that at least they're behaving better than anybody else in sight. I feel as if I'm directing the thought at someone who's judging them, but n.o.body is peering over or under the railings on the promenade or out of the apartments across it. Nevertheless I feel overheard in declaring, "I think you've both done very well. I couldn't choose between you."

I've a.s.sumed the principle must be to treat them as equally as possible - even their names seem to try - but just now dissatisfaction is all they're sharing. "I'm bored of this," Gerald says and demolishes several of his rickety castles. "I want to swim."

"Have you brought your costumes?"

"They're in our room," says Geraldine. "I want to swim in a pool, not a mucky river."

"We haven't got a pool here anymore. We'd have to go on the train."

"You can take us," Gerald says. "Dad and mum won't mind."

I'm undismayed to give up sitting on the insidiously damp sand or indeed to leave the loudly peopled beach once I've persuaded the twins not to abandon their buckets and spades. I feel as if the children are straining to lug me uphill except when they mime more exhaustion than I can afford to admit. They drop the beach toys in my hall together with a generous bounty of sand on the way to thundering upstairs. After a brief altercation they reappear and I lead them down to the train.

Before it leaves the two-platformed terminus we're joined by half a dozen rudely p.u.b.ertal drinkers. At least they're at the far end of the carriage, but their uproar might as well not be. They're fondest of a terse all-purpose word. I ignore the performance as an example to the twins, but when they continue giggling I attempt to distract them with a game of I Spy: s for the sea on the bare horizon, though they're so tardy in partic.i.p.ating that I let it stand for the next station; f for a field behind a suburban school, even if I'm fleetingly afraid that Gerald will reveal it represents the teenagers' favourite word; c for cars in their thousands occupying a retail park beside a motorway, because surely Geraldine could never have been thinking of the other syllable the drinkers favour; b for the banks that rise up on both sides of the train as it begins to burrow into Birkenhead... I don't mean it for Beryl, but here is her house.

Just one window is visible above the embankment on our side of the carriage: her bedroom window. I don't know if I'm more disturbed by this glimpse of the room where she died or by having forgotten that we would pa.s.s the house. Of course it's someone else's room now - I imagine that the house has been converted into flats - and the room has acquired a window box; the reddish tuft that sprouts above the sill must belong to a plant, however dusty it looks. That's all I've time to see through the grimy window before the bridge I used to cross on the way to school blocks the view. Soon a station lets the drinkers loose, and a tunnel conducts us to our stop.

The lift to the street is open at both ends. It shuts them when Geraldine pushes the b.u.t.ton, her brother having been promised that he can operate the lift on our return, and then it gapes afresh. Since n.o.body appears I suspect Gerald, but he's too far from the controls. "Must have been having a yawn," I say, and the twins gaze at me as if I'm the cause. No wonder I'm relieved when the doors close and we're hoisted into daylight.

As we turn the corner that brings the swimming pool into view the twins are diverted by a cinema. "I want to see a film," Gerald announces.

"You'll have to make your minds up. I can't be in two places at once. I'm just me."

Once she and her brother have done giggling at some element of this Geraldine says, "Grumpo."

I'm saddened to think she means me, especially since Gerald agrees, until I see it's the t.i.tle of a film that's showing in the complex. "You need to be twelve to go in."

"No we don't," they duet, and Gerald adds "You can take us."

Because they're so insistent I seek support from the girl in the pay booth, only to be told I'm mistaken. She watches me ask, "What would your parents say?"

"They'd let us," Geraldine a.s.sures me, and Gerald says, "We watch fifteens at home."

Wouldn't the girl advise me if the film weren't suitable? I buy tickets and lead the way into a large dark auditorium. We're just in time to see the screen exhort the audience to switch off mobile phones, and I have the twins do so once they've used theirs to light the way along a row in the absence of an usherette. The certificate that precedes the film doesn't tell me why it bears that rating, but that's apparent soon enough. An irascible grandfather embarra.s.ses his offspring with his forgetfulness and the cla.s.s of his behaviour and especially his language, which even features two appearances of the word I ignored most often on the train. The twins find him hilarious, as do all the children in the cinema except for one that keeps poking its head over the back of a seat several rows ahead. Or is it a child? It doesn't seem to be with anyone, and now it has stopped trying to surprise me with its antics and settles on peering at me over the seat. Just its pale fat face above the nose is visible, crowned and surrounded by an unkempt ma.s.s of hair. The flickering of the dimness makes it look eager to jerk up and reveal more of its features, though the light is insufficient to touch off the slightest glimmer in the eyes, which I can't distinguish. At last the oldster in the film saves his children from robbers with a display of martial arts, and his family accepts that he's as loveable as I presume we're expected to have found him. The lights go up as the credits start to climb the screen, and I crane forward for a good look at the child who's been troubling me. It has ducked into hiding, and I sidle past Geraldine to find it. "You're going the wrong way, grandpa," she calls, but neither this nor Gerald's mirth can distract me from the sight of the row, which is deserted.

Members of the audience stare at me as I trudge to the end of the aisle, where words rise up to tower over me, and plod back along the auditorium. By this time it's empty except for the twins and me, and it's ridiculous to fancy that if I glance over my shoulder I'll catch a head in the act of taking cover. "Nothing," I say like Grumpo, if less coa.r.s.ely, when Gerald asks what I'm looking for. I bustle the twins out of the cinema, and as soon as they revive their phones Gerald's goes off like an alarm.

In a moment Geraldine's restores equality. They read their messages, which consist of less than words, and return their calls. "h.e.l.lo, mummy," Geraldine says. "We were in a film."

Her brother conveys the information and hands me the mobile. "Dad wants to speak to you."

"Bertie. Forgive me, should we have-" "I hope you know we came to find you on the beach." "Gerald didn't say. I do apologise if you-" "I trust you're bringing them home now. To your house." I don't understand why he thinks the addition is necessary. "I'm afraid we're in trouble," I inform the twins as Geraldine ends her call. I have to be reminded that it's Gerald's turn to control the lift at the railway station. At least our train reaches the platform as we do, and soon it emerges into the open, at which point I recall how close we are to Beryl's house. As the train pa.s.ses it I turn to look. There's nothing at her window.

The tenant must have moved the window box. It does no good to wonder where the item that I glimpsed is now. I'm nervous enough by the time we arrive at the end of the line and I lead the twins or am led by them uphill. They seem more eager than I feel, perhaps because they've me to blame. I'm fumbling to extract my keys when Paula's husband opens the front door as if it's his. Having given each of us a stare that settles on me, Bertie says "Dinner won't be long."

It sounds so much like a rebuke, and is backed up by so many trespa.s.sing smells that I retort, "I could have made it, you know." "Could you?" Before I can rise to this challenge he adds "Don't you appreciate my cuisine and Paula's?"

"Your children don't seem to all that much," I'm provoked to respond and quote a favourite saying of Jo's. "It isn't seaside without fish and chips."

"I'm afraid we believe in raising them more healthily." "Do you, Paula? In other words, not how your mother and I treated you?" When she only gazes sadly at me from the kitchen I say, "It can't be very healthy if they hardly touch their food." "It isn't very healthy for them to hear this kind of thing." "Find something to watch for a few minutes," her husband tells them. "Maybe your grandfather can choose something suitable."

I feel silenced and dismissed. I follow the children into the lounge and insist on selecting the wildlife show. "I've got to watch as well," I say, even if it sounds like acknowledging a punishment. They greet the announcement of dinner without concealing their relief, although their enthusiasm falls short of the meal itself. When at last they've finished sprinkling cheese on their spaghetti they eat just the sauce, and hardly a leaf of their salad. Though I perform relis.h.i.+ng all of mine, I have a sense of being held responsible for their abstinence. I try not to glance at the mirror of the dresser, but whenever I fail there appear to be only the reflections of the family and me.

Once the twins have filled up with chocolate dessert, it's time for games. I vote against reviving the one in which the pallid head pops up, which means that Gerald vetoes his sister's choice of Monopoly. Eventually I remember the games stored in the cupboard under the stairs. The dark shape that rears up beyond the door is my shadow. As I take Snakes and Ladders off the pile I'm reminded of playing it with Paula and her mother, who would smile whenever Paula clapped her hands at having climbed a ladder. I've brought the game into the dining room before I recall playing it with Beryl.

Was it our last game with her? It feels as if it should have been. Every time she cast a losing throw she moved one s.p.a.ce ahead of it. "Can't get me," she would taunt the snakes. "You stay away from me, nasty squirmy things." I thought she was forbidding them to gobble her up as if she were one of her snacks between meals, the powdered sponge cakes that she'd grown more and more to resemble. Whenever she avoided a snake by expanding a move she peered at me out of the concealment of her puffed-up face. I felt challenged to react, and eventually I stopped my counter short of a snake. "Can't he count?" my aunt cried at once. "Go in the next box."

Once I'd descended the snake I complained, "Auntie Beryl keeps going where she shouldn't."

"Don't you dare say I can't count. They knew how to teach us when I was at school." This was the start of a diatribe that left her panting and clutching her chest while her face tried on a range of shades of grey. "Look what you've done," my father muttered in my ear while my mother tried to calm her down. When Beryl recaptured her wheezing breath she insisted on finis.h.i.+ng the game, staring hard at me every time she was forced to land on a snake. She lost, and glared at me as she said, "Better never do anything wrong, even the tiniest thing. You don't know who'll be watching."

Of course I knew or feared I did. I wish I'd chosen another game to play with Paula and her family. Before long Gerald pretends one of his throws hasn't landed on a snake. "Fair play, now," I exhort, earning a scowl from Gerald and a look from his father that manages to be both disapproving and blank. Perhaps Geraldine misinterprets my comment, because soon she cheats too. "If we aren't going to play properly," I say without regarding anyone, "there's no point to the game." Not addressing somebody specific gives me a sense of including more people than are seated at the table, and no amount of glancing at the mirror can rid me of the impression. I've never been so glad to lose a game. "Will you excuse me?" I blurt as my chair stumbles backwards. "I've had quite a day. Time for bed."

My struggles to sleep only hold me awake. When at last the twins are coaxed up to their room and the adults retreat to theirs, I'm still attempting to fend off the memory of my final visit to my aunt's house. She was ill in bed, so shortly after the game of Snakes and Ladders that I felt responsible. She sent my mother out for cakes, though the remains of several were going stale in a box by her bed. There were crumbs on the coverlet and around her mouth, which looked swollen almost bloodlessly pale. I thought there was too much of her to be able to move until she dug her fingers into the bed and, having quivered into a sitting position that dislodged a musty shawl from her distended shoulders, reached for me. I took her hand as a preamble to begging forgiveness, but her cold spongy grasp felt as if it was on the way to becoming a substance other than flesh, which overwhelmed me with such panic that I couldn't speak. Perhaps she was aware of her overloaded heart, since she fixed me with eyes that were practically buried in her face. "I'll be watching," she said and expelled a breath that sounded close to a word. It was almost too loose to include consonants - it seemed as soft as her hand - but it could have been "Peep." I was terrified that it might also be her last breath, since it had intensified her grip on me. Eventually she drew another rattling breath but gave no sign of relaxing her clutch. Her eyes held me as a time even longer than a nightmare seemed to ooze by before I heard my mother letting herself into the house, when I was able to s.n.a.t.c.h my hand free and dash for the stairs. In less than a week my aunt was dead.

If I didn't see her again, being afraid to was almost as bad. Now that she was gone I thought she could be anywhere and capable of reading all my thoughts, especially the ones I was ashamed to have. I believed that thinking of her might bring her, perhaps in yet worse a form. I'd gathered that the dead lost weight, but I wasn't anxious to imagine how. Wouldn't it let her move faster? All these fears kept me company at night into my adolescence, when for a while I was even more nervous of seeing her face over the end of my bed. That never happened, but when at last I fall uneasily asleep I wake to see a shock of red hair duck below the footboard.

I'm almost quick enough to disguise my shriek as mirth once I realize that the glimpse included two small heads. "Good G.o.d," Bertie shouts from downstairs, "who was that?"

"Only me," I call. "Just a dream."

The twins can't hide their giggles. "No, it was us," cries Geraldine.

At least I've headed them off from greeting me with Beryl's word. Their father and to a lesser extent Paula give me such probing looks over breakfast that I feel bound to regain some credibility as an adult by enquiring "How was your search for investments?"

"Unfinished business," Bertie says.

"We were too busy wondering where you could have got to," Paula says.

"I hope I'm allowed to redeem myself. Where would you two like to go today?"

"Shopping," Geraldine says at once.

"Yes, shopping," Gerald agrees louder.

"Make sure you keep your phones switched on," their father says and frowns at me. "Do you still not own one?"

"There aren't that many people for me to call."

Paula offers to lend me hers, but the handful of unfamiliar technology would just be another cause for concern. At least we don't need to pa.s.s my aunt's house - we can take a bus. The twins insist on sitting upstairs to watch the parade of small shops interrupted by derelict properties. Wreaths on a lamppost enshrine a teenage car thief before we cross a bridge into the docks. I won't let the flowers remind me of my aunt, whose house is the best part of a mile away. The heads I see ducking behind the reflection in the window of the back seats belong to children. However little good they're up to, I ignore them, and they remain entirely hidden as we make for the stairs at our stop.

The pedestrian precinct appears to lead to a cathedral on the far side of the foreshortened river. The street enclosed by shops is crowded, largely with young girls pus.h.i.+ng their siblings in buggies, if the toddlers aren't their offspring. The twins bypa.s.s discount stores on the way to a shopping mall, where the tiled floor slopes up to a food court flanked by clothes shops. Twin marts called Boyz and Girlz face each other across tables occupied by pensioners eking out cups of tea and families demolis.h.i.+ng the contents of polystyrene cartons. "I'll be in there," Geraldine declares and runs across to Girlz.

"Wait and we'll come-" I might as well not have commenced, since as I turn to Gerald he dodges into Boyz. "Stay in the shops. Call me when you need me," I shout so loud that a little girl at a table renders her mouth clownish with a misaimed cream cake. Geraldine doesn't falter, and I'm not sure if she heard. As she vanishes into the shop beyond the diners I hurry after her brother.

Boyz is full of parents indulging or haranguing their children. When I can't immediately locate Gerald in the noisy aisles I feel convicted of negligence. He's at the rear of the shop, removing fat shoes from boxy alcoves on the wall. "Don't go out whatever you do. I'm just going to see your sister doesn't either," I tell him.

I can't see her in the other shop. I'm sidling between the tables when I grasp that I could have had Gerald phone for me to speak to her. It's just as far to go back now, and so I find my way through an untidy maze of abandoned chairs to Girlz. Any number of those, correctly spelled, are jangling racks of hangers and my nerves while selecting clothes to dispute with their parents, but none of them is Geraldine. I flurry up and down the aisles, back and forth to another catacomb of footwear, but she's nowhere to be seen.

"Geraldine," I plead in the faded voice my exertions have left me. Perhaps it's best that I can't raise it, since she must be in another shop. I didn't actually see her entering this one. As I dash outside I'm seized by a panic that tastes like all the food in the court turned stale. I need to borrow Gerald's mobile, but the thought makes me wonder if the twins could be using their phones to play a game at my expense - to co-ordinate how they'll keep hiding from me. I stare about in a desperate attempt to locate Geraldine, and catch sight of the top of her head in the clothes store next to Girlz.

"Just you stay there," I pant as I flounder through the entrance. It's clear that she's playing a trick, because it's a shop for adults; indeed, all the dresses that flap on racks in the breeze of my haste seem designed for the older woman. She's crouching behind a waist-high cabinet close to the wall. The cabinet quivers a little at my approach, and she stirs as if she's preparing to bolt for some other cover. "That's enough, Geraldine," I say and make, I hope, not too ungentle a grab. My foot catches on an edge of carpet, however, and I sprawl across the cabinet. Before I can regain any balance my fingers lodge in the dusty reddish hair.

Is it a wig on a dummy head? It comes away in my hand, but it isn't all that does. I manage not to distinguish any features of the tattered whitish item that dangles from it, clinging to my fingers until I hurl the tangled ma.s.s at the wall. I'm struggling to back away when the head jerks up to confront me with its eyes and the holes into which they've sunk. I shut mine as I thrust myself away from the cabinet, emitting a noise I would never have expected to make other than in the worst dream.

I'm quiet by the time the rescuers arrive to collect their children and me. It turns out that Geraldine was in a fitting room in Girlz. The twins forgot most of their differences so as to take charge, leading me out to a table where there seems to be an insistent smell of stale sponge cake. n.o.body appears to have noticed anything wrong in the clothes shop except me. I'm given the front pa.s.senger seat in Bertie's car, which makes me feel like an overgrown child or put in a place of shame. The twins used their phones to communicate about me, having heard my cries, and to summon their parents. I gather that I'm especially to blame for refusing the loan of a mobile that would have prevented my losing the children and succ.u.mbing to panic.

I do my best to go along with this version of events. I apologise all the way home for being insufficiently advanced and hope the driver will decide this is enough. I help Paula make a salad, and eat up every slice of cold meat at dinner while I struggle to avoid thinking of another food. I let the children raid the cupboard under the stairs for games, although these keep us in the dining room. Sitting with my back to the mirror doesn't convince me we're alone, and perhaps my efforts to behave normally are too evident. I've dropped the dice several times to check that n.o.body is lurking under the table when Paula suggests an early night for all.

As I lie in bed, striving to fend off thoughts that feel capable of bringing their subject to me in the dark, I hear fragments of an argument. The twins are asleep or at any rate quiet. I'm wondering whether to intervene as diplomatically as possible when Paula's husband says "It's one thing your father being such an old woman-"

"I've told you not to call him that."

"-but today breaks the deal. I won't have him acting like that with my children."

There's more, not least about how they aren't just his, but the disagreements grow more muted, and I'm still hearing what he called me. It makes me feel alone, not only in the bed that's twice the size I need but also in the room. Somehow I sleep, and look for the twins at the foot of the bed when I waken, but perhaps they've been advised to stay away. They're so subdued at breakfast that I'm not entirely surprised when Paula says "Dad, we're truly sorry but we have to go home. I'll come and see you again soon, I promise."

I refrain from asking Bertie whether he'll be returning in search of investments. Once all the suitcases have been wedged into the boot of the Jaguar I give the twins all the kisses they can stand, along with twenty pounds each that feels like buying affection, and deliver a token handshake to Paula's husband before competing with her for the longest hug. As I wave the car downhill while the children's faces dwindle in the rear window, I could imagine that the windmills on the bay are mimicking my gesture. I turn back to the house and am halted by the view into the dining room.

The family didn't clear away their last game. It's Snakes and Ladders, and I could imagine they left it for me to play with a companion. I slam the front door and hurry into the room. I'm not anxious to share the house with the reminder that the game brings. I stoop so fast to pick up the box from the floor that an ache tweaks my spine. As I straighten, it's almost enough to distract me from the sight of my head bobbing up in the mirror.

But it isn't in the mirror, nor is it my head. It's on the far side of the table, though it has left even more of its face elsewhere. It still has eyes, glinting deep in their holes. Perhaps it is indeed here for a game, and if I join in it may eventually tire of playing. I can think of no other way to deal with it. I drop the box and crouch painfully, and once my playmate imitates me I poke my head above the table as it does. "Peep," I cry, though I'm terrified to hear an answer. "Peep."

The Long Way (2008)

It must have been late autumn. Because everything was bare I saw inside the house.

Dead leaves had been scuttling around me all the way from home. A chill wind kept trying to shrink my face. The sky looked thin with ice, almost as white as the matching houses that made up the estate. Some of the old people who'd been rehoused wouldn't have known where they were on it except for the little wood, where my uncle Philip used to say the council left some trees so they could call it the Greenwood Estate. n.o.body was supposed to be living in the three streets around the wood when I used to walk across the estate to help him shop.

So many people in Copse View and Arbour Street and Shady Lane had complained about children climbing from trees and swinging from ropes and playing hide and seek that the council put a fence up, but then teenagers used the wood for s.e.x and drink and drugs. Some dealers moved into Shady Lane, and my uncle said it got shadier, and the next road turned into Cops View. He said the other one should be called A Wh.o.r.e Street, though my parents told him not to let me hear. Then the council moved all the tenants out of the triangle, even rhe old people who'd complained about the children, and boarded up the houses. By the time I was helping my uncle, people had broken in. They'd left Copse View alone except for one house in the middle of the terrace. Perhaps they'd gone for that one because the boards they'd strewn around the weedy garden looked rotten. They'd uncovered the front door and the downstairs window, but I could never see in for the reflection of sunlight on leaves. Now there weren't many leaves and the sun had a cataract, and the view into the front room was clear. The only furniture was an easy chair with a fractured arm. The chair had a pattern like shadows of ferns and wore a yellowish circular antimaca.s.sar. The pinstriped wallpaper was black and white too. A set of shelves was coming loose from the back wall but still displaying a plate printed with a portrait of the queen. Beside the shelves a door was just about open, framing part of a dimmer room.

I wondered why the door was there. In our house you entered the rooms from the hall. My uncle had an extra door made so he could use his wheelchair, and I supposed whoever had lived in this house might have been disabled too. There was a faint hint of a shape beyond the doorway, and I peered over the low garden wall until my eyes ached. Was it a full-length portrait or a life-size dummy? It looked as if it had been on the kind of diet they warned the girls about at school. As I made out its arms I began to think they could reach not just through the doorway but across far too much of the room, and then I saw that they were sticks on which it was leaning slightly forward - sticks not much thinner than its arms. I couldn't distinguish its gender or how it was dressed or even its face. Perhaps it was keeping so still in the hope of going unnoticed, unless it was challenging me to object to its presence. I was happy to leave it alone and head for my uncle's.

He lived on Pasture Boulevard, where he said the only signs of pasture were the lorries that drove past your bedroom all night. The trees along the central reservation were leafy just with litter. My uncle was sitting in the hall of the house where he lived on the ground floor, and wheeled himself out as soon as he saw me. "Sorry I made you wait, Uncle Philip," I said.

"I'll wait for anything that's worth the wait." Having raised a thumb to show this meant me, he said "And what's my name again, Craig?"

"Phil," I had to say, though my parents said I was too young to.

"That's the man. Don't be shy of speaking up. Ready for the go?"