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"Was the axe gone then?"
"I do not know."
"Did you see the axe at that time?"
"No."
"Did you touch it?"
"I have never touched it, at that time or before."
She could not be shaken in her testimony and was excused. She had borne her grilling exceedingly well, and, in spite of her flippancy, there was a ring of sincerity about the testimony that gave it weight.
Following her evidence, the testimony of Tom, the cook, made things look bad for Singleton, by connecting him with Mrs. Johns's intruder in the captain's room. He told of Singleton's offer to make him a key to the galley with wire. It was clear that Singleton had been a prisoner in name only, and this damaging statement was given weight when, on my recall later, I identified the bunch of keys, the file, and the club that I had taken from Singleton's mattress. It was plain enough that, with Singleton able to free himself as he wished, the attack on Burns and the disappearance of the axe were easily enough accounted for. It would have been possible, also, to account for the white figure that had so alarmed the men, on the same hypothesis. Cross-examination of Tom by Mr. Goldstein, Singleton's attorney, brought out one curious fact. He had made no dark soup or broth for the after house. Turner had taken nothing during his illness but clam bouillon, made with milk, and the meals served to the four women had been very light. "They lived on toast and tea, mostly," he said.
That completed the taking of evidence for the day. In spite of the struggles of the clever young Jew, the weight of testimony was against Singleton. But there were curious discrepancies.
Turner went on the stand the next morning.
CHAPTER XXII
TURNER'S STORY
"Your name?"
"Marshall Benedict Turner."
"Your residence?"
"West 106th Street, New York City."
"Your occupation?"
"Member of the firm of L. Turner's Sons, s.h.i.+powners. In the coast trade."
"Do you own the yacht Ella?"
"Yes."
"Do you recognize this chart?"
"Yes. It is the chart of the after house of the Ella."
"Will you show where your room is on the drawing?"
"Here."
"And Mr. Vail's?"
"Next, connecting through a bath-room."
"Where was Mr. Vail's bed on the chart?"
"Here, against the storeroom wall."
"With your knowledge of the s.h.i.+p and its part.i.tions, do you think that a crime could be committed, a crime of the violent nature of this one, without making a great deal of noise and being heard in the storeroom?"
Violent opposition developing to this question, it was changed in form and broken up. Eventually, Turner answered that the part.i.tions were heavy and he thought it possible.
"Were the connecting doors between your room and Mr. Vail's generally locked at night?"
"Yes. Not always."
"Were they locked on this particular night?"
"I don't remember."
"When did you see Mr. Vail last?"
"At midnight, or about that. I--I was not well. He went with me to my room."
"What were your relations with Mr. Vail?"
"We were old friends."
"Did you hear any sound in Mr. Vail's cabin that night?"
"None. But, as I say, I was--ill. I might not have noticed."
"Did you leave your cabin that night of August 11 or early morning of the 12th?"
"Not that I remember."
"The steersman has testified to seeing you, without your coat, in the chart-room, at two o'clock. Were you there?"
"I may have been--I think not."
"Why do you say you 'may have been--I think not'?"
"I was ill. The next day I was delirious. I remember almost nothing of that time."
"Did you know the woman Karen Hansen?"
"Only as a maid in my wife's employ."