Mortmain Part 16

"Catherine."

McCartney gazed at her intently.

"Look here, do you think those folks in there would help you?"

"I don't know. It's better than the Island."

"Don't try it," advised McCartney. "They'd think you were working some game on 'em. Leave this graft to me."

The woman started back, half frightened, but McCartney's smile rea.s.sured her.

"Here's yours on account." He handed her the five-dollar bill he had secured from the Germans. "_I_ know how. _You_ don't. _You_ need it. _I_ don't." He waved aside her thanks. "Now go home, and, listen to me, don't take Dan back--he's no good."

The woman hurried away, and with her departure silence fell again.

McCartney seated himself upon the curb and lit still another cigarette, eying the door expectantly. Once he arose and dropped a piece of silver into the poorbox inside the porch, listening intently to the loud rattle it made in falling. It was clearly the sole occupant, for no answering clink came in response.

"Alas for the rarity Of Christian charity Under the sun,"

softly murmured McCartney.

"You will be lonely in there all by yourself, little one. Here's a brother to keep you company," said he, pus.h.i.+ng in another.

The hymn ceased and the congregation began to pa.s.s out. McCartney retired into the darkness of a corner, scrutinizing every face among the wors.h.i.+pers. Last of all came a little old man scuffling along with the aid of a cane. His snowy beard gave him an aspect singularly benign.

McCartney laughed to himself.

"Grandpapa, I trust we shall become better acquainted," he remarked under his breath, as he followed the old fellow down the street.

The loud vibrations of the bell in the deserted rooms of the floor below brought no immediate response, and instead of a brighter blaze of hospitality, the light in the hall was hurriedly extinguished. McCartney only pressed his thumb to the round receptacle of the bell the more a.s.siduously, repeating the process at varying intervals until the light again illumined the door. A shadow hesitated upon the lace curtain, then the door itself was slowly, doubtfully opened, and the old man shuffled into the vestibule, peering suspiciously through the iron fretwork.

McCartney, without going too close--he knew well the dread of human eyes, face to face--looked nonchalantly up and down the street, realizing that he must give his quarry time to regain the self-possession this midnight visit had shattered. After a pause the bolt was shot and the door opened upon its chain.

"Was that you ringing? What do you want?"

"Yes, it was I who rang. I trust you'll excuse the lateness of my call.

It's imperative for me to see you."

"Who are you? And what do you want to see me about?"

"My name is Blake. Blake of the _Daily Dial_. It is a personal matter."

"Don't know you. Don't know any Blake. Don't read the _Dial_. What is the personal matter?"

"For G.o.d's sake, sir, let me speak with you! It's a matter of life and death. Don't deny me, sir. Hear me first."

The little old man closed the door a couple of inches.

"Want money, eh?"

"Help, sir. Only a word of sympathy. I've a dying child----"

"Can't you come round in the morning?"

"It will be too late then. I implore you to listen to me for only a few moments. I've been waiting two hours upon the sidewalk for you to return, and it's too late for me to go elsewhere."

The door opened sufficiently for the old man to thrust his face close to the crack and inspect his visitor from head to heels. Evidently McCartney's appearance and the manner of his speech had made an impression which was now struggling with prudence and common sense. The deacon, moreover, had a reputation to support. It would not do to turn an applicant away who might be in dire extremity--and who might go elsewhere and carry the tale with him.

"Won't a bed ticket do you, eh? And come in the morning?"

McCartney saw the vacillation in the other's mind.

"I'm sorry, but I must see you now, if at all. To-morrow might be too late."

The owner of the house closed the door, unslipped the chain and retreated inside the hall to the foot of the stairs, leaving the way free for his visitor to follow. McCartney entered, hat in hand, and shut the door behind him, catching at a glance the austerity of the furniture and walls. To him every inch of the Brussels carpet, the ponderous, polished walnut hatrack, the ma.s.sive blue china stand with its lonely umbrella and stout bamboo cane, and the heavily framed oil copy of St. John spoke eloquently.

"I must ask your pardon again, sir, for disturbing you. But a man of your character, as you have no doubt discovered, must suffer for the sake of his reputation. I----"

McCartney swayed and seized a yellow-plush _portiere_ for support. In a moment he had regained control of himself--apparently.

"A touch of faintness. I haven't eaten since morning." He looked around for a chair. The old man made a show of concern.

"Nothing to eat! Dear me! Well, well! Come in and sit down. Perhaps I can find something."

Deacon Andrews led the way past the stairs and swung open the door to the dining room. It had a musty smell, just a hint of the prison pen at noon time, and McCartney shuddered. The old man disappeared into the darkness, struck a sulphur match, a fact noted by his guest, and with some difficulty lighted a gas jet in a grotesquely proportioned chandelier. The gas, which had blazed up, he turned down to half its original volume.

"There, sit down," said he, pointing to a mahogany chair shrouded in a ticking cover, and settled himself in another on the opposite side of a great desert of table. McCartney did as he was bidden, mentally tabulating the additional facts offered to his observation by the remainder of the room. There was evident the same bare vastness as in the outer hall. Two more oils, one of mythological, the other of religious purport, balanced each other over the wings of a huge black carven sideboard. For the rest the yellow and brown wall paper repeated itself interminably into the shadow.

"Feel better?" asked the deacon.

"Yes, much," answered McCartney. "I'm used to going without food. The body can stand suffering better than the mind--and the heart."

"Let's try and fix up the body first," remarked the deacon, opening a compartment beneath the sideboard. "Here, try some of these," and he placed a plate of water biscuits upon the table.

McCartney essayed more or less successfully to eat one, while the old man retreated into the pantry and, after a hollow ringing of water upon an empty sink, returned with a thick tumbler of Croton.

"Good, eh? Nothing like plain flour food and Adam's ale! Now, what is it you want to say? I must be getting to bed."

McCartney hastily swallowed the last of the biscuit and leaned forward.

"If I could be sure my dear wife and child could have this to-night, I should be happy indeed. Oh, sir, poverty can be borne--but to see those whom we love suffer and be powerless to help them--I can hardly address myself to you, sir. I have never asked for charity before. I'm a hard-working man. I had a good position, a little home of my own, and a wife and child whom I loved devotedly. I care for nothing else in the world. Then came the chance that ended so disastrously for us. I thought it was the tide in my affairs, you know, that might lead on to fortune.

My wife was offered a position in a traveling company at sixteen dollars a week, and they agreed to take me with them as press agent at thirty-five--fifty dollars a week all told. Can you blame us?"

"I don't approve of play acting," said the deacon.

"Don't think the less of my wife for that. She meant it for the best."

McCartney's face worked and he brushed his eyes with the back of his hand.