The Lock and Key Library Part 6

Nothing answered him except the beating of his heart, and the murmur of the wind, which continued to torment the hinges of the dormer window.

The gallery into which Gilbert had entered was divided halfway in its length by two steps, at the bottom of which was a large iron door, always kept open during the day, but closed and double-locked as night set in. Approaching this, Gilbert saw a feeble light glimmering beneath the door. He descended the steps, and looking through the key-hole, from which the key had been withdrawn, saw what changed the frightful anguish he had just been suffering into surprise and terror.

At twenty paces from him he saw the appalling figure of a phantom standing erect; it was enveloped in a large white cloth wound several times round its body, pa.s.sing under its left arm, and falling over the right shoulder. In one hand it held a torch and a sword, in the other an oval ebony frame of which Gilbert could only see the back, but which seemed to inclose a portrait. The face of this specter was emaciated, drawn, and of unusual length; its skin, withered and dry, seemed to be incrusted upon its bones, its complexion was sallow; a profuse perspiration trickled from its brows and glued the hair to its temples. Nothing could describe the expression of terror in its face. It seemed to Gilbert that its two burning eyeb.a.l.l.s penetrated even through the door, though they saw nothing which surrounded them; their vision seemed turned within, and the invisible object which fastened their gaze, a heart haunted by specters.

Suddenly the lips of this nocturnal wanderer opened, and another groan more fearful than the first issued from them. It seemed as if his burdened breast wished to shake off by a violent effort a mountain of weariness, the weight of which was crus.h.i.+ng it, or rather as though the soul sought to expel itself in this despairing cry. Gilbert was seized with inexpressible agitation, his hair stood on end. He started to fly; but a curiosity stronger than his terror prevented him from leaving the spot and kept him riveted to the door. By the eyebrows and cheekbones, in spite of the distortion of the face, he had recognized Count Kostia.

At length this sinister somnambulist stirred from his motionless position and advanced at a slow pace; he walked like an automaton.

After taking a dozen steps he stopped, looked around him, and slightly bent forward. His strained features resumed their natural proportions, life re-animated his brow, the deathlike inertia of his face gave place to an expression of sadness and prostration.

For a few seconds his lips moved, without saying a word, as if to become flexible, and fas.h.i.+oned anew to the use of speech:--then, in a soft voice which Gilbert did not recognize, and with the plaintive accents of a suffering child, he murmured:

"How heavy this portrait is! I can carry it no longer; take it out of my hands, it burns them. In mercy, extinguish this fire. I have a brand in my breast. It must be kept covered with ashes; when I can see it no more, I shall suffer less. It is my eyes that make me suffer; if I were blind, I could return to Moscow."

Then in a harsher voice:

"I could easily destroy this likeness, but THE OTHER, I cannot kill it, curses on me! it is the better portrait of the two. There is her hair, her mouth, her smile. Ah, thank G.o.d, I have killed the smile. The smile is no longer there. I have buried the smile.

But there is the mole in the corner of the mouth. I have kissed it a thousand times; take away that mole, it hurts me. If that mole were gone I should suffer less. Merciful Heaven! it is always there. But I have buried the smile. The smile is no more. I have buried it deep in a leaden coffin. It can't come... ."

Then suddenly changing his accent, and in a tragical, but bitter voice, his eyes fixed upon the large rusty sword which he held in his right hand, he muttered:

"The spot will not go away. The iron will not drink it. It was not for this blood it thirsted. I shall find it in the other, it will drink that. Ah! we shall see how it will drink it."

Upon this, he relapsed into silence and appeared to be thinking deeply. Then raising his head, he cried in a voice so strong and vibrating that the iron door trembled upon its hinges:

"Morlof, then it was not thou! Ah! my dear friend, I was deceived... . Go, do not regret life. It is only the dream of a screech-owl... . Believe me, friend, I want to die, but I cannot. I must know ... I must discover. Ah! Morlof, Morlof, leave thy hands in mine, or I shall think thou hast not forgiven me... . G.o.d! how cold these hands are ... cold ... cold ..."

And at these words he shuddered; his head moved convulsively upon his shoulders, and his teeth chattered; but soon calming himself, he murmured:

"I want to know the name, I must know that name! Is there no one who can tell me that name?"

Thus speaking, he raised the picture to a level with his face, and with bent head and extended neck, appeared to be trying to decipher upon the canvas some microscopic writing or obscure hieroglyphics.

"The name is there!" said he. "It is written somewhere about the heart,--at the bottom of the heart; but I cannot read it, the writing is so fine, it is a female hand; I do not know how to read a woman's writing. They have a cipher of which Satan alone has the key. My sight is failing me. I have flies in my head. There is always one of them that hides this name from me. Oh! in mercy, in pity, take away the fly and bring me a pair of pincers... . With good pincers I will seek that name even in the last fibers of this heart which beats no more."

He added with a terrible air:

The dead do not open their teeth. The one who lives will speak.

You shall see how I will make him speak. You shall see how I will make him speak... . Tear off his black robe, stretch him on this plank. The iron boots! the iron boots! tighten the boots!"

Then interrupting himself abruptly, he raised his eyes and fixed them upon the door. An expression of fury mingled with terror swept over his face, as if he had suddenly perceived some hideous and alarming object. His features became distorted; his mouth worked convulsively and frothed; his eyes, unnaturally dilated, darted flames; he uttered a hollow moan, took a few steps backward, and suddenly dropping his torch to the ground, where it went out he cried in a frightful voice:

"There are eyes behind the door! there are eyes! there are eyes!"

Horror-struck, distracted, beside himself, Gilbert turned and took to flight. In spite of the darkness, he found his way as if by miracle. He crossed the corridor at a run, mounted the staircase in three bounds, dashed into his chamber and bolted the door. Then he hurriedly lighted a candle, and having glanced about to a.s.sure himself that the phantom had not followed him into his room, dropped heavily upon a chair, stunned and breathless. In a few moments he had collected his thoughts, and was ashamed of his terror; but in spite of himself his agitation was such that at every noise which struck his ear, he thought he heard the step of Count Kostia ascending the staircase of his turret. It was not until he had bathed his burning head in cold water that he recovered something like tranquillity; and determining by a supreme effort to banish the frightful images which haunted him, he seated himself at his worktable and resolutely opened one of the Byzantine folios. As he began to read, his eye fell upon an unsealed letter which had been left on his table during his absence; it ran thus:

"Man of great phrases, I write to you to inform you of the hatred with which you inspire me. I wish you to understand that from the first day I saw you, your bearing, your face, your manners, your whole person, have been objects of distrust and aversion to me. I thought I recognized an enemy in you, and the result has proved that I was not mistaken. Now I hate you, and I tell you so frankly, for I am not a hypocrite, and I want you to know, that just now in my prayers I supplicated St. George to give me an opportunity of revenging myself upon you. What do you want in this house? What is there between us and you? How long do you intend to torture me with your odious presence, your ironical smiles, and your insulting glances? Before your arrival I was not completely unhappy. G.o.d be praised, it has been reserved for you to give me the finis.h.i.+ng stroke. Before, I could weep at my ease, with none to busy themselves in counting my tears; the man that makes me shed them does not lower himself to such petty calculations; he has confidence in me, he knows that at the end of the year the account will be there; but you! you watch me, you pry into me, you study me. I see very well that, while you are looking at me, you are indulging in little dialogues with yourself, and these little dialogues are insupportable to me. Mark me now, I forbid you to understand me. It is an affront which you have no right to put upon me, and I have the right to be incomprehensible if it pleases me. Ah! once a little while ago, I felt that you had your eyes fastened on me again. And then I raised my head, and looked at you steadily and forced you to blush... . Yes, you did blush; do not attempt to deny it! What a consolation to me! What a triumph!

Alas! for all that, I dare not go to my own window any longer for fear of seeing you ogling the sky, and making declamations of love to nature with your sentimental air.

"Tell me, now, in a few words, clever man that you are, how you manage to combine so much sentimentality with such skillful diplomacy? Tender friend of childhood, of virtue and of sunsets, what an adroit courtier you make! From the first day you came here, the master honored you with his confidence and his affection.

How he esteems you! how he cherishes you! what attentions! what favors! Will he not order us tomorrow to kiss the dust under your feet? If you want to know what disgusts me the most in you, it is the unalterable placidity of your disposition and your face. You know the faun who admires himself night and day in the basin upon the terrace; he is always laughing and looks at himself laugh. I detest this eternal laughter from the bottom of my soul, as I detest you, as I detest the whole world with the exception of my horse Soliman. But he, at least, is sincere in his gayety; he shows himself what he really is, life amuses him, great good may it do him! But you envelop your beatific happiness in an intolerable gravity. Your tranquil airs fill me with consternation; your great contented eyes seem to say: 'I am very well, so much the worse for the sick!' One word more. You treat me as a child--I will prove to you that I am not a child, showing you how well I have divined you. The secret of your being is, that you were born without pa.s.sions! Confess honestly that you have never in your life felt a sentiment of disgust, of anger, or of pity. Is there a single pa.s.sion, tell me, that you have experienced, or that you are acquainted with, except through your books? Your soul is like your cravat, which is always tied precisely the same way, and has such an air of repose and rationality about it, that it is perfectly insufferable to me. Yes, the bow of that cravat exasperates me; the two ends are always exactly the same length, and have an effect of INDERANGEABILITY which nearly drives me mad. Not that this famous bow is elegant. No, a thousand times no! but it has an exasperating accuracy. And in this, behold the true story of your soul. Every night when you go to bed you put it in its proper folds; every morning you unfold it carefully without rumpling it!

And you dare to plume yourself on your wisdom! What does this pretended wisdom prove? Nothing, unless it be that you have poor blood, and that you were fifty years old when you were born. There is, however, one pa.s.sion which no one will deny that you possess.

You understand me,--man of the gilded tongue and the viper's heart,--you have a pa.s.sion common to many others! But, hold, in commencing this letter, I intended to conceal from you that I had discovered everything. I feared it would give you too much pleasure to learn that I know.--Oh! why can't I make you stand before me now this moment! I should confound you! how I would force you to fall at my feet and cry for pardon!

"Oh, my dear flowers, my Maltese cross, my verbenas, my white starred fox, and you, my musk rosebush, and above all my beautiful variegated carnation, which ought to be opening to-day! Was it then for him,--was it to rejoice the eyes of this insolent parasite, that I planted, watered, and tended you with so much care? Beloved flowers, will you not share my hate? Send out from each of your cups, from each of your corollas, some devouring insect, some wasp with pointed sting, some furious horse-fly, and let them all together throw themselves upon him, hara.s.s him and persecute him with their threatening buzzing, and pierce his face with their poisoned stings. And you yourselves, my cherished daughters, at his approach, fold up your beautiful petals, refuse him your perfumes, cheat him of his cares and hopes, let the sap dry up in your fibers, that he may have the mortification of seeing you perish and fall to dust in his hands. And may he, this treacherous man, may he before your blighted petals and drooping stems, pine away himself with ennui, spite, anger, and remorse!"

IX

The castle clock had struck eight, when Gilbert sprang from his bed. Shall I confess that in dressing himself, when he came to tie his cravat, he hesitated for a moment? However, after reflection, he adjusted the knot as before, and would you believe it, he tied this famous, this regular knot without concentrating any attention upon it? His toilet finished, he went to the window. A sudden change had taken place in the weather; a cold, drizzly rain was falling noiselessly; very little wind; the horizon was enveloped in a thick fog; a long train of low clouds, looking like gigantic fish, floated slowly through the valley of the Rhine; the sky of a uniform gray, seemed to distill weariness and sadness; land and water were the color of mud. Gilbert cast his eyes upon his dear precipice: it was but a pit of frightful ugliness. He sank into an armchair. His thoughts harmonized with the weather; they formed a dismal landscape, over which a long procession of gloomy fancies and sinister apprehensions swept silently, like the trail of low clouds which wandered along the borders of the Rhine.

"No, a thousand times no!" mused he, "I can't stay in this place any longer; I shall lose my strength here, and my spirit and my health, too. To be exposed to the blind hatred of an unhappy child whose sorrows drive him to insanity; to be the table companion of a priest without dignity or moral elevation, who silently swallows the greatest outrages; to become the intimate, the complaisant friend of a great lord, whose past is suspicious, of an unnatural father who hates his son, of a man who at times transforms himself into a specter, and who, stung by remorse, or thirsting for revenge, fills the corridors of his castle with savage howlings-- such a position is intolerable, and I must leave here at any cost!

This castle is an unhealthy place; the walls are odious to me! I will not wait to penetrate into their secrets any further."

And Gilbert ransacked his brain for a pretext to quit Geierfels immediately. While engaged in this research, some one knocked at the door: it was Fritz, with his breakfast.

This morning he had the self-satisfied air of a fool who has worked out a folly by the sweat of his brow, and reached the fortunate moment when he can bring his invention to light. He entered without salutation, placed the tray which he carried upon the table; then, turning to Gilbert, who was seated, said to him, winking his eye:

"Good-morning, comrade! Comrade, good-morning!"

"What do you say?" said Gilbert, astonished, and looking at him steadily.

"I say: Good-morning, comrade!" replied he, smiling agreeably.

"And to whom are you speaking, if you please?"

"I am speaking to you, yourself, my comrade, and I say to you, good-morning, comrade! good-morning."

Gilbert looked at him attentively, trying to find some explanation of this strange prank, and this excessive and astounding insolence.

"And will you tell me," he continued, after a few moments' silence, "will you be good enough to tell me, who gave you permission to call me comrade?"

"It was ... it was ..." answered Fritz, hemming and hawing.

And he reflected a moment, as though trying to remember his lesson, that he might not stumble in its recital. "Ah!" resumed he, "it was simply his Excellency the Count, and I cannot conceive what you see astonis.h.i.+ng in it."

"Have you ever heard the Count," demanded Gilbert, who felt the blood boiling in his veins, "call me your comrade?"

"Ah! certainly!" he answered with a long burst of laughter. "Every day, when I come from him, M. le Comte says to me: 'Well! how is your comrade Gilbert?' And isn't it very natural? Don't we eat at the same rack? Are we not, both of us, in the service of the same master? And don't you see... ."

He was not able to say more, for Gilbert bounded from his chair, and crying:

"Go and tell your master that he is not my master!" He seized the valet de chambre by the collar. He was at least a head shorter than his adversary, but his grasp was like iron; and in spite of appearances, great Fritz proved but a weak and nerveless body, and greatly surprised at this unexpected attack, he could only open his large mouth and utter some inarticulate sounds. Gilbert had already dragged him to the top of the staircase. Then Fritz, recovering from his first flurry, tried to struggle, but he lost his footing, stumbled, and fell headlong down the staircase to the bottom. Gilbert came near following him in his descent, but fortunately saved himself by clinging to the bal.u.s.trade. As he saw him rolling, he feared that he had been too violent, but felt rea.s.sured, when he saw him scramble up, feel himself, rub his back, turn to shake his fist and limp away.

He returned to his chamber and breakfasted peaceably.

"Quite an opportune adventure," thought he. "Now, I shall be inflexible, unyielding, and if my trunks are not packed before night, I'm an idiot."