Hans Andersen's Fairy Tales Volume Ii Part 21

"If you have not stolen it, you may say at home that they can send to the watch-house for the dog." Then they told him where the watch-house was, and went away with Bellissima.

Here was trouble indeed. The boy did not know whether he had better jump into the Arno or go home and confess everything. They would certainly kill him, he thought.

"Well, I would gladly be killed," he reasoned; "for then I should die and go to heaven." And so he went home, almost hoping for death.

The door was locked, and he could not reach the knocker. No one was in the street, so he took up a stone and with it made a tremendous noise at the door.

"Who is there?" asked somebody from within.

"It is I," said he. "Bellissima is gone. Open the door, and then kill me."

Then, indeed, there was a great panic, for madam was so very fond of Bellissima. She immediately looked at the wall where the dog's dress usually hung; and there was the little lambskin.

"Bellissima in the watch-house!" she cried. "You bad boy! How did you entice her out? Poor little delicate thing, with those rough policemen!

And she'll be frozen with cold."

Giuseppe went off at once, while his wife lamented and the boy wept.

Several of the neighbors came in, and among them the painter. He took the boy between his knees and questioned him. Soon he heard the whole story, told in broken sentences, and also about the Metal Pig and the wonderful ride to the picture gallery, which was certainly rather incomprehensible. The painter, however, consoled the little fellow, and tried to soften the woman's anger, but she would not be pacified till her husband returned from the police with Bellissima. Then there was great rejoicing, and the painter caressed the boy and gave him a number of pictures.

Oh, what beautiful pictures those were--figures with funny heads! And, best of all, the Metal Pig was there, too. Nothing could be more delightful! By means of a few strokes it was made to appear on the paper; and even the house that stood behind it had been sketched. Oh, if he could only draw and paint! He who could do this could conjure all the world before him. The first leisure moment during the next day the boy got a pencil, and on the back of one of the other drawings he attempted to copy the drawing of the Metal Pig, and he succeeded. Certainly it was rather crooked, rather up and down, one leg thick, and another thin.

Still it was like the copy, and he was overjoyed at what he had done.

The pencil would not go quite as it ought, he had found, but the next day he tried again. A second pig was drawn by the side of the first, and this looked a hundred times better. The third attempt was so good that everybody could see what it was meant to represent.

And now the glovemaking went on but slowly. The orders given by the shops in the town were not finished quickly; for the Metal Pig had taught the boy that all objects may be drawn upon paper, and Florence is a picture book in itself for any one who chooses to turn over its pages.

On the Piazza della Trinita stands a slender pillar, and upon it is the G.o.ddess of justice blindfolded, with her scales in her hand. She was soon represented on paper, and it was the glovemaker's boy who placed her there. His collection of pictures increased, but as yet they were only copies of lifeless objects, when one day Bellissima came gamboling before him. "Stand still," cried he, "and I will draw you beautifully, to put in my collection."

Bellissima would not stand still, so she must be bound fast in one position. He tied her head and tail, but she barked and jumped and so pulled and tightened the string that she was nearly strangled. And just then her mistress walked in.

"You wicked boy! The poor little creature!" was all she could utter.

She pushed the boy from her, thrust him away with her foot, called him a most ungrateful, good-for-nothing, wicked boy, and forbade him to enter her house again. Then she wept, and kissed her little half-strangled Bellissima. At this moment the painter entered the room--and here is the turning point of the story.

In the year 1834 there was an exhibition in the Academy of Arts at Florence. Two pictures, placed side by side, attracted many people. The smaller of the two represented a little boy sitting at a table drawing.

Before him was a little white poodle, curiously shaven, but as the animal would not stand still, its head and tail had been fastened with a string, to keep it in one position. The truthfulness and life in this picture interested every one. The painter was said to be a young Florentine, who had been found in the streets when a child by an old glovemaker, who had brought him up. The boy had taught himself to draw.

It was also said that a young artist, now famous, had discovered this talent in the child just as he was about to be sent away for having tied up madam's favorite little dog to use as a model.

The glovemaker's boy had become a really great painter, as the picture proved; but the larger picture by its side was a still greater proof of his talent. It represented a handsome boy asleep, clothed in rags and leaning against the Metal Pig, in the street of the Porta Rosa. All the spectators knew the spot well. The child's arms were round the neck of the Pig, and he was in a deep sleep. The lamp before the picture of the Madonna threw a strong light on the pale, delicate face of the child. It was a beautiful picture. A large gilt frame surrounded it, and on one corner of the frame a laurel wreath had been hung. But a black band, twined unseen among the green leaves, and a streamer of c.r.a.pe hung down from it; for within the last few days the young artist had--died.

[Ill.u.s.tration]

THE FLYING TRUNK

THERE was once a merchant who was so rich that he could have paved a whole street with gold, and would even then have had enough left for a small alley. He did not do so; he knew the value of money better than to use it in this way. So clever was he that every s.h.i.+lling he put out brought him a crown, and so it continued as long as he lived.

His son inherited his wealth, and lived a merry life with it. He went to a masquerade every night, made kites out of five-pound notes, and threw pieces of gold into the sea instead of stones, making ducks and drakes of them.

In this manner he soon lost all his money. At last he had nothing left but a pair of slippers, an old dressing gown, and four s.h.i.+llings. And now all his companions deserted him. They would not walk with him in the streets, but one of them, who was very good-natured, sent him an old trunk with this message, "Pack up!"

"Yes," he said, "it is all very well to say 'pack up.'" But he had nothing left to pack, therefore he seated himself in the trunk.

It was a very wonderful trunk, for no sooner did any one press on the lock than the trunk could fly. He shut the lid and pressed the lock, when away flew the trunk up the chimney, with him in it, right up into the clouds. Whenever the bottom of the trunk cracked he was in a great fright, for if the trunk had fallen to pieces, he would have turned a tremendous somersault over the trees. However, he arrived safely in Turkey. He hid the trunk in a wood under some dry leaves and then went into the town. This he could do very well, for among the Turks people always go about in dressing gowns and slippers, just as he was.

He happened to meet a nurse with a little child. "I say, you Turkish nurse," cried he, "what castle is that near the town, with the windows placed so high?"

"The Sultan's daughter lives there," she replied. "It has been prophesied that she will be very unhappy about a lover, and therefore no one is allowed to visit her unless the king and queen are present."

"Thank you," said the merchant's son. So he went back to the wood, seated himself in his trunk, flew up to the roof of the castle, and crept through the window into the room where the princess lay asleep on the sofa. She awoke and was very much frightened, but he told her he was a Turkish angel who had come down through the air to see her. This pleased her very much. He sat down by her side and talked to her, telling her that her eyes were like beautiful dark lakes, in which the thoughts swam about like little mermaids; and that her forehead was a snowy mountain which contained splendid halls full of pictures. He related to her the story about the stork, who brings the beautiful children from the rivers. These stories delighted the princess, and when he asked her if she would marry him, she consented immediately.

[Ill.u.s.tration: "Will you tell us a story?" said the queen....]

"But you must come on Sat.u.r.day," she said, "for then my parents will take tea with me. They will be very proud when they find that I am going to marry a Turkish angel. But you must think of some very pretty stories to tell them, for they like to hear stories better than anything. My mother prefers one that is deep and moral, but my father likes something funny, to make him laugh."

"Very well," he replied, "I shall bring you no other marriage portion than a story"; and so they parted. But the princess gave him a sword studded with gold coins, and these he could make useful.

He flew away to the town and bought a new dressing gown, and afterwards returned to the wood, where he composed a story so as to be ready by Sat.u.r.day; and that was no easy matter. It was ready, however, when he went to see the princess on Sat.u.r.day. The king and queen and the whole court were at tea with the princess, and he was received with great politeness.

"Will you tell us a story?" said the queen; "one that is instructive and full of learning."

"Yes, but with something in it to laugh at," said the king.

"Certainly," he replied, and commenced at once, asking them to listen attentively.

"There was once a bundle of matches that were exceedingly proud of their high descent. Their genealogical tree--that is, a great pine tree from which they had been cut--was at one time a large old tree in the wood.

The matches now lay between a tinder box and an old iron saucepan and were talking about their youthful days. 'Ah! then we grew on the green boughs,' said they, 'and every morning and evening we were fed with diamond drops of dew. Whenever the sun shone we felt his warm rays, and the little birds would relate stories to us in their songs. We knew that we were rich, for the other trees only wore their green dresses in summer, while our family were able to array themselves in green, summer and winter. But the woodcutter came like a great disaster, and our family fell under the ax. The head of the house obtained a situation as mainmast in a very fine s.h.i.+p and can sail round the world whenever he will. Other branches of the family were taken to different places, and our own office now is to kindle a light for common people. This is how such highborn people as we came to be in a kitchen.'

"'Mine has been a very different fate,' said the iron pot, which stood by the matches. 'From my first entrance into the world I have been used to cooking and scouring. I am the first in this house when anything solid or useful is required. My only pleasure is to be made clean and s.h.i.+ning after dinner and to sit in my place and have a little sensible conversation with my neighbors. All of us excepting the water bucket, which is sometimes taken into the courtyard, live here together within these four walls. We get our news from the market basket, but it sometimes tells us very unpleasant things about the people and the government. Yes, and one day an old pot was so alarmed that it fell down and was broken in pieces.'

"'You are talking too much,' said the tinder box; and the steel struck against the flint till some sparks flew out, crying, 'We want a merry evening, don't we?'

"'Yes, of course,' said the matches. 'Let us talk about those who are the highest born.'

"'No, I don't like to be always talking of what we are,' remarked the saucepan. 'Let us think of some other amus.e.m.e.nt; I will begin. We will tell something that has happened to ourselves; that will be very easy, and interesting as well. On the Baltic Sea, near the Danish sh.o.r.e--'

"'What a pretty commencement!' said the plates. 'We shall all like that story, I am sure.'

"'Yes. Well, in my youth I lived in a quiet family where the furniture was polished, the floors scoured, and clean curtains put up, every fortnight.'

"'What an interesting way you have of relating a story,' said the carpet broom. 'It is easy to perceive that you have been a great deal in society, something so pure runs through what you say.'

"'That is quite true,' said the water bucket; and it made a spring with joy and splashed some water on the floor.

"Then the saucepan went on with its story, and the end was as good as the beginning.