Hans Andersen's Fairy Tales Volume Ii Part 13

"What strange things happen to one!" said the thistle bush. "My first-born went to live in a b.u.t.tonhole, my last-born in a frame! I wonder what is to become of me."

The old donkey, standing by the roadside, cast loving glances at the thistle and said, "Come to me, my sweetheart, for I cannot go to you; my tether is too short!"

But the thistle bush made no answer. It grew more and more thoughtful, and it thought as far ahead as Christmas, till its budding thoughts opened into flower.

"When one's children are safely housed, a mother is quite content to stay beyond the fence."

"That is true," said the suns.h.i.+ne; "and you will be well placed, never fear."

"In a flowerpot or in a frame?" asked the thistle.

"In a story," answered the suns.h.i.+ne. And here is the story!

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THE PEN AND THE INKSTAND

IN A POET'S room, where his inkstand stood on the table, the remark was once made: "It is wonderful what can be brought out of an inkstand. What will come next? It is indeed wonderful."

"Yes, certainly," said the inkstand to the pen and to the other articles that stood on the table; "that's what I always say. It is wonderful and extraordinary what a number of things come out of me. It's quite incredible, and I really never know what is coming next when that man dips his pen into me. One drop out of me is enough for half a page of paper--and what cannot half a page contain?

"From me all the works of the poet are produced--all those imaginary characters whom people fancy they have known or met, and all the deep feeling, the humor, and the vivid pictures of nature. I myself don't understand how it is, for I am not acquainted with nature, but it is certainly in me. From me have gone forth to the world those wonderful descriptions of charming maidens, and of brave knights on prancing steeds; of the halt and the blind--and I know not what more, for I a.s.sure you I never think of these things."

"There you are right," said the pen, "for you don't think at all. If you did, you would see that you can only provide the means. You give the fluid, that I may place upon the paper what dwells in me and what I wish to bring to light. It is the pen that writes. No man doubts that; and indeed most people understand as much about poetry as an old inkstand."

"You have had very little experience," replied the inkstand. "You have hardly been in service a week and are already half worn out. Do you imagine you are a poet? You are only a servant, and before you came I had many like you, some of the goose family and others of English manufacture. I know a quill pen as well as I know a steel one. I have had both sorts in my service, and I shall have many more as long as _he_ comes--the man who performs the mechanical part--and writes down what he obtains from me. I should like to know what will be the next thing he gets out of me."

"Inkpot!" retorted the pen, contemptuously.

Late in the evening the poet returned home from a concert, where he had been quite enchanted by the admirable performance of a famous violin player.

The player had produced from his instrument a richness of tone that sometimes sounded like tinkling water drops or rolling pearls, sometimes like the birds twittering in chorus, and then again, rising and swelling like the wind through the fir trees. The poet felt as if his own heart were weeping, but in tones of melody, like the sound of a woman's voice.

These sounds seemed to come not only from the strings but from every part of the instrument. It was a wonderful performance and a difficult piece, and yet the bow seemed to glide across the strings so easily that one would think any one could do it. The violin and the bow seemed independent of their master who guided them. It was as if soul and spirit had been breathed into the instrument. And the audience forgot the performer in the beautiful sounds he produced.

Not so the poet; he remembered him and wrote down his thoughts on the subject: "How foolish it would be for the violin and the bow to boast of their performance, and yet we men often commit that folly. The poet, the artist, the man of science in his laboratory, the general--we all do it, and yet we are only the instruments which the Almighty uses. To Him alone the honor is due. We have nothing in ourselves of which we should be proud." Yes, this is what the poet wrote. He wrote it in the form of a parable and called it "The Master and the Instruments."

"That is what you get, madam," said the pen to the inkstand when the two were alone again. "Did you hear him read aloud what I had written down?"

"Yes, what I gave you to write," retorted the inkstand. "That was a cut at you, because of your conceit. To think that you could not understand that you were being quizzed! I gave you a cut from within me. Surely I must know my own satire."

"Ink pitcher!" cried the pen.

"Writing stick!" retorted the inkstand. And each of them felt satisfied that he had given a good answer. It is pleasing to be convinced that you have settled a matter by your reply; it is something to make you sleep well. And they both slept well over it.

But the poet did not sleep. Thoughts rose within him, like the tones of the violin, falling like pearls or rus.h.i.+ng like the strong wind through the forest. He understood his own heart in these thoughts; they were as a ray from the mind of the Great Master of all minds.

"To Him be all the honor."

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THE TEAPOT

THERE was once a proud teapot; it was proud of being porcelain, proud of its long spout, proud of its broad handle. It had something before and behind,--the spout before and the handle behind,--and that was what it talked about. But it did not talk of its lid, which was cracked and riveted; these were defects, and one does not talk of one's defects, for there are plenty of others to do that. The cups, the cream pot, and the sugar bowl, the whole tea service, would think much oftener of the lid's imperfections--and talk about them--than of the sound handle and the remarkable spout. The teapot knew it.

"I know you," it said within itself. "I know, too, my imperfection, and I am well aware that in that very thing is seen my humility, my modesty. Imperfections we all have, but we also have compensations. The cups have a handle, the sugar bowl a lid; I have both, and one thing besides, in front, which they can never have. I have a spout, and that makes me the queen of the tea table. I spread abroad a blessing on thirsting mankind, for in me the Chinese leaves are brewed in the boiling, tasteless water."

All this said the teapot in its fresh young life. It stood on the table that was spread for tea; it was lifted by a very delicate hand, but the delicate hand was awkward. The teapot fell, the spout snapped off, and the handle snapped off. The lid was no worse to speak of; the worst had been spoken of that.

The teapot lay in a swoon on the floor, while the boiling water ran out of it. It was a horrid shame, but the worst was that everybody jeered at it; they jeered at the teapot and not at the awkward hand.

"I never shall forget that experience," said the teapot, when it afterward talked of its life. "I was called an invalid, and placed in a corner, and the next day was given to a woman who begged for victuals.

I fell into poverty, and stood dumb both outside and in. But then, just as I was, began my better life. One can be one thing and still become quite another.

"Earth was placed in me. For a teapot, this is the same as being buried, but in the earth was placed a flower bulb. Who placed it there, who gave it, I know not; but given it was, and it became a compensation for the Chinese leaves and the boiling water, a compensation for the broken handle and spout.

"And the bulb lay in the earth, the bulb lay in me; it became my heart, my living heart, such as I had never before possessed. There was life in me, power and might. The heart pulsed, and the bulb put forth sprouts; it was the springing up of thoughts and feelings which burst forth into flower.

"I saw it, I bore it, I forgot myself in its delight. Blessed is it to forget oneself in another. The flower gave me no thanks; it did not think of me. It was admired and praised, and I was glad at that. How happy it must have been! One day I heard some one say that the flower deserved a better pot. I was thumped hard on my back, which was a great affliction, and the flower was put into a better pot. I was thrown out into the yard, where I lie as an old potsherd. But I have the memory, and that I can never lose."

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SOUP FROM A SAUSAGE SKEWER

"WE HAD such an excellent dinner yesterday," said an old lady-mouse to another who had not been present at the feast. "I sat number twenty-one below the mouse-king, which was not a bad place. Shall I tell you what we had? Everything was excellent--moldy bread, tallow candle, and sausage.

"Then, when we had finished that course, the same came on all over again; it was as good as two feasts. We were very sociable, and there was as much joking and fun as if we had been all of one family circle.

Nothing was left but the sausage skewers, and this formed a subject of conversation till at last some one used the expression, 'Soup from sausage sticks'; or, as the people in the neighboring country call it, 'Soup from a sausage skewer.'