Rustic Sounds Part 2

Sir Francis Galton goes on to give a list of qualities that "nearly every one except cranks would take into account in picking out the best specimens of his cla.s.s." The list includes "health, energy, ability, manliness and courteous disposition." {32a} I wish he had thought of eugenic mothers, and had translated manliness into the feminine equivalents of courage and endurance. When I first read this list it struck me at once how highly distinguished was Galton himself in all these qualities. As we dwell on the qualities one by one, they seem to call up echoes from the image we have of his character. "Ability, manliness, and courteous disposition," how strong these were in him! I cannot help feeling that he might have added one more quality from his own treasure-house, namely, a sense of humour, which is so priceless an antiseptic to sentimentality, and was markedly present in his character.

In this same lecture {32b} Galton sums up the stages in the development of eugenics. (1) "It must be made familiar as an academic question."

(2) As a practical subject worthy of serious consideration. (3) It must be "introduced into the national conscience, like a new religion." He recapitulates in an eloquent phrase: "It has, indeed, strong claims to become an orthodox religious tenet of the future, for Eugenics cooperates with the workings of Nature, by securing that humanity shall be represented by the fittest races. What Nature does blindly, slowly, and ruthlessly, man may do providently, quickly, and kindly."

Here we see the future of eugenics marked out for us, and the last sentence might well serve as a motto for this Society. How are we to work for the cause?

It is true that our opinions are formed by the daily papers, and our actions as a nation are determined by political parties which come and go largely by chance. But however our opinions originate, if they are strongly and persistently urged by a large majority of Englishmen, great changes in the manner of human life may be effected. Persistence is the great thing in all reforms: in the words of my father's favourite quotation-"It's dogged as does it." Francis Galton has been temperately persistent in a marked degree. His caution and wisdom are ill.u.s.trated by the dates of his writings on eugenics and heredity, which placed in order suggest a regiment relentlessly advancing, not a bunch of heroes rus.h.i.+ng on a breach:-

Two papers in 'Macmillan's Magazine' 1865 Hereditary Genius 1869 'Fraser's Magazine' 1873 Human Faculty (word 'Eugenics' first employed) 1884 Natural Inheritance 1889 Huxley Lecture 1901 Sociological Society Papers 1905 'Memories 1908

His temperate advance is all the more striking when we remember the fiery impatience with which in _Hereditary Genius_ he spoke of the harm done by the Church in ordaining that the intellectuals, the literary, and the sensitive should be celibates, and of the wholesale slaughter by the Holy Inquisition of the courageous and clear minded who dared to think for themselves.

From the first he had the support of Charles Darwin, who never wavered in his admiration of Galton's purpose, though he had doubts about the practicality of reform. His hesitation in regard to eugenic method is expressed with a wise proviso as to future possibilities: "I have lately been led," he says, "to reflect a little . . . on the artificial checks, but doubt greatly whether such would be advantageous to the world at large at present, however it may be in the distant future." {34a} In the first edition of the _Descent of Man_ (1874), {34b} he distinctly gives his adherence to the eugenic idea by his a.s.sertion that man might by selection do something for the moral and physical qualities of the race.

It is a great thing that this Society should have had Francis Galton for its Honorary President. It ent.i.tles us to feel a.s.sured that in following the line of action marked out for ourselves we are on the right track, and that in the difficult pioneer work of helping the English public to realise the deadly need of eugenic reform we are following in Galton's steps. We are also so fortunate as to have received encouragement and help at the hands of some of the leaders in the science of heredity, Weismann, Yves Delage, Ray Lankester, the late Adam Sedgwick, Poulton, Bateson, and others.

Galton says somewhere {35} that great men have long boyhoods. This was certainly true of him, though I should rather describe as youthful the delightful qualities that never faded out of his nature. It is, I believe, the correct thing to speak of the "golden dreams of youth," and if by this hackneyed phrase we mean a keenly imaginative outlook, a hopefulness with a certain dash about it, a generous courage-tinged with romance-then Francis Galton had undying youth. And this makes his seriously measured progress in eugenics all the more worthy of our admiration.

In one of the Macmillan articles he wrote: "Many plan for that which they can never live to see. At the hour of death they are still planning."

It was thus that Francis Galton died, and as year after year we meet together on February 16th, let us think of him and his plannings with affection and respect.

III THE MOVEMENTS OF PLANTS {36}

It is sometimes a.s.serted that the power of movement is a character distinguis.h.i.+ng animals from plants. This statement arises to some extent from an obvious confusion of thought. Trees are stationary, they are rooted to one spot, but they are not therefore motionless. We think them so because our eyes are dull-a fault curable with the help of a microscope. And when we get into the land of magnification, where the little looks big and the slow looks quick, we see such evidence of movement that we wonder not to hear as well as see the stream of life that flows before our eyes.

In speaking of the cells of which plants are built, Huxley said that a plant is "an animal enclosed in a wooden box." It is this prisoner, the living protoplasm, that we may watch pacing round its prison walls. And we may see it stop as though frightened at our rough usage, and then, after a hesitating twitch or two, we see it recover and once more flow round the cell. Or we can watch under the microscope minute free-swimming plants rus.h.i.+ng across the field of view, all one way, like a flock of little green sheep that we can drive to and fro with a ray of light for a sheep-dog.

But I am not going to deal with microscopic matters, but rather with things on a bigger scale which can be seen with the naked eye. I will begin by trying to show that very obvious movements are to be seen in every kitchen garden, or in every garret window, where a scarlet runner is grown for its red flowers' sake.

In a scarlet runner the shoot is not completely vertical, but bends over to one side. To record the movements of the plant a series of photographs may be taken vertically from above the plant, so that the end of the shoot shows like the hand of a watch against a sort of clock-face on which the points of the compa.s.s are marked. Such photographs show how the shoot swings round in its instinctive search for another stick to climb.

This well-known movement is performed by a co-ordinated series of curvatures, the exact nature of which need not trouble us now. Let us rather consider the less obvious power of co-ordination which enables a plant to grow upwards in a straight line. Think of a forest of pine trees, hundreds of thousands of them, all growing vertically up towards the sky. Here is a clear case of movement, for the leading shoots were once but a few inches from the ground, and now they are crawling along vertical lines 100 feet up in the air. It may be said that this is mere increase in size, not movement in the ordinary sense. But it may be made plain that the trees could not grow in this way had they not a power of curvature, to which the term _movement_ cannot be refused.

As it is not easy to experiment on pine trees we may use a pot of mustard seedlings, which represents in miniature a forest of vertical stems. Now suppose the flower-pot upset and left lying on its side for a few hours: the seedlings will be found to have all recovered the vertical position, and they have done so by a bend which is just as much a case of movement as the flexure of a man's arm, though it is effected by a very different mechanism. Not everyone realises how rapid this movement is. Fig. 2 is from a diagram made in the ordinary course of cla.s.s-work at Cambridge, and ill.u.s.trates this point. A shoot of Valerian was placed horizontally at 2.17, and a black line painted like a silhouette on a vertical sheet of gla.s.s to record its position at 2.30; similar lines were painted at intervals, forming a record of fairly rapid movement. If greater delicacy of observation had been practised, it would have been easy to show that the plant begins to curve up within a few minutes of being placed horizontally.

It is a remarkable fact that the plant should be stimulated, or stirred up, to a definite curvature by merely placing it horizontally. The curvature tends to bring the plant into the upright position, and when the whole stem has reached the vertical, the stimulus ceases to exist.

It is as though the plant were in a condition of content when vertical, and of discontent in any other position, and as though the discontent expressed itself in curvature.

But the plant does not gain the vertical by a single continuous curvature; at first it overdoes the thing (see Fig. 2), and the end of the shoot may pa.s.s beyond the vertical by 2030. But this new position, inasmuch as it is not vertical, originates a new stimulus, and the new curvature which follows brings the shoot back towards the upright position. It may again overshoot the mark, but by repeated corrections it finally attains the normal upright posture.

It is this power of correcting the line of growth whenever it deviates from the upright that enables the pine tree to grow straight upwards.

And this is what I meant when I said that its habit of growth depends on regulated curvature, to which no one can refuse the name of movement.

[Picture: Fig. 2.-A Valerian stem curving geotropically]

The pine and the seedling have, in fact, a wonderful kind of sensitiveness-a sensitiveness to the force of gravity. To those accustomed to think of Mimosa as the sensitive plant _par excellence_ my words may sound strange. But the sensitiveness of Mimosa is crude by comparison with that of the seedling. A plant with a perception of the position of the centre of the earth and a power of growing along the line so perceived is a much greater miracle than a leaf that closes its leaflets when burnt or cut or shaken.

I shall show that certain parts of the plant have the special quality of the perception of gravitation, but we are at present ignorant of how the act of perception is effected. We know something of the machinery of hearing or vision in animals, but in plants we can only guess that when a cell is placed horizontally a resulting change of pressure on the protoplasm produces that loss of equilibrium which is translated into curvature. It is, however, probable that Nemec and Haberlandt are right, and that the stimulus depends on the pressure of solid particles, _e.g._ starch-grains, on the protoplasm. {40}

The use of this gravitational sensitiveness is clear enough. It is to the pine tree what a plumbline is to the builder, for neither plant nor man can build high unless he builds straight. A man has a general perception of the verticalness of his body and of surrounding objects, but he does not trust to this sense in placing brick on brick to make a house. He uses a plumb-line which tells him through his eye the precise line along which he must pile his bricks. The tree has also to pile one over another the cells or chambers in which its protoplasmic body lives, and this too must be done along a vertical line; but the plant is guided by the sensitiveness to gravity of which I have spoken.

It must be clearly understood that gravity does not act directly on the growth of plants. It does not act as a magnet acts on iron, or to take a better example, it does not simply act as gravity acts on the plumb-line in which the string is kept in a vertical line by the weight. It might be supposed that in some occult way the stem was mechanically kept straight like the string, and this indeed was the view formerly held about such roots as grow straight down into the earth. But it is not so; the thing is not explicable mechanically. Gravitation is nothing more than a sign-post or signal to the plant-a signal which the plant interprets in the way best suited to its success in the struggle for life, just as what we see or hear gives us signals of changes in the exterior world by which we regulate our conduct.

It may be said that this is hard to prove, and indeed, like other biological theories, it can only be shown to be true by its explaining a number of facts. It is interesting to try to explain the facts without the a.s.sumption in question. If gravity does not act indirectly as a signal it must act directly; and we must find a reason why, in the case of the mustard seedling above referred to, the stem has grown up and the root down. There is absolutely nothing in their structure or manner of growth to help us to see why this difference of behaviour under identical conditions should exist. And if, instead of placing the mustard seedling in the dark we had grown it near the window, {41} we should have come across another remarkable phenomenon, namely, that the stem grows towards, the root away from, the light-and this is equally inexplicable on a mechanical basis.

But it may be urged that it is not fair to compare a root and a stem which are structurally unlike. Let us, therefore, keep to roots. When the root of a bean has grown vertically down into the soil for some distance it begins to bud forth into side roots. These are exactly like the primary root from which they spring; there is no difference in structure or in machinery of growth. Yet the secondary roots do not grow vertically down, but obliquely, or in some cases horizontally. There is one more striking fact about the roots of the bean. The secondary, like the primary roots, give off branches, and these-the tertiaries-behave differently from both the elder generations of roots. For instead of directing themselves vertically or horizontally, they simply treat the force of gravity with contempt and grow where fancy leads them. The point on which I wish to insist is, that it is impossible to explain on any theory of the _direct_ action of gravity why the three orders of roots have three distinct modes of growth. They may remind us of three generations, grandfather, father, and son, all of one blood and yet behaving towards the universe in three distinct ways-a fact not unknown in human society.

On the other hand, it would not be difficult to show that the behaviour of the three orders of roots is well suited to the plant's needs, and therefore we can understand how the power of reacting in three different ways to the same signal has been evolved. The main root takes the shortest course to the deeper layers of earth; the four or five ranks of secondary roots divide the world between them and push forth all round, keeping slightly below the horizontal; the tertiaries take it for granted that their predecessors have done the usual thing, and that they can satisfactorily occupy the s.p.a.ces left among their elders by random growth. The fact that the tertiary roots have no specialised sensitiveness of gravitation shows that their unregulated growth is good enough for the necessities of the case. For among organised beings necessity is the mother of development, and what their brethren of second rank have developed they too could a.s.suredly have gained. To this point of view I shall return, but first I should like to give a few more instances of actions carried out in response to the signal of gravity; and these examples shall be from stem-structures.

The ripe flower-heads of a clover (_T. subterraneum_) bury themselves in the ground, thus effectually sowing their own seeds, and they are guided to the ground by their unusual capacity of curving down and directing themselves like a primary root towards the centre of the earth.

Other flower-stalks are guided by gravitation for quite different purposes. Take, for instance, a common narcissus. In the young condition there is a straight shaft ending in a pointed flower-bud; but as the flower opens the stalk bends close to the top and brings the flower-tube into a roughly horizontal position, where it shows off its brightly coloured crown to the insects that visit it. The flowers are guided to the right position by the gravitational sense, and they increase or diminish the angular bend in their stalk till the right position is attained, as shown in Fig. 3.

All these cases of plants executing certain useful curvatures, which occur when the plant is displaced as regards the vertical, and cease when the habitual, relation is reached, all these, I say, seem to me only explicable on the theory that gravitation does not act as a mechanical influence, but as a signal which the plant may neglect entirely, or, if it notices, may interpret in any way; that is, it may grow along the indicated line in either direction or across it at any angle. It may be said that this is no explanation at all, that it only amounts to saying that the plant can do as it chooses. I have no objection to this, if the meaning of the word 'choice' be defined.

I am now going to deal with the subject of movement from a somewhat different point of view, namely, with the object of showing that it is possible to discover the part of the plant which reads the signal: and this is not necessarily the part that executes the correlated movement.

In the reflex movement of an animal (for instance, a cough produced by a crumb going the wrong way), we distinguish the irritation of the throat and the violent action of the muscles of the chest and abdomen; and further, the nervous machinery by which the stimulus is reflected or switched on, by way of the central nervous system, from the throat to the muscles concerned in coughing. In the plant, too, if we are to compare its movements to the reflexes of animals (as has been done by Czapek), we must distinguish a region of percipience, another of motility, and the transmission of an influence from the percipient to the motor region.

Transmission of a stimulus has long been known in _Mimosa_, but, in the far more important curvatures which we are now considering, it was not known to [Picture: Narcissus flowers] exist before the publication of the _Power of Movement in Plants_. There is an experiment of Rothert's {45} which we make in cla.s.s-work at Cambridge, and which only differs from my father's cla.s.sical experiment in the fact that a much more perfectly adapted plant is employed. The plant in question is a gra.s.s, _Setaria_, which has a remarkable form of seedling. When the grain germinates it does not send up a simple cylindrical sprout like an oat, but a delicate stem terminating in a pointed swollen part which looks like a little spear-head. When a group of _Setarias_ is illuminated from one side they bend strongly over, with their spearheads all pointing straight at the light. The spearheads do not bend; the whole movement is carried out by the stalk on which the head is supported. And what is remarkable is, that the spear-head and not the stalk perceives the light. This is easily proved by covering the heads of a few _Setarias_ with opaque caps.

For the result is that the blindfolded seedlings remain vertical while their companions are pointing to the light. Thus the part which bends, is unaffected by illumination, and the part which _is_ affected does not bend. The spear-head is the percipient organ, the shaft or stalk is the motor region, and from head to shaft an influence has clearly been transmitted.

My father and I made an attempt to prove the same thing for the gravitation-sense of roots, that is, to prove that the tip of the root is the region in which the force of gravity is perceived by the plant. Our method of proof does not hold good, but our conclusions are true after all. When gravitation is the stimulus, the experiment is much more difficult than when light is in question, because now that fairy G.o.dmothers are extinct we must not hope for a substance opaque to gravitation, a substance with which we might shelter the root-tips from the force of gravity as the tips of the _Setaria_ seedlings were sheltered from light.

The plan adopted by us was simply to cut off the extreme tip of the roots, and fortunately (or unfortunately) the result was just what was expected-the tipless roots had lost the sense of gravitation, and were unable to curve downwards towards the centre of the earth. It was natural to believe that the tipless roots failed to bend because their sense-organs-their percipient parts-had been removed. As a matter of fact they had been removed, but it was fairly objected that the operation of removing the delicate tissues at the tip of the root is a severe one, and that the roots which refused to grow downwards were suffering from shock, and not from the absence of their sense-organs.

The subsequent history of the inquiry is an instance of the unwisdom of prophesying unless you know. In 1894 an able summary of the question was published in a German journal, in which the impossibility of solving the problem of the gravitational sensitiveness of the root-tip was dwelt on, and immediately afterwards Section K of the British a.s.sociation had the satisfaction of hearing Pfeffer read a brilliant paper giving the long-hoped-for proof that the tip of the root is a sense-organ for gravitation. {47}

Like many other experiments, it depends on a deception or trick played on the plant. The root is forced to grow into a minute gla.s.s tube closed at one end and sharply bent in the middle, resembling a little gla.s.s boot; the extreme tip being thus kept at right angles to the main body of the root. If the theory we are testing is the right one, a root with its motor region horizontal and its tip vertical ought to continue to grow horizontally, because the tip being vertical is not stimulated by gravity; it is in a quiescent, or, as it were, a satisfied condition, and no bending influence is being sent to the motor region. And this is what Pfeffer and Czapek found. On the other hand, if the main body of the root points vertically down while the sensitive tip is horizontal, a curvature results, because as long as the tip is horizontal it is stimulated, and the stimulus is transmitted to the motor region.

This experiment proves not only that the tip of the root is the sense-organ for gravity, but also that the motile part is not directly sensitive; in other words, that gravitation is perceived exclusively in the tip of the root. Since the publication of Pfeffer's and Czapek's papers I have been lucky enough to hit on another way of investigating percipient organs for gravitation, {48} and I am not without hopes that botanists may become in this question as fertile as Cyrano with his seven ways of flying to the moon.

There is a certain kind of inverted action familiarly known as the tail wagging the dog, and it is on this principle of inversion that my experiment is designed. Inversion may in some cases be practised without altering the final result. For instance, it does not much matter whether the thread goes to the eye (the rational masculine plan) or _vice versa_, as in the feminine way of threading a needle. In other cases you create what is practically a new machine by inversion, as in a certain apparatus in which the hand of a clock stops still while the clock itself rotates.

The effect is still more striking with my plants, for the inversion practised on them entirely changes the character of their movement.

The result may be shown with the seedling _Setarias_ of which I have spoken, or with _Sorghum_, as in Fig. 4. If one of these is supported by its seed with its stem projecting freely in the horizontal plane, the gravitation stimulus makes it bend upwards until the tip is vertical, when the stimulus ceases to act and the curvature comes to an end. If the conditions are reversed, if the seedling is supported in a horizontal position _by its tip_, while the seed projects freely, the result is at first the same, though finally it comes to be strikingly different. The basal end of the seedling is carried upwards by the curvature of the stem; but according to the theory we are testing, the tip of the seedling is the only part of the plant which feels the gravitational stimulus, and the tip of the seedling remains horizontal in spite of the curvature of the stem. Therefore the tip of the seedling is not freed from stimulation as it was in the first case, where the curvature brought the tip into the vertical position. The horizontal tip therefore continues to send commands to the stem to go on curving, in a way I can best explain if I am allowed to make the plant express its sensations in words. The tip says to the stem, "I am horizontal, therefore you must bend upwards"; and when this order has been obeyed the tip says, "It is of no use, I am still horizontal-go on bending." The result is that the stem curls up into a spiral like a corkscrew or a French horn, as shown in Fig. 4.

[Picture: Fig. 4.-Seedling Sorghums supported by their tips in horizontal gla.s.s tubes]

These unfortunate plants are in the position of a convict on the treadmill; their movements are, from their own point of view, absolutely ineffectual and meaningless. The results are, however, of some importance from our point of view, since they give clear support to the theory which I have now attempted to place before you, namely, that the percipient region is at the tip of the _Setaria_ seedling, and that by what corresponds to a reflex action, the stimulus perceived by the tip is transmitted to the motor region.

I should like to add a few words on the question how far the movement of plants can be placed under the general laws deducible from the movements of animals. Unfortunately, as soon as we attack this question we are liable to enter regions where for the ignorant there are many pitfalls.

We are, in fact, face to face with the question whether in plants there is anything in which we may recognise the faint beginnings of consciousness, whether plants have the rudiments of desire or of memory, or other qualities generally described as mental.