Clarissa: Preface, Hints of Prefaces, and Postscript Part 3

Whence different Styles, Manners, &c. that make Episodes useless.

~_Clarissa an Example to the Reader: The Example not to be taken from the Reader._~

The vicious Characters in this History are more pure, Images more chaste, than in the most virtuous of the Dramatic Poets.

Clarissa is so ready to find fault with herself on every Occasion, that we cannot consent, that a Character so exemplary in the greater Points should suffer merely from the Inattention of the hasty Reader. Let us therefore consider of some of the Objections made against her Story: And yet we may venture to a.s.sert, that there is not an Objection that is come to Knowlege [sic], but is either answered or antic.i.p.ated in the Work.

Obj. I. _Clarissa has been thought by some to want Love_--To be prudish--To be over-delicate.

Those who blame Clarissa for Over-niceness, would most probably have been an easy Prey to a Lovelace.

One Design in her Character is to shew, that Love ought to be overcome, when it has not Virtue or Reformation for its Object.

Many Persons readier to find fault with a supposed perfect Character, than to try to imitate it: To bring it down to their Level, rather than to rise to it.

Clarissa an Example _to_ the Reader: The Example not to be taken _from_ the Reader.

Obj. II. _Lovelace could not be so generous, and so wicked._ Common Experience confutes this Objection.

Obj. III. _There could not be such a Tyrant of a Father: Such an insolent and brutal Brother: Such an unrelenting Sister: Such a pa.s.sive Mother_--Every-body is not of this Opinion. It were to be wished, that this Objection were unanswerable.

Obj. IV. _The History is too minute._ Its Minuteness one of its Excellencies.

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Attentive Readers have found, and will find, that the Probability of all Stories told, or of Narrations given, depends upon small Circ.u.mstances; as may be observed, that in all Tryals for Life and Property, the/ /Merits of the Cause are more determinable by such, than by the greater Facts; which usually are so laid, and taken care of, as to seem to authenticate themselves.

Cannot consent, that the History of Clarissa should be looked upon as a mere Novel or Amus.e.m.e.nt--since it is rather a History of Life and Manners; the princ.i.p.al View of which, by an Accommodation to the present light Taste of an Age immersed in Diversions, that engage the Eye and the Ear only, and not the Understanding, aims to investigate the great Doctrines of Christianity, and to teach the Reader how to die, as well as how to live.

Step by Step, Difficulties varied and enumerated, that young Creatures may know, that tho' they may not have all her Trials, how to comport gradatim.

If provoked and induced as she was, yet so loth to leave her Friends, and go off with her Lover, what Blame must those incur, who take such a Step, and have not her Provocations and Inducements!

Obj. V. _Why did she not throw herself into Lady Betty's Protection?_

For Answer, see Vol. III, p. 152, and before: Also p. 158, 159, that Lady's writing to her, and not inviting her to her. See also their Debate, p. 159, 160.--Miss Montague wishes to see her at M. Hall; but it is after she should be married. See further, her Observations on Miss Montague's not excusing her self for not meeting her on the Road; yet Clarissa's Willingness to say something for L. / /

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On the contrary, it will be found, that they every-where disclaim the Impiety of such as endeavour to make a Religion to their Practices; and each upon himself, and very often make such Reflections upon each other, and, / upon his Actions, as reasonable Beings, who disbelieve not a future State of Rewards and Punishments (and who one Day propose to reform) must sometimes make--one of them actually reforming, and antidoting the Poison spread by the gayer Pen, and lighter Heart, of the other.

And yet that other (altho', in unbosoming himself to a select Friend, he discover Wickedness enough to int.i.tle him to general Hatred) preserves a Decency as well in his Images, as in his Language, which is not always to be found in the Works of some of the most celebrated modern Writers, whose Subjects and Characters have less warranted the Liberties they have taken.

The Writer chose to tell his Tale in a Series of Letters, supposed to be written by the Parties concerned, as the Circ.u.mstances related pa.s.sed: For this Juncture afforded him the only natural Opportunity that could be had, of representing with any Grace those lively and delicate Impressions, which _Things present_ are known to make upon the Minds of those affected by them. And he apprehends, that in the Study of human Nature the Knowlege [sic] of those Apprehensions leads us farther into the Recesses of the human Mind, than the colder and more general Reflections suited to a continued and more contracted Narrative.

On the Contents.

Obj. _Contents will antic.i.p.ate the Reader's Curiosity._

The Curiosity not so much the View to excite, as the Attention to the Instruction. When the Curiosity is partly gratified, there will be the more room for the Attention. Rather instruct, than divert or amuse.

The Reader will remember, that the Instructions, Lessons, and Warnings, both to Parents and Children, for the sake of which the Whole was published, cannot appear in a Table of Contents, that means only to point out the princ.i.p.al Facts, the Connexion of the Whole, and to set before the Reader as well the blameable as the laudable Conduct of the princ.i.p.al Characters, and to teach them what to pursue, and what to avoid, in a Piece that is not to be considered as an Amus.e.m.e.nt only, but rather as a History of Life and Manners. / /

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Drawn up with a View to obviate such of the Objections as have been made to particular Characters and Pa.s.sages, thro' want of Attention to the Story.

--In such as have pursued the Story with too much Rapidity to attend to the Connexion, and to the Instruction aimed to be given, and to the Example proposed to be set.

So many important Lessons, as to Life and Manners, in the Work, that the Reader may be intrusted with the Contents. / /

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Rev. Mr. Skelton.

They who read Romances and Novels, being accustomed to a Variety of Intrigues and Adventures, thro' which they are hurried to the Catastrophe; when they take up Clarissa, not considering that it is another kind of Work, or rather a new Species of Novel, are apt to think it tedious, towards the Beginning especially, because they have not the same Palate for natural Incidents, as for imaginary Adventures; for the Workings of private and domestic Pa.s.sions, as for those of Kings, Heroes, Heroines; for a Story English as to its Scenes, Names, Manners, as for one that is foreign: But a Reader of true Taste and Judgment will like it infinitely better, because it comes home to the Heart, and to common Life, in every Line; because it abounds with a surprising Variety of Strokes and Paintings, that seem to be taken from real Life, and of Maxims and Reflections too just, and too useful, to be pa.s.sed over unnoticed or unremembred [sic] by a Reader of Experience. These, together with the masterly Management of the Characters, serve better to entertain, while they instruct, a judicious Reader, than a Croud of mere imaginary Amours, Duels, and such-like Events, which abound with Leaves and Flowers, but no Fruits; and therefore cannot be relished but by a vitiated Taste, by the Taste of a Chameleon, not of a Man. Two or three Hours furnish Matter for an excellent Play: Why may not Two or Three Months supply Materials for as many Volumes? Is the History of Thucydides less entertaining or instructive, because its Subject is confined to narrow Bounds, than that of Raleigh, which hath the World for its Subject? Is Clarissa a mere Novel? Whoever considers it as such, does not understand it. It is a System of religious and moral Precepts and Examples, planned on an entertaining Story, which stands or goes forward, as the excellent Design of the Author requires; but never stands without pouring in Incidents, Descriptions, Maxims, that keep Attention alive, that engage and mend the Heart, that play with the Imagination, while they inform the Understanding. / /

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Rev. Mr. Spence.

It is the more necessary to say something, by way of Preface, of the following Work; because it is a Work of a new kind among us.

The Writers of _Novels_ and _Romances_ have generally endeavoured to pick out the most pleasing Stories; to pa.s.s over the dry Parts in them; and to hurry the Reader on from one striking Event to another. Their _only_ Aim seems to be that of making a Tissue of Adventures, which by their Strangeness and Variety are meant only to surprise and please.

Nature they have not much in View; and Morality is often quite out of the Question with them.

Instead of following this way of writing, the Author of Clarissa has attempted to give a plain and natural Account of an Affair that happened in a private Family, just in the manner that it did happen. He has aimed solely at following Nature; and giving the Sentiments of the Persons concerned, just as they flowed warm from their Hearts.

The best way to do this he thought was to carry on the Story, not in the narrative way, as usual; but by making them write their own Thoughts to Friends, soon after each Incident happened; with all that Naturalness and Warmth, with which they felt them, at that time, in their own Minds.

This must necessarily lead the Work into a great Length: For as his Aim was to give a true and full Picture of Nature, the whole Course of the Affair is represented; frequently, even to the most minute Particulars: And as they are related by Persons concerned, you have not only the Particulars, but what they felt in their own Minds at the time, and their Reflections upon them afterwards: Beside, that Letters always give a Liberty of little Excursions; and when between Intimate Friends, require an Opening of the Heart, and consequently a Diffuseness, that the narrative Style would not admit of.

The chief Intent of the Work was, to draw off the Ladies, if possible, from the distinguis.h.i.+ng Fondness many of them are too apt to entertain for Rakes; and to shew them, that if they put themselves into the Power of a Rake, they are sure of being ill used by him.

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To this End the Author has chosen out a Story, which is as strong a Proof of it as can well be. A Lady of particular good Sense, Breeding, and Morals, is so ill used by her Family, in order to oblige her to marry a Man she cannot like, that they drive her at last into the Hands of a Rake, who professes the most honourable Pa.s.sion for her. From the Moment she is in his Hands, he is plotting how to ruin her: Her Innocence is above all his Art and Temtations [sic]; so that he is forced to use other, and yet viler Means. In spite/ /of all her Virtue, her Person is abused. She resents it, as she ought; and escapes from him: But, worn out with a continued Series of ill Usage (from her own Family, as well as from the Villain, and his Adherents), she continues languis.h.i.+ng; and at last dies forgiving all her Enemies.

To give this the greater Strength, the Lady is represented as superior to all her s.e.x; and the Rake of a mixt Character, and not so bad as several of his. She likes the Man; but has no violent Pa.s.sion for him: He loves her above all Women; and yet is resolved most steadily to pursue her Ruin. All her Calamities with him are occasioned, at first,[34] by going scarce sensibly out of the Bounds of her Duty; and afterwards, by being betrayed into an Action[35], which she did not intend; and which, had she intended [it] [sic], under her Circ.u.mstances, was scarce to be blamed. When in his Hands, her Virtue is invincible: She is perpetually alarmed, and her Prudence is ever on the Watch. And yet she falls a Prey to his Villainy; and from being the Glory of her s.e.x, becomes an Object of our Compa.s.sion. If a Clarissa thus fell, what must the rest of Women expect, if they give greater Encouragements to yet more abandoned Men?

There are other Side-Morals (and particularly that very instructive one to Parents, not to insist too rigidly on forcing their Childrens Inclinations); but this is the direct Moral of the whole Story: "That a Woman, even of the greatest Abilities, should not enter into any, even the most guarded, Correspondence with a Rake; and that if she once falls into his Power, she is undone."