The Grand Babylon Hotel Part 19

'Do you invent these things without materials, then?' questioned Racksole.

'Certainly. I do dem in my mind. I tink dem. Why should I want materials? I know all flavours. I tink, and tink, and tink, and it is done. I write down.

I give the recipe to my best chef--dere you are. I need not even taste, I know how it will taste. It is like composing music. De great composers do not compose at de piano.'

'I see,' said Racksole.

'It is because I work like dat dat you pay me three thousand a year,'

Rocco added gravely.

'Heard about Jules?' said Racksole abruptly.

'Jules?'

'Yes. He's been arrested in Ostend,' the millionaire continued, lying cleverly at a venture. 'They say that he and several others are implicated in a murder case--the murder of Reginald Dimmock.'

'Truly?' drawled Rocco, scarcely hiding a yawn. His indifference was so superb, so gorgeous, that Racksole instantly divined that it was a.s.sumed for the occasion.

'It seems that, after all, the police are good for something. But this is the first time I ever knew them to be worth their salt. There is to be a thorough and systematic search of the hotel to-morrow,' Racksole went on. 'I have mentioned it to you to warn you that so far as you are concerned the search is of course merely a matter of form. You will not object to the detectives looking through your rooms?'

'Certainly not,' and Rocco shrugged his shoulders.

'I shall ask you to say nothing about this to anyone,' said Racksole.

'The news of Jules' arrest is quite private to myself. The papers know nothing of it. You comprehend?'

Rocco smiled in his grand manner, and Rocco's master thereupon went away.

Racksole was very well satisfied with the little conversation. It was perhaps dangerous to tell a series of mere lies to a clever fellow like Rocco, and Racksole wondered how he should ultimately explain them to this great master-chef if his and Nella's suspicions should be unfounded, and nothing came of them. Nevertheless, Rocco's manner, a strange elusive something in the man's eyes, had nearly convinced Racksole that he was somehow implicated in Jules' schemes--and probably in the death of Reginald Dimmock and the disappearance of Prince Eugen of Posen.

That night, or rather about half-past one the next morning, when the last noises of the hotel's life had died down, Racksole made his way to Room 111 on the second floor. He locked the door on the inside, and proceeded to examine the place, square foot by square foot. Every now and then some creak or other sound startled him, and he listened intently for a few seconds. The bedroom was furnished in the ordinary splendid style of bedrooms at the Grand Babylon Hotel, and in that respect called for no remark. What most interested Racksole was the flooring. He pulled up the thick Oriental carpet, and peered along every plank, but could discover nothing unusual.

Then he went to the dressing-room, and finally to the bathroom, both of which opened out of the main room. But in neither of these smaller chambers was he any more successful than in the bedroom itself. Finally he came to the bath, which was enclosed in a panelled casing of polished wood, after the manner of baths. Some baths have a cupboard beneath the taps, with a door at the side, but this one appeared to have none. He tapped the panels, but not a single one of them gave forth that 'curious hollow sound' which usually betokens a secret place. Idly he turned the cold-tap of the bath, and the water began to rush in. He turned off the cold-tap and turned on the waste-tap, and as he did so his knee, which was pressing against the panelling, slipped forward. The panelling had given way, and he saw that one large panel was hinged from the inside, and caught with a hasp, also on the inside. A large s.p.a.ce within the casing of the end of the bath was thus revealed. Before doing anything else, Racksole tried to repeat the trick with the waste-tap, but he failed; it would not work again, nor could he in any way perceive that there was any connection between the rod of the waste-tap and the hasp of the panel. Racksole could not see into the cavity within the casing, and the electric light was fixed, and could not be moved about like a candle. He felt in his pockets, and fortunately discovered a box of matches. Aided by these, he looked into the cavity, and saw nothing; nothing except a rather large hole at the far end--some three feet from the casing. With some difficulty he squeezed himself through the open panel, and took a half-kneeling, half-sitting posture within. There he struck a match, and it was a most unfortunate thing that in striking, the box being half open, he set fire to all the matches, and was half smothered in the atrocious stink of phosphorus which resulted. One match burned clear on the floor of the cavity, and, rubbing his eyes, Racksole picked it up, and looked down the hole which he had previously descried.

It was a hole apparently bottomless, and about eighteen inches square.

The curious part about the hole was that a rope-ladder hung down it.

When he saw that rope-ladder Racksole smiled the smile of a happy man.

The match went out.

Should he make a long journey, perhaps to some distant corner of the hotel, for a fresh box of matches, or should he attempt to descend that rope-ladder in the dark? He decided on the latter course, and he was the more strongly moved thereto as he could now distinguish a faint, a very faint tinge of light at the bottom of the hole.

With infinite care he compressed himself into the well-like hole, and descended the latter. At length he arrived on firm ground, perspiring, but quite safe and quite excited. He saw now that the tinge of light came through a small hole in the wood. He put his eye to the wood, and found that he had a fine view of the State bathroom, and through the door of the State bathroom into the State bedroom. At the ma.s.sive marble-topped washstand in the State bedroom a man was visible, bending over some object which lay thereon.

The man was Rocco!

Chapter Thirteen IN THE STATE BEDROOM

IT was of course plain to Racksole that the peculiar pa.s.sageway which he had, at great personal inconvenience, discovered between the bathroom of No. 111 and the State bathroom on the floor below must have been specially designed by some person or persons for the purpose of keeping a nefarious watch upon the occupants of the State suite of apartments.

It was a means of communication at once simple and ingenious. At that moment he could not be sure of the precise method employed for it, but he surmised that the casing of the waterpipes had been used as a 'well', while s.p.a.ce for the pipes themselves had been found in the thickness of the ample brick walls of the Grand Babylon. The eye-hole, through which he now had a view of the bedroom, was a very minute one, and probably would scarcely be noticed from the exterior. One thing he observed concerning it, namely, that it had been made for a man somewhat taller than himself; he was obliged to stand on tiptoe in order to get his eye in the correct position. He remembered that both Jules and Rocco were distinctly above the average height; also that they were both thin men, and could have descended the well with comparative ease. Theodore Racksole, though not stout, was a well-set man with large bones.

These things flashed through his mind as he gazed, spellbound, at the mysterious movements of Rocco. The door between the bathroom and the bedroom was wide open, and his own situation was such that his view embraced a considerable portion of the bedroom, including the whole of the immense and gorgeously-upholstered bedstead, but not including the whole of the marble washstand. He could see only half of the washstand, and at intervals Rocco pa.s.sed out of sight as his lithe hands moved over the object which lay on the marble. At first Theodore Racksole could not decide what this object was, but after a time, as his eyes grew accustomed to the position and the light, he made it out.

It was the body of a man. Or, rather, to be more exact, Racksole could discern the legs of a man on that half of the table which was visible to him. Involuntarily he shuddered, as the conviction forced itself upon him that Rocco had some unconscious human being helpless on that cold marble surface. The legs never moved. Therefore, the hapless creature was either asleep or under the influence of an anaesthetic--or (horrible thought!) dead.

Racksole wanted to call out, to stop by some means or other the dreadful midnight activity which was proceeding before his astonished eyes; but fortunately he restrained himself.

On the washstand he could see certain strangely-shaped utensils and instruments which Rocco used from time to time. The work seemed to Racksole to continue for interminable hours, and then at last Rocco ceased, gave a sign of satisfaction, whistled several bars from 'Cavalleria Rusticana', and came into the bath-room, where he took off his coat, and very quietly washed his hands. As he stood calmly and leisurely wiping those long fingers of his, he was less than four feet from Racksole, and the cooped-up millionaire trembled, holding his breath, lest Rocco should detect his presence behind the woodwork. But nothing happened, and Rocco returned unsuspectingly to the bedroom.

Racksole saw him place some sort of white flannel garment over the p.r.o.ne form on the table, and then lift it bodily on to the great bed, where it lay awfully still. The hidden watcher was sure now that it was a corpse upon which Rocco had been exercising his mysterious and sinister functions.

But whose corpse? And what functions? Could this be a West End hotel, Racksole's own hotel, in the very heart of London, the best-policed city in the world? It seemed incredible, impossible; yet so it was. Once more he remembered what Felix Babylon had said to him and realized the truth of the saying anew. The proprietor of a vast and complicated establishment like the Grand Babylon could never know a t.i.the of the extraordinary and queer occurrences which happened daily under his very nose; the atmosphere of such a caravanserai must necessarily be an atmosphere of mystery and problems apparently inexplicable.

Nevertheless, Racksole thought that Fate was carrying things with rather a high hand when she permitted his chef to spend the night hours over a man's corpse in his State bedroom, this sacred apartment which was supposed to be occupied only by individuals of Royal Blood. Racksole would not have objected to a certain amount of mystery, but he decidedly thought that there was a little too much mystery here for his taste. He thought that even Felix Babylon would have been surprised at this.

The electric chandelier in the centre of the ceiling was not lighted; only the two lights on either side of the washstand were switched on, and these did not sufficiently illuminate the features of the man on the bed to enable Racksole to see them clearly. In vain the millionaire strained his eyes; he could only make out that the corpse was probably that of a young man. Just as he was wondering what would be the best course of action to pursue, he saw Rocco with a square-shaped black box in his hand. Then the chef switched off the two electric lights, and the State bedroom was in darkness. In that swift darkness Racksole heard Rocco spring on to the bed. Another half-dozen moments of suspense, and there was a blinding flash of white, which endured for several seconds, and showed Rocco standing like an evil spirit over the corpse, the black box in one hand and a burning piece of aluminium wire in the other. The aluminium wire burnt out, and darkness followed blacker than before.

Rocco had photographed the corpse by flashlight.

But the dazzling flare which had disclosed the features of the dead man to the insensible lens of the camera had disclosed them also to Theodore Racksole. The dead man was Reginald Dimmock!

Stung into action by this discovery, Racksole tried to find the exit from his place of concealment. He felt sure that there existed some way out into the State bathroom, but he sought for it fruitlessly, groping with both hands and feet. Then he decided that he must ascend the rope- ladder, make haste for the first-floor corridor, and intercept Rocco when he left the State apartments. It was a painful and difficult business to ascend that thin and yielding ladder in such a confined s.p.a.ce, but Racksole was managing it very nicely, and had nearly reached the top, when, by some untoward freak of chance, the ladder broke above his weight, and he slipped ignominiously down to the bottom of the wooden tube. Smothering an excusable curse, Racksole crouched, baffled.

Then he saw that the force of his fall had somehow opened a trap-door at his feet. He squeezed through, pushed open another tiny door, and in another second stood in the State bathroom. He was dishevelled, perspiring, rather bewildered; but he was there. In the next second he had resumed absolute command of all his faculties.

Strange to say, he had moved so quietly that Rocco had apparently not heard him. He stepped noiselessly to the door between the bathroom and the bedroom, and stood there in silence. Rocco had switched on again the lights over the washstand and was busy with his utensils.

Racksole deliberately coughed.

Chapter Fourteen ROCCO ANSWERS SOME QUESTIONS

ROCCO turned round with the swiftness of a startled tiger, and gave Theodore Racksole one long piercing glance.

'D--n!' said Rocco, with as pure an Anglo-Saxon accent and intonation as Racksole himself could have accomplished.

The most extraordinary thing about the situation was that at this juncture Theodore Racksole did not know what to say. He was so dumbfounded by the affair, and especially by Rocco's absolute and sublime calm, that both speech and thought failed him.

'I give in,' said Rocco. 'From the moment you entered this cursed hotel I was afraid of you. I told Jules I was afraid of you. I knew there would be trouble with a man of your kidney, and I was right; confound it! I tell you I give in. I know when I'm beaten. I've got no revolver and no weapons of any kind. I surrender. Do what you like.'

And with that Rocco sat down on a chair. It was magnificently done. Only a truly great man could have done it. Rocco actually kept his dignity.

For answer, Racksole walked slowly into the vast apartment, seized a chair, and, dragging it up to Rocco's chair, sat down opposite to him.

Thus they faced each other, their knees almost touching, both in evening dress. On Rocco's right hand was the bed, with the corpse of Reginald Dimmock. On Racksole's right hand, and a little behind him, was the marble washstand, still littered with Rocco's implements. The electric light shone on Rocco's left cheek, leaving the other side of his face in shadow. Racksole tapped him on the knee twice.