Hard to Escape Chapter 34 Part1

Three days later, our travels serendipitously brought Yin Li and I to the Frida Kahlo Museum, better known as the Blue House. It was where the acclaimed Mexican artist, Frida Kahlo, had lived during her life. After her death, it became a museum dedicated to her life's works. The whole exterior of the small building was painted blue. But somehow, perched on a corner of the street in this shabby, slightly-rundown neighborhood, it didn't seem out of place at all.

Frida was a legendary female artist. As a result of the polio she contracted during childhood and the car accident she suffered in her youth, she was paralyzed and had to undergo over thirty surgeries. I walked the perimeter of the room and looked at the self-portraits she had painted at different periods in her life.

In one painting, a woman with thick brows and a piercing gaze sat upon a wheelchair. She bled, crying as if broken. Her body was shattered, the pieces scattered everywhere. In another, she painted herself soaring. In yet another, she wore a cold expression on her face, with a ripped-out heart. But in every single painting, she did not bow to the world, instead boldly facing the viewer outside the portrait straight-on.

I stared at her face. Even the hot Mexican heat couldn't stop me from s.h.i.+vering.

I instinctively felt fearful. It seemed like she could see through to my inner heart. In a certain way, we were connected to each other through the darkness. We were both women who had been broken and crushed by life, yet came out stronger.

Yin Li looked at the words on the wall above the paintings. It read: "Feet, what do I need you for when I have wings to fly?"

After the car accident and her subsequent paralysis, Frida experienced a breakthrough in her art. Likewise, I had also experienced a car accident, but with luck was still able to stand and dance.

A tour group from Europe was in front of Yin Li and I. The tour guide led the group, talking as he walked. "Frida was a woman who fought destiny. She never gave up on being an artist, and she never bowed her head for art. She experienced great pain in her life, and three miscarriages. Her husband had an affair with her sister. She married, divorced, and remarried, and she was entangled in countless messy romantic relations.h.i.+ps. Yet her love for art made her life worth living. More than that, these complex life experiences let her see art in a new light. Because of this, her style changed many times throughout her life. She was never restrained. Her art left her with no regrets, and even when she was close to death, she wrote in her diary, 'I hope the leaving is joyful; and I hope never to return.'" 

All the tourists had a look of admiration on their faces. It was as if in their perception, Frida Kahlo's life was the ideal of what an artist's life should look like. To them, artists ought to be tried and tested continuously by fate. Reality should be disappointing, but artists needed to grit their teeth and endure it. Artists should entrench themselves in art, create art, and eventually become ones worthy of the pity thrown their way.

"Frida received her guests in this very room, " the tour guide continued. "She drank here, laughed here, and lived a brilliant youth here. She lived every minute of her life unrestrained. Frida's beauty was the kind that cannot be defined nor restrained. She is a Mexican icon." 　　

As the tour guide continued to weave the legend of Frida, my discomfort worsened. In my chest was a voice that wanted to burst out and scream, "It's not like that!"

Seeing my pale face, Yin Li grew concerned. He came over to support me. "Yan Xiao, what's wrong? You nearly missed a step on the stairs just now."

But at this point I was already lost in my thoughts. In this room, I could feel the soul of the artist. She gazed at me with compa.s.sion. But she also saw right through me, and in her eyes was a sliver of ridicule. 

This feeling was both terrifying and familiar.

In my mind, I saw a similar scene. A hand opened a diary and wrote: "I hope the leaving is joyful; and I hope never to return."

The tour guide was still jabbering on. "This clock's time is stopped at the moment when Frida divorced with her husband, who was a mural painter. Also…" 

I looked at that clock and visions flashed in my mind. I wanted to scream out of fear.

But in the end, I endured. I turned weakly to Yin Li and smiled.  

"At home, I have a clock that looks similar." I broke out into a cold sweat after saying these words. My head felt like it was going to split as a few more memories began to flow back to me.

"Let's go. I don't want to stay here. It's a bit suffocating."

Yin Li anxiously rubbed my head and quickly brought me away. As we drove off, I turned back to look one more time at Frida's blue house. It was such a bright blue, yet it felt so stifling that I couldn't breathe. We turned a corner and that unusually colorful house finally disappeared from my view. I forced myself to let out a breath I didn't even know I was holding.

For the rest of the day, I felt unwell. Yin Li was worried but smartly asked me nothing. I urged him to hurry back, and we drove into the night. I wanted to quickly drown myself in our travels and all the delicious food. I didn't want to think again of those unbearable memories that had the power to swallow me whole.

Candle: O_O Wonder what's going to happen to their beautiful vacation… Also a very in-depth and thoughtful reflection on Frida Kahlo's life. I wonder if the author actually visited Mexico City and the Blue House? Their perspective on how artists struggle with the popular belief that artists need to suffer to create good art is really interesting.